Ruth Maclennan's guest appearances

Ruth Maclennan

The Bigger Picture, presented by The British Film Institute

Front Row

John Hansard Gallery

Michelle Williams

Rupert Everett

Hugh Grant

Steven Soderbergh

Ian McKellen

Werner Herzog

Vanessa Redgrave

Greta Gerwig

Wim Wenders

Desiree Akhavan

Kirk Douglas

Derek Jarman

Joan Crawford

Nathan Hill

Jenny Offill

OwlTail

GEORGE MONBIOT

Chris Paling

Uberto Pasolini made his name in the film industry as a producer with the international success of his film - The Full Monty. He’s continued to produce but in recent years he’s also turned his hand to writing and directing. As the third film that he’s helmed in this way, Nowhere Special, is released in cinemas, he talks to Samira about why he felt the true story of a father with a terminal illness looking for a new family for his four year old, was the foundation for a film he wanted to create himself.From Chaucer, heralding spring in his Canterbury Tales, to Hockney's digital landscapes artists have always celebrated the rich variety of Britain's flora and fauna. Art about nature is crucial to our culture. But last month the House of Commons Environment Audit Committee reported that 'of the G7 countries, the UK has the lowest level of biodiversity remaining.' Front Row investigates this anomaly with George Monbiot, who tomorrow will be streaming Rivercide, a live documentary about the terrible state of our rivers, and artist Ruth Maclennan, whose project Treeline explores the point where forests begin, end and what this reveals. What, they discuss, is the role of art in the environmental crisis?We're exploring issues in contemporary publishing each night this week on Front Row. Yesterday we talked about the gender split in who is getting published now. Tonight Chris Paling talks about his new book A Very Nice Rejection Letter, which tracks the trials and tribulations of the mid-list novelist from selling screenplays to writing alongside the day job. He tells Samira about the realities of life as a writer and we consider the question: can writers actually make a living today?Presenter: Samira AhmedProducer: Hilary Dunn

Uberto Pasolini made his name in the film industry as a producer with the international success of his film - The Full Monty. He’s continued to produce but in recent years he’s also turned his hand to writing and directing. As the third film that he’s helmed in this way, Nowhere Special, is released in cinemas, he talks to Samira about why he felt the true story of a father with a terminal illness looking for a new family for his four year old, was the foundation for a film he wanted to create himself. From Chaucer, heralding spring in his Canterbury Tales, to Hockney's digital landscapes artists have always celebrated the rich variety of Britain's flora and fauna. Art about nature is crucial to our culture. But last month the House of Commons Environment Audit Committee reported that 'of the G7 countries, the UK has the lowest level of biodiversity remaining.' Front Row investigates this anomaly with George Monbiot, who tomorrow will be streaming Rivercide, a live documentary about the terrible state of our rivers, and artist Ruth Maclennan, whose project Treeline explores the point where forests begin, end and what this reveals. What, they discuss, is the role of art in the environmental crisis? We're exploring issues in contemporary publishing each night this week on Front Row. Yesterday we talked about the gender split in who is getting published now. Tonight Chris Paling talks about his new book A Very Nice Rejection Letter, which tracks the trials and tribulations of the mid-list novelist from selling screenplays to writing alongside the day job. He tells Samira about the realities of life as a writer and we consider the question: can writers actually make a living today? Presenter: Samira Ahmed Producer: Hilary Dunn

Nowhere Special,  Art and ecology with George Monbiot and Ruth Maclennan, "Mid-list" novelist Chris Paling

Sarah Pucill

Questions of how the past intersects with, and is activated by, the present are concerns addressed in this Experimenta Salon that brings together Sarah Pucill (Confessions to the Mirror) and Ruth Maclennan (Hero City) in conversation with Experimenta programmer and BFI head of cinemas Helen de Witt. Creating dialogues between past and present across spans of time, both artists investigate the role of their own subjectivity in revisiting different pasts; activating those through their individual contemporary aesthetic practice to allow something new to arise from the dialogue. Hosted on Acast. See acast.com/privacy for more information.

Questions of how the past intersects with, and is activated by, the present are concerns addressed in this Experimenta Salon that brings together Sarah Pucill (Confessions to the Mirror) and Ruth Maclennan (Hero City) in conversation with Experimenta programmer and BFI head of cinemas Helen de Witt. Creating dialogues between past and present across spans of time, both artists investigate the role of their own subjectivity in revisiting different pasts; activating those through their individual contemporary aesthetic practice to allow something new to arise from the dialogue. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer nofollow" target="_blank">acast.com/privacy</a> for more information.

BFI Experimenta Salon: Sarah Pucill & Ruth Maclennan

Ruth Maclennan, in conversation with Stephen Foster in 2010, talks about her exhibition Anarcadia, which features a video projection and accompanying photo-series shot amongst the desert expenses of Kazakhstan. Co-commissioned by Film and Video Umbrella and John Hansard Gallery.

A conversation with artist Ruth Maclennan