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TV & Film

KUCI: Film School

Updated 24 days ago

TV & Film
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Independent Film News and Interviews

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Independent Film News and Interviews

iTunes Ratings

8 Ratings
Average Ratings
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Excellent

By journoMomx4 - May 01 2020
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I look forward to these interviews. Informative, to the point, mo chi-chi crap and doesn’t pad & linger. Mike has opened my eyes to so many films I would never know about. Thank you.

Worth it

By Film Girl - Mar 19 2007
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This podcast is worth subscribing too

iTunes Ratings

8 Ratings
Average Ratings
5
3
0
0
0

Excellent

By journoMomx4 - May 01 2020
Read more
I look forward to these interviews. Informative, to the point, mo chi-chi crap and doesn’t pad & linger. Mike has opened my eyes to so many films I would never know about. Thank you.

Worth it

By Film Girl - Mar 19 2007
Read more
This podcast is worth subscribing too

Best weekly hand curated episodes for learning

Cover image of KUCI: Film School

KUCI: Film School

Latest release on Jan 17, 2021

Best weekly hand curated episodes for learning

The Best Episodes Ranked Using User Listens

Updated by OwlTail 24 days ago

Rank #1: Wrestle / Film School Radio interview with Director(s) Suzannah Herbert and Lauren Belfer

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WRESTLE takes us inside the lives of four members of the high school wrestling team at Huntsville’s J.O. Johnson High School, a longstanding entry on Alabama’s list of failing schools. Teammates Jailen, Jamario, Teague, and Jaquan face challenges far beyond a shot at the state championship: splintered families, drug use, teenage pregnancy, mental health struggles, and run-ins with the law threaten to derail their athletic success and lock doors that might open their future. Their tough-love coach Chris Scribner isn’t off the hook, either; he must come to terms with his own past while unwittingly wading into the complexities of race, class and privilege. Director Suzannah Herbert and co-director Lauren Belfer captured over 650 hours of footage during the team’s final season to create this closely observed, deeply affecting depiction of growing up disadvantaged in America. Wrestle premieres on Independent Lens Monday, May 20, 10:00-11:30 PM ET (check local listings) on PBS and will also be available simultaneously for online streaming at pbs.org.

For news and updates go to: wrestlefilm.com

For more about Independent Lens and Wrestle schedule go to: independentlens

May 17 2019

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Rank #2: Hesburgh / Film School Radio interview with Director Patrick Creadon

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In Patrick Creadon’s illuminating new documentary, HESBURGH, shines a bright light on a unique public figure whom came to light during one of the country’s most divisive political and social storm. His name is Reverend Theodore Hesburgh, C.S.C, president of the University of Notre Dame for more than 35 years. This revered figure worked his entire adult life to advance of peace and equal rights for all people. As the most dynamic member of the U.S. government’s Civil Rights Commission Hesburgh pushed Presidents Dwight Eisenhower and Lyndon Johnson to enact legislation that culminated in the landmark 1964 Civil Rights Act. HESBURGH offers a unique glimpse at more than fifty years of American history. Educator, civil rights champion, advisor to presidents, envoy to popes, theologian and activist, Hesburgh was called on by countless world leaders to tackle the most challenging issues of the day. He built a reputation as a savvy political operator with a penchant for bridging the divide between bitter enemies. Through it all, he remained a man armed with a fierce intelligence, a quick wit and an unyielding moral compass -- a timeless example of bipartisan leadership that would serve us in today’s increasingly polarized times. Director Patrick Creadon (Wordplay, If You Build It , Ski Bum: The Warren Miller Story), joins us for a conversation on a man who’s life’s work harkens back to a time when compromise and cooperation were the political norms and not the exception.

For news and updates go to: hesburghfilm.com

To find a theatre near you go to: hesburghfilm.com/tickets

Social Media:

facebook.com/HesburghFilm twitter.com/hesburghfilm instagram.com/hesburghfilm

May 03 2019

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Rank #3: The Long Shadow / Film School Radio interview with Frances Causey

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Of all the divisions in America, none is as insidious and destructive as racism. The powerful documentary THE LONG SHADOW takes a shockingly candid look at America’s original sin – slavery -- and traces the history of slavery from the country’s founding, up through its insidious ties to racism today. We witness from the moment of America’s birth, how slavery was embedded in principal structural elements of society, and yet, even as slavery ended, these systems still operate today in various forms, carrying out their original purpose  - to diminish the social role of black people and keep them in a perpetual state of suffering. Director Frances Causey and Producer Sally Holst, both privileged daughters of the South, were haunted by their families’ slave-owning pasts. They grew up in a time when white superiority was rarely questioned, and challenging this norm was often met with deadly consequences. Rejecting the oft-told romanticized version of early U.S. history, they embarked on a journey of hidden truths and the untold stories of how America - driven by the South's powerful political influence - steadily, deliberately and with great stealth,  established white privilege in our institutions, laws, culture and economy. From New Orleans to Virginia, Mississippi and Canada, they traveled the roads of oppression, suppression, and even hope to reveal the direct link from early slavery, Jim Crow and strong-arm Southern politics to the current racial strife and division we face today. Director and Frances Causey is an Emmy-award winning journalist and documentary filmmaker who began her career with CNN. Her 2012 documentary feature, “Heist: Who Stole the American Dream?”was a New York Times Critic’s Pick and is currently seen in over 50 countries. Causey was honored with the Women’s International Film and Television Jury Award for her work on Heist. Frances Causey joins us to talk about the stain of slavery and the legacy of racism that continues to torment the American Promise.

For news and updates go to: thelongshadowfilm.com

Host a screening at: thelongshadowfilm.com/host-a-screening

Mar 22 2019

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Rank #4: ¡Boza! / Film School Radio interview with Director Sydney Bowie

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¡Boza! follows the harrowing journey of three young sub-Saharan African immigrants: Sani, Yamal & Kone, as they leave home in their teens to embark on their years-long journey to a new life in Spain. Crossing the Sahara Desert by foot, spending months to years living in the forests of Morocco, and finally making the dangerous crossing to the Spanish mainland or territories by land or sea, these three powerfully distinct immigration stories have one thing in common: their incredible optimism in the face of inconceivable adversity. Their stories teach us the perseverance of the human spirit, something our world desperately needs to be reminded of now. The dynamic structure jumps between present day footage of life in Spain and reconstructing their migration story using animation and archival footage. Through parallel storytelling, the film compares these three inspiring stories of success to the hopes of a group of migrants living in the slums of Tangier, Morocco. ¡Boza! Director and Producer Sydney Bowie discovered her love of documentary film as an undergraduate at University of California, Los Angeles (UCLA). Her short films have been selected to screen at festivals across the United States. In addition, Sydney has worked alongside noted documentary filmmakers, including Oscar-nominated Robert Kenner (Food Inc.) and world renowned British journalist and filmmaker Sean Langan. Sydney has received the prestigious Fulbright Scholarship to work on her most recent film the New Migration Project, from which ¡Boza! was produced, documenting the lives of immigrants in Spain. Director Sydney Bowie stops by to talk about her intimate and heartfelt portrayal of people struggling to find a better life.

For news and updates go to: bozathefilm.com

Social Media:

Instagram: @bozathefilm

Facebook: @bozathefilm

Social Media for Sydney Bowie 

Twitter.com@newmigrationdoc

Apr 29 2019

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Rank #5: American Relapse / Film School interview with Co-director Pat McGee (Adam Linkenhelt)

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AMERICAN RELAPSE tells the story of two people fighting to make a difference against the devastating heroin epidemic that’s spawning a billion-dollar treatment industry. Against the odds, in an “Us vs. the World” mentality, two recovering addicts spend their lives pulling needles out of the arms of addicts and assist in placing them in reputable treatment facilities.  The film features Frankie and Allie who live and work in Delray Beach, Florida, the Rehab Capital of America, now referred to by some as the Relapse Capital of America. They allowed the film crew all access for one weekend. What transpires over 72 hours is not only captivating and raw, but a heartbreaking rollercoaster ride. Frankie is 38 and has relapsed multiple times but continues to operate his F*ck Heroin Foundation with his mother. Allie is 28 and has been clean and sober for 10 years. While they are at different points on the recovery spectrum, they both share a deep belief in the 12th step: helping others.  These unlikely and imperfect heroes opened their lives for the world to see, hoping to shine a light anywhere and any way they can. In the process, they show viewers and addicts alike that despite seemingly impossible odds and devastating damage, empathy and hope can restore a little bit of humanity to those who struggle and can sometimes save their lives. Co-directors Patrick McGee (Dopesick Nation, The Deported) and Adam Linkenhelt (24 to Life) join us to talk about their raw, honest film and South Florida’s heroin epidemic and the revolving door of the for-profit rehab industry.

For news and updates go to: americanrelapse.com

Social Media
facebook.com/americanrelapse instagram.com/american_relapse

Mar 28 2019

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Rank #6: Charlie Says / Film School Radio interview with Director Mary Harron

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CHARLIE SAYS, follows three women whose names have become synonymous with the murders of that shocked a nation and the man who ordered them on their deadly spree, Charles Manson. The women - Leslie Van Houten (Hannah Murray), Patricia Krenwinkel (Sosie Bacon), and Susan Atkins (Marianne Rendón) - remained under the spell of the infamous cult leader (Matt Smith) for years. Confined to an isolated cellblock in a California penitentiary, the trio seem destined to live out the rest of their lives under the delusion that their crimes were part of a cosmic plan, until empathetic graduate student Karlene Faith (Merritt Wever) is enlisted to rehabilitate them. Convinced the prisoners are not the inhuman monsters the world believes them to be, Karlene begins the arduous process of breaking down the psychological barriers erected by Manson. But are the women ready to confront the horror of what they did? In CHARLIE SAYS, boundary pushing auteur Mary Harron (American Psycho, I Shot Andy Warhol) presents a provocative new perspective on one of the most notorious crimes of the 20th century.  Director Mary Harron joins us to talk about how these seemingly sane, likable young woman could have committed such hideous crimes and why it drove her to tell their stories.

For news and updates go to: charliesaysmovie.com

May 09 2019

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Rank #7: Carmine Street Guitars / Film School Radio interview with Director Ron Mann

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Once the center of the New York bohemia, Greenwich Village is now home to luxe restaurants, and buzzer door clothing stores catering to the nouveau riche. But one shop in the heart of the Village remains resilient to the encroaching gentrification: Carmine Street Guitars. There, custom guitar maker Rick Kelly and his young apprentice Cindy Hulej, build handcrafted guitars out of reclaimed wood from old hotels, churches, bars and other local buildings. Nothing looks or sounds quite like a Rick Kelly guitar, which is the reason they are embraced by the likes of Bob Dylan, Lou Reed, Patti Smith, Jim Jarmusch, just to name a few. Featuring a cast of prominent musicians and artists, and some virtuoso performances, the film captures five days in the life of one shop in the heart of Greenwich Village that remains resilient to an all-too-quickly vanishing way of life. Director and Producer Ron Mann stops by to talk about the guitar artisans, Rick Kelly and Cindy Hulej, their own personal journeys and the last remaining vestige of a musical community that continues to inspire musicians all over the world.

ABOUT THE FILMMAKER: RON MANN - The Canadian filmmaker and producer Ron Mann is renowned for his genre-bending approach to filmmaking and documentary cinema that explores art forms and contemporary popular culture with vision and verve. From jazz (Imagine the Sound, 1981), spoken word (Poetry in Motion, 1982), comics (Comic Book Confidential, 1988), dance (Twist, 1992), marijuana (Grass, 1999), car culture (Tales of the Rat Fink, 2006), fungi (Know Your Mushrooms, 2009), and independent filmmaking (Altman, 2015) Mannʼs films invoke the ethos and spirit of his subjects in resonant and contemporary ways.

For news and updates go to: carminestreetguitarsfilm.com

May 08 2019

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Rank #8: Avicii: True Stories / Film School Radio interview with Director Levan Tsikurishvili

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AVICII: TRUE STORIES, a compelling new documentary film by Levan Tsikurishvili, reveals the unvarnished truth behind the success of Grammy-nominated producer, songwriter and artist Avicii (A.K.A. Tim Bergling). One of the world’s highest grossing live music artists whose seemingly sudden decision last year to quit doing live shows came as a complete shock to his fans and the industry. The film traces the artist/DJ’s life from his beginnings, all the way to the joy of his success, from his chart-topping global radio hits and subsequent struggles with his physical and mental health. Tsikurishvili followed Bergling for over four years, and captured fly-on-the-wall footage of his experiences and thinking. Featuring appearances by colleagues such as Chris Martin, Nile Rodgers, David Guetta, Tiësto and Wyclef Jean, AVICII: TRUE STORIES is a cautionary tale that explores the taxing nature and intensity of fame from the artist's point of view as much as it is a film for Avicii’s die-hard fans.

I wanted to do a brutally honest film about Tim as a person and not only about Avicii. Everybody knows Avicii but very few people know Tim. I think this documentary really shows Tim’s struggle and strength of character. Being a worldwide superstar artist is not as easy as it looks on Instagram. - Director Levan Tsikurishvili

For news and updates go to: aviciitruestories.com

Dec 14 2018

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Rank #9: Kate Nash: Underestimate the Girl / Film School Radio interview with Director Amy Goldstein

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Amy Goldstein’s wildly entertaining documentary, KATE NASH: UNDERESTIMATE THE GIRL, chronicles the meteoric rise and years-long struggle of musician / artist Kate Nash to re-establish a thriving career on her own terms. At 18, Nash reached the stratosphere of pop music, vaulting from a working-class family in North London into worldwide tours, a platinum record, and a season dominating the music charts. Fast forward to ten years later: Kate is breaking down, nearly homeless. Defrauded by her manager, she is forced to take odd jobs--like hosting a QVC show in a comic bookstore--and must sell off her clothes. After hitting bottom, she rises out of the darkness by crowd-funding her third album, using the uplifting power of online culture and her own authentic voice. From pop wonder, to riot grrrl, to TV wrestling queen, Kate's journey is an inspiring call to the creative heart in all of us: be fearless. Blending performance footage with verité style sequences, KATE NASH: UNDERESTIMATE THE GIRLis both a no-punches-pulled look at an artist in flux who manages to come out on top, and at an industry that proves its own gender bias at every opportunity. The film is structured around songs and lyrics, as they are written and performed by Kate Nash, to tell its unfolding story. Director Amy Goldstein joins us to talk about Kate Nash, her work ethic, determination, sense of humor and how that has served her over the many years of struggle.

For news and updates go to: thehoopinglife.com/kate-nash-underestimate-the-girl

KATE NASH: UNDERESTIMATE THE GIRL will be released nationally on Friday May 22 via the groundbreaking virtual cinema platform ALAMO ON DEMAND. Following the Saturday, May 23 6:00 PST / 9:00 EST there will be an interactive performance and Q&A with Kate Nash.The exclusive release will then hit a limited traditional theatrical rollout in August. Watch tonight: On Demand.drafthouse.com/film/kate-nash-underestimate-the-girl

Social Media
facebook.com/katenashfilm
instagram/katenashfilm
facebook.com/TheHoopingLife twitter.com/katenashfilm twitter.com/katenash

May 16 2020

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Rank #10: Stray / Film School Radio interview with Director Dustin Feneley

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Winner of numerous international film awards STRAY, director Dustin Feneley’s feature film debut takes place in a cold and remote landscape, two strangers, Jack (Kieran Charnock) and Grace (Arta Dobroshi) struggle to repair their broken pasts. A young man is on parole after serving time for attempting to murder the man who killed his girlfriend in a hit and run. A woman is released from a psychiatric facility far from her homeland. These two damaged strangers cross paths in the mountains in winter and fall into a complex intimate relationship, putting to the test their capacity to trust and heal. A stark, complex story of people confronting their past while struggling to find their own resolve to forge a better future. Director / Producer / Writer Dustin Feneley joins us for a conversation on his own journey getting Stray financed and completed as well as crafting a beautifully rendered tale of two lost, psychologically exhausted souls.

For news, screenings and updates go to: strayfilm.com

Social Media
facebook.com/strayfeaturefilm instagram.com/strayfeaturefilm

Apr 28 2020

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Rank #11: Beyond the Visible - Hilma af Klint / Film School radio interview with Director Halina Dyrschka

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Hilma af Klint was an abstract artist before the term existed, a visionary, trailblazing figure who, inspired by spiritualism, modern science, and the riches of the natural world around her, began in 1906 to reel out a series of huge, colorful, sensual, strange works without precedent in painting. The subject of a recent smash retrospective at the Guggenheim Museum, af Klint was for years an all-but-forgotten figure in art historical discourse, before her long-delayed rediscovery. Halina Dryschka’s dazzling, course correcting documentary describes not only the life and craft of af Klint, but also the process of her erasure and mischaracterization by both a patriarchal narrative of artistic progress and capitalistic determination of artistic value. Director Halina Dyrschka joins us to talk about her own journey in making this compelling and powerful film and the importance of shattering the art world narrative of marginalizing woman artists.

About the filmmaker - Halina Dyrschka
Halina Dyrschka was born in Berlin, Germany and is active as a director and producer. After studying acting, classical singing and film production she founded the company AMBROSIA FILM in Berlin. Her first film as a director the short film “9andahalf’s Goodbye” was shown at over 40 film festivals worldwide and has won several awards. BEYOND THE VISIBLE – HILMA AF KLINT marks her directorial feature documentary debut and is the first and only film on the Swedish artist Hilma af Klint.

For news, screenings and updates go to: zeitgeistfilms.com/film/beyondthevisiblehilmaafklint

Social Media
facebook.com/HilmaafKlintOfficial twitter.com/hilma_af_klint instagram.com/hilmaafklint_thefilm

Apr 22 2020

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Rank #12: The Dog Doc / Film School Radio interview with Director Cindy Meehl

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As a pioneer of integrative medicine, which combines conventional medicine with cutting edge alternative treatments, veterinarian Dr. Marty Goldstein has been called everything from "maverick" to "miracle-worker." Attracting four-legged patients from around the world, Dr. Goldstein's practice, Smith Ridge Veterinary Center, provides holistic care for animals after other vets have given up hope. In THE DOG DOC, director Cindy Meehl (BUCK), goes behind the scenes at Smith Ridge to capture the full drama of "Dr. Marty" and his colleagues' life-changing commitment to wellness and the astounding results they achieve. Filmed over a 2½ year period, Meehl's unobtrusive camera highlights the vulnerability of her subjects - canine and human - while tracking each animal's progress. THE DOG DOC joins the touching stories of families with the hard science of integrative care. By casting an intimate lens over this unique world, THE DOG DOC shows the healing powers of wellness, compassion and hope. Director Cindy Meehl joins us for a conversation of why conventional techniques and alternative medicines coupled with compassionate care make Doctor Goldstein’s approach so successful.

For news, screenings and updates go to: dogdocthefilm.com

Social Media
facebook.com/dogdocthefilm twitter.com/dogdocthefilm instagram.com/dogdocthefilm

Mar 13 2020

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Rank #13: The Woman Who Loves Giraffes / Film School Radio interview with Director Alison Reid

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In 1956, four years before Jane Goodall ventured into the world of chimpanzees and seven years before Dian Fossey left to work with mountain gorillas, 23-year-old biologist Anne Innis Dagg made an unprecedented solo journey to South Africa to study giraffes in the wild.  In THE WOMAN WHO LOVES GIRAFFES Anne (now 86) retraces her steps, and with letters and stunning, original 16mm film footage offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as setbacks. In THE WOMAN WHO LOVES GIRAFFES Anne takes us on her first expedition back to Africa to retrace where her trail-blazing journey began more than half a century ago. By retracing her original steps, and with letters and stunning, original 16mm film footage, Anne offers an intimate window into her life as a young woman, juxtaposed with a first hand look at the devastating reality that giraffes are facing today. Both the world’s first ‘giraffologist’, whose research findings ultimately became the foundation for many scientists following in her footsteps, and the species she loves have each experienced triumphs as well as nasty battle scars. THE WOMAN WHO LOVES GIRAFFES gives us a moving perspective on both. Director Alison Reid joins us for a conversation on meeting Anne Innis Dagg and learning how this gentle soul is more than a pioneer in understanding these magnificent creatures, but just as importantly an advocate for women and science.

About the filmmaker: Alison Reid (Director, Writer, Producer) is an award-winning director who began her career as a stunt coordinator and second unit director. After accumulating 300 credits, she formed Free Spirit Films to produce projects diverse in genre but similar in their exploration of the human spirit. Reid received the 2007 Crystal Award for Emerging Director from DGC/WIFT. Her independent feature, The Baby Formula (2009), sold internationally, won the Audience Award at the Inside Out LGBT Film Festival, ‘Best LGBT Film’ at Nashville Film Festival and was nominated for the Golden Zenith at the Montreal World Film Festival. Her television directing credits include Saving Hope, Heartland and Murdoch Mysteries.

For news and updates go to: zeitgeistfilms.com/film/thewomanwholovesgiraffes

To see The Woman Who Loves Giraffes in Los Angeles go to: Laemmle.com
Social Media
facebook.com/ZeitgeistFilms twitter.com/zeitgeistfilms instagram.com/thewomanwholovesgiraffes
@AnneDaggMovie
#documentary

Feb 22 2020

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Rank #14: After Midnight / Film School interview with Co-director Christian Stella (Jeremy Gardner)

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For small-town bar owner Hank (Jeremy Gardner), his 10-year relationship with Abby (Brea Grant) has been storybook-quality. Abby, however, wants more: marriage, to be exact, which Hank doesn't seem ready to initiate anytime soon. As a result, she leaves him without so much as a note or any subsequent communication. Hank is crushed. Even worse, Abby's departure seemingly triggers the arrival of an unseen monster that claws at Hank's front door at night. As the nocturnal threat intensifies, Hank must figure out how to not only save his relationship, but also himself. Co-director Christian Stella (Jeremy Gardner) stops by to talk about the multi-layered film that is After Might (Something Else) and his creative cinematography that gives the film its lyrical power.

For news and updates go to: facebook.com/somethingelsefilm

Social Media
facebook.com/FilmAfterMidnight twitter.com/MrJeremyGardner twitter.com/ChristianStella instagram.com/crankedupfilms instagram.com/aftermidnightfilm
#aftermidnight
 @GoodDeedEntertainment

Feb 14 2020

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Rank #15: Ordinary Love / Film School Radio interview with Co-directors Lisa Barros D'sa and Glenn Leyburn

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Joan and Tom (Academy Award® nominee Lesley Manville and Liam Neeson) have been married for many years. An everyday couple with a remarkable love, there is an ease to their relationship which only comes from spending a lifetime together. When Joan is unexpectedly diagnosed with breast cancer, the course of her treatment shines a light on their relationship as they are faced with the challenges that lie ahead and the prospect of what might happen if something were to happen to her. Co-directors Lisa Barros D’sa (Good Vibration) and Glenn Leyburn (Cherrybomb) join us to talk about their collaboration with two top tier actors, striking a balance in the tone and look for their extraordinarily empathetic look at two people who truly care about each other.

For news and updates go to: bleeckerstreetmedia.com/ordinary-love-film

Social Media
facebook.com/ordinarylovemov twitter.com/ordinarylovemov instagram.com/ordinarylovemov

Feb 14 2020

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Rank #16: Cooked: Survival by Zip Code / Film School Radio interview with Director Judith Helfand

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Twenty-five years after the 1995 Chicago heat wave, COOKED: Survival by Zip Code examines the events that led to the deaths of 739 people, mostly Black and in the poorest neighborhoods of the city. The film arrives at a time of growing calls across the country to declare racism a public health crisis and to reinvest in communities ravaged by the long-term impact of structural racism. A recent NYU study found life expectancy differentials as wide as 20-30 years linked to racial and ethnic segregation between neighborhoods in American cities. Adapted from Eric Klinenberg’s ground-breaking book ‘HEAT WAVE: A Social Autopsy of Disaster in Chicago,’ the film is directed and produced by Peabody Award-winning director Judith Helfand (Blue Vinyl, A Healthy Baby Girl, Everything’s Cool), produced by Fenell Doremus (co-producer of Academy Award-nominated Abacus: Small Enough to Jail), and Kartemquin Films, the award-winning Chicago documentary production house behind Minding the Gap and Hoop Dreams. In COOKED, Helfand challenges herself, and ultimately all of us, to respond to the man-made disasters taking place in towns and cities across the country before the next unprecedented “natural” disaster hits. Director Judith Helfand joins us to talk about the systemic racism that makes the neighborhoods of the poorest the most likely location for

Independent Lens: COOKED: Survival by Zip Code will have its national television debut on the PBS television series Independent Lens on Monday, February 3 at 10:00 pm (check local listings), preceding coverage of the Iowa Caucuses. The film will also be available to stream at PBS.org and on the free PBS Video App throughout Black History Month.

For news and updates go to: pbs.org/independentlens

For news, screenings and updates go to: cookedthefilm.com

For more information about Cooked: Survival by Zip Code go to: independentlens/cooked

Feb 09 2020

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Rank #17: Learning to Skateboard in a Warzone (If you're a girl) / Film School Radio interview with Director Carol Dysinger

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In Afghanistan, many young girls are not able to participate in sports. cultural and religious norms, along with other factors such as safety concerns and years of warfare, have resulted in limited athletic and recreational opportunities for women and girls, especially those who come from impoverished neighborhoods. But there is a new generation of afghan girls who believe they can do anything. LEARNING TO SKATEBOARD IN A WARZONE (IF YOU’RE A GIRL) tells the story of young afghan girls learning to read, write - and skateboard - in Kabul.

Director’s Biography: Carol Dysinger is a filmmaker, writer, artist, and educator, whose contemporary work offers a counter-narrative to traditional stories of conflict. She is in the midst of a trilogy on Afghanistan and America post 9/11. Alternating between fiction and documentary storytelling practices throughout her career, she had made a lifelong inquiry into the mechanics of story and the role storytelling plays in what we come to believe is true. She began in the theatre as an actor, moved into editing music videos for the clash in New York, and has won many awards for her short narrative work. She then moved on to write screenplays for 20th Century Fox, Disney, and HBO independent and has edited feature-length narrative and documentary films.
in 2005, she traveled solo to Afghanistan with camera in hand to make her feature directorial debut, camp Victory, Afghanistan, which screened at MOMA, SXSW, human Rights Watch and at the Hague. ONE BULLET AFGHANISTAN is the second in the trilogy about the human impact of international conflict post 9/11 currently being completed in Denmark. She received a Guggenheim Fellowship in 2018, a new work in multimedia installation, which draws from decades of memoirs and family history, footage shot over 15 years in Afghanistan, and brings it together to take down the veil between human experience, story, and history.

Awards:
Nominee - Best British Short Film - BAFTA Awards 2020
Winner - Best Short - IDA Documentary Awards 2019
Best Documentary Short - Tribeca Film Festival 2019
Youth Vision Award - United Nations Association Film Festival 2019
Best Documentary Short - Flyway Film Festival 2019
Audience Choice Award For Best Documentary Short - Santa Fe Independent Film Festival 2019

Festivals/Screenings:
DOC NYC Shorts Shortlist
SFFILM Doc Stories
AFI Meet The Press Film Festival
Traverse City Film Festival
Mill Valley Film Festival
Film Independent The New Wave Screening Series Scad Savannah Film Festival
Social Justice Film Festival
Original Thinkers Festival
Hot Springs Documentary Film Festival
Santa Fe Independent Film Festival
United Nations Assocation Film Festival Washington West Film Festival
Hamptons Doc Fest
Nevada City Film Festival
Paris Surf & Skateboard Festival
Chagrin Documentary Film Festival

Jan 31 2020

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Rank #18: SARIA / Film School Radio interview with Director Bryan Buckley

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SARIA explores the unimaginable hardships faced by young female orphans at the Virgen de La Asuncion Safe Home in Guatemala, leading up to the tragic fire which claimed 41 of their lives in 2017. We follow the story of two inseparable orphaned sisters - Saria 12, and her sister Ximena 14, as they fight against mounting daily physical abuse at the very institution designed to protect them. In the sisters' desperation for survival, they devise a daring plan of escape for all the orphans to find freedom in America. SARIA is premiering at the 2020 Oscar Shorts.

Director’s Biography: the New York times has dubbed Oscar-Nominee Bryan Buckley the "king of the Super Bowl,” having directed over 60 commercials for the big game since 2000. in 2013, Buckley wrote and directed the short film ASAD, which received an academy award nomination for “Best live action Short Film” and was cited by archbishop Desmund Tutu in a speech as having helped stem xenophobia in his country. Buckley then followed up his short with two feature films - the 2015 Sundance Film Festival opener, THE BRONZE, and THE PIRATES OF SOMALIA, which had its world premiere at the 2017 Tribeca Film Festival. A 2010 Adweek Readers Poll named Buckley the commercial Director of the Decade - he was also named one of the 50 best Creative Minds in the last 25 years by Creativity Magazine. Buckley is an esteemed recipient of the DGA award, multiple Emmys, and over 50 Cannes lions. Most recently, he won the 2019 Cannes Grand prix for his work on MARCH FOR OUR LIVES “GENERATION LOCKDOWN,” done in support of the S.42 Background Check Expansion Act.

Jan 30 2020

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Rank #19: The Neighbors Window / FIlm School Radio interview with Director Marshall Curry

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THE NEIGHBORS’ WINDOW tells the story of Alli (Maria Dizzia), a mother of young children who has grown frustrated with her daily routine and husband (Greg eller). But her life is shaken up when two free-spirited twenty-somethings move in across the street and she discovers that she can see into their apartment. Inspired by a true story, the film was written and directed by three-time Oscar-nominated documentary filmmaker, Marshall curry. Starring tony-nominated Maria Dizzia (Orange is the New Black, 13 Reasons Why, White We’re Young); Greg Keller (Law and Order); and Juliana Canfield (Succession).

About the filmmaker: Marshall Curry is a three-time academy award nominated documentary director, cinematographer, and editor. his films cover a wide range of interests and include STREET FIGHT, about cory Booker's first run for mayor of Newark, N.J.; RACING DREAMS, which tells the story of two boys and a girl who dream of becoming NaScaR drivers; IF A TREE FALLS: A STORY OF THE EARTH LIBERATION FRONT, which chronicles a radical environmental group; POINT AND SHOOT, about an american who leaves home to join the libyan revolution; and A NIGHT AT THE GARDEN, about a Nazi rally that filled Madison Square Garden in 1939. his films have won top honors at Sundance and tribeca, played in theaters and on television around the world, and earned two Emmy nominations and two Writers Guild of america nominations. curry also Executive produced and helped to edit MISTAKEN FOR STRANGERS, a comedy documentary about the indie rock band, the National.

For news and updates go to: theneighborswindow.com
For more about the work of Marshall Curry go to: marshallcurry.com
Watch: The Neighbors’ Window
Social Media
twitter.com/marshallcurry twitter.com/neighbrswindow

Jan 25 2020

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Rank #20: The Invisible Life of Euridice Gusmao / Film School Radio interview with Director Karim Aïnouz

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Set in a brilliantly recreated 1950s Rio de Janeiro, The Invisible Life of Euridice Gusmao revolves around two inseparable sisters, 18 and 20 years old, living restricted lives with their conservative parents. However, each nourishes a passionate dream: Eurídice of becoming a renowned pianist; Guida of finding true love. In a shocking turn of events, they are separated and forced to live apart. Karim Aïnouz’s first film, MADAME SATÃ, a Jean Genet-inspired story of 1930’s Rio’s drag demi-monde, premiered at Film Forum in 2003. INVISIBLE LIFE shares with it this director’s commitment to immersing himself in the emotional lives of his characters, visualized through rich, inventive, and lush imagery. Based on Martha Batalha’s popular novel The Invisible Life of Eurídice Gusmão, the film won the Un Certain Regard prize at the 2019 Cannes Film Festival. INVISIBLE LIFE is nominated for Best International Film at the 2020 Film Independent Spirit Awards and is Brazil’s official submission to the 2020 Academy Awards® for Best International Film. Director and co-screenwriter joins us to talk about his razor-sharp, wrenching story of patriarchy, fierce determination and love in a time and place where gender mattered more than family.

Dec 21 2019

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