Whether you're a die-hard fan or just curious about the magic of Urdu poetry, this episode of Urdunama is your golden ticket. Fabeha Syed and Dr. Saba Mahmood Bashir are here to blow your mind, ignite your passion for words, and leave you with that warm, fuzzy feeling only poetry can deliver. From poetry challenging social norms to children's poetry about flowers blooming in 'chaddis', we're covering it all. Expect laughter, introspection, and maybe even a tear or two as we unravel the layers of Gulzar's genius. Grab your favorite cup of chai, get comfy, and let the poetic symphony begin!

Whether you're a die-hard fan or just curious about the magic of Urdu poetry, this episode of Urdunama is your golden ticket. Fabeha Syed and Dr. Saba Mahmood Bashir are here to blow your mind, ignite your passion for words, and leave you with that warm, fuzzy feeling only poetry can deliver. From poetry challenging social norms to children's poetry about flowers blooming in 'chaddis', we're covering it all. Expect laughter, introspection, and maybe even a tear or two as we unravel the layers of Gulzar's genius. Grab your favorite cup of chai, get comfy, and let the poetic symphony begin!

Understanding Gulzar: The Poet Who Has ‘Copyright Over the Moon'

On this episode of Urdunama, we explore the poetry around badan, meaning the body and it's connection with attraction, intimacy and sensuality. Featuring nazms, songs and shayari by Nida Fazli, Rahat Indori, Jan Nisar Akhtar and more; tune into this special episode of Urdunama.

On this episode of Urdunama, we explore the poetry around badan, meaning the body and it's connection with attraction, intimacy and sensuality. Featuring nazms, songs and shayari by Nida Fazli, Rahat Indori, Jan Nisar Akhtar and more; tune into this special episode of Urdunama.

Badan Pe Sitare Lapete Hue... The Connection Between Soul and The Body

The Urdu word dilchasp is derived from the Persian roots dil (heart) and chasp (to please). The word literally means "heart-pleasing" or "heart-warming." Dilchasp can be used to describe anything that is pleasing or enjoyable, such as a beautiful sight, a delicious meal, or a kind gesture. The word can also be used to describe a person who is charming or witty. In Urdu poetry, dilchasp is often used to describe the beauty of a beloved. In this episode of Urdunama, host Fabeha Syed explains the meaning of the word, and how it is used in everyday conversation. Syed also discusses how dilchasp can be used in poetry and literature by greats like Kaifi Azmi and Javed Akhtar.

The Urdu word dilchasp is derived from the Persian roots dil (heart) and chasp (to please). The word literally means "heart-pleasing" or "heart-warming." Dilchasp can be used to describe anything that is pleasing or enjoyable, such as a beautiful sight, a delicious meal, or a kind gesture. The word can also be used to describe a person who is charming or witty. In Urdu poetry, dilchasp is often used to describe the beauty of a beloved. In this episode of Urdunama, host Fabeha Syed explains the meaning of the word, and how it is used in everyday conversation. Syed also discusses how dilchasp can be used in poetry and literature by greats like Kaifi Azmi and Javed Akhtar.

How to Make Our Boring Lives More 'Dilchasp'

Anand Bakshi

Anand Bakshi was born on 21 July 1930. In this episode of Urdunama, host Fabeha Syed talks about the lyrical legacy of Anand Bakshi. She reads out some of her favorite songs by Bakshi, including 'Chingari Koi Bhadke' from Amar Prem, and 'Mehandi Lagake Rakhna' from Dilwale Dulhania Le Jayenge. Syed also discusses Bakshi's contribution to Hindi cinema, and how his songs have touched the hearts of millions of people around the world.  If you are a fan of Hindi cinema, or if you simply enjoy beautiful lyrics, then you will love this episode of Urdunama. This is a must-listen for anyone who loves Hindi film music.

Anand Bakshi was born on 21 July 1930. In this episode of Urdunama, host Fabeha Syed talks about the lyrical legacy of Anand Bakshi. She reads out some of her favorite songs by Bakshi, including 'Chingari Koi Bhadke' from Amar Prem, and 'Mehandi Lagake Rakhna' from Dilwale Dulhania Le Jayenge. Syed also discusses Bakshi's contribution to Hindi cinema, and how his songs have touched the hearts of millions of people around the world.  If you are a fan of Hindi cinema, or if you simply enjoy beautiful lyrics, then you will love this episode of Urdunama. This is a must-listen for anyone who loves Hindi film music.

Anand Bakshi: The Lyricist Who Made Hindi Cinema Sing

In this episode of Urdunama, Fabeha Syed explores the intricacies of the Urdu word Fanaa. Fanaa is a complex idea with a rich history. It can mean to be annihilated, to be destroyed, or to be consumed by something else. But it can also mean to be transformed, to be liberated, or to be at peace. Fabeha discusses how the word has been used in literature, poetry, and music. Listen till the end! 

In this episode of Urdunama, Fabeha Syed explores the intricacies of the Urdu word Fanaa. Fanaa is a complex idea with a rich history. It can mean to be annihilated, to be destroyed, or to be consumed by something else. But it can also mean to be transformed, to be liberated, or to be at peace. Fabeha discusses how the word has been used in literature, poetry, and music. Listen till the end!

Understanding 'Fanaa', Beyond the Aamir-Kajol Film

Welcome the monsoon season this year with a cup of chai or coffee, a plate of steaming hot pakoras and this episode of Urdunama on 'abr' meaning 'clouds'. Fabeha reads out some poetry, nazms and shayari by Faiz, Gulzar, Mirza Ghalib and others. 

Welcome the monsoon season this year with a cup of chai or coffee, a plate of steaming hot pakoras and this episode of Urdunama on 'abr' meaning 'clouds'. Fabeha reads out some poetry, nazms and shayari by Faiz, Gulzar, Mirza Ghalib and others.

The Rain, Monsoon Sky and 'Abr' in Urdu Poetry & Life

'Anjaam' meaning consequences or results; is a word that you might spot in a lot of iconic shayaris, nazms and ghazals. Tune into this episode of Urdunama, where I talk about all kinds of endings- good, bad, and the unsaid.P.S. This episode also has an interesting anecdote from Sahir Ludhianvi's love life. 

'Anjaam' meaning consequences or results; is a word that you might spot in a lot of iconic shayaris, nazms and ghazals. Tune into this episode of Urdunama, where I talk about all kinds of endings- good, bad, and the unsaid. P.S. This episode also has an interesting anecdote from Sahir Ludhianvi's love life.

Are We Too Worried About the 'Anjaam' Of Our Stories?

In this episode of Urdunama, we want to trip on Hemant Kumar's legendary career. June 16 is Hemant Da's birthday. His soulful, yet intense music has had a lasting impact on Indian culture, and his songs continue to be enjoyed by people all over the world. Let us celebrate the legend with a musical medley of his biggest hits, reading some of the amazing Urdu poetry he lent his voice to. Thank you Hemant Da for making our lives melodious.

In this episode of Urdunama, we want to trip on Hemant Kumar's legendary career. June 16 is Hemant Da's birthday. His soulful, yet intense music has had a lasting impact on Indian culture, and his songs continue to be enjoyed by people all over the world. Let us celebrate the legend with a musical medley of his biggest hits, reading some of the amazing Urdu poetry he lent his voice to. Thank you Hemant Da for making our lives melodious.

Revisiting Hemant Kumar's Legendary Career With a Musical Medley

All the artform is the expression of the artist behind it. And it's the way of izhaare-e-khayal or the expression of thought that paves the way to that art's success. The art that we focus on in this series is poetry. From Mirza Ghalib to Shakeel Badayuni, here is how to express when in love or distress.Tune in!

All the artform is the expression of the artist behind it. And it's the way of izhaare-e-khayal or the expression of thought that paves the way to that art's success. The art that we focus on in this series is poetry. From Mirza Ghalib to Shakeel Badayuni, here is how to express when in love or distress. Tune in!

From Ghalib to Badayuni, Here Are Some Gems on the Beauty of 'Izhaar'

'Masla' is used to refer to a problem, an issue, or a matter that requires attention or resolution. It embodies the notion of a challenge or complication that demands careful consideration, analysis, and often, deliberation among individuals or groups. 'Masla' can encompass various aspects of life, including personal, social, political, or even spiritual matters. Tune in to this episode of Urdunama as Fabeha reads Sahir, Ahmad Faraz, Abbas Tabish, and others.  

'Masla' is used to refer to a problem, an issue, or a matter that requires attention or resolution. It embodies the notion of a challenge or complication that demands careful consideration, analysis, and often, deliberation among individuals or groups. 'Masla' can encompass various aspects of life, including personal, social, political, or even spiritual matters. Tune in to this episode of Urdunama as Fabeha reads Sahir, Ahmad Faraz, Abbas Tabish, and others.

Sometimes, Poetry Can Solve Every 'Masla' in Life

Bollywood tunes make compulsive hummers out of us. But wait, do you know the meaning of every word you hum? Especially the ones in Urdu? Urdunama, with @FabehaSyed, takes one word at a time and we slice and dice it for you.

Such a delightful podcast! Great way to learn about urdu poets and nazms. Always feel inspired to include — memorize and recite —  more urdu poetry in my life after i listen to any of the episodes. I wish the episodes were a little longer and more detailed; but still grateful that these podcasts are made and shared with us :)

Delightful

Bollywood tunes make compulsive hummers out of us. But wait, do you know the meaning of every word you hum? Especially the ones in Urdu? Urdunama, with @FabehaSyed, takes one word at a time and we slice and dice it for you.

Urdunama

In this episode of Urdunama, find out how our Justuju or desire for better things is actually the essence of our lives. Our aspirations, goals, and all the planning we do to achieve them prepares us for the great scheme of things in our lives.   Urdu poet Altaf Hussain Hali has written about this thought in this beautiful couplet.  Hai justuju ki khoob se hai khoob tar kahaan,  ab theherti hai dekhiye jaakar nazar kahan.   The first line says that the heart is always on the quest to find the best of the best things. We always have another desire even before having achieved the one that hasn't yet been fulfilled. In the second line, the poet wonders that at what point will all his longings stop.   Tune in.  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

In this episode of Urdunama, find out how our Justuju or desire for better things is actually the essence of our lives. Our aspirations, goals, and all the planning we do to achieve them prepares us for the great scheme of things in our lives. Urdu poet Altaf Hussain Hali has written about this thought in this beautiful couplet. Hai justuju ki khoob se hai khoob tar kahaan,  ab theherti hai dekhiye jaakar nazar kahan. The first line says that the heart is always on the quest to find the best of the best things. We always have another desire even before having achieved the one that hasn't yet been fulfilled. In the second line, the poet wonders that at what point will all his longings stop. Tune in. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Why 'Justuju' or Longing Is Actually the Essence Of Life

Faiz’s iconic poem ‘Hum Dekhenge’ has always been borrowed by protesting voices across the globe. The poem calls out the oppressors of every age, ideology and society.    The poem was written as a mark of protest against the regime of Pakistani dictator Zia-ul-Haq, whose government was communal and regressive. A set of laws called the ‘Hudood Ordinances’ was the central policy of his government to ensure proper ‘Islamisation’ of Pakistan.  Hudood, or Hadd, means ‘limits’, and the law ordered the people of Pakistan to identify and remain well within the limits defined by the government. It is this religious fundamentalism that prompted Faiz to pen ‘Hum Dekhenge’ — a song that has since been the voice of Inquilaab or revolution.    Recently, this piece of poetry found its critics who alleged that the poem has an orthodox Islamic character because of a few lines written in it.    In this episode of Urdunama, The Quint’s Fabeha Syed explains the poem for you. And how using Islamic imagery, Faiz not only attacks the ultra-Islamic regime of Pakistani dictator Zia-ul-Haq, but also invokes the power of eternal truth and justice.    Tune in.  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Faiz’s iconic poem ‘Hum Dekhenge’ has always been borrowed by protesting voices across the globe. The poem calls out the oppressors of every age, ideology and society. The poem was written as a mark of protest against the regime of Pakistani dictator Zia-ul-Haq, whose government was communal and regressive. A set of laws called the ‘Hudood Ordinances’ was the central policy of his government to ensure proper ‘Islamisation’ of Pakistan. Hudood, or Hadd, means ‘limits’, and the law ordered the people of Pakistan to identify and remain well within the limits defined by the government. It is this religious fundamentalism that prompted Faiz to pen ‘Hum Dekhenge’ — a song that has since been the voice of Inquilaab or revolution. Recently, this piece of poetry found its critics who alleged that the poem has an orthodox Islamic character because of a few lines written in it. In this episode of Urdunama, The Quint’s Fabeha Syed explains the poem for you. And how using Islamic imagery, Faiz not only attacks the ultra-Islamic regime of Pakistani dictator Zia-ul-Haq, but also invokes the power of eternal truth and justice. Tune in. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Explained: Faiz Ahmad Faiz’s 'Hum Dekhenge' And The Power of Eternal Truth

Hai Raam ke wajood pe Hindustaan ko naaz Ahl-e-Nazar samajhte hain us ko Imam-e-Hind    The above couplet is from Allama Iqbal’s poem ‘Ram’. Iqbal asserts that Ram is the leader of not just one particular faith, but he paves the way for everyone to the path of spiritual success. He calls Lord Ram, ‘Imam-e-Hind’ or the leader of all of Hind or Hindustan.    This Diwali, we remember Ram through the prism of our shared culture and Urdu poetry. In this special episode of Urdunama, Professor Danish Iqbal who teaches Radio in Jamia Millia Islamia speaks with The Quint’s Fabeha Syed about why he chose to write ‘Dastan-e-Ram’ and why this project is a lot more than just a Ramlila that's written in Urdu.

Hai Raam ke wajood pe Hindustaan ko naaz Ahl-e-Nazar samajhte hain us ko Imam-e-Hind The above couplet is from Allama Iqbal’s poem ‘Ram’. Iqbal asserts that Ram is the leader of not just one particular faith, but he paves the way for everyone to the path of spiritual success. He calls Lord Ram, ‘Imam-e-Hind’ or the leader of all of Hind or Hindustan. This Diwali, we remember Ram through the prism of our shared culture and Urdu poetry. In this special episode of Urdunama, Professor Danish Iqbal who teaches Radio in Jamia Millia Islamia speaks with The Quint’s Fabeha Syed about why he chose to write ‘Dastan-e-Ram’ and why this project is a lot more than just a Ramlila that's written in Urdu.

This Diwali, Revel in Dastan-E-Ram, The Story of Ram in Urdu

Qamar, Mah, Mahtaab, are different ways to refer to the moon in Urdu. In this episode of Urdunama learn about how the 'moon' has been used as an expression of beauty in Urdu poetry. Poet Azhar Iqbal talks to The Quint's Fabeha Syed, and recites some of the moon-lit ashaar for you.

Who's The 'Rashk-e-Qamar' In Your Life?

'Madam' Noor Jehan was perhaps one of the earliest stars of Hindi cinema. She later migrated to Pakistan. The cleft-chinned darling of the newly formed Pakistan, Noor Jehan was not only a singer and an actor admired by her audience, but also respected by even the great poets and artistes of both the countries.  On her 93th death anniversary on 23 December 2019, find out why Urdu poet Faiz Ahmad Faiz gifted Noor Jehan one of his nazms, why Dilip Kumar had a reverential respect for his Jugnu co-star, and why there was a deep sense of affection and respect between the two Queens of Melody – Lata Mangeshkar and Noor Jehan.   Catch all this and more in this special Urdunama podcast on Noor Jehan.  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

'Madam' Noor Jehan was perhaps one of the earliest stars of Hindi cinema. She later migrated to Pakistan. The cleft-chinned darling of the newly formed Pakistan, Noor Jehan was not only a singer and an actor admired by her audience, but also respected by even the great poets and artistes of both the countries. On her 93th death anniversary on 23 December 2019, find out why Urdu poet Faiz Ahmad Faiz gifted Noor Jehan one of his nazms, why Dilip Kumar had a reverential respect for his Jugnu co-star, and why there was a deep sense of affection and respect between the two Queens of Melody – Lata Mangeshkar and Noor Jehan. Catch all this and more in this special Urdunama podcast on Noor Jehan. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Noor Jehan, Lata Mangeshkar and Their Eternal Friendship

Fabeha Syed catches up with Delhi University professor Dr Najma Rehmani. She talks about poet Mir Taqi Mir who provided a window to 18th century Delhi with his politics, love, loss, and his feelings for an attaar ka launda (son of a perfumer).

Fabeha Syed catches up with Delhi University professor Dr Najma Rehmani. She talks about poet Mir Taqi Mir who provided a window to 18th century Delhi with his politics, love, loss, and his feelings for an attaar ka launda (son of a perfumer).

Remembering Poet Mir Taqi Mir – The Man Who Shaped Urdu

On 14 January 1919, Urdu poet Kaifi Azmi was born into a family of zameendars of Mizwan – a small village in the district of Azamgarh, Uttar Pradesh.   While the usual worries that grip every child’s heart are either about what, where or with whom to play, Kaifi’s anxieties lay elsewhere. One of the couplets from the first ghazal he wrote at the age of 11 shows the genius of a child prodigy that he was.  Itna toh zindagi mein kisi ki khalal pade, Hasne se ho sukoon na rone se kal pade   With his deep understanding of the tragedy of human life and its expectations, Kaifi became the voice of the voiceless – of the marginalised. His poetry talked about social justice, equality of opportunities, and gender justice.   On his birth anniversary on 14 January, we remember the progressive writer, who was both a revolutionary and a romantic. Tune in to listen to the new episode of the podcast series – Urdunama!  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

On 14 January 1919, Urdu poet Kaifi Azmi was born into a family of zameendars of Mizwan – a small village in the district of Azamgarh, Uttar Pradesh. While the usual worries that grip every child’s heart are either about what, where or with whom to play, Kaifi’s anxieties lay elsewhere. One of the couplets from the first ghazal he wrote at the age of 11 shows the genius of a child prodigy that he was. Itna toh zindagi mein kisi ki khalal pade, Hasne se ho sukoon na rone se kal pade With his deep understanding of the tragedy of human life and its expectations, Kaifi became the voice of the voiceless – of the marginalised. His poetry talked about social justice, equality of opportunities, and gender justice. On his birth anniversary on 14 January, we remember the progressive writer, who was both a revolutionary and a romantic. Tune in to listen to the new episode of the podcast series – Urdunama! Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

The True Legacy of Kaifi Azmi: Poetry of Romance and Revolution

Arzi means an application or a request; the word arziyan, in Sufi poetry, is a medium which makes one feel close to God.  However, here’s a question: Why do we need arziyan when God is everywhere? In this episode of Urdunama, we try to answer this.  From reading Mallik Mohammad Jayasi’s poem ‘Padmavat’ to drawing parallels between ‘Aham Brahamasmi’ and ‘Ana-al-haq’ in Indian philosophy, this episode of Urdunama attempts to understand if it’s arziyan which help one reach God or the guru who does.  Professor Abdul Bismillah features in the podcast, and elucidates how arziyan has no place in Sufi thought and the guru, in fact, is the bridge between man and God.  Further, listen to Sufi singer Dhruv Sangari Bilal Chisti talking about why arziyan is a sacred word for him.  Featuring Sufi Singer Dhruv Sangri Bilal Chishti and Professor Abdul Bismillah.  Editor: Shelly Walia Podcast Editor, Producer, and Host: Fabeha Syed

Arzi means an application or a request; the word arziyan, in Sufi poetry, is a medium which makes one feel close to God. However, here’s a question: Why do we need arziyan when God is everywhere? In this episode of Urdunama, we try to answer this. From reading Mallik Mohammad Jayasi’s poem ‘Padmavat’ to drawing parallels between ‘Aham Brahamasmi’ and ‘Ana-al-haq’ in Indian philosophy, this episode of Urdunama attempts to understand if it’s arziyan which help one reach God or the guru who does. Professor Abdul Bismillah features in the podcast, and elucidates how arziyan has no place in Sufi thought and the guru, in fact, is the bridge between man and God. Further, listen to Sufi singer Dhruv Sangari Bilal Chisti talking about why arziyan is a sacred word for him. Featuring Sufi Singer Dhruv Sangri Bilal Chishti and Professor Abdul Bismillah.  Editor: Shelly Walia Podcast Editor, Producer, and Host: Fabeha Syed

Why Do We Take Our 'Arziyan' to God When He's Within Us?

‘Mukammal’ means complete, or perfect.    We tend to believe that adding something special to our life – like a dog to our family, a new skill, or a new goal – will make our life ‘mukammal’, or complete. While thinking so, we are hoping for our life to look better than it does right now.    It’s one thing to aspire to have things, qualities and people who add meaning to your life and make it mukammal. But it’s a different story when we don’t make it.    So, what is it that makes your life complete, makes you feel mukammal already? Listen to the latest episode of Urdunama with Fabeha Syed. Also, listen to poet Noman Shauq reciting some of the mukammal ashaar for you.

‘Mukammal’ means complete, or perfect. We tend to believe that adding something special to our life – like a dog to our family, a new skill, or a new goal – will make our life ‘mukammal’, or complete. While thinking so, we are hoping for our life to look better than it does right now. It’s one thing to aspire to have things, qualities and people who add meaning to your life and make it mukammal. But it’s a different story when we don’t make it. So, what is it that makes your life complete, makes you feel mukammal already? Listen to the latest episode of Urdunama with Fabeha Syed. Also, listen to poet Noman Shauq reciting some of the mukammal ashaar for you.

Mukammal Jahan Nahi Milta, But Can You Get Close Enough?

Have you heard the Dastaan-e-Gandhi?   ‘Dastaan’ means ‘story’. Gandhi means....well...Mahatma Gandhi. The '-e-' sound in the word ‘Dastan-e-Gandhi’ means ‘of’, that’s used to join these two words.   On this special edition of Urdunama, we bring you Dastaan-e-Gandhi, the story of Mahatma Gandhi’s return to India and his journey from being an ordinary man to the man India calls ‘Mahatma’.   To the uninitiated, a dastaan is a verbally recited epic that has its origins in dastangoi – a 13th century storytelling artform performed by a skilled dastango (storyteller).  Dastaan-e-Gandhi has been performed by dastango Firoz Khan and written by Danish Iqbal.   We spoke to Danish Iqbal on this podcast.

Have you heard the Dastaan-e-Gandhi? ‘Dastaan’ means ‘story’. Gandhi means....well...Mahatma Gandhi. The '-e-' sound in the word ‘Dastan-e-Gandhi’ means ‘of’, that’s used to join these two words. On this special edition of Urdunama, we bring you Dastaan-e-Gandhi, the story of Mahatma Gandhi’s return to India and his journey from being an ordinary man to the man India calls ‘Mahatma’. To the uninitiated, a dastaan is a verbally recited epic that has its origins in dastangoi – a 13th century storytelling artform performed by a skilled dastango (storyteller). Dastaan-e-Gandhi has been performed by dastango Firoz Khan and written by Danish Iqbal. We spoke to Danish Iqbal on this podcast.

Do You Know the Real Dastaan-e-Gandhi?

From patangbaazi (kite flying or kite making) to bahaanebaazi (making excuses). The Urdu word baazi, which literally means a game or a bet, has been used as a suffix creating more colourful words than one can imagine. Naarebaazi, which means sloganeering, ishqbaazi which is romancing (someone), pangebaazi which is being up to some mischief... the word is immensely dynamic.    In this episode of Urdunama, we explore some baazi words – their interesting origins, histories, and usages. Tune in.  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

From patangbaazi (kite flying or kite making) to bahaanebaazi (making excuses). The Urdu word baazi, which literally means a game or a bet, has been used as a suffix creating more colourful words than one can imagine. Naarebaazi, which means sloganeering, ishqbaazi which is romancing (someone), pangebaazi which is being up to some mischief... the word is immensely dynamic. In this episode of Urdunama, we explore some baazi words – their interesting origins, histories, and usages. Tune in. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

From Patangbaazi to Ishqbaazi, Learn the Words ‘Baazi’ Can Make

Intikhab means ‘election’ or ‘selection’. Many Urdu poets have written about their intikhab of something when they are faced with tough choices. Mostly its when they hold someone or something like a memory in high regard. For example, Urdu poet Mir Taqi Mir, who shifted to Lucknow after Ahmad Shah Abdali’s invasion of Delhi, reminisces about his beloved city by calling it the ‘chosen place in the world for the nobility’. Mir writes:  Dilli jo ek sheher tha aalam mein intekhaab Rehte the jahan muntakhib hi rozgar ke   Tune in to this episode of Urdunama where Fabeha Syed not only explains Mir’s above ashar, but also explains various contexts - from political to personal - in which the word intikhab has been used by the poets.  Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Intikhab means ‘election’ or ‘selection’. Many Urdu poets have written about their intikhab of something when they are faced with tough choices. Mostly its when they hold someone or something like a memory in high regard. For example, Urdu poet Mir Taqi Mir, who shifted to Lucknow after Ahmad Shah Abdali’s invasion of Delhi, reminisces about his beloved city by calling it the ‘chosen place in the world for the nobility’. Mir writes: Dilli jo ek sheher tha aalam mein intekhaab Rehte the jahan muntakhib hi rozgar ke Tune in to this episode of Urdunama where Fabeha Syed not only explains Mir’s above ashar, but also explains various contexts - from political to personal - in which the word intikhab has been used by the poets. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Urdu Poetry And The Strength of Our Choices – Our 'Intikhab' 

Balli Maran

Mirza Ghalib - who is to Urdu literature what Shakespeare is to English - whose poetry has continued to find admirers even a century and a half later when he is no more.   Born in 1797 in Agra, Mirza Asadullah Khan Ghalib moved to Delhi wherein the court of the last Mughal emperor, Bahadur Shah Zafar, his talents found new heights. These heights of his literary brilliance often prod you on a deeper level and make you wonder.   ‘Did Ghalib ever write about politics?’, ‘how can his poems be interpreted as literature about God?’ Most importantly, ‘did he - the baadah-khwaar or the wine drinker - ever believe in God?’   All these questions won't be tossed away unanswered in this very special podcast- a masterclass featuring author Maaz Bin Bilal. Maaz who took upon himself to translate some of Ghalib’s ghazals in his book Ghazalnama - Poems from Delhi, Belfast and Urdu, decodes Ghalib’s ‘Ye na thi humari qismat ...’  Guest: Maaz Bin Bilal Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Mirza Ghalib - who is to Urdu literature what Shakespeare is to English - whose poetry has continued to find admirers even a century and a half later when he is no more. Born in 1797 in Agra, Mirza Asadullah Khan Ghalib moved to Delhi wherein the court of the last Mughal emperor, Bahadur Shah Zafar, his talents found new heights. These heights of his literary brilliance often prod you on a deeper level and make you wonder. ‘Did Ghalib ever write about politics?’, ‘how can his poems be interpreted as literature about God?’ Most importantly, ‘did he - the baadah-khwaar or the wine drinker - ever believe in God?’ All these questions won't be tossed away unanswered in this very special podcast- a masterclass featuring author Maaz Bin Bilal. Maaz who took upon himself to translate some of Ghalib’s ghazals in his book Ghazalnama - Poems from Delhi, Belfast and Urdu, decodes Ghalib’s ‘Ye na thi humari qismat ...’ Guest: Maaz Bin Bilal Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

From Agra to Balli Maran, Tracing the Journey of Mirza Ghalib

Talat Mahmood

If it wasn't for Talat Mahmood's soulful voice, Dilip Kumar wouldn't have become the undisputed 'King of Tragedy'. From 'Arzoo', 'Tarana' to 'Sangdil', and 'Babul', Talat Mahmood used to be the first choice of the directors for the voice of Dilip Kumar.  If it wasn't for Talat Mahmood, Mehdi Hasan would not have become the ghazal great of the subcontinent.   Also, referred to as the 'Frank Sinatra' of India, Talat Mahmood with his velvety voice became the first heartthrob of ghazal lovers, and ruled the Hindi film music industry in the 40s and the 50s.  In this episode of Urdunama, we remember the first 'King of Ghazal' of the Hindi film music, and also a dashing actor who romanced actresses like Nutan, Suraiyya and Nadira. The Quint's Fabeha Syed caught up with journalist and Talat Mahmood's grandniece, Sahar Zaman, who tells what was he like - as a grandfather, a singer, an actor and a shy boy from Lucknow.  Tune in.   Vocals: Vikram Venkateswaran Guest: Sahar Zaman, Journalist Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

If it wasn't for Talat Mahmood's soulful voice, Dilip Kumar wouldn't have become the undisputed 'King of Tragedy'. From 'Arzoo', 'Tarana' to 'Sangdil', and 'Babul', Talat Mahmood used to be the first choice of the directors for the voice of Dilip Kumar. If it wasn't for Talat Mahmood, Mehdi Hasan would not have become the ghazal great of the subcontinent. Also, referred to as the 'Frank Sinatra' of India, Talat Mahmood with his velvety voice became the first heartthrob of ghazal lovers, and ruled the Hindi film music industry in the 40s and the 50s. In this episode of Urdunama, we remember the first 'King of Ghazal' of the Hindi film music, and also a dashing actor who romanced actresses like Nutan, Suraiyya and Nadira. The Quint's Fabeha Syed caught up with journalist and Talat Mahmood's grandniece, Sahar Zaman, who tells what was he like - as a grandfather, a singer, an actor and a shy boy from Lucknow. Tune in. Vocals: Vikram Venkateswaran Guest: Sahar Zaman, Journalist Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

How India's Frank Sinatra, Talat Mahmood, Became The Voice Of Dilip Kumar in the 50s

Patience or 'sabr' is not just a word, but a practice. It could be understood as an inner mechanism that allows us to be accepting of everyday challenges without getting angry or agitated. If it's not for the hard times, we wouldn't have known what it means to practise 'sabr' or endurance.  You may feel that your speed is slowing down in the lockdown. But the only way to keep going is adjusting your expectations, and trying to embrace the reality of life.   Tune in for some ashaar of Anand Narayan Mulla, Parveen Shakir, and Josh Malihabadi. Also revisit 'The Tortoise and the Hare' in Urdu written by Ismail Merathi.   Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

Patience or 'sabr' is not just a word, but a practice. It could be understood as an inner mechanism that allows us to be accepting of everyday challenges without getting angry or agitated. If it's not for the hard times, we wouldn't have known what it means to practise 'sabr' or endurance. You may feel that your speed is slowing down in the lockdown. But the only way to keep going is adjusting your expectations, and trying to embrace the reality of life. Tune in for some ashaar of Anand Narayan Mulla, Parveen Shakir, and Josh Malihabadi. Also revisit 'The Tortoise and the Hare' in Urdu written by Ismail Merathi. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

If the Lockdown is Wearing You Down, 'Sabr' Is What You Need

As the nation reels under a 21-day lockdown to contain the spread of coronavirus, most of us are confined to our homes, working from home, practising what has been touted to the safest measure to ward off COVID-19 – 'social distancing'. If, in self-isolation, there is ever a moment when you have felt hopeless about your future, then you aren't alone. In these testing times, it’s important to remember that the only way to fight the darkness is to find the light – or the 'noor' – of courage and hope.  In this episode of Urdunama, we have tried to find some Urdu ashaar through which the poets tell us to seek the light or 'noor' within to face the trying times with resilience.  Vocals: Gini Shah Guest: Noman Shauq, Poet &amp; Journalist. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

As the nation reels under a 21-day lockdown to contain the spread of coronavirus, most of us are confined to our homes, working from home, practising what has been touted to the safest measure to ward off COVID-19 – 'social distancing'. If, in self-isolation, there is ever a moment when you have felt hopeless about your future, then you aren't alone. In these testing times, it’s important to remember that the only way to fight the darkness is to find the light – or the 'noor' – of courage and hope. In this episode of Urdunama, we have tried to find some Urdu ashaar through which the poets tell us to seek the light or 'noor' within to face the trying times with resilience. Vocals: Gini Shah Guest: Noman Shauq, Poet &amp; Journalist. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia Music: Big Bang Fuzz

What is 'Noor' If Not The Light You Need to Fight Today's Darkness!

In a matter of weeks, the exponential rise of coronavirus cases has caused anxiety and fear over the world. A lot of us are, quite naturally, feeling uncertain about the future.    It’s easy to feel despair and be hopeless – but remember, we are all in this together. So, hang in there!    Tune in for some ashaar – from the likes of Ahmad Faraz and Faiz – that will give the warmth of hope, or aas, that we all are in need of.   Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia

In a matter of weeks, the exponential rise of coronavirus cases has caused anxiety and fear over the world. A lot of us are, quite naturally, feeling uncertain about the future. It’s easy to feel despair and be hopeless – but remember, we are all in this together. So, hang in there! Tune in for some ashaar – from the likes of Ahmad Faraz and Faiz – that will give the warmth of hope, or aas, that we all are in need of. Host, Writer and Sound Designer: Fabeha Syed Editor: Shelly Walia

Don’t Lose Hope: Poetry Of ‘Aas’ is a Reminder – This Too Shall Pass

A poet, lyricist, thinker - Sahir, is not a man of a few words. His vast vocabulary not only borrows references from nature when he writes intimate love songs but also when he hopes for a better world, social justice, and equality:   Hazaar barq gire, laakh andhiyan utthein Vo phool khil ke rahenge jo khilne wale hain.   The magic of Sahir’s poetry is such that it traverses across the Urdu-Hindi barrier and across a range of complex human emotions. His nazms like Khoon phir khoon hai, Gandhi ho ya Ghalib ho, Wo subh kabhi to aayegi, are commentaries against social oppression and injustice which continue to resonate even today.   In this episode of Urdunama, The Quint’s Fabeha Syed takes you through the life and time of Sahir Ludhianvi who is remembered for his evergreen songs like Kabhi Kabhi mere dil mein, Jaane kya toone kahin, Allah tero naam Ishwar tero naam, and many more.   Meet Sahir in this special podcast.   Host, Writer &amp; Sound Designer: Fabeha Syed Vocals: Vikram Venkateswaran Editor: Shelly Walia

A poet, lyricist, thinker - Sahir, is not a man of a few words. His vast vocabulary not only borrows references from nature when he writes intimate love songs but also when he hopes for a better world, social justice, and equality:  Hazaar barq gire, laakh andhiyan utthein Vo phool khil ke rahenge jo khilne wale hain. The magic of Sahir’s poetry is such that it traverses across the Urdu-Hindi barrier and across a range of complex human emotions. His nazms like Khoon phir khoon hai, Gandhi ho ya Ghalib ho, Wo subh kabhi to aayegi, are commentaries against social oppression and injustice which continue to resonate even today. In this episode of Urdunama, The Quint’s Fabeha Syed takes you through the life and time of Sahir Ludhianvi who is remembered for his evergreen songs like Kabhi Kabhi mere dil mein, Jaane kya toone kahin, Allah tero naam Ishwar tero naam, and many more. Meet Sahir in this special podcast.  Host, Writer &amp; Sound Designer: Fabeha Syed Vocals: Vikram Venkateswaran Editor: Shelly Walia

Sahir Ludhianvi: A Poet Who Sought Closure In Love With A ‘Khubsoorat Mod’

In most languages, there are those confusing words that have similar pronunciation but are different in both meanings and spellings. So if you stumble upon some homonyms in Urdu which make you scratch your head, say no more.   We got you covered.   In this episode of Urdunama, The Quint’s Fabeha Syed explains the case of almost similar sounding words - ‘sahar’ which means ‘dawn’, and ‘sehr’ meaning ‘magic’.   Also featuring in this podcast is a journalist and poet Noman Shauq who not only shares with us some of the gems of Urdu poetry but also tells us who did Faiz Ahmad Faiz write “ye sahir aankhein” for in his poem Raqeeb Se.   Tune in.  Sound Designer, Producer, and Host: Fabeha Syed Guest: Noman Shauq Editor: Shelly Walia

In most languages, there are those confusing words that have similar pronunciation but are different in both meanings and spellings. So if you stumble upon some homonyms in Urdu which make you scratch your head, say no more. We got you covered. In this episode of Urdunama, The Quint’s Fabeha Syed explains the case of almost similar sounding words - ‘sahar’ which means ‘dawn’, and ‘sehr’ meaning ‘magic’. Also featuring in this podcast is a journalist and poet Noman Shauq who not only shares with us some of the gems of Urdu poetry but also tells us who did Faiz Ahmad Faiz write “ye sahir aankhein” for in his poem Raqeeb Se. Tune in. Sound Designer, Producer, and Host: Fabeha Syed Guest: Noman Shauq Editor: Shelly Walia

The Magic of Dawn: 'Sahar' and 'Sehr' in Urdu Poetry

Revolution usually comes into play when reform is desired, to change one's personal life for the better. On a social level, it addresses oppression and exploitation. Learn the meaning of 'Inquilab', Poetry of Resistance aka Inquilabi Shayari and more in this episode of Urdunama.

Revolution usually comes into play when reform is desired, to change one's personal life for the better. On a social level, it addresses oppression and exploitation. Learn the meaning of 'Inquilab', Poetry of Resistance aka Inquilabi Shayari and more in this episode of Urdunama.

Inquilab Zindabad: Revisiting Bhagat Singh’s Slogan This 15 August

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