Alleghany Meadows is a potter who lives in Carbondale, Colorado. He received his BA from Pitzer College and his MFA from Alfred University. His ceramics are in many private and public collections including of the Museum of Fine Arts Houston and the Long Beach Museum of Art. Alleghany’s work extends beyond ceramics to projects that engage communities—both local and national. He’s the co-founder of the Artstream Nomadic Gallery—a mobile gallery in a renovated Airstream trailer that travels around the country exhibiting work of contemporary potters.

Alleghany Meadows is a potter who lives in Carbondale, Colorado. He received his BA from Pitzer College and his MFA from Alfred University. His ceramics are in many private and public collections including of the Museum of Fine Arts Houston and the Long Beach Museum of Art. Alleghany’s work extends beyond ceramics to projects that engage communities—both local and national. He’s the co-founder of the Artstream Nomadic Gallery—a mobile gallery in a renovated Airstream trailer that travels around the country exhibiting work of contemporary potters.

Alleghany Meadows

Christy Matson

Christy Matson became a tenured Associate Professor of Fiber and Material Studies at the School of the Art Institute of Chicago when she was 33, but she decided to leave full-time teaching to devote herself to weaving on her Jacquard computerized loom. She lives and works in Los Angeles, and for the past six years she has been exhibiting at a number of museums, including the Long Beach Museum of Art and The San Francisco Museum of Craft+Design.

Christy Matson became a tenured Associate Professor of Fiber and Material Studies at the School of the Art Institute of Chicago when she was 33, but she decided to leave full-time teaching to devote herself to weaving on her Jacquard computerized loom. She lives and works in Los Angeles, and for the past six years she has been exhibiting at a number of museums, including the Long Beach Museum of Art and The San Francisco Museum of Craft+Design.

Tanya Aguiniga

Tanya Aguiniga, was raised in Tijuana, Mexico and lives in Los Angeles. She’s a designer/artist/craftsperson who has a BA from San Diego State University and an MFA in furniture design from the Rhode Island School of Design. Tanya the founder and director of Ambos—Art Made Between Opposite Sides—which she calls “an ongoing series of artist interventions and commuter collaborations that address bi-national transition and identity in the US/Mexico border region.”

Tanya Aguiniga, was raised in Tijuana, Mexico and lives in Los Angeles. She’s a designer/artist/craftsperson who has a BA from San Diego State University and an MFA in furniture design from the Rhode Island School of Design. Tanya the founder and director of Ambos—Art Made Between Opposite Sides—which she calls “an ongoing series of artist interventions and commuter collaborations that address bi-national transition and identity in the US/Mexico border region.”

Nancy Callan

Sculptor Nancy graduated from the Massachusetts College of Art in 1996 and now lives in Seattle. In addition to making her own work in blown glass, she was for many years a key member of Italian maestro Lino Tagliapietra’s glassblowing team. She also collaborates with New York City lighting designer Lindsey Adelman. Nancy’s own work is in the permanent collections of the Corning Museum of Glass, the Shanghai Museum of Art, and the Museum of Glass in Tacoma, WA. As a woman working in the traditionally male-dominated field of glassblowing she says, "I had to work twice as hard as the boys did."

Sculptor Nancy graduated from the Massachusetts College of Art in 1996 and now lives in Seattle. In addition to making her own work in blown glass, she was for many years a key member of Italian maestro Lino Tagliapietra’s glassblowing team. She also collaborates with New York City lighting designer Lindsey Adelman. Nancy’s own work is in the permanent collections of the Corning Museum of Glass, the Shanghai Museum of Art, and the Museum of Glass in Tacoma, WA. As a woman working in the traditionally male-dominated field of glassblowing she says, "I had to work twice as hard as the boys did."

Meredith Brickell

Meredith Brickell is a sculptor and activist.  She has a BFA in art and design from North Carolina State University and an MFA in Ceramics from the University of Nebraska-Lincoln. She was also a core fellow at the Penland School of Crafts. Her current body of sculpture draws from architectural forms, historical narratives, and elements of the physical landscape. Besides her studio work she is a Professor of Art at DePauw University in Indiana and founder and project leader of the House Life Project, a community-building initiative sited in abandoned houses in Indianapolis.

Meredith Brickell is a sculptor and activist.  She has a BFA in art and design from North Carolina State University and an MFA in Ceramics from the University of Nebraska-Lincoln. She was also a core fellow at the Penland School of Crafts. Her current body of sculpture draws from architectural forms, historical narratives, and elements of the physical landscape. Besides her studio work she is a Professor of Art at DePauw University in Indiana and founder and project leader of the House Life Project, a community-building initiative sited in abandoned houses in Indianapolis.

James Carpenter

For over 50 years, James Carpenter has combined art, engineering, and design, using natural light and glass as key elements of his work. His major projects include the Fulton Transportation Center in New York City and the Israel Museum in Jerusalem. Jamie earned a degree from Rhode Island School of Design, where he studied architecture while also working on projects in glass with Dale Chihuly. He is a MacArthur Foundation fellow and the recipient of an Academy Award in Architecture from the American Academy of Arts and Letters. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

For over 50 years, James Carpenter has combined art, engineering, and design, using natural light and glass as key elements of his work. His major projects include the Fulton Transportation Center in New York City and the Israel Museum in Jerusalem. Jamie earned a degree from Rhode Island School of Design, where he studied architecture while also working on projects in glass with Dale Chihuly. He is a MacArthur Foundation fellow and the recipient of an Academy Award in Architecture from the American Academy of Arts and Letters. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Joyce Scott

Joyce Scott is a sculptor, quilter, and performance artist. She’s best known for her figurative beadwork, which often addresses issues of racism and sexism in our culture. While she has art degrees from Maryland Institute College of Art and the Instituto Allende, she also learned about making art from her mother, the quilter Elizabeth Scott. Her most recent exhibit Joyce J. Scott: Harriet Tubman and Other Truths at Grounds for Sculpture in Hamilton Township, NJ, combines beadwork, glass made in Murano, Italy, found objects and other materials.   Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

Joyce Scott is a sculptor, quilter, and performance artist. She’s best known for her figurative beadwork, which often addresses issues of racism and sexism in our culture. While she has art degrees from Maryland Institute College of Art and the Instituto Allende, she also learned about making art from her mother, the quilter Elizabeth Scott. Her most recent exhibit Joyce J. Scott: Harriet Tubman and Other Truths at Grounds for Sculpture in Hamilton Township, NJ, combines beadwork, glass made in Murano, Italy, found objects and other materials. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Jen Bervin

Jen Bervin’s interdisciplinary work often combines art, science and writing. One recent project is Silk Poems, a poem written nanoscale in the form of a silk biosensor in collaboration with Tufts University’s Silk Lab, and also published as a book. Another project, The Dickinson Composite Series, is a series of large-scale embroideries that depict the variant markings in Emily Dickinson’s original manuscripts. Jen's work as a poet and visual artist takes her in surprising directions. She says, “I love research because I don’t know what I’ll find.” Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

Jen Bervin’s interdisciplinary work often combines art, science and writing. One recent project is Silk Poems, a poem written nanoscale in the form of a silk biosensor in collaboration with Tufts University’s Silk Lab, and also published as a book. Another project, The Dickinson Composite Series, is a series of large-scale embroideries that depict the variant markings in Emily Dickinson’s original manuscripts. Jen's work as a poet and visual artist takes her in surprising directions. She says, “I love research because I don’t know what I’ll find.” Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Matthew Shlian

Matthew Shlian is an artist/designer and founder of the Initiative Artist Studio in Ann Arbor, Michigan.  His work ranges from drawings to large-scale installations to collaborations with scientists at the University of Michigan. He's widely known for his work with folded paper, but as a maker he doesn’t see himself fitting into a particular category—he likes to work with what he has at hand—without being able to predict the results. He makes his work from what he calls ‘a place of not knowing’.

Matthew Shlian is an artist/designer and founder of the Initiative Artist Studio in Ann Arbor, Michigan.  His work ranges from drawings to large-scale installations to collaborations with scientists at the University of Michigan. He's widely known for his work with folded paper, but as a maker he doesn’t see himself fitting into a particular category—he likes to work with what he has at hand—without being able to predict the results. He makes his work from what he calls ‘a place of not knowing’.

Lily Yeh

Lily Yeh is a co-founder of The Village of Arts and Humanities, for which she also has served as executive director and lead artist. Founded in 1986, the Philadelphia-based, non-profit organization aims to build community through art, learning, land transformation, and economic development. In 2002, Lily began Barefoot Artists, which continues her style of community building through art on an international level, in places such as Rwanda, Kenya, Ghana, Ecuador, and China. Lily Yeh seeks to build a more compassionate future through her collaborative work. She told the Christian Science Monitor, “I have found that the broken spaces are my living canvas. In our brokenness, our hearts reach for beauty.”

Lily Yeh is a co-founder of <a href="http://barefootartists.org/projects/village/" rel="nofollow" target="_blank">The Village of Arts and Humanities</a>, for which she also has served as executive director and lead artist. Founded in 1986, the Philadelphia-based, non-profit organization aims to build community through art, learning, land transformation, and economic development. In 2002, Lily began Barefoot Artists, which continues her style of community building through art on an international level, in places such as Rwanda, Kenya, Ghana, Ecuador, and China. Lily Yeh seeks to build a more compassionate future through her collaborative work. She told the Christian Science Monitor, “I have found that the broken spaces are my living canvas. In our brokenness, our hearts reach for beauty.”

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Hosted by Stuart Kestenbaum and a project of craftschools.us

This is such an exciting podcast. As a crafts person, I love hearing artists stories and processes. It’s rather incredible that people have come together to make these conversations heard. These stories remind me that a career in crafts is possible!

Thank you

I happened upon Make/Time podcast when searching for information about a particular artist, and that podcast was filled to the brim with gems—why one makes work, how one makes work, both the nuts and bolts as well as the bigger picture.  And, I found myself downloading more episodes and continually being stopped in my tracks.  These podcasts inspire, bolster, foster the world of making and making in the world.  

Thanks to Stuart Kestenbaum and the Makers for such candid, lucid, inspiring podcasts.

A Gem of a series

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Hosted by Stuart Kestenbaum and a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>

Make/Time

Rachel Faller

In 2008 Rachel Faller traveled to Cambodia on a Fulbright Fellowship to research artisans and fair trade organizations. She wound up founding Tonlé, an ethical, zero-waste fashion business in Cambodia that makes contemporary women's apparel from garment factory remnants. A weaver and designer, she combines her knowledge of making and materials with an entrepreneurial vision for building an ethical business. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

In 2008 Rachel Faller traveled to Cambodia on a Fulbright Fellowship to research artisans and fair trade organizations. She wound up founding Tonlé, an ethical, zero-waste fashion business in Cambodia that makes contemporary women's apparel from garment factory remnants. A weaver and designer, she combines her knowledge of making and materials with an entrepreneurial vision for building an ethical business. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Sonya Clark

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Stuart Kestenbaum talks with artist Sonya Clark about family, roots, textiles, and the joys of making art in a community.

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Stuart Kestenbaum talks with artist Sonya Clark about family, roots, textiles, and the joys of making art in a community.

Tim McCreight

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. In this episode, Tim McCreight talks to Stuart Kestenbaum about his path to becoming a jeweler, teacher, publisher, writer, and activist.

Make/Time— conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. In this episode, Tim McCreight talks to Stuart Kestenbaum about his path to becoming a jeweler, teacher, publisher, writer, and activist.

Susie Ganch

Susie Ganch is a jeweler, sculptor, and environmentalist who lives in Richmond, Virginia. She teaches in the Craft and Material Studies program at Virginia Commonwealth University, and she works frequently with Radical Jewelry Makoever and Ethical Metalsmith. Susie initially studied geology and only got into jewelry making when she decided to take what she thought would be an easy course on the side of her science labs. But jewelrymaking resonated with her, and she couldn't leave it behind. Since then, she has had a full career, recently moving back to the larger scale with sculptures made from trash as a part of her interest in the environment and the ecological impact of jewelrymaking. Stuart Kestenbaum joined her at VCU to talk about her path and her passion for ethical metalsmithing. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

Susie Ganch is a jeweler, sculptor, and environmentalist who lives in Richmond, Virginia. She teaches in the Craft and Material Studies program at Virginia Commonwealth University, and she works frequently with Radical Jewelry Makoever and Ethical Metalsmith. Susie initially studied geology and only got into jewelry making when she decided to take what she thought would be an easy course on the side of her science labs. But jewelrymaking resonated with her, and she couldn't leave it behind. Since then, she has had a full career, recently moving back to the larger scale with sculptures made from trash as a part of her interest in the environment and the ecological impact of jewelrymaking. Stuart Kestenbaum joined her at VCU to talk about her path and her passion for ethical metalsmithing. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Michael Strand

Michael Strand is a potter, an activist, and an optimist. A lifelong Dakotan, he is an Associate Professor and head of the Department of Visual Arts at North Dakota State University in Fargo, North Dakota. Michael trained at the University of Nebraska, Lincoln, in ceramics, and he's a skilled artist who makes beautiful cups and bowls. As his career progressed, though, he realized that he wanted to make art that engaged people in dynamic ways. He crafts innovative projects that connect the handmade to the community, and that lead participants and the artist to new understandings of themselves and of the world.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

Michael Strand is a potter, an activist, and an optimist. A lifelong Dakotan, he is an Associate Professor and head of the Department of Visual Arts at North Dakota State University in Fargo, North Dakota. Michael trained at the University of Nebraska, Lincoln, in ceramics, and he's a skilled artist who makes beautiful cups and bowls. As his career progressed, though, he realized that he wanted to make art that engaged people in dynamic ways. He crafts innovative projects that connect the handmade to the community, and that lead participants and the artist to new understandings of themselves and of the world.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Ayumi Horie

Ayumi Horie is a potter, maker, and activist living and working in Portland, Maine. She is also a social media innovator in the craft world and the curator of the popular Instagram feed Pots In Action (@potsinaction). Her body of work embodies her belief that the best handmade pottery encourages connections between people and makes daily life better. Recently, as a recipient of the United States Artist Fellowship, she has turned her attention to learning and including digital and industrial processes in her work. As a part of this work, she has purchased a RAM press, which she will use to create prototypes that she can then individualize, a process she hopes to help her sustain a very physical craft over a lifetime. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Ayumi Horie is a potter, maker, and activist living and working in Portland, Maine. She is also a social media innovator in the craft world and the curator of the popular Instagram feed Pots In Action (@potsinaction). Her body of work embodies her belief that the best handmade pottery encourages connections between people and makes daily life better. Recently, as a recipient of the United States Artist Fellowship, she has turned her attention to learning and including digital and industrial processes in her work. As a part of this work, she has purchased a RAM press, which she will use to create prototypes that she can then individualize, a process she hopes to help her sustain a very physical craft over a lifetime. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

Namita Gupta Wiggers

Namita Gupta Wiggers is a curator, writer, educator, and artist living in Portland, Oregon. A first generation American of South Asian descent, she is a keen observer of how people select and organize their lives. She began her career in museums, eventually serving as curator and then director of the Museum of Contemporary Craft in Portland. Namita sees curation as both collaborative and empathic—that the curator's job is to make room for multiple narratives to exist within a project. A lifelong learner, she believes that when she comes across something she isn't familiar with—a culture, a tradition, an artist—the onus is on her to learn more. In keeping with that approach, Namita is a co-founder of Critical Craft Forum, which provides spaces for makers to discuss critical issues to the field of craft, including a recent symposium on Gender and Jewelry in New York City. After more than a decade of focusing on writing and curating, she joins Make/Time just as she returns to making jewelry with upcoming residencies with Watershed Center for Ceramic Arts and Ox-bow School of Art. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us. Major funding is provided by the Windgate Charitable Foundation.

Namita Gupta Wiggers is a curator, writer, educator, and artist living in Portland, Oregon. A first generation American of South Asian descent, she is a keen observer of how people select and organize their lives. She began her career in museums, eventually serving as curator and then director of the Museum of Contemporary Craft in Portland. Namita sees curation as both collaborative and empathic—that the curator's job is to make room for multiple narratives to exist within a project. A lifelong learner, she believes that when she comes across something she isn't familiar with—a culture, a tradition, an artist—the onus is on her to learn more. In keeping with that approach, Namita is a co-founder of Critical Craft Forum, which provides spaces for makers to discuss critical issues to the field of craft, including a recent symposium on Gender and Jewelry in New York City. After more than a decade of focusing on writing and curating, she joins Make/Time just as she returns to making jewelry with upcoming residencies with Watershed Center for Ceramic Arts and Ox-bow School of Art. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>. Major funding is provided by the Windgate Charitable Foundation.

Cristina Còrdova is a sculptor and ceramicist living and working in Penland, North Carolina. She grew up in Puerto Rico, where she earned her Bachelors from the University of Puerto Rico at Mayagüez. Cristina then went on to earn her MFA in ceramics from Alfred University in New York. A trained dancer, she brings a sense of movement and musicality into her figurative sculptures. Recently, she has begun working on a larger-than-life scale, and she focuses on creating pieces that walk the line between representation and abstraction. She often works with her husband, Pablo Soto, who is a glass artist, and also recently collaborated with her brother Arturo, an artist and animator.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Cristina Còrdova is a sculptor and ceramicist living and working in Penland, North Carolina. She grew up in Puerto Rico, where she earned her Bachelors from the University of Puerto Rico at Mayagüez. Cristina then went on to earn her MFA in ceramics from Alfred University in New York. A trained dancer, she brings a sense of movement and musicality into her figurative sculptures. Recently, she has begun working on a larger-than-life scale, and she focuses on creating pieces that walk the line between representation and abstraction. She often works with her husband, Pablo Soto, who is a glass artist, and also recently collaborated with her brother Arturo, an artist and animator.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

Cristina Còrdova

Rosanne Somerson

Rosanne Somerson is a furniture designer and maker, with works in the permanent collections of the Yale Art Gallery and the Museum of Fine Arts in Boston. She is also the President of the Rhode Island School of Design (RISD). She has a long history with the school: she earned her BFA in industrial design there, with a focus on furniture making, and she joined the faculty of RISD in 1985. She was appointed its president in 2015, but she still maintains a studio in Fall River, Massachusetts. She still makes time for one or two design projects a year, a practice she feels is necessary to her work as president. Rosanne is passionate about arts education as a preparation for jobs that don't exist—a crucial skill in an ever-changing world—and about artists as the change-makers the world needs.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Rosanne Somerson is a furniture designer and maker, with works in the permanent collections of the Yale Art Gallery and the Museum of Fine Arts in Boston. She is also the President of the Rhode Island School of Design (RISD). She has a long history with the school: she earned her BFA in industrial design there, with a focus on furniture making, and she joined the faculty of RISD in 1985. She was appointed its president in 2015, but she still maintains a studio in Fall River, Massachusetts. She still makes time for one or two design projects a year, a practice she feels is necessary to her work as president. Rosanne is passionate about arts education as a preparation for jobs that don't exist—a crucial skill in an ever-changing world—and about artists as the change-makers the world needs.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

Make/Time—conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Host Stuart Kestenbaum talks with furniture designer Vivian Beer, winner of HGTV's Ellen's Design Challenge, about learning how to blend traditional making with new technology, and how her time on the tv design contest showed her that not only can great design be made more cheaply, but it should be.

Make/Time—conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Host Stuart Kestenbaum talks with furniture designer Vivian Beer, winner of HGTV's Ellen's Design Challenge, about learning how to blend traditional making with new technology, and how her time on the tv design contest showed her that not only can great design be made more cheaply, but it should be.

Vivian Beer

Roberto Lugo

Roberto Lugo is a potter living and working in Vermont. He grew up in the Kensington neighborhood of Philadelphia and began his creative life writing graffiti. Today, he is known for his teapots, which are for him a symbol of learning other cultures, as he didn't grow up using teapots in his Puerto Rican household. His pots incorporate his artistic beginnings in graffiti and include references to his own background and to global cultures, and he designs them to spark conversation. Roberto is a professor at Marlboro College, and he talks about the different languages of academia, the pottery room, and the community where he was raised—and the challenges and joys of truly communicating across cultures. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Roberto Lugo is a potter living and working in Vermont. He grew up in the Kensington neighborhood of Philadelphia and began his creative life writing graffiti. Today, he is known for his teapots, which are for him a symbol of learning other cultures, as he didn't grow up using teapots in his Puerto Rican household. His pots incorporate his artistic beginnings in graffiti and include references to his own background and to global cultures, and he designs them to spark conversation. Roberto is a professor at Marlboro College, and he talks about the different languages of academia, the pottery room, and the community where he was raised—and the challenges and joys of truly communicating across cultures. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

Rowland Ricketts

Rowland Ricketts is an indigo grower and artist based in Bloomington, Indiana. He studied traditional indigo making and dyeing techniques in Japan, where he was living after college and where he met his wife, Chinami, who is a weaver. He came to dyeing after he realized that his photography work was polluting the streams around his farmhouse in the rural Nara prefecture. Here, Rowland talks about originality, process, living with nature, discovery, and how to find a work you never retire from.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Rowland Ricketts is an indigo grower and artist based in Bloomington, Indiana. He studied traditional indigo making and dyeing techniques in Japan, where he was living after college and where he met his wife, Chinami, who is a weaver. He came to dyeing after he realized that his photography work was polluting the streams around his farmhouse in the rural Nara prefecture. Here, Rowland talks about originality, process, living with nature, discovery, and how to find a work you never retire from. Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

Theresa Secord

Theresa Secord is a Penobscot basket weaver and founder of the Maine Indian Basketmakers Alliance. She was recently named an American Heritage Fellow by the National Endowment for the Arts. A lifelong Mainer, she grew up off reservation and eventually became a geologist. Theresa came to basketmaking through studying her native language as an adult; the weaving was a tactile part of the language lessons, and Theresa soon realized was more artist than linguist, and she's never turned back. Her work with the alliance has resulted in a rejuvenation of the the basketmaking tradition; the number of weavers from Wabanaki tribes has grown from a handful to scores, and it has become a viable source of income and renown for native weavers again. Recently, Theresa has stepped down from her organizing work to return to her own artistry, where she focuses on fancy basket work and on using new materials in place of the sacred and endangered Brown Ash.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of craftschools.us.

Theresa Secord is a Penobscot basket weaver and founder of the Maine Indian Basketmakers Alliance. She was recently named an American Heritage Fellow by the National Endowment for the Arts. A lifelong Mainer, she grew up off reservation and eventually became a geologist. Theresa came to basketmaking through studying her native language as an adult; the weaving was a tactile part of the language lessons, and Theresa soon realized was more artist than linguist, and she's never turned back. Her work with the alliance has resulted in a rejuvenation of the the basketmaking tradition; the number of weavers from Wabanaki tribes has grown from a handful to scores, and it has become a viable source of income and renown for native weavers again. Recently, Theresa has stepped down from her organizing work to return to her own artistry, where she focuses on fancy basket work and on using new materials in place of the sacred and endangered Brown Ash.  Make/Time shares conversations about craft, inspiration, and the creative process. Listen to leading makers and thinkers talk about where they came from, what they're making, and where they're going next. Make/Time is hosted by Stuart Kestenbaum and is a project of <a href="http://craftschools.us" rel="nofollow" target="_blank">craftschools.us</a>.

The best podcast episodes on parenting. Interviewing experts and talking through common issues surrounding parenting. This topic is filled with important lessons and insights for anyone listening. Add episodes you're interested into your queue below!

OwlTail

Best Parenting Podcasts

The best podcast episodes on Startups. For anyone working in a startup, or anyone interested in the incredible stories behind how people built companies like Instagram, and Facebook. Offering both practical advice and insights, as well as the stories for how many of the biggest startups got to where they are today. Add episodes you're interested into your queue below!