Lynne Cooke

Richard Serra

September 6, 20076:00 p.m.Co-curator Lynne Cooke and Richard Serra discuss the artist’s work and the exhibition Richard Serra Sculpture: Forty Years.Photo courtesy of Paula Court

September 6, 2007 6:00 p.m. Co-curator Lynne Cooke and Richard Serra discuss the artist’s work and the exhibition Richard Serra Sculpture: Forty Years. Photo courtesy of Paula Court

A Conversation between Lynne Cooke and Richard Serra

In conjunction with the MoMA exhibition Inventing Abstraction, 1910–1925, Bang on a Can presents a pair of concerts that reveal how pioneering European composers of 100 years ago forever changed the music in New York. Each concert pairs two composers—an early-20th-century innovator, and a New Yorker they influenced.  The music is performed by alumni and faculty of the Bang on a Can Summer Music Festival at MASS MoCA, a program dedicated entirely to the creation, study, and performance of the most adventurous music of our time. This second evening in the series features one of Arnold Schoenberg's shortest, oddest, most intense pieces, Herzgewächse, a shockingly expressive vocal miniature originally written for Vasily Kandinsky's journal The Blue Rider. Morton Feldman's meditative work Three Voices, for solo voice and two prerecorded solo voices, a luxurious, introspective setting of a poem by Frank O'Hara, has a much slower tempo than the Schoenberg piece, but is ultimately no less intense.

Dissonant Abstraction

In conjunction with MoMA's presentation of Wolfgang Laib's Pollen from Hazelnut, Agnes Gund, President Emerita of The Museum of Modern Art, joins the artist in conversation about the installation and his creative process. Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, moderates.

Conversation with Gund and Laib

Scott Snibbe

Media artist and filmmaker Scott Snibbe and his collaborator Lukas Girling discuss their work and its relationship to sound in space, with a particular focus on REWORK_(Philip Glass Remixed) [GLASS MACHINE], which is featured at MoMA Studio.

Artist Talk: Scott Snibbe

Joe McKay

Artist Joe McKay discusses his work and its relationship to sound in space, with a particular focus on Light Wave and Tweetagraph, his interactive installations in MoMA Studio.

Artist Talk: Joe McKay

Claes Oldenburg

Claes Oldenburg reads from Writing on the Side 1956–1969 (edited by Achim Hochdörfer, Maartje Oldenburg, and Barbara Schröder), a newly published selection of diaries, notes, poems, scripts, and statements that the artist wrote in the 1960s. The event is introduced by Ann Temkin, Chief Curator, Department of Painting and Sculpture, and organizer of the exhibition Claes Oldenburg: The Street and The Store and Claes Oldenburg: Mouse Museum/Ray Gun Wing; and Maartje Oldenburg. The reading is followed by a book signing and reception.

Claes Oldenburg: Writing on the Side 1956–1969

Curator Mathieu Copeland discusses the poetics of interstitial, neutral and otherwise overlooked off-spaces—and off-times—of museums and galleries. He envisages how they can be activated and seen anew through a variety of perspectives, and thus subvert the traditional role of exhibitions and renew the way they are perceived.

An Exhibition Happening Everywhere, At All Times, with Everyone: A Lecture by Mathieu Copeland

This half-day symposium explores the art scene and artistic production in Tokyo in the 1950s and 1960s through a series of film screenings and discussions with directors, curators, critics, and artists. The films, including ANPO: Art X War (Linda Hoaglund, 2010), Some Young People (Nagano Chiaki, 1964), and Japan: The New Art (Michael and Christian Blackwood, 1970), are followed by the roundtable discussion, “What Was So Avant-Garde about Tokyo from 1955 to 1970?”

Art in Tokyo, 1950s and 1960s: Conversations and Films

On the occasion of the publication of Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941–1991, this roundtable discussion explores Robert Motherwell's role as a thinker across creative disciplines including painting, poetry, philosophy, and music. Presenters include Debra Balken, Bill Berkson, Tim Clifford, Heidi Colsman-Freyberger, Robert Hobbs, and Katy Rogers. Moderated by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, MoMA. Following the program, visit The Museum of Modern Art Archives to view selected Motherwell materials and join us for a reception in the library. This program is presented in collaboration with the Dedalus Foundation and the Museum Library and Archives.

Motherwell in His Time

Legendary Brazilian poet and founder of the Concrete poetry movement Augusto de Campos and his son, the musician Cid Campos, present a multimedia performance of text, music, and, image. Working within the expanded territory of poetry, Augusto de Campos uses sounds to activate associative thinking and explore the possibilities of language.Revitalizing Frank O'Hara's legacy and MoMA's historical commitment to poetry, this series invites poets and performers to bring the literary tradition to the Museum's collection. They read historical works and their own work that reflects on modern and contemporary art.

Legendary Brazilian poet and founder of the Concrete poetry movement Augusto de Campos and his son, the musician Cid Campos, present a multimedia performance of text, music, and, image. Working within the expanded territory of poetry, Augusto de Campos uses sounds to activate associative thinking and explore the possibilities of language. Revitalizing Frank O'Hara's legacy and MoMA's historical commitment to poetry, this series invites poets and performers to bring the literary tradition to the Museum's collection. They read historical works and their own work that reflects on modern and contemporary art.

Modern Poets: Poetry Is Risk: A Performance with Augusto de Campos and Cid Campos

Curators, scholars, and artists discuss modern and contemporary art.  To view images of these artworks, please visit the Online Collection at moma.org/collection.      MoMA Audio is available free of charge courtesy of Bloomberg.

more please

A must hear, especially the feminist series

Fantastic

Curators, scholars, and artists discuss modern and contemporary art. To view images of these artworks, please visit the Online Collection at <a href="http://moma.org/collection" rel="nofollow" target="_blank">moma.org/collection</a>. MoMA Audio is available free of charge courtesy of Bloomberg.

MoMA Talks: Conversations

Marcia Hafif

Part 2 of 7: Marcia Hafif A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists.

Part 2 of 7: Marcia Hafif A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide. This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists.

5 x 20 x 20 (5/14/2009; Part 2 of 7): Marcia Hafif

Jeff Koons

March 9, 20076:30 p.m.Jeff Koons uses unexpected models and everyday objects to create works of art. From his Hoover vacuum cleaners to his stainless steel Rabbit (1986), he challenges viewers’ perception and standards of “good taste,” addressing established hierarchies and aesthetic value systems. Koons, whose 1985 work Three Ball 50/50 Tank (Two Dr. J. Silver Series, Wilson Supershot) is included in Out of Time: A Contemporary View, has exhibited internationally and has received many awards and honors.

March 9, 2007 6:30 p.m. Jeff Koons uses unexpected models and everyday objects to create works of art. From his Hoover vacuum cleaners to his stainless steel Rabbit (1986), he challenges viewers’ perception and standards of “good taste,” addressing established hierarchies and aesthetic value systems. Koons, whose 1985 work Three Ball 50/50 Tank (Two Dr. J. Silver Series, Wilson Supershot) is included in Out of Time: A Contemporary View, has exhibited internationally and has received many awards and honors.

December 8, 20086:30 p.m.Marlene Dumas's paintings often focus on the human figure, merging existential human themes with personal experience and art historical antecedents. In this lecture, the artist presents her work and the upcoming exhibition Marlene Dumas: Measuring Your Own Grave.

December 8, 2008 6:30 p.m. Marlene Dumas's paintings often focus on the human figure, merging existential human themes with personal experience and art historical antecedents. In this lecture, the artist presents her work and the upcoming exhibition Marlene Dumas: Measuring Your Own Grave.

Marlene Dumas: A Lecture with the Artist

Kerry James Marshall

September 14, 20076:30 p.m.Kerry James Marshall's mixed media works address the perspectives of African Americans through references to popular culture, history, and the civil rights movement. His work draws inspiration from art-historical sources from the Renaissance to black folk art. Born in Birmingham, Alabama, Marshall has a BFA and an honorary Doctorate from the Otis Art Institute, Los Angeles. He has exhibited in the United States, and at international exhibitions such as Documenta X. In 1997 Marshall was awarded a MacArthur Foundation grant. The program is moderated by Romi Crawford, Curator and Director of Education and Public Programs, The Studio Museum in Harlem, and introduced by Wendy Woon, The Edward John Noble Foundation Deputy Director for Education, The Museum of Modern Art.Photo courtesy of Paula Court

September 14, 2007 6:30 p.m. Kerry James Marshall's mixed media works address the perspectives of African Americans through references to popular culture, history, and the civil rights movement. His work draws inspiration from art-historical sources from the Renaissance to black folk art. Born in Birmingham, Alabama, Marshall has a BFA and an honorary Doctorate from the Otis Art Institute, Los Angeles. He has exhibited in the United States, and at international exhibitions such as Documenta X. In 1997 Marshall was awarded a MacArthur Foundation grant. The program is moderated by Romi Crawford, Curator and Director of Education and Public Programs, The Studio Museum in Harlem, and introduced by Wendy Woon, The Edward John Noble Foundation Deputy Director for Education, The Museum of Modern Art. Photo courtesy of Paula Court

Tuesday, April 14, 2009.  6:30 PM  Martin Kippenberger's The Happy End of Franz Kafka's "Amerika" stages the scenario of America as the land of the job interview. In the spirit of this work, tonight's program takes the shape of a series of interviews between artists, art dealers, and friends of Kippenberger's. Together they help to form a collective portrait of this complicated figure. Participants include artists Rachel Harrison and Jeff Koons, art dealer Friedrich Petzel, and critic and art historian Jan Avgikos.Photo courtesy of Paula Court

Tuesday, April 14, 2009. 6:30 PM Martin Kippenberger's The Happy End of Franz Kafka's "Amerika" stages the scenario of America as the land of the job interview. In the spirit of this work, tonight's program takes the shape of a series of interviews between artists, art dealers, and friends of Kippenberger's. Together they help to form a collective portrait of this complicated figure. Participants include artists Rachel Harrison and Jeff Koons, art dealer Friedrich Petzel, and critic and art historian Jan Avgikos. Photo courtesy of Paula Court

Knowing Kippenberger

William Feaver

Lucian Freud

February 28, 20086:30 p.m.A lecture by art critic, curator, and Freud biographer William Feaver

February 28, 2008 6:30 p.m. A lecture by art critic, curator, and Freud biographer William Feaver

Lucian Freud Portrayed: An Evening with William Feaver

Brice Marden

Wednesday, November 1, 20066:00 p.m.Brice Marden and Gary Garrels, curator of Brice Marden: A Retrospective of Paintings and Drawings, discuss the artist's work and the exhibition.Photo courtesy of Miriam Berkley

Wednesday, November 1, 2006 6:00 p.m. Brice Marden and Gary Garrels, curator of Brice Marden: A Retrospective of Paintings and Drawings, discuss the artist's work and the exhibition. Photo courtesy of Miriam Berkley

Plane Image: A Conversation with Brice Marden

Color

April 9, 20086:30 p.m.In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With David Batchelor, artist and the author of Chromophobia, and Chris McGlinchey, conservation scientist, Department of Conservation, The Museum of Modern Art.

April 9, 2008 6:30 p.m. In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With David Batchelor, artist and the author of Chromophobia, and Chris McGlinchey, conservation scientist, Department of Conservation, The Museum of Modern Art.

Conversations on Color: Chromophobia/Chromophilia

Christine Hill

Artists Speak: Conversations on Contemporary Art with Glenn D. LowryArt and Commerce: Alternative EconomiesOctober 16, 20086:30 p.m.From F.T. Marinetti, the founder of the Italian Futurist movement in 1909, to Andy Warhol in the 1960s, many artists have reveled in the promotion of their own work, linking it to marketing and commerce. Others, however, resist or challenge this dynamic by instead addressing issues surrounding art and social exchange. In this program, artists Christine Hill and Rirkrit Tiravanija discuss how they create artworks for an alternative "economy." Moderated by Glenn D. Lowry, director of The Museum of Modern Art.

Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Art and Commerce: Alternative Economies October 16, 2008 6:30 p.m. From F.T. Marinetti, the founder of the Italian Futurist movement in 1909, to Andy Warhol in the 1960s, many artists have reveled in the promotion of their own work, linking it to marketing and commerce. Others, however, resist or challenge this dynamic by instead addressing issues surrounding art and social exchange. In this program, artists Christine Hill and Rirkrit Tiravanija discuss how they create artworks for an alternative "economy." Moderated by Glenn D. Lowry, director of The Museum of Modern Art.

Art and Commerce: Alternative Economies: Christine Hill and Rirkrit Tiravanija

John Elderfield

Michael Fried

Wednesday, November 8, 20066:30 p.m.John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition Manet and the Execution of Maximilian, and Michael Fried, the J.R. Herbert Boone Professor in the Humanities, Krieger School of Arts and Science, The Johns Hopkins University, and author of the critically acclaimed Manet's Modernism: or, the Face of Painting in the 1860s, discuss the Maximilian paintings and Manet's importance to the history of modern art.Photo courtesy of Miriam Berkley

Wednesday, November 8, 2006 6:30 p.m. John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition Manet and the Execution of Maximilian, and Michael Fried, the J.R. Herbert Boone Professor in the Humanities, Krieger School of Arts and Science, The Johns Hopkins University, and author of the critically acclaimed Manet's Modernism: or, the Face of Painting in the 1860s, discuss the Maximilian paintings and Manet's importance to the history of modern art. Photo courtesy of Miriam Berkley

Manet at MoMA: A Conversation between John Elderfield and Michael Fried

March 13, 20086:30 p.m.In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With artists John Baldessari and Daniel Buren, and Bernard Marcadé, art critic, freelance curator, and professor of art history and aesthetics at the École nationale supérieure des beaux-arts of Paris-Cergy.Photo courtesy of Paula Court

March 13, 2008 6:30 p.m. In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With artists John Baldessari and Daniel Buren, and Bernard Marcadé, art critic, freelance curator, and professor of art history and aesthetics at the École nationale supérieure des beaux-arts of Paris-Cergy. Photo courtesy of Paula Court

Conversations on Color: Color and Conceptualism

Jonas Mekas

Ingrid Schaffner

Jack Bond

September 10, 20086:30 p.m.Salvador Dalí first arrived in New York in 1934 and immediately became a flamboyant part of the city's life and art scene. Engaging with the artists and celebrities who helped create the spirit of the city at the time, Dalí pursued his interests in art and commerce, the urban streets, and friendships with members of polite society and those in the rebellious underground. This program brings together scholars and filmmakers who address the impact of Dalí's diverse activities on his work and on the New York artistic community. Participants include Callie Angell, Adjunct Curator, The Andy Warhol Film Project, The Whitney Museum of American Art, who discusses the relationship between Dalí and Andy Warhol; filmmaker Jack Bond, who presents clips of his own film, Dalí in New York, and reflections on his friendship with the artist; Jonas Mekas, filmmaker and Director, Anthology Film Archives, who shares the films he made of Dalí; and Ingrid Schaffner, Senior Curator, Institute of Contemporary Art, University of Pennsylvania, who explores Dalí and the 1939 World's Fair. Anne Morra, Assistant Curator, Department of Film, and co-organizer of the exhibition Dalí: Painting and Film, moderates a discussion.This event is held in conjunction with the exhibition Dalí: Painting and Film.

September 10, 2008 6:30 p.m. Salvador Dalí first arrived in New York in 1934 and immediately became a flamboyant part of the city's life and art scene. Engaging with the artists and celebrities who helped create the spirit of the city at the time, Dalí pursued his interests in art and commerce, the urban streets, and friendships with members of polite society and those in the rebellious underground. This program brings together scholars and filmmakers who address the impact of Dalí's diverse activities on his work and on the New York artistic community. Participants include Callie Angell, Adjunct Curator, The Andy Warhol Film Project, The Whitney Museum of American Art, who discusses the relationship between Dalí and Andy Warhol; filmmaker Jack Bond, who presents clips of his own film, Dalí in New York, and reflections on his friendship with the artist; Jonas Mekas, filmmaker and Director, Anthology Film Archives, who shares the films he made of Dalí; and Ingrid Schaffner, Senior Curator, Institute of Contemporary Art, University of Pennsylvania, who explores Dalí and the 1939 World's Fair. Anne Morra, Assistant Curator, Department of Film, and co-organizer of the exhibition Dalí: Painting and Film, moderates a discussion. This event is held in conjunction with the exhibition Dalí: Painting and Film.

Dalí and New York: Callie Angell, Jack Bond, Jonas Mekas, Ingrid Schaffner

Jacques Herzog

Glenn D

Tuesday, September 19, 20066:30 p.m.In conjunction with the exhibition Artist’s Choice: Herzog &amp; de Meuron, Perception Restrained, Glenn D. Lowry, director of The Museum of Modern Art, and Jacques Herzog consider the collection from an architect’s perspective and discuss the ways in which thoughtful selections and innovative installations inspire new understandings of art.

Tuesday, September 19, 2006 6:30 p.m. In conjunction with the exhibition Artist’s Choice: Herzog &amp; de Meuron, Perception Restrained, Glenn D. Lowry, director of The Museum of Modern Art, and Jacques Herzog consider the collection from an architect’s perspective and discuss the ways in which thoughtful selections and innovative installations inspire new understandings of art.

A Conversation with Jacques Herzog and Glenn D. Lowry

Lawrence Weiner

Ger van Elk

Allen Ruppersberg

September 24, 2009 06:30 PMTheater 3 This conversation examines the international networks that developed among Conceptual artists in the 1960s and 1970s. Three such artists—Ger van Elk, Allen Ruppersberg, and Lawrence Weiner—focus the discussion on their respective cities of Amsterdam, Los Angeles, and New York, each of which served as a major center of artistic production at the time. Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, and organizer of the exhibition In &amp; Out of Amsterdam: Travels in Conceptual Art, 1960–1976, moderates the discussion.

September 24, 2009 06:30 PM Theater 3 This conversation examines the international networks that developed among Conceptual artists in the 1960s and 1970s. Three such artists—Ger van Elk, Allen Ruppersberg, and Lawrence Weiner—focus the discussion on their respective cities of Amsterdam, Los Angeles, and New York, each of which served as a major center of artistic production at the time. Christophe Cherix, Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, and organizer of the exhibition In &amp; Out of Amsterdam: Travels in Conceptual Art, 1960–1976, moderates the discussion.

Between Amsterdam, Los Angeles, and New York: A Roundtable Discussion with Ger van Elk, Allen Ruppersberg, and Lawrence Weiner

Martin Puryear

Martin PuryearJanuary 8, 20086:30 p.m.Through a series of presentations and a moderated discussion, David Levi Strauss, scholar, critic, and chair of the MFA Art Criticism and Writing Department, School of Visual Arts; Judith Russi Kirshner, professor of Art History and dean of the College of Architecture and the Arts, University of Illinois at Chicago; and artists Josiah McElheny and Terry Winters offer their perspectives on the work of Martin Puryear. John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition, moderates the discussion.

Martin Puryear January 8, 2008 6:30 p.m. Through a series of presentations and a moderated discussion, David Levi Strauss, scholar, critic, and chair of the MFA Art Criticism and Writing Department, School of Visual Arts; Judith Russi Kirshner, professor of Art History and dean of the College of Architecture and the Arts, University of Illinois at Chicago; and artists Josiah McElheny and Terry Winters offer their perspectives on the work of Martin Puryear. John Elderfield, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, The Museum of Modern Art, and organizer of the exhibition, moderates the discussion.

Martin Puryear Panel

Artists Speak: Conversations on Contemporary Art with Glenn D. LowryOpen SourceJanuary 20, 20096:30 p.m.This program explores contemporary art in the age of YouTube, Facebook, and Wikipedia, online resources that connect people and information in countless ways and through immeasurable distances. Artists Cory Arcangel and Rafael Lozano-Hemmer discuss the ways in which they utilize electronic databases to create works of art. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion.

Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry Open Source January 20, 2009 6:30 p.m. This program explores contemporary art in the age of YouTube, Facebook, and Wikipedia, online resources that connect people and information in countless ways and through immeasurable distances. Artists Cory Arcangel and Rafael Lozano-Hemmer discuss the ways in which they utilize electronic databases to create works of art. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion.

Open Source: Cory Arcangel and Rafael Lozano-Hemmer

Thursday, December 7, 20066:00 p.m.Professor Penny Sparke, Dean of the Faculty of Art, Design &amp; Music, Kingston University, London, delivers a lecture investigating contemporary design within the legacy of modern design in Denmark today. A panel discussion, moderated by Laetitia Wolff, writer, curator, and founding director of futureflair, inc., follows the lecture and includes designer Christina Strand and Anders Byriel, director of the textile manufacturing company Kvadrat.

Thursday, December 7, 2006 6:00 p.m. Professor Penny Sparke, Dean of the Faculty of Art, Design &amp; Music, Kingston University, London, delivers a lecture investigating contemporary design within the legacy of modern design in Denmark today. A panel discussion, moderated by Laetitia Wolff, writer, curator, and founding director of futureflair, inc., follows the lecture and includes designer Christina Strand and Anders Byriel, director of the textile manufacturing company Kvadrat.

Modern Danish Design Revisited

Martin Creed

March 21, 20086:30 p.m.Like many modern artists that have preceded him, Martin Creed makes installations, music, film, writings, and performances that question the value of objects and ideas commonly considered mundane. With modest materials he often takes a witty and subversive, minimalist approach. Creed, who attended the Slade School of Art in London, has exhibited his work internationally and was the recipient of the 2001 Turner Prize. This conversation is moderated by Pablo Helguera, Director, Adult and Academic Programs, The Museum of Modern Art.Note: Audio recordings of films shown during the program have been removed.

March 21, 2008 6:30 p.m. Like many modern artists that have preceded him, Martin Creed makes installations, music, film, writings, and performances that question the value of objects and ideas commonly considered mundane. With modest materials he often takes a witty and subversive, minimalist approach. Creed, who attended the Slade School of Art in London, has exhibited his work internationally and was the recipient of the 2001 Turner Prize. This conversation is moderated by Pablo Helguera, Director, Adult and Academic Programs, The Museum of Modern Art. Note: Audio recordings of films shown during the program have been removed.

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