Bobby Owsinski's Inner Circle Podcast
Music Industry Analysis, Interviews, Tips, News, and Reviews
Rank #1: Episode #256 – RIAA Numbers, USB 3.2, And Producer-Composer-Mixer Doug DeAngelis.
NEWS The RIAA year-end numbers are surprising, especially when it comes to CDs Are you ready for USB 3.2? An attempt to clarify the USB types GUEST Producer-composer-mixer-music supervisor Doug DeAngelis Composer, producer and music supervisor Doug DeAngelis is my guest on the podcast today. Doug hit paydirt early in his career when he recorded the Nine Inch Nails hit “Head Like A Hole.” In 1989, he embarked on a world tour with the Detroit Techno crossover dance artist Inner City, but after that he moved on to studio work in New York City, where he amassed over 300 album and remix credits, including 31 #1 Billboard Chart singles. Doug’s album credits include New Order, Michael Jackson, Queen Latifa, Chaka Khan, Love and Rockets, Alicia Keys, and No Doubt, among others. Doug’s career then shifted to Los Angeles where his music was embraced by Hollywood producer Michael Mann as the scorer for his CBS crime drama series Robbery Homicide Division. His music has since appeared in over 100 television shows including CSI, Bones, CSI Miami, and ER, as well as dozens of reality and late night television programs. Doug is also the Conference Chair and Co-Founder of A3E, The Advanced Audio & Applications Exchange, a leading industry resource dedicated to the future of new music technologies. He’s also involved in an interesting interactive music app called Stylus, In the interview we talked about the early days synthesizer programming, becoming a mixer in New York City, composing for television, his newly developed Stylus app, and much more. On the intro I’ll take a look at the latest numbers on music sales from the RIAA, and take an overview at the new USB 3.2 computer ports (and a look at all the other USB ports too).
Rank #2: Episode #273 – Music In 10 Years, Tinnitus, Pro Tools Computers, And Primephonic CEO Thomas Steffens.
NEWS What will music sound like in 10 years? A venture capitalist thinks he knows. Rolling Stone launches new charts The cause of tinnitus may have been discovered Computers used for Pro Tools GUEST Primephonic CEO Thomas Steffens My guest today is the CEO of Primphonic, Thomas Steffens. Primephonic is a music streaming service dedicated to keeping classical music alive and accessible through the tech revolution Most streaming networks are geared towards modern pop music and don’t serve classical well. It’s difficult to find what you want, and labels, conductors and orchestras aren’t paid much since their piece run far longer than the average pop or rock song. Primephonic uses a pay-per-second model instead of the per stream way that Spotify and most other streaming networks use. During the interview we spoke about the 3 types of classical music fans, how a recommendation algorithm doesn’t work for the classical genre, differentiating between different versions of a work, Primephonic’s unique royalty structure, and much more. The intro takes a look at how music might change in 10 years, the new Rolling Stone music charts, a new look at what causes tinnitus, and the computers that people use for Pro Tools.
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