Tom Hurwitz's guest appearances

Tom Hurwitz

KUCI: Film School

ZEISS Full Exposure

Ben Shapiro

Donald Trump

John Sayles

Sam Jones

Billy Mize

David Sutherland

Alex Gibney

John Adams

Adam Carolla

Noël Wells

Jennifer Brea

Alexis Bloom

Mark Grieco

David Klein

Bassem Youssef

OwlTail

Bill T. Jones

Rosalynde LeBlanc

Can You Bring It: Bill T. Jones and D-Man in the Waters is a feature documentary that traces the history and legacy of one of the most important works of art to come out of the age of AIDS - Bill T. Jones' tour de force ballet "D-Man in the Waters". In 1989, "D-Man in the Waters" gave physical manifestation to the fear, anger, grief, and hope for salvation that the Bill T. Jones/Arnie Zane Company felt as they were embattled by the AIDS pandemic. As a group of young dancers reconstructs the dance, they learn about this oft forgotten history and deepen their understanding of the power of art in a time of plague. Bill T. Jones is arguably the most socially, politically and emotionally compelling choreographer alive today. Thirty years ago, he embedded motifs of risk and sacrifice, love, loss and resurrection in the choreography for "D-Man in the Waters". Through an extraordinary series of interviews, archival material, and uniquely powerful cinematography of movement, this 90-minute, lyrical documentary uses the story of this dance to illustrate the triumph of the human spirit in art and in the community. Today, by learning the dance, a new generation reinvigorates the spirit of a community fighting to survive. Co-directors Rosalynde LeBlanc and Tom Hurwitz join us for a conversation on the history of D-Man in the Waters, why it is just as relevant today, the spirit of discovery for the student dance ensemble featured in the film and the collaboration with the visionary artist Bill T. Jones.For news and updates go to: d-mandocumentary.comFor the theatrical / virtual release go to: kinolorber.com/can-you-bring-it

Can You Bring It: Bill T. Jones and D-Man in the Waters is a feature documentary that traces the history and legacy of one of the most important works of art to come out of the age of AIDS - Bill T. Jones' tour de force ballet "D-Man in the Waters". In 1989, "D-Man in the Waters" gave physical manifestation to the fear, anger, grief, and hope for salvation that the Bill T. Jones/Arnie Zane Company felt as they were embattled by the AIDS pandemic. As a group of young dancers reconstructs the dance, they learn about this oft forgotten history and deepen their understanding of the power of art in a time of plague. Bill T. Jones is arguably the most socially, politically and emotionally compelling choreographer alive today. Thirty years ago, he embedded motifs of risk and sacrifice, love, loss and resurrection in the choreography for "D-Man in the Waters". Through an extraordinary series of interviews, archival material, and uniquely powerful cinematography of movement, this 90-minute, lyrical documentary uses the story of this dance to illustrate the triumph of the human spirit in art and in the community. Today, by learning the dance, a new generation reinvigorates the spirit of a community fighting to survive. Co-directors Rosalynde LeBlanc and Tom Hurwitz join us for a conversation on the history of D-Man in the Waters, why it is just as relevant today, the spirit of discovery for the student dance ensemble featured in the film and the collaboration with the visionary artist Bill T. Jones. For news and updates go to: <a href="http://d-mandocumentary.com" rel="nofollow" target="_blank">d-mandocumentary.com</a> For the theatrical / virtual release go to: <a href="http://kinolorber.com/can-you-bring-it" rel="nofollow" target="_blank">kinolorber.com/can-you-bring-it</a>

Can You Bring It: Bill T. Jones and the D-Man in the Waters / Film School Radio interview with Co-directed by Rosalynde LeBlanc and Tom Hurwitz

Claudia Raschke

In part two of our chat with Claudia Raschke and Tom Hurwitz, ASC, they dove into the importance of being mindful of editing as a continuous process when shooting, not merely as a post-production process alone.

In part two of our chat with Claudia Raschke and Tom Hurwitz, ASC, they dove into the importance of being mindful of editing as a continuous process when shooting, not merely as a post-production process alone.

ep. 51 Tom Hurwitz, ASC & Claudia Raschke Part 2

Last November, in New York City, the Manhattan editors workshop held its fifth consecutive evening entitled sight sound and story the art of cinematography.  Jim Kamp was invited to moderate a chat with acclaimed cinematographers Claudia Raschke, DP on such docs as “Mad Hot Ballroom” and “RBG”, and Tom Hurwitz, ASC who was DP on such notable docs as the Oscar-winning “Harlan County, USA” and “The Queen of Versailles”   In part one, Claudia and Tom discussed their perspective on how they approach telling each story visually.

Last November, in New York City, the Manhattan editors workshop held its fifth consecutive evening entitled sight sound and story the art of cinematography.  Jim Kamp was invited to moderate a chat with acclaimed cinematographers Claudia Raschke, DP on such docs as “Mad Hot Ballroom” and “RBG”, and Tom Hurwitz, ASC who was DP on such notable docs as the Oscar-winning “Harlan County, USA” and “The Queen of Versailles” In part one, Claudia and Tom discussed their perspective on how they approach telling each story visually.

ep.50 Tom Hurwitz & Claudia Raschke