Aimee Joyaux's guest appearances

Aimee Joyaux

LookSEE

The Ground Shots Podcast

Michael Taylor

Woniya Thibeault

Martine Syms

Howardena Pindell

Frank Cook

Paul Massey

Marc Williams

Doug Elliott

Hannah Smith

Rebecca Beyer

Nikki Hill

Dale Pendell

Nancy Blum

Sam Sycamore

Tamara Wilder

OwlTail

Aimee Joyaux is an abundantly creative and endlessly curious artist who has her artist’s mind in lots of places. She is a painter, a photographer, and a performance artist. She is a printmaker and a teacher. Drawing plays a central role in her artistic practice. The renovated antebellum cotton warehouse in Petersburg, Virginia, that she and her husband Alain call home contains artistic multitudes, including a painting studio, a darkroom, a print and letterpress shop and Alain’s woodworking studio. In her work, Aimee uses color, language, iconography, and found materials to respond in a visceral way to current events and to examine their connections to the histories and mythologies that make up our cultural identities.

Episode 14 of the Ground Shots Podcast.   This episode of the podcast features a conversation with radical visual artist and printmaker Aimee Joyaux who runs Cornmeal Press in Petersburg, Virginia. We recorded this conversation when I visited Aimee in October 2018, before doing a multi-week printmaking residency in her studios. I met Aimee while doing an immersive eight-week artist book, printmaking and papermaking workshop at Penland School of Crafts in North Carolina a few springs ago.       In this conversation with Aimee, we talk about   how Aimee and her partner Alain came across the building they renovated in Petersburg by hand using materials they found at auctions, demo sites and junk sales a little history of Petersburg, Virginia as one of the oldest free black settlements in the so-called U.S. and how it fell into extreme economic decline historically. (I talk more about this as well as discuss the history of native settlements here in episodes #5 with Ryan Pierce and #6 with Tilke Elkins) how Aimee uses her art practice to react to and process racism and privilege in the south navigating race politics in Virginia a critique of capitalism Aimee's various art projects including 'City Lots,' 'The Smile Project,' and 'The Box Project'  how art is under-appreciated in American culture using your best materials now because life is short and fleeting Aimee's thoughts on copying vs. inspiration in art   ******* Links:  Aimee's website with photos of and writings on her various projects we discuss: http://www.aimeejoyaux.com/ Aimee's instagram: https://www.instagram.com/aimeejoyaux/ Support the podcast on Patreon to contribute to our grassroots self-funding of this project.  Our Instagram page @goldenberries Join the Ground Shots Podcast Facebook Group to discuss the episodes Subscribe to our newsletter for updates on the Ground Shots Project Theme music: 'Sweat and Splinters' by Mother Marrow Additional music: 'Ghost Waltz' from On Oak and Pine, released October 18, 2007  Christopher Buckingham - Guitars  Brenna Sahatjian - Cello Produced by: Opia Creative

Episode 14 of the Ground Shots Podcast. This episode of the podcast features a conversation with radical visual artist and printmaker Aimee Joyaux who runs Cornmeal Press in Petersburg, Virginia. We recorded this conversation when I visited Aimee in October 2018, before doing a multi-week printmaking residency in her studios. I met Aimee while doing an immersive eight-week artist book, printmaking and papermaking workshop at Penland School of Crafts in North Carolina a few springs ago. In this conversation with Aimee, we talk about how Aimee and her partner Alain came across the building they renovated in Petersburg by hand using materials they found at auctions, demo sites and junk sales a little history of Petersburg, Virginia as one of the oldest free black settlements in the so-called U.S. and how it fell into extreme economic decline historically. (I talk more about this as well as discuss the history of native settlements here in episodes #5 with Ryan Pierce and #6 with Tilke Elkins) how Aimee uses her art practice to react to and process racism and privilege in the south navigating race politics in Virginia a critique of capitalism Aimee's various art projects including 'City Lots,' 'The Smile Project,' and 'The Box Project'  how art is under-appreciated in American culture using your best materials now because life is short and fleeting Aimee's thoughts on copying vs. inspiration in art ******* Links:  Aimee's website with photos of and writings on her various projects we discuss: <a href="http://www.aimeejoyaux.com/" rel="nofollow" target="_blank">http://www.aimeejoyaux.com/</a> Aimee's instagram: <a href="https://www.instagram.com/aimeejoyaux/" rel="nofollow" target="_blank">https://www.instagram.com/aimeejoyaux/</a> <a href="http://www.patreon.com/ofsedgeandsalt" rel="nofollow" target="_blank">Support the podcast on Patreon</a> to contribute to our grassroots self-funding of this project.  Our Instagram page <a href="http://www.instagram.com/goldenberries" rel="nofollow" target="_blank">@goldenberries</a> Join the <a href="https://www.facebook.com/groups/572987393141224/?source_id=1810938262471725" rel="nofollow" target="_blank">Ground Shots Podcast Facebook Group</a> to discuss the episodes Subscribe to <a href="https://ofsedgeandsalt.us15.list-manage.com/subscribe?u=30402c71c85cdd1a8f6edaf3b&amp;id=2b6303f68a" rel="nofollow" target="_blank">our newsletter</a> for updates on the Ground Shots Project Theme music: 'Sweat and Splinters' by <a href="https://mothermarrow.bandcamp.com/releases" rel="nofollow" target="_blank">Mother Marrow</a> Additional music: 'Ghost Waltz' from <a href="https://eventuals.bandcamp.com/album/on-oak-and-pine" rel="noopener nofollow" target="_blank">On Oak and Pine</a>, released October 18, 2007  Christopher Buckingham - Guitars  Brenna Sahatjian - Cello Produced by: <a href="https://www.opiacreative.com/" rel="nofollow" target="_blank">Opia Creative</a>

Ep. 14: Aimee Joyaux of Cornmeal Press out of Petersburg, VA on processing our times through radical art making  