Rosemary Lane's guest appearances

Rosemary Lane

Irish Flute Tunes

British History in the Long Eighteenth Century

ChestertonRadio.com

Love That Album

Mike Flanagan

John Brennan

John McHugh

William Marshall

Michael Ryan

John Seed

John McKenna

Bobby Casey

Elizabeth Kelly

Mary Toft

John Byrne

Julia Delaney

Margot Finn

John Doherty

Tom Ward

OwlTail

Bert Jansch

There's a quote attributed to Louis Armstrong: “All music is folk music. I ain't never heard a horse sing a song”. Apocryphal? Who knows? Still, it does raise the question as to what folk music actually is. It can be contemporary contemporary or traditional. It can be associated with any number of cultures. It can be instrumental or songs without instrumental accompaniment. The songs can be about tales of heroes, cads, fair maidens, murder, politics, or.....that very infrequent topic of song – love.Welcome to episode 167 of Love That Album podcast.I am joined once again by Shane Pacey, singer and guitarist for The Bondi Cigars, The Shane Pacey Trio and Pacey, King &amp; Doley. His own music may be rooted in blues (another category that's more varied than is often given credit for), but Shane has a passion and huge knowledge about English folk music. Together we discussed the music of Scottish guitarist Bert Jansch. Bert was part of supergroup Pentangle (LTA episode 134), but before, during and after that group he recorded many albums in his own name. He has been put in the “folk” caregory, but he was part of a generation of UK musicians that were keen to expand what folk music could be. Bert and contemporaries like John Renbourn, Davy Graham, Wizz Jones and John Fahey were huge fans of American blues and jazz music. They sought to put all their musical passions into a pot and stir. Bert developed a guitar style that made him a revered figure amongst rock musicians like Johnny Marr, Jimmy Page and Neil Young, yet his playing was never about the flash or histrionics. He just quietly played original and traditional songs in HIS own sweet way....and his singing voice was not a classic voice in the rock sense, and yet it draws you in – there was no one who played or sang like him.Shane and I talk about Bert as musician, our relation to his work, contemporaries, and we focus on two of his albums – 1971's “Rosemary Lane” and 1974's “L.A. Turnaround” (produced by a Monkee and featuring a 5th Beatle on bass). It's always great having Shane bring his musical expertise to the show. I hope you dig this one.You can find Shane's music on line at https://shanepaceytrio.com.au/ or https://bondicigars.com/ or https://shanepacey.bandcamp.com/album/the-gardener.Here's a link to a tribute concert to Bert that we mention in the show: https://youtu.be/Y_MyH_Uc--sDownload this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at http://lovethatalbumpodcast.blogspot.comLove That Album is proudly part of the Pantheon Podcast network. Go to http://pantheonpodcasts.com to check out all their great shows.You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbumProudly Pantheon.Learn more about your ad choices. Visit megaphone.fm/adchoices

There's a quote attributed to Louis Armstrong: “All music is folk music. I ain't never heard a horse sing a song”. Apocryphal? Who knows? Still, it does raise the question as to what folk music actually is. It can be contemporary contemporary or traditional. It can be associated with any number of cultures. It can be instrumental or songs without instrumental accompaniment. The songs can be about tales of heroes, cads, fair maidens, murder, politics, or.....that very infrequent topic of song – love.Welcome to episode 167 of Love That Album podcast.I am joined once again by Shane Pacey, singer and guitarist for The Bondi Cigars, The Shane Pacey Trio and Pacey, King &amp; Doley. His own music may be rooted in blues (another category that's more varied than is often given credit for), but Shane has a passion and huge knowledge about English folk music. Together we discussed the music of Scottish guitarist Bert Jansch. Bert was part of supergroup Pentangle (LTA episode 134), but before, during and after that group he recorded many albums in his own name. He has been put in the “folk” caregory, but he was part of a generation of UK musicians that were keen to expand what folk music could be. Bert and contemporaries like John Renbourn, Davy Graham, Wizz Jones and John Fahey were huge fans of American blues and jazz music. They sought to put all their musical passions into a pot and stir. Bert developed a guitar style that made him a revered figure amongst rock musicians like Johnny Marr, Jimmy Page and Neil Young, yet his playing was never about the flash or histrionics. He just quietly played original and traditional songs in HIS own sweet way....and his singing voice was not a classic voice in the rock sense, and yet it draws you in – there was no one who played or sang like him.Shane and I talk about Bert as musician, our relation to his work, contemporaries, and we focus on two of his albums – 1971's “Rosemary Lane” and 1974's “L.A. Turnaround” (produced by a Monkee and featuring a 5th Beatle on bass). It's always great having Shane bring his musical expertise to the show. I hope you dig this one.You can find Shane's music on line at <a href="https://shanepaceytrio.com.au/" rel="nofollow" target="_blank">https://shanepaceytrio.com.au/</a> or <a href="https://bondicigars.com/" rel="nofollow" target="_blank">https://bondicigars.com/</a> or <a href="https://shanepacey.bandcamp.com/album/the-gardener" rel="nofollow" target="_blank">https://shanepacey.bandcamp.com/album/the-gardener</a>.Here's a link to a tribute concert to Bert that we mention in the show: <a href="https://youtu.be/Y_MyH_Uc--s" rel="nofollow" target="_blank">https://youtu.be/Y_MyH_Uc--s</a>Download this episode of LTA from your podcast app of choice. The wider back catalogue of episodes can also be found at <a href="http://lovethatalbumpodcast.blogspot.com" rel="nofollow" target="_blank">http://lovethatalbumpodcast.blogspot.com</a>Love That Album is proudly part of the Pantheon Podcast network. Go to <a href="http://pantheonpodcasts.com" rel="nofollow" target="_blank">http://pantheonpodcasts.com</a> to check out all their great shows.You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at <a href="http://www.facebook.com/groups/lovethatalbum" rel="nofollow" target="_blank">http://www.facebook.com/groups/lovethatalbum</a>Proudly Pantheon.Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Love That Album Episode 167 - Bert Jansch "Rosemary Lane" and "L.A. Turnaround"

Institute of Historical ResearchDisordered London? The view from Rosemary LaneDr Janice Turner(University of Hertfordshire)British History in the Long 18th Century seminar series

Institute of Historical Research Disordered London? The view from Rosemary Lane Dr Janice Turner (University of Hertfordshire) British History in the Long 18th Century seminar series

Disordered London? The view from Rosemary Lane

Here's a melodic jig which is I don't hear played all that much (I wonder if that could be because I almost never go to sessions these days).  I think it deserves a bit of an airing from time to time.

Rosemary Lane (jig)