James Bargent's guest appearances

James Bargent

Exploring Music Podcast

Tom Brown

Peter Moore

Max Beattie

Eddy Temple Morris

Wayne Adams

Emily Richardson

Chris Fillmore

Mark Jennings

Stuart Dredge

Julie Weir

Shana Burton

Digby Pearson

Ellis Johnson

Jonathan Watts

Jay Mistry

OwlTail

James and Max discuss the many faces and forms for using shock and being brave with music in advertising, films and TV. How the unexpected twists our perceptions and gives a fresh feel to experience.Click to listen to a Spotify playlist with the music discussed in this conversation.Please take our survey and let us know what you think, any and all feedback is very appreciated James Bargent, who has a BA Honors First Class in Professional Musicianship from the Brighton Institute of Modern Music is a Producer at MassiveMusic which is a music agency with offices in Amsterdam, London, New York, Los Angeles and Shanghai. They create music for the world’s leading advertising agencies, brands, media and technology companies. Before joining Massive James worked in the sync department at Warner Music Group.MassiveMusicFacebook: @massivemusicagencyTwitter: @massivemusicInstagram: @massivemusicLinkedIn: https://www.linkedin.com/company/49637/And joining James is Max Beattie, who has a BA in Anthropology from the University of Durham and a diploma in Music Production and Sound Engineering from the Point Blank Music School is Sync Creative Consultant at the Music Sales Group. Music Sales is one of the world’s leading independent music publishing companies with offices worldwide. It is active in many music-related fields including copyright ownership and promotion. Previously, Max held positions as Music Researcher for Leland Music, Sync consultant for Chelsea Music Publishing and Representative for Mad Planet, all sync licensing related roles.  *note: The Music Sales Group, since recording this conversation, has change it's name to The Wise Music Group.*The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click here for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, please let us know.If you wish to support us in producing this podcast series, please click the donate button. Any and all help will be put towards production expenses which are quite extensive.  Thanks all!Support the show

James and Max discuss the many faces and forms for using shock and being brave with music in advertising, films and TV. How the unexpected twists our perceptions and gives a fresh feel to experience. <a href="https://open.spotify.com/playlist/2b7FBG30Oj9x07Xl7fiZcn?si=yaCAM0SmSVO-Q8XMJsJDEQ" rel="nofollow" target="_blank">Click to listen</a> to a Spotify playlist with the music discussed in this conversation. Please <a href="https://app.involve.me/synclodge-exploring-music-podcast/synclodge-exploring-music-podcast" rel="nofollow" target="_blank">take our survey</a> and let us know what you think, any and all feedback is very appreciated James Bargent, who has a BA Honors First Class in Professional Musicianship from the Brighton Institute of Modern Music is a Producer at <a href="https://www.massivemusic.com/en" rel="nofollow" target="_blank">MassiveMusic</a> which is a music agency with offices in Amsterdam, London, New York, Los Angeles and Shanghai. They create music for the world’s leading advertising agencies, brands, media and technology companies. Before joining Massive James worked in the sync department at Warner Music Group.MassiveMusic Facebook: @massivemusicagency Twitter: @massivemusic Instagram: @massivemusic LinkedIn: <a href="https://www.linkedin.com/company/49637/" rel="nofollow" target="_blank">https://www.linkedin.com/company/49637/</a>And joining James is Max Beattie, who has a BA in Anthropology from the University of Durham and a diploma in Music Production and Sound Engineering from the Point Blank Music School is Sync Creative Consultant at the <a href="https://www.wisemusic.com/" rel="nofollow" target="_blank">Music Sales Group</a>. Music Sales is one of the world’s leading independent music publishing companies with offices worldwide. It is active in many music-related fields including copyright ownership and promotion. Previously, Max held positions as Music Researcher for Leland Music, Sync consultant for Chelsea Music Publishing and Representative for Mad Planet, all sync licensing related roles.  *note: The Music Sales Group, since recording this conversation, has change it's name to The Wise Music Group.* The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click <a href="https://www.thejoint.org.uk/" rel="nofollow" target="_blank">here</a> for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, <a href="https://www.facebook.com/SyncLodge-Podcast-Exploring-Music-101099027994752/" rel="nofollow" target="_blank">please let us know</a>.If you wish to support us in producing this podcast series, please <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8WVUVQXAJNLLQ&amp;source=url" rel="nofollow" target="_blank">click the donate button</a>. Any and all help will be put towards production expenses which are quite extensive. Thanks all!<a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=WVZLRF49C7Y6A&amp;source=url" rel="payment nofollow" target="_blank">Support the show</a>

Exploring Music E 33 Shock and Bravery, part 02 of 02, with James Bargent and Max Beattie

James and Max discuss the many faces and forms for using shock and being brave with music in advertising, films and TV. How the unexpected twists our perceptions and gives a fresh feel to experience. <a href="https://open.spotify.com/playlist/2b7FBG30Oj9x07Xl7fiZcn?si=yaCAM0SmSVO-Q8XMJsJDEQ" rel="nofollow" target="_blank">Click to listen</a> to a Spotify playlist with the music discussed in this conversation. Please <a href="https://app.involve.me/synclodge-exploring-music-podcast/synclodge-exploring-music-podcast" rel="nofollow" target="_blank">take our survey</a> and let us know what you think, any and all feedback is very appreciated James Bargent, who has a BA Honors First Class in Professional Musicianship from the Brighton Institute of Modern Music is a Producer at <a href="https://www.massivemusic.com/en" rel="nofollow" target="_blank">MassiveMusic</a> which is a music agency with offices in Amsterdam, London, New York, Los Angeles and Shanghai. They create music for the world’s leading advertising agencies, brands, media and technology companies. Before joining Massive James worked in the sync department at Warner Music Group.MassiveMusic Facebook: @massivemusicagency Twitter: @massivemusic Instagram: @massivemusic LinkedIn: <a href="https://www.linkedin.com/company/49637/" rel="nofollow" target="_blank">https://www.linkedin.com/company/49637/</a>And joining James is Max Beattie, who has a BA in Anthropology from the University of Durham and a diploma in Music Production and Sound Engineering from the Point Blank Music School is Sync Creative Consultant at the <a href="https://www.wisemusic.com/" rel="nofollow" target="_blank">Music Sales Group</a>. Music Sales is one of the world’s leading independent music publishing companies with offices worldwide. It is active in many music-related fields including copyright ownership and promotion. Previously, Max held positions as Music Researcher for Leland Music, Sync consultant for Chelsea Music Publishing and Representative for Mad Planet, all sync licensing related roles.  *note: The Music Sales Group, since recording this conversation, has change it's name to The Wise Music Group.* The background music players on this episode are Joe Schirl on bass guitar and Peter Mayerhofer on hand pan. All other elements of the music was composed, engineered and mixed by Lionel Lodge.This episode conversation was recorded at The Joint in the Kings Cross area of London, England. Click <a href="https://www.thejoint.org.uk/" rel="nofollow" target="_blank">here</a> for more information on their services. If you have any suggestions for future episodes, themes and/or guests, or comments on this episode, <a href="https://www.facebook.com/SyncLodge-Podcast-Exploring-Music-101099027994752/" rel="nofollow" target="_blank">please let us know</a>.If you wish to support us in producing this podcast series, please <a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=8WVUVQXAJNLLQ&amp;source=url" rel="nofollow" target="_blank">click the donate button</a>. Any and all help will be put towards production expenses which are quite extensive. Thanks all!<a href="https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&amp;hosted_button_id=WVZLRF49C7Y6A&amp;source=url" rel="payment nofollow" target="_blank">Support the show</a>

Exploring Music E 32 Shock and Bravery, part 01 of 02, with James Bargent and Max Beattie