Diana Greenwald's guest appearances

Diana Greenwald

POMEPS Middle East Political Science Podcast

Boston Athenæum

Barack Obama

Steven Pinker

Sarah McBride

Stephen Kinzer

Richard Bell

Sarah Parcak

Mary Norris

Robert Gould

Robert Shiller

Nina Campbell

Theodore Roosevelt

Hieronymus Bosch

Carl Zimmer

Theo Tyson

Michael Reynolds

OwlTail

Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities.Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.

Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity.

Diana Greenwald, "Painting by Numbers: Data-Driven Histories of Nineteenth-Century Art"

Local Palestinian elections across the West Bank and Gaza were scheduled to take place next month, but they have been suspended. On this week's POMEPS podcast, scholar Diana Greenwald explains that, while elections are frequently canceled or postponed in the Palestinian territories,  "This was set to be a significant one because both Fatah and Hamas were set to compete against each other for the first time since 2006.""It's largely being seen by observers as a means by Fatah, the ruling party in the West Bank, to postpone— or even cancel— this vote to avoid an embarrassing loss at the polls."Greenwald is a doctoral student in comparative politics at the University of Michigan where she focuses on the politics of revenue mobilization in transitional settings, including new states, aspiring states, and conflict/post-conflict states. Greenwald was a 2012 recipient of our POMEPS Travel-Research-Engagement grant. "We can't look to local elections as a driver of change at a larger level in the conditions of the conflict. I think anyone who is framing these as a 'release value' for the Palestinian public to blow off steam and forget about the larger issues surrounding them is probably mistaken."

Local Palestinian elections across the West Bank and Gaza were scheduled to take place next month, but they have been suspended. On this week's POMEPS podcast, scholar Diana Greenwald explains that, while elections are frequently canceled or postponed in the Palestinian territories, "This was set to be a significant one because both Fatah and Hamas were set to compete against each other for the first time since 2006." "It's largely being seen by observers as a means by Fatah, the ruling party in the West Bank, to postpone— or even cancel— this vote to avoid an embarrassing loss at the polls." Greenwald is a doctoral student in comparative politics at the University of Michigan where she focuses on the politics of revenue mobilization in transitional settings, including new states, aspiring states, and conflict/post-conflict states. Greenwald was a 2012 recipient of our POMEPS Travel-Research-Engagement grant. "We can't look to local elections as a driver of change at a larger level in the conditions of the conflict. I think anyone who is framing these as a 'release value' for the Palestinian public to blow off steam and forget about the larger issues surrounding them is probably mistaken."

Why Palestinian Elections are Postponed: A Conversation with Diana Greenwald (S. 5, Ep. 15)