Efraín Rozas's guest appearances

Efraín Rozas

State Of The Art

Sound Propositions

David Goodman

Scott Belsky

Abhishek Singh

Hadi Eldebek

Alicia Eggert

Morehshin Allahyari

Angelo Vermeulen

Joanne Wilson

Greg Gage

Kira Wampler

Patrick Shiroishi

Lauren Lee

Shane Miller

Suhair Khan

Glenn Cantave

OwlTail

We have a new bonus episode coming up later this month, but until then check out some past episodes you may have missed. ROBOT, TEACH US TO GROOVE was first published in March 2019. This episode features Efraín Rozas,  Peruvian-born, Brooklyn-based  performer/composer and robotics/software  developer interested in new  paradigms of cognitive technologies and  mythologies. He leads the  psychedelic salsa group La Mecánica Popular, fusing groove-based Latin music with electronic and experimental  explorations. Rozas' Myth and  Prosthesis series utilizes software programming and robotics to produce sound installations and music, deploying Latin American influences and  modern technology to uproot Western concepts and mind/body duality. We discuss all these projects and more, including the role of NYC in the history of Salsa, and the future of electronic Latinx music to come. Sound  Propositions the podcast has the same mission statement as the written  Sound Propositions features: to share in depth discussions with  artists whose work we love, to delve into the details  of their creative  practice. Read more, including a tracklist, at www.acloserlisten.com--- Support this podcast: https://anchor.fm/soundpropositions/support

We have a new bonus episode coming up later this month, but until then check out some past episodes you may have missed. ROBOT, TEACH US TO GROOVE was first published in March 2019. This episode features Efraín Rozas,  Peruvian-born, Brooklyn-based  performer/composer and robotics/software  developer interested in new  paradigms of cognitive technologies and  mythologies. He leads the  psychedelic salsa group La Mecánica Popular, fusing groove-based Latin music with electronic and experimental  explorations. Rozas' Myth and  Prosthesis series utilizes software programming and robotics to produce sound installations and music, deploying Latin American influences and  modern technology to uproot Western concepts and mind/body duality. We discuss all these projects and more, including the role of NYC in the history of Salsa, and the future of electronic Latinx music to come. Sound  Propositions the podcast has the same mission statement as the written  Sound Propositions features: to share in depth discussions with  artists whose work we love, to delve into the details  of their creative  practice. Read more, including a tracklist, at <a href="https://exit.sc/?url=http%3A%2F%2Fwww.acloserlisten.com" rel="ugc noopener noreferrer nofollow" target="_blank">www.acloserlisten.com</a>--- Support this podcast: <a href="https://anchor.fm/soundpropositions/support" rel="payment nofollow" target="_blank">https://anchor.fm/soundpropositions/support</a>

Episode 3: ROBOT, TEACH US TO GROOVE - with Efraín Rozas [replay]

In this episode, Peruvian artist Efraín Rozas talks with us about his career, projects, how he uses software programming to produce sound installations and his experience dancing with robots.-About Efraín Rozas-Peruvian performer/composer and robotics/software developer. His work was described as “A heady confluence of technology, culture and cognition” by The New Yorker, and “A deep psychonautic dive” by Wire Magazine. He will be resident at The Kitchen on 2021. He is recipient of the NY State Council on the Arts/ Wavefarm Media Arts Assistance Fund, Jerome Foundation/Harvestworks New Works Commission, and Knockdown Center (NYC) residency for time based art.He has performed at Lincoln Center, Kennedy Center, Brooklyn Museum, Queens Museum, Levitation Festival, Museum of Contemporary art of Lima and Central Park Summerstage Fania Records 50th anniversary. His album Roza Cruz was named one of the best Latin American albums of the decade by Zona Sucia and Estereofonía. Featured at CNN, BBC, Washington Post, Daily News, and NPR.He holds a PhD (NYU) on new integrations of body, mind and technology through ritual and rhythm. He published the book “Fusión: a soundtrack for Peru”, and released albums via Names You Can Trust (NYC), Futura Resistenza (Amsterdam) and Buh Records (Lima).He produces the radio show “La Vuelta al día en 80 mundos” nominated to best “World Sounds” by Mixcloud.com. He was a professor at NYU music department and directs Tangible: Sound Research Lab (Lima). Based in Lima and NYC. Learn more about Efraín at http://efrainrozas.com/Follow Efraín @efrainrozasListen to his project ¨I enjoy the world¨ 

In this episode, Peruvian artist Efraín Rozas talks with us about his career, projects, how he uses software programming to produce sound installations and his experience dancing with robots. -About Efraín Rozas-Peruvian performer/composer and robotics/software developer. His work was described as “A heady confluence of technology, culture and cognition” by The New Yorker, and “A deep psychonautic dive” by Wire Magazine. He will be resident at The Kitchen on 2021. He is recipient of the NY State Council on the Arts/ Wavefarm Media Arts Assistance Fund, Jerome Foundation/Harvestworks New Works Commission, and Knockdown Center (NYC) residency for time based art.He has performed at Lincoln Center, Kennedy Center, Brooklyn Museum, Queens Museum, Levitation Festival, Museum of Contemporary art of Lima and Central Park Summerstage Fania Records 50th anniversary. His album Roza Cruz was named one of the best Latin American albums of the decade by Zona Sucia and Estereofonía. Featured at CNN, BBC, Washington Post, Daily News, and NPR.He holds a PhD (NYU) on new integrations of body, mind and technology through ritual and rhythm. He published the book “Fusión: a soundtrack for Peru”, and released albums via Names You Can Trust (NYC), Futura Resistenza (Amsterdam) and Buh Records (Lima).He produces the radio show “La Vuelta al día en 80 mundos” nominated to best “World Sounds” by <a href="http://Mixcloud.com" rel="nofollow" target="_blank">Mixcloud.com</a>. He was a professor at NYU music department and directs Tangible: Sound Research Lab (Lima). Based in Lima and NYC.  Learn more about Efraín at <a href="http://efrainrozas.com/" rel="noopener noreferrer nofollow" target="_blank">http://efrainrozas.com/</a>Follow Efraín <a href="https://www.instagram.com/efrainrozas/" rel="noopener noreferrer nofollow" target="_blank">@efrainrozas</a>Listen to his project <a href="https://open.spotify.com/album/5vTf1njYEpSxzP2KjEbgGL?highlight=spotify:track:3NujYCXQvJn1petmrheunT" rel="noopener noreferrer nofollow" target="_blank">¨I enjoy the world¨</a>

The Art of Efraín Rozas

Sound Propositions the podcast has the same mission  statement as the written Sound Propositions features: to share in depth  discussions with artists whose work we love, to delve into the details  of their creative practice. This episode features Efraín Rozas,  Peruvian-born, Brooklyn-based performer/composer and robotics/software  developer interested in new paradigms of cognitive technologies and  mythologies. He leads the psychedelic salsa group La Mecánica Popular,  fusing groove-based Latin music with electronic and experimental  explorations. Rozas' Myth and Prosthesis series utilizes software  programming and robotics to produce sound installations and music,  utilizing Latin American influences and modern technology to uproot  Western concepts and mind/body duality. We discuss all these  projects and more, including the role of NYC in the history of Salsa,  and the future of electronic Latinx music to come. Read more, including a tracklist, at www.acloserlisten.com--- Support this podcast: https://anchor.fm/soundpropositions/support

Sound Propositions the podcast has the same mission  statement as the written Sound Propositions features: to share in depth  discussions with artists whose work we love, to delve into the details  of their creative practice. This episode features Efraín Rozas,  Peruvian-born, Brooklyn-based performer/composer and robotics/software  developer interested in new paradigms of cognitive technologies and  mythologies. He leads the psychedelic salsa group La Mecánica Popular,  fusing groove-based Latin music with electronic and experimental  explorations. Rozas' Myth and Prosthesis series utilizes software  programming and robotics to produce sound installations and music,  utilizing Latin American influences and modern technology to uproot  Western concepts and mind/body duality. We discuss all these  projects and more, including the role of NYC in the history of Salsa,  and the future of electronic Latinx music to come. Read more, including a tracklist, at <a href="https://exit.sc/?url=http%3A%2F%2Fwww.acloserlisten.com" rel="nofollow" target="_blank">www.acloserlisten.com</a>--- Support this podcast: <a href="https://anchor.fm/soundpropositions/support" rel="payment nofollow" target="_blank">https://anchor.fm/soundpropositions/support</a>