Maureen Howard's guest appearances

Maureen Howard

Excited Utterance

STAGES with Peter Eyers

zMaureen Howard's Eco Living in Action

SLP Coffee Talk

Tom Campbell

John Newman

Cameron Mitchell

David Smith

Nick Atkinson

Keith Robinson

Yve Blake

Mike Joy

David Mitchell

David Kaye

Sam Walker

James Anderson

John Taylor

Laurel Johnson

Kevin Jackson

OwlTail

Are your students prepared to join the workforce when they leave speech? As SLP’s, we are always thinking of tools and strategies that students can use when they are in the real world outside of the speech classroom.    One of the most important things we can do is help prepare students with the skills they need to find jobs and learn to be independent. This means teaching them how to communicate with others, teaching them simple tasks that will help them get hired, and taking them out in the world so that they can get practice interacting with others independently.    In today’s episode of SLP Coffee Talk, I had the pleasure of sitting down with Maureen Howard from Spoonful of SPED to talk about how we can work together with special education teachers to give our students the technical and communication skills they need when they graduate out of speech therapy in school.    Maureen is a High School special education department chair dedicated to supporting teachers, families, and students to be successful in high school and beyond!   She has so much experience with high school students and she is sharing her best tips for working on these skills with our older students in a way that is relevant and interesting to them.    Make sure to tune in to hear all about it!    Resources Mentioned:  Check out Spoonful of SPED Follow Maureen on Instagram Visit Spoonful of SPED on Teachers Pay Teachers Check out my Life Skills Bundle Full show notes available at www.speechtimefun.com/103   Where We Can Connect:  Follow the Podcast Follow Hallie on Instagram  Follow Hallie on Facebook Follow Hallie on PinterestAre you ready to start the 2023 year off strong with your older speech students and have the best year yet?! Join my FREE 5 day challenge to learn how you can build rapport and trust with your students so you can have a successful year with tons of motivation and FUN! Get freebies, enter to win prizes, and get tips for starting with older speech students! Join the challenge happening August 14-18 speechtimefun.com/strongchallenge

Are your students prepared to join the workforce when they leave speech? As SLP’s, we are always thinking of tools and strategies that students can use when they are in the real world outside of the speech classroom.  One of the most important things we can do is help prepare students with the skills they need to find jobs and learn to be independent. This means teaching them how to communicate with others, teaching them simple tasks that will help them get hired, and taking them out in the world so that they can get practice interacting with others independently.  In today’s episode of SLP Coffee Talk, I had the pleasure of sitting down with Maureen Howard from Spoonful of SPED to talk about how we can work together with special education teachers to give our students the technical and communication skills they need when they graduate out of speech therapy in school.  Maureen is a High School special education department chair dedicated to supporting teachers, families, and students to be successful in high school and beyond! She has so much experience with high school students and she is sharing her best tips for working on these skills with our older students in a way that is relevant and interesting to them.  Make sure to tune in to hear all about it!  Resources Mentioned:  <a href="http://spoonfulofsped.com" rel="noopener nofollow" target="_blank">Check out Spoonful of SPED</a> <a href="https://www.instagram.com/spoonfulofsped/" rel="noopener nofollow" target="_blank">Follow Maureen on Instagram</a> <a href="https://www.teacherspayteachers.com/Store/Spoonful-Of-Sped" rel="noopener nofollow" target="_blank">Visit Spoonful of SPED on Teachers Pay Teachers</a> <a href="https://www.teacherspayteachers.com/Product/Life-Skills-BUNDLE-3344897" rel="noopener nofollow" target="_blank">Check out my Life Skills Bundle</a> Full show notes available at <a href="http://www.speechtimefun.com/103" rel="noopener nofollow" target="_blank">www.speechtimefun.com/103</a> Where We Can Connect:  <a href="https://podcasts.apple.com/us/podcast/slp-coffee-talk/id1497341007" rel="noopener nofollow" target="_blank">Follow the Podcast</a> <a href="https://www.instagram.com/speechtimefun/?hl=en" rel="noopener nofollow" target="_blank">Follow Hallie on Instagram </a> <a href="https://www.facebook.com/SpeechTimeFun/" rel="noopener nofollow" target="_blank">Follow Hallie on Facebook</a> <a href="https://www.pinterest.com/missspeechie/" rel="noopener nofollow" target="_blank">Follow Hallie on Pinterest</a>Are you ready to start the 2023 year off strong with your older speech students and have the best year yet?! Join my FREE 5 day challenge to learn how you can build rapport and trust with your students so you can have a successful year with tons of motivation and FUN! Get freebies, enter to win prizes, and get tips for starting with older speech students! Join the challenge happening August 14-18 <a href="http://speechtimefun.com/strongchallenge" rel="nofollow" target="_blank">speechtimefun.com/strongchallenge</a>

103: Helping High Schoolers At Job Sites with Maureen Howard

Melbourne born soprano Maureen Howard was beloved by audiences and critics alike. At twelve years of age, she was a regular voice on the weekly 3DB Radio programme Swallows Juniorsand she later won the Vocal Section of television's Swallow's Parade. Though she studied singing from an early age, she wanted to be a hairdresser and, it was serendipitous that one of her 'clients' was associated with the two major theatre entrepreneurs J.C. Williamson and Garnet H. Carroll Management. A simple conversation during a hairdressing appointment gained Maureen a stage audition for J.C.Williamson at Her Majesty's Theatre in Melbourne . They had just opened their production of My Fair Lady. The following week, the same 'client' arranged an audition for Garnet H. Carroll at the Princess Theatre in Melbourne and she was immediately offered a contract for Chorus - and later 'stand-by' for Marian the Librarian - in The Music Man. As would occur many times during her early career, Maureen went on in the star's role. In April of 1961, she was cast in Lock Up Your Daughters with an additional song especially written for her character by the conductor Dobbs Franks. In August that year, she performed in Loesser's Most Happy Fella with Inia Te Wiata and Ronal Jackson. Later that year, Garnett H. Carroll Management cast her as June Bronhill's 'stand-by' in The Sound of Music and, again, Maureen was frequently seen in the role of Maria. In 1962, Maureen Howard won First Prize in the celebrated Sun Aria and left her contract for The Sound of Music. She was a frequent face and voice on television especially on the popular Sunny Side Up in 1963.After study, a year in Italy and then London - with the noted teacher Vera Rózsa - her operatic career started with Puccini's Tosca in 1967 - starting her career at the top - with the Elizabethan Trust Opera. The production opened at the Perth Festival on February 11th and featured Reginald Byers and the Hungarian baritone Alexander Major as Cavaradossi and Scarpia along with the twenty-seven years old Maureen Howard. Her operatic debut was a success, with one critic writing "She may not be as imperious as some Toscas, but she certainly is more vocally secure than many ... A powerful voice which is always beautifully controlled, and dominated the stage."The same year, she performed Zerlina in Don Giovanni with a stellar cast featuring Neil Warren-Smith, Marcella Reale, Rosemary Gordon, Robert Gard, Ronald Maconaghie and John Germain. It was a controversial production directed by the young Jim Sharman. A production of Die Fledermaus as Rosalinda (and June Bronhill as the maid, Adele) was a hit with audiences. Next came performances of Venus in Tannhäuser, Tebaldo in Don Carlo, Liù in Turandot, Micaela in Carmen and the cover of Minnie in the Australian premiere of Puccini's La fanciulla del West. Her career reached a new high with her assumption of Cio Cio San in Madama Butterfly in 1969 with a new production mounted especially for her talents. As a company member, she was also cast as Felice in Wolf-Ferrari's School for Fathers, Josephine in HMS Pinafore, Elsie Maynard in Yeoman of the Guard along with Giulietta in a concert version of The Tales of Hoffmann.Along with Cio Cio San in Madama Butterfly, the roles of Nedda in Pagliacci and Musetta in La bohème fitted Maureen Howard to a tee. To many audiences, her performances in all three roles have never been surpassed by an Australian born performer. She created Musetta in the famous La bohème production by Tom Lingwood in 1971. "Maureen Howard's Musetta stole the show ... she has the wonderful ability for stance, stage presence and poise of hand which just fix one's eyes upon her." During the following season, she performed her first Mimi in the s...

Melbourne born soprano Maureen Howard was beloved by audiences and critics alike. At twelve years of age, she was a regular voice on the weekly 3DB Radio programme Swallows Juniorsand she later won the Vocal Section of television's Swallow's Parade. Though she studied singing from an early age, she wanted to be a hairdresser and, it was serendipitous that one of her 'clients' was associated with the two major theatre entrepreneurs J.C. Williamson and Garnet H. Carroll Management. A simple conversation during a hairdressing appointment gained Maureen a stage audition for J.C.Williamson at Her Majesty's Theatre in Melbourne . They had just opened their production of My Fair Lady. The following week, the same 'client' arranged an audition for Garnet H. Carroll at the Princess Theatre in Melbourne and she was immediately offered a contract for Chorus - and later 'stand-by' for Marian the Librarian - in The Music Man. As would occur many times during her early career, Maureen went on in the star's role. In April of 1961, she was cast in Lock Up Your Daughters with an additional song especially written for her character by the conductor Dobbs Franks. In August that year, she performed in Loesser's Most Happy Fella with Inia Te Wiata and Ronal Jackson. Later that year, Garnett H. Carroll Management cast her as June Bronhill's 'stand-by' in The Sound of Music and, again, Maureen was frequently seen in the role of Maria. In 1962, Maureen Howard won First Prize in the celebrated Sun Aria and left her contract for The Sound of Music. She was a frequent face and voice on television especially on the popular Sunny Side Up in 1963. After study, a year in Italy and then London - with the noted teacher Vera Rózsa - her operatic career started with Puccini's Tosca in 1967 - starting her career at the top - with the Elizabethan Trust Opera. The production opened at the Perth Festival on February 11th and featured Reginald Byers and the Hungarian baritone Alexander Major as Cavaradossi and Scarpia along with the twenty-seven years old Maureen Howard. Her operatic debut was a success, with one critic writing "She may not be as imperious as some Toscas, but she certainly is more vocally secure than many ... A powerful voice which is always beautifully controlled, and dominated the stage." The same year, she performed Zerlina in Don Giovanni with a stellar cast featuring Neil Warren-Smith, Marcella Reale, Rosemary Gordon, Robert Gard, Ronald Maconaghie and John Germain. It was a controversial production directed by the young Jim Sharman. A production of Die Fledermaus as Rosalinda (and June Bronhill as the maid, Adele) was a hit with audiences. Next came performances of Venus in Tannhäuser, Tebaldo in Don Carlo, Liù in Turandot, Micaela in Carmen and the cover of Minnie in the Australian premiere of Puccini's La fanciulla del West. Her career reached a new high with her assumption of Cio Cio San in Madama Butterfly in 1969 with a new production mounted especially for her talents. As a company member, she was also cast as Felice in Wolf-Ferrari's School for Fathers, Josephine in HMS Pinafore, Elsie Maynard in Yeoman of the Guard along with Giulietta in a concert version of The Tales of Hoffmann. Along with Cio Cio San in Madama Butterfly, the roles of Nedda in Pagliacci and Musetta in La bohème fitted Maureen Howard to a tee. To many audiences, her performances in all three roles have never been surpassed by an Australian born performer. She created Musetta in the famous La bohème production by Tom Lingwood in 1971. "Maureen Howard's Musetta stole the show ... she has the wonderful ability for stance, stage presence and poise of hand which just fix one's eyes upon her." During the following season, she performed her first Mimi in the s...

Radio, Television and Stage Star - Maureen Howard

Bringing Demonstrative Evidence in From the Cold.  Maureen Howard from the University of Washington discusses the problem of demonstrative evidence and the confusion and controversy over how to best regulate it.

30 Maureen Howard