Theresa Warburton's guest appearances

Theresa Warburton

Town Hall Seattle Arts & Culture Series

Time Talks: History, Politics, Music, and Art

The Seattle Public Library - Author Readings and Library Events

Claudia Castro Luna

Frances McCue

Lynda V. Mapes

Steve Scher

Lindy West

Claire Dederer

Luke Burbank

Adam Hochschild

Paul Theroux

Pepper Schwartz

Ijeoma Oluo

Laurie Frankel

Julia Quinn

Maria Semple

Knute Berger

OwlTail

ABOUT THE BOOK: Just as a basket's purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America. ABOUT THE SPEAKERS: Elissa Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of Starvation Mode and My Body Is a Book of Rules, named a finalist for the Washington State Book Award. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She has received fellowships and awards from the National Endowment for the Arts, Creative Capital, Artist Trust, 4Culture, and Potlatch Fund. Elissa is an assistant professor of creative writing at the Ohio State University. Theresa Warburton lives on Lummi/Nooksack/Coast Salish territory in Bellingham, WA. She just completed a Mellon Postdoctoral Fellowship in Native and Indigenous Literatures at Brown University and, in the fall, will return to Western Washington University as an Associate Professor of English and Affiliate Faculty in Canadian Studies and Women's, Gender, and Sexuality Studies. Her book Other Worlds Here: Answering Native Women’s Writing in Contemporary Anarchist Movements will be published by Northwestern University Press in 2020. Her writing has appeared in Cultural Studies/Critical Methodologies, Perspectives on Anarchist Theory, and Upping the Anti. Laura Da’ is a poet and teacher. A lifetime resident of the Pacific Northwest, Da’ studied creative writing at the University of Washington and The Institute of American Indian Arts. Da’ is Eastern Shawnee. She is a recipient of the Native American Arts and Cultures Fellowship, an Artist Trust Fellowship, and fellowships from Hugo House and the Jack Straw Writers Program.  Her first book, Tributaries, won the 2016 American Book Award. Her newest book is Instruments of the True Measure, published by the University of Arizona Press. Ruby Hansen Murray is the winner of the Montana Nonfiction Prize, Native Creative Development and Artist Trust GAP grants, awarded fellowships at Hedgebrook, Ragdale and VONA. Her work appears inNative Voices: Indigenous American Poetry, Craft and Conversation, Moss, World Literature Today, CutBank, About Place and The Rumpus. She received an MFA from The Institute of American Indian Arts. She’s a citizen of the Osage Nation who lives in the lower Columbia River estuary

Elissa Washuta and Theresa Warburton: Shapes of Native Nonfiction

Kristen Millares Young

In publishing today, some of the most expressive, form-breaking, innovative writing seems to come from Native authors. While the written tradition often overlooks Indigenous authors, in recent years we have seen a small increase in Native people telling their own stories in their own ways. In a conversation facilitated by author Kristen Millares Young, authors  Elissa Washuta and Theresa Warburton joined us to discuss other worlds present in Native women’s literatures. Following their co-editing of the an anthology collecting essays by contemporary Native writers, they discussed their individual books, White Magic: Essays and Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements, respectively. Together, they shared thoughts on the unique and essential voices that Native women can contribute to the overall storytelling landscape. Don’t miss this fundamental exploration of inheritance, land, heartbreak–and hope for the future. Elissa Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of My Body Is a Book of Rules and Starvation Mode. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She has received fellowships and awards from the National Endowment for the Arts, Creative Capital, Artist Trust, 4Culture, and Potlatch Fund. Washuta is an assistant professor of creative writing at The Ohio State University. Theresa Warburton lives in Lummi, Nooksack, and Coast Salish Territories in Bellingham, WA. She is an Associate Professor of English at Western Washington University where she is also affiliate faculty in Women’s, Gender, and Sexuality Studies and Canadian-American Studies. Along with Elissa Washuta, she is the co-editor of Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She is also the author of Other Worlds Here: Honoring Native Women’s Literatures in Contemporary Anarchist Movements. Kristen Millares Young is the author of the novel Subduction. The editor of Seismic – Seattle, City of Literature, Millares Young served as the 2018-2020 Prose Writer-in-Residence at Hugo House. Anthologized in Alone Together, Latina Outsiders and Advanced Creative Nonfiction, her essays appear in the Washington Post, Literary Hub, and the Guardian. Millares Young was the researcher for the New York Times team that produced “Snow Fall,” which won a Pulitzer. From 2016 to 2019, Kristen was board chair of InvestigateWest, a nonprofit newsroom that she co-founded to protect vulnerable peoples and places of the Pacific Northwest. Buy the Books White Magic By Elissa Washuta Other Worlds Here: Honoring Native Women's Writing in Contemporary Anarchist Movements By Theresa Warburton Presented by Town Hall Seattle. To become a member or make a donation click here. 

In publishing today, some of the most expressive, form-breaking, innovative writing seems to come from Native authors. While the written tradition often overlooks Indigenous authors, in recent years we have seen a small increase in Native people telling their own stories in their own ways. In a conversation facilitated by author Kristen Millares Young, authors <a href="https://townhallseattle.org/event/elissa-washuta-with-theresa-warburton-kristen-millares-young-livestream/" rel="nofollow" target="_blank"> Elissa Washuta and Theresa Warburton joined us</a> to discuss other worlds present in Native women’s literatures. Following their co-editing of the an anthology collecting essays by contemporary Native writers, they discussed their individual books, White Magic: Essays and Other Worlds Here: Honoring Native Women’s Writing in Contemporary Anarchist Movements, respectively. Together, they shared thoughts on the unique and essential voices that Native women can contribute to the overall storytelling landscape. Don’t miss this fundamental exploration of inheritance, land, heartbreak–and hope for the future. Elissa Washuta is a member of the Cowlitz Indian Tribe and a nonfiction writer. She is the author of My Body Is a Book of Rules and Starvation Mode. With Theresa Warburton, she is co-editor of the anthology Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She has received fellowships and awards from the National Endowment for the Arts, Creative Capital, Artist Trust, 4Culture, and Potlatch Fund. Washuta is an assistant professor of creative writing at The Ohio State University. Theresa Warburton lives in Lummi, Nooksack, and Coast Salish Territories in Bellingham, WA. She is an Associate Professor of English at Western Washington University where she is also affiliate faculty in Women’s, Gender, and Sexuality Studies and Canadian-American Studies. Along with Elissa Washuta, she is the co-editor of Shapes of Native Nonfiction: Collected Essays by Contemporary Writers. She is also the author of Other Worlds Here: Honoring Native Women’s Literatures in Contemporary Anarchist Movements. Kristen Millares Young is the author of the novel Subduction. The editor of Seismic – Seattle, City of Literature, Millares Young served as the 2018-2020 Prose Writer-in-Residence at Hugo House. Anthologized in Alone Together, Latina Outsiders and Advanced Creative Nonfiction, her essays appear in the Washington Post, Literary Hub, and the Guardian. Millares Young was the researcher for the New York Times team that produced “Snow Fall,” which won a Pulitzer. From 2016 to 2019, Kristen was board chair of InvestigateWest, a nonprofit newsroom that she co-founded to protect vulnerable peoples and places of the Pacific Northwest. Buy the Books <a href="https://www.thirdplacebooks.com/book/9781951142391" rel="nofollow" target="_blank">White Magic</a> By Elissa Washuta <a href="https://www.thirdplacebooks.com/book/9780810143456" rel="nofollow" target="_blank">Other Worlds Here: Honoring Native Women's Writing in Contemporary Anarchist Movements</a> By Theresa Warburton Presented by <a href="https://townhallseattle.org/" rel="nofollow" target="_blank">Town Hall Seattle</a>. To become a member or make a donation <a href="https://townhallseattle.org/support/" rel="nofollow" target="_blank">click here</a>.

157. Elissa Washuta & Theresa Warburton with Kristen Millares Young: The Other Worlds Present in Native Women’s Literature