Jesse McReynolds's guest appearances

Jesse McReynolds

Music City Roots

Woodsongs Vodcasts

Toy Heart with Tom Power (A Podcast About Bluegrass)

Del McCoury

Bryan Sutton

Dori Freeman

Ashley Cleveland

Eric Brace

Carolyn Wonderland

Donna Ulisse

Jake Shimabukuro

Luke Bulla

Bobby Osborne

Brooke Aldridge

Chance McCoy

Della Mae

Willie Watson

Miss Tess

OwlTail

Host Tom Power talks to Bluegrass Hall of Fame member Jesse McReynolds of Jim &amp; Jesse and the Virginia Boys about his career in bluegrass. One of the last founding fathers of bluegrass, Jesse McReynold’s story is the story of bluegrass — a music that emerged out of the country, into rural schoolhouses, onto rural radio, finding sponsorship along the way, enmeshing itself into the mainstream of American culture. McReynolds tells the story of his grandfather, who played in the first recorded country music session, talks about being offered a gig with the Stanley Brothers, serving with the armed forces in Korea and singing alongside Charlie Louvin. He relates hunting down record deals and successes with his brother Jim, starting their own label, being sought out by counter cultural icons like the Grateful Dead and The Doors. Now nearing the age of 91, McReynolds spends some time reflecting as well, on his brother Jim’s death, his own struggles with the Opry, and how he feels about his legacy in the music. This is an icon of American music whose story isn’t often told, and we’re honored to play a part.  Support this podcast at — https://redcircle.com/toy-heart-with-tom-power-a-podcast-about-bluegrass3537/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy &amp; Opt-Out: https://redcircle.com/privacy

Host Tom Power talks to Bluegrass Hall of Fame member Jesse McReynolds of Jim &amp; Jesse and the Virginia Boys about his career in bluegrass. One of the last founding fathers of bluegrass, Jesse McReynold’s story is the story of bluegrass — a music that emerged out of the country, into rural schoolhouses, onto rural radio, finding sponsorship along the way, enmeshing itself into the mainstream of American culture. McReynolds tells the story of his grandfather, who played in the first recorded country music session, talks about being offered a gig with the Stanley Brothers, serving with the armed forces in Korea and singing alongside Charlie Louvin. He relates hunting down record deals and successes with his brother Jim, starting their own label, being sought out by counter cultural icons like the Grateful Dead and The Doors. Now nearing the age of 91, McReynolds spends some time reflecting as well, on his brother Jim’s death, his own struggles with the Opry, and how he feels about his legacy in the music. This is an icon of American music whose story isn’t often told, and we’re honored to play a part. Support this podcast at — <a href="https://redcircle.com/toy-heart-with-tom-power-a-podcast-about-bluegrass3537/donations" rel="payment nofollow" target="_blank">https://redcircle.com/toy-heart-with-tom-power-a-podcast-about-bluegrass3537/donations</a> Advertising Inquiries: <a href="https://redcircle.com/brands" rel="nofollow" target="_blank">https://redcircle.com/brands</a> Privacy &amp; Opt-Out: <a href="https://redcircle.com/privacy" rel="nofollow" target="_blank">https://redcircle.com/privacy</a>

Ashley Campbell

Carl Jackson

That radio countdown never sounded so sweet. Not since our first night on WSM in October 2009 did the top of the show – with its shot of Rob Ickes dobro and our emcee’s stentorian voice proclaiming us on the air from the Edge of Music City – have so much electricity for me. Yes, I know we send a video feed of MCR out over the internet across much greater distances than the footprint of an FM signal. But in my opinion, radio will always be the most refined and exciting and substantial medium – the one that matches technology and content in the most timeless and spiritual way. I mean, think about it. The voices and instrumental sounds of Nashville’s finest musician and distinguished visiting talent went into microphones on stage, imprinting their nuances and truth onto a current of electricity. That signal went to a mixing board and then over an internet line to a studio in Murfreesboro where it was processed for broadcast and then sent a few more miles to a tower west of Percy Priest Lake where it was sent rippling across the land, reaching all of Middle Tennessee with rich analog fidelity. During the second set, I went out to listen in my car for a bit just to make sure it was real. After a number of months without that official radio home, we were back, and not on just any station, but a new Nashville-centric Americana station programmed by my friends and teammates, now known as WMOT/Roots Radio 89.5. It was a moving thing to hear. Such elaborate hardware deserves top quality software and our guest artists brought it on this night dedicated to previewing the Bristol Rhythm &amp; Roots Festival and celebrating the 1927 Bristol Session, as updated on the double album Orthophonic Joy.

That radio countdown never sounded so sweet. Not since our first night on WSM in October 2009 did the top of the show – with its shot of Rob Ickes dobro and our emcee’s stentorian voice proclaiming us on the air from the Edge of Music City – have so much electricity for me. Yes, I know we send a video feed of MCR out over the internet across much greater distances than the footprint of an FM signal. But in my opinion, radio will always be the most refined and exciting and substantial medium – the one that matches technology and content in the most timeless and spiritual way. I mean, think about it. The voices and instrumental sounds of Nashville’s finest musician and distinguished visiting talent went into microphones on stage, imprinting their nuances and truth onto a current of electricity. That signal went to a mixing board and then over an internet line to a studio in Murfreesboro where it was processed for broadcast and then sent a few more miles to a tower west of Percy Priest Lake where it was sent rippling across the land, reaching all of Middle Tennessee with rich analog fidelity. During the second set, I went out to listen in my car for a bit just to make sure it was real. After a number of months without that official radio home, we were back, and not on just any station, but a new Nashville-centric Americana station programmed by my friends and teammates, now known as WMOT/Roots Radio 89.5. It was a moving thing to hear. Such elaborate hardware deserves top quality software and our guest artists brought it on this night dedicated to previewing the Bristol Rhythm &amp; Roots Festival and celebrating the 1927 Bristol Session, as updated on the double album Orthophonic Joy.

Sept. 14, 2016 - Orthophonic Joy w/ Ashley Campbell, Jesse McReynolds, Carl Jackson, Church Sisters

Lucky Peterson

JESSE McREYNOLDS is a bluegrass master and mandolin stylist known for his musical wizardry, songwriting, singing and arranging. A member of the award-winning brother duo, Jim &amp; Jesse until Jim's death in 2002. He is a Grand Ole Opry member for more than 45 years, performed throughout Europe and Africa, as well as in the U.S. Multiple Grammy nominee and winner, and played mandolin on the Doors' The Soft Parade album. Co-winner of the IBMA Instrumental Recording, "Mandolin Extravaganza". Nominated in 2005 for IBMA Instrumental Recording of the Year for his stellar collection of mostly original songs, "Bending the Rules." Currently celebrating his 63rd Anniversary in music!     LUCKY PETERSON was discovered by blues legend Willie Dixon when he was just three years old, released his first record at five and soon after appeared on The Tonight Show. An amazing, colorful bluesmaster, recorded what Amazon.com called “his finest album," Black Midnight Sun in 2003, but personal troubles preventing a proper follow-up until now. Lucky's long awaited, brand new CD You Can Always Turn Around is an uplifting collection of songs that speak of struggles and salvation, using the gritty clarity of acoustic roots-blues

JESSE McREYNOLDS is a bluegrass master and mandolin stylist known for his musical wizardry, songwriting, singing and arranging. A member of the award-winning brother duo, Jim &amp; Jesse until Jim's death in 2002. He is a Grand Ole Opry member for more than 45 years, performed throughout Europe and Africa, as well as in the U.S. Multiple Grammy nominee and winner, and played mandolin on the Doors' The Soft Parade album. Co-winner of the IBMA Instrumental Recording, "Mandolin Extravaganza". Nominated in 2005 for IBMA Instrumental Recording of the Year for his stellar collection of mostly original songs, "Bending the Rules." Currently celebrating his 63rd Anniversary in music! LUCKY PETERSON was discovered by blues legend Willie Dixon when he was just three years old, released his first record at five and soon after appeared on The Tonight Show. An amazing, colorful bluesmaster, recorded what <a href="http://Amazon.com" rel="nofollow" target="_blank">Amazon.com</a> called “his finest album," Black Midnight Sun in 2003, but personal troubles preventing a proper follow-up until now. Lucky's long awaited, brand new CD You Can Always Turn Around is an uplifting collection of songs that speak of struggles and salvation, using the gritty clarity of acoustic roots-blues

Woodsongs 606: Jesse McReynolds� and Lucky Peterson