Raquel Cecilia Mendieta's guest appearances

Raquel Cecilia Mendieta

The Great Women Artists

Agnes Martin

Marina Abramović

Laura Smith

Eileen Myles

Ali Smith

Olivia Laing

Alyce Mahon

Marina Warner

Deborah Levy

Anne Truitt

Cornelia Parker

Sarah Lucas

Jessie Burton

Yoko Ono

Celia Paul

OwlTail

Ana Mendieta

In episode 67 of The Great Women Artists Podcast, Katy Hessel interviews the filmmaker Raquel Cecilia Mendieta on her aunt, one of the greatest artists ever to live: Ana Mendieta. The day of this episode's release: 8 September 2021, is the 36th anniversary of Ana's death, who died aged 36 in 1985. [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!]"I use the earth as a canvas and my soul as an instrument." A pioneer of Performance Art who used the body as her primary tool, Mendieta’s career was radically experimental. Born in pre-revolutionHavana, Cuba, Mendieta’s life changed when Castro came to power, and her father(an enemy of the new regime) was imprisoned. Exiled from Cuba and sent toAmerica – arriving in Florida then settling in Iowa, aged 12 – Mendieta remained separated from her parents and birth country for years.Enrolling in the University of Iowa, it was here where she thrived. First experimenting with painting, Mendieta went on to employ the body as her primary medium. Constructing her 'Facial Cosmetic Variations' and 'Facial Hair Transplants', she pioneered the use of props and prosthetics as 'acts of transformations'. But being "possessed by nature",  by 1973, she was exploring her siluetas. Interrogating themes of memory, history, displacement, and rebirth, Mendieta used her body as her instrument when conducting more than 200 performative and ephemeral ‘sculptures’ (which she called siluetas). Through methods of burning, carving, or planting, Mendieta sought to ‘become one with the earth’, moulding the outlines of her body onto the soil of Iowa, Mexico, and from 1980, Cuba. In this episode we discuss the pure POWER of Mendieta's work, her connection to the Earth, life in Iowa and NYC and her later career at the American Academy in Rome. Ana was a true pioneer. And speaking to the fantastic Raquel, who has made many beautiful films on her aunt, we get an insight into who she was, her rebellious spirit, love and care for those around her, and pure excitement for her life and work. Enjoy!!!Further links: https://www.galerielelong.com/artists/estate-of-ana-mendieta https://jeudepaume.org/en/evenement/ana-mendieta-2/ https://alisonjacques.com/artists/ana-mendietaLISTEN NOW + ENJOY!!!Follow us:Katy Hessel: @thegreatwomenartists / @katy.hesselSound editing by Nada SmiljanicResearch assistant: Viva Ruggi Artwork by @thisisaliceskinnerMusic by Ben Wetherfieldhttps://www.thegreatwomenartists.com/

In episode 67 of The Great Women Artists Podcast, Katy Hessel interviews the filmmaker Raquel Cecilia Mendieta on her aunt, one of the greatest artists ever to live: Ana Mendieta.  The day of this episode's release: 8 September 2021, is the 36th anniversary of Ana's death, who died aged 36 in 1985.  [This episode is brought to you by Alighieri jewellery: <a href="http://www.alighieri.co.uk" rel="nofollow" target="_blank">www.alighieri.co.uk</a> | use the code TGWA at checkout for 10% off!] "I use the earth as a canvas and my soul as an instrument." A pioneer of Performance Art who used the body as her primary tool, Mendieta’s career was radically experimental. Born in pre-revolutionHavana, Cuba, Mendieta’s life changed when Castro came to power, and her father(an enemy of the new regime) was imprisoned. Exiled from Cuba and sent toAmerica – arriving in Florida then settling in Iowa, aged 12 – Mendieta remained separated from her parents and birth country for years. Enrolling in the University of Iowa, it was here where she thrived. First experimenting with painting, Mendieta went on to employ the body as her primary medium. Constructing her 'Facial Cosmetic Variations' and 'Facial Hair Transplants', she pioneered the use of props and prosthetics as 'acts of transformations'. But being "possessed by nature",  by 1973, she was exploring her siluetas.  Interrogating themes of memory, history, displacement, and rebirth, Mendieta used her body as her instrument when conducting more than 200 performative and ephemeral ‘sculptures’ (which she called siluetas). Through methods of burning, carving, or planting, Mendieta sought to ‘become one with the earth’, moulding the outlines of her body onto the soil of Iowa, Mexico, and from 1980, Cuba.  In this episode we discuss the pure POWER of Mendieta's work, her connection to the Earth, life in Iowa and NYC and her later career at the American Academy in Rome. Ana was a true pioneer. And speaking to the fantastic Raquel, who has made many beautiful films on her aunt, we get an insight into who she was, her rebellious spirit, love and care for those around her, and pure excitement for her life and work.  Enjoy!!! Further links:  <a href="https://www.galerielelong.com/artists/estate-of-ana-mendieta" rel="nofollow" target="_blank">https://www.galerielelong.com/artists/estate-of-ana-mendieta</a> <a href="https://jeudepaume.org/en/evenement/ana-mendieta-2/" rel="nofollow" target="_blank">https://jeudepaume.org/en/evenement/ana-mendieta-2/</a> <a href="https://alisonjacques.com/artists/ana-mendieta" rel="nofollow" target="_blank">https://alisonjacques.com/artists/ana-mendieta</a> LISTEN NOW + ENJOY!!! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi  Artwork by @thisisaliceskinner Music by Ben Wetherfield <a href="https://www.thegreatwomenartists.com/" rel="nofollow" target="_blank">https://www.thegreatwomenartists.com/</a>

Raquel Cecilia Mendieta on Ana Mendieta