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Rank #89 in Literature category

Arts
Literature

Folger Shakespeare Library: Shakespeare Unlimited

Updated 25 days ago

Rank #89 in Literature category

Arts
Literature
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Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.

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Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.

iTunes Ratings

284 Ratings
Average Ratings
261
12
5
1
5

The Best Shakespeare Podcast

By veganmac - Apr 27 2019
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I love everything the Folger does. This podcast is brilliant.

Shakespeare Unlimited

By linkatz - Mar 04 2019
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Another great gift from the Folger

iTunes Ratings

284 Ratings
Average Ratings
261
12
5
1
5

The Best Shakespeare Podcast

By veganmac - Apr 27 2019
Read more

I love everything the Folger does. This podcast is brilliant.

Shakespeare Unlimited

By linkatz - Mar 04 2019
Read more

Another great gift from the Folger

Cover image of Folger Shakespeare Library: Shakespeare Unlimited

Folger Shakespeare Library: Shakespeare Unlimited

Updated 25 days ago

Rank #89 in Literature category

Read more

Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.

Rank #1: Romeo and Juliet Through the Ages

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"For never was a story of more woe Than this of Juliet and her Romeo." —ROMEO AND JULIET(5.3.320) Though the tragic love story of Romeo and Juliet is a perennial favorite, the world around the play has changed in the four centuries since it was first performed. Shifting attitudes about taboo love and marriage, gender roles, and even guns and street violence inform the way we read or see the play today. Rebecca Sheir, host of our Shakespeare Unlimited podcast series, talks with theater scholars and artists about how ROMEO AND JULIET has been cut and molded to fit certain cultural expectations in different time periods. Among those featured in this podcast: - Libby Appel is the former director of the Oregon Shakespeare Festival. - Joe Calarco is the adaptor and original director of Shakespeare’s R&J. - Linda Charnes is professor of English at Indiana University, Bloomington. - Michael Kahn is artistic director of the Shakespeare Theatre Company in Washington, DC. - Peggy O'Brien is director of education at Folger Shakespeare Library. - Lindsey Row-Heyveld is assistant professor of English at Luther College in Iowa. - Anne Russell is an associate professor at Wilfrid Laurier University in Ontario, Canada. ----------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Esther Ferington and Gail Kern Paster. The music was composed and arranged by Lenny Williams. We had help gathering material for this podcast series from Esther French.

Mar 20 2015
31 mins
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Rank #2: Myths About Shakespeare

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"It is not so. Thou hast misspoke, misheard. Be well advised; tell o'er thy tale again. It cannot be; thou dost but say 'tis so." —KING JOHN (3.1.5–7) Even if you’re not a Shakespeare scholar, there are things you have learned about Shakespeare and his plays throughout your life – that it’s bad luck to say the name of “the Scottish play” or that Shakespeare hated his wife. Are any of these stories true? And whether they are or not, what do they tell us about previous eras, and our own? Rebecca Sheir talks Shakespeare myths with Emma Smith, professor of English at the University of Oxford—and co-author, with Laurie Maguire, of "30 Great Myths About Shakespeare." From the Shakespeare Unlimited podcast series. Published April 22, 2015. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is the associate producer. Edited by Gail Kern Paster and Esther Ferington. With help from Nick Moorbath at Evolution Recording Studios in Oxford and Jonathan Cherry at public radio station WAMU.

Apr 22 2015
25 mins
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Rank #3: The Year of Lear

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1606 was a critical year for Shakespeare’s creative career. It was the year in which he wrote KING LEAR, MACBETH, and ANTONY AND CLEOPATRA. It was also a time in which the king of England, James I, faced internal political challenges that threatened to tear the nation apart. James Shapiro is our guest for this episode of Shakespeare Unlimited. His new book, THE YEAR OF LEAR, examines how the events of 1606 touched Shakespeare’s life and whether they are reflected in his work. James Shapiro is a Professor of English and Comparative Literature at Columbia University. THE YEAR OF LEAR: SHAKESPEARE IN 1606, will be published October 6, 2015, by Simon & Schuster. James Shapiro is also a member of the Folger’s Board of Governors. He was interviewed by Neva Grant. This podcast episode is called “I Have Years On My Back.” “I have years on my back…” –KING LEAR (1.4.39) From the Shakespeare Unlimited podcast series. Published September 23, 2015. © Folger Shakespeare Library. All rights reserved. This episode was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Melissa Marquis at NPR in Washington and Larry Josephson at the Radio Foundation in New York.

Sep 23 2015
29 mins
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Rank #4: Shakespeare and Magic

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In Shakespeare’s THE TEMPEST, the magician Prospero conjures up a storm, charms his daughter to sleep, and uses his power to control Ariel and other spirits. Is this magic for real, or is Prospero pulling off elaborate illusions? Fascinated by this question and by Prospero’s relinquishing of magic at the play’s end, Teller (of the magic/comedy team Penn & Teller) co-directed a production of THE TEMPEST with Aaron Posner at Chicago Shakespeare Theater in 2015. In this episode of Shakespeare Unlimited, Teller joins Barbara Mowat, director of research emerita at the Folger and co-editor of the Folger Editions, to talk about magic in THE TEMPEST and other Shakespeare plays, as well as the attitudes about magic in late sixteenth- and early seventeenth-century England. Teller and Mowat are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. © March 8, 2016. Folger Shakespeare Library. All rights reserved. This podcast episode is called “Enter Prospero in His Magic Robes, and Ariel.” It was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Melissa Marquis at NPR in Washington, Rick Andrews and Casey Morell at Nevada Public Radio in Las Vegas, and Steven Martin at KPCC in Los Angeles.

Mar 08 2016
32 mins
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Rank #5: Why Shakespeare's Stories Still Resonate

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"I prithee speak to me as to thy thinkings," (Othello, 3.3.152) How do Shakespeare's works, written so long ago, still speak to us today? Just as actors and directors strive to work out this question on the stage, the academy continues to find new meaning in Shakespeare, too. Rebecca Sheir, host of our Shakespeare Unlimited series, talks with scholars Gail Kern Paster and Jeremy Lopez about why we continue to learn something new from Shakespeare's plays more than four hundred years after their first performance. Gail Kern Paster is director emerita of the Folger Shakespeare Library. Jeremy Lopez is an associate professor of English at the University of Toronto and former National Endowment for the Humanities Fellow at the Folger. ------------------ From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Esther Ferington. We had help gathering material for this podcast series from Amy Arden.

Mar 20 2015
16 mins
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Rank #6: Shakespeare and Marlowe

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A few months ago, Oxford University Press decided that in the New Oxford Shakespeare, the plays Henry VI, Parts 1, 2, and 3 would no longer be listed as having been written by Shakespeare alone. Instead the title pages will say: “By William Shakespeare and Christopher Marlowe.” To discuss how this kind of author attribution happens, we have Folger Director Michael Witmore and Eric Rasmussen, chair of the English department at the University of Nevada, Reno. They’re interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published February 21, 2017. © Folger Shakespeare Library. All rights reserved. “As if a Man Were Author if Himself” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Michele Ravera at radio station KUNR in Reno, Brian Allison and Jeff Peters at the Marketplace Studios in Los Angeles, and Melissa Marquis at NPR Headquarters in Washington.

Feb 21 2017
35 mins
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Rank #7: Stephen Greenblatt on Shakespeare's Tyrants

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“How is it possible for a whole country to fall into the hands of a tyrant? That’s a deeply unsettling question that Shakespeare grappled with again and again.” Stephen Greenblatt’s new book, "Tyrant," explores tyranny in Shakespeare’s plays. In the 100th episode of Shakespeare Unlimited, we talk with the eminent Shakespeare scholar about characters like Richard III and Macbeth; how societies allow tyranny to pop up; and how and why Shakespeare used its depiction in his work to stir the audiences of his time. Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. "Tyrant" was published in 2018 by W. W. Norton & Company. Greenblatt is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 26, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "He Affects Tyrannical Power" was produced by Richard Paul. Garland Scott is the associate producer.

Jun 26 2018
37 mins
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Rank #8: How Shakespeare Changed My Life

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Hear Sir Ben Kingsley, Earle Hyman, Liev Schreiber, James Earl Jones, Stacy Keach, Estelle Parsons, and others open up about their experiences with Shakespeare’s plays. Actor/director Melinda Hall interviewed these actors (and others), as well as writers, directors, linguists, and even a Holocaust survivor for her web-video series "How Shakespeare Changed My Life." She is interviewed here by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published April 17, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Mine Honor, Yea, My Life Be Thine," was produced by Richard Paul. Garland Scott is the associate producer.

Apr 17 2018
33 mins
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Rank #9: The Rarely Performed Shakespeare Plays

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"As jewels lose their glory if neglected, So princes their renowns if not respected." —PERICLES (2:2:12–13) Every year, theaters across the United States and the world treat us to Shakespeare—which usually means such frequently produced plays as HAMLET, MACBETH, and ROMEO AND JULIET. Some Shakespeare plays, however, are rarely performed today. Why is that, was this always the case, and what is it like to stage those plays now? Rebecca Sheir, host of the Shakespeare Unlimited series, talks with historian Richard Schoch and two contemporary directors—Stephanie Coltrin, of California's Little Fish Theatre, who directed KING JOHN, and Noah Brody, co-artistic director of Fiasco Theater, which staged CYMBELINE. Taking its title from the words of another rarely seen drama, PERICLES, this podcast explores the changing fortunes of these plays over time—and the theatrical challenges and rewards of staging them for modern audiences. Noah Brody is co-artistic director of Fiasco Theater, which produced Cymbeline in 2011 and, in 2014, at the Folger Shakespeare Library. Stephanie Coltrin is the managing director of Little Fish Theatre in California; she directed King John for Shakespeare by the Sea in San Pedro in 2013. Richard Schoch is a professor in the School of Creative Arts at Queens University, Belfast. ------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is the associate producer. Edited by Gail Kern Paster and Esther Ferington. We had help from Geoff Oliver at the Sound Company in London and Angie Hamilton-Lowe at NPR West in Los Angeles.

Mar 20 2015
28 mins
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Rank #10: Shakespeare and Religion

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The period when Shakespeare was writing was one torn by disagreements over the proper method of observing Christianity in England. Protestantism was at war with Catholicism and the Church of England often employed coercion and even violence to enforce its hegemony. The way Shakespeare handled these divisions is the topic of this podcast episode, "There Are More Things in Heaven and Earth, Than Are Dreamt Of In Your Philosophy." Our guest is David Scott Kastan, George M. Bodman Professor of English at Yale University, who explores these questions in his book, "Will To Believe: Shakespeare and Religion." David Kastan is interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. © May 31, 2016. Folger Shakespeare Library. All rights reserved. This episode was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Philip Kearney, Studio Operations Manager at the Yale University Broadcast Center, and from the News Operations Staff at NPR in Washington, DC.

May 31 2016
26 mins
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Rank #11: Myths About Shakespeare (rebroadcast)

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Even if you’re not a Shakespeare scholar, there are things you have learned about Shakespeare and his plays throughout your life – that it’s bad luck to say the name of “the Scottish play” or that Shakespeare hated his wife. Are any of these stories true? And whether they are or not, what do they tell us about previous eras, and our own? (This episode was first released on April 22, 2015.) From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Emma Smith, a professor of English at Oxford University, is co-author, along with Laurie Maguire, of "30 Great Myths About Shakespeare." She was interviewed by Rebecca Sheir. This episode, “Thou Dost But Say 'Tis So”, was produced by Richard Pau.; Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Nick Moorbath at Evolution Studios in Oxford, and Jonathan Charry at public radio station WAMU.

Oct 17 2017
26 mins
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Rank #12: The ABCs of Performing Hamlet

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Imagine getting the chance to interview Jude Law, Maxine Peake, Adrian Lester, David Tennant, Simon Russell Beale, and Nicholas Hytner about Shakespeare’s Hamlet. What would you ask? Would you want to hear about backstage hijinks? About Hamlet’s motivations? About what they would change about their performances?   Biographer and theatre historian Jonathan Croall interviewed those Shakespeareans and more for his new book, Performing Hamlet: Actors in the Modern Age. In it, Croall looks at 43 of the highest-profile Hamlet productions in England over the last 50 years, exploring how Laurence Olivier, Alec Guinness, Michael Redgrave, Jonathan Slinger, Richard Burton, and many others have portrayed one of Shakespeare’s most memorable and mercurial characters. Croall came into the studio recently to tell us what he’s learned. He is interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published December 11, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “What A Piece Of Work,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Ben Lauer is the web producer. We had technical help from Andrew Feliciano and Paul Luke at VoiceTrax West in Studio City, California and Gareth Wood at The Sound Company in London.

Dec 12 2018
33 mins
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Rank #13: In Search of the Real Richard III

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"I, that am rudely stamped..." (Richard III, 1.1.16) Shakespeare not only talked about his own times; he also wrote history plays that showed us the past—though it was a past filtered through the politics and prejudices of Shakespeare's present. Questions about this came up recently when a body was found in a Leicester, England, parking lot. That body is now widely believed to be that of King Richard III. Among the many issues raised, along with that body, are questions about who the real Richard III was, versus the dramatic character that we've all come to know from stage and film. In search of that answer, Rebecca Sheir, host of our Shakespeare Unlimited series, talks with an expert on the historic Richard III, David Baldwin, and an expert on Shakespeare's Richard III, Michael Dobson. Meanwhile, historian Retha Warnicke explains the practical challenges of any research into Richard's long-ago time. David Baldwin is a medieval historian who has taught at the Universities of Leicester and Nottingham. His book "Richard III" was published by Amberley in 2012. Michael Dobson is Director of the Shakespeare Institute at the University of Birmingham in England. Retha Warnicke is Professor of History at Arizona State University. ----------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul; Garland Scott, associate producer. Edited by Gail Kern Paster and Esther Ferington. Thanks to Hannah Tucker at the University of Leicester for her help.

Mar 20 2015
29 mins
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Rank #14: Auditioning for Shakespeare

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Laura Wayth, our guest for this episode of Shakespeare Unlimited, is Assistant Professor of Theatre at San Francisco State University and the author of a “how-to” book called "The Shakespeare Audition: How to Get Over Your Fear, Find the Right Piece, and Have a Great Audition." Wayth was interviewed by Neva Grant, and she was joined by actors Stephanie Ann Foster, Mike Ryan, and Bruce Avery. From the Shakespeare Unlimited podcast series. © January 12, 2016. Folger Shakespeare Library. All rights reserved. "A Poor Player That Struts and Frets His Hour Upon the Stage" was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. We had help from Melissa Marquis at NPR in Washington and Darren Peck at the Sports By Line studios in San Francisco.

Jan 12 2016
30 mins
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Rank #15: Stephen Greenblatt on Shakespeare's Life Stories

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There are a surprising number of characters in Shakespeare who propose or ask or even demand that someone tell their life’s story. (Think of Hamlet’s dying words to Horatio: “And in this harsh world draw thy breath in pain / To tell my story.”) While that may not seem surprising on the face of it – Shakespeare was a storyteller after all – this idea of re-imagining your life so that it tells a story was not a common one in Shakespeare’s time. In this episode of Shakespeare Unlimited, Harvard University’s Stephen Greenblatt expands upon the talk he gave earlier this year for the Folger Institute’s Shakespeare Anniversary Lecture Series, about how Shakespeare shapes characters and narratives. He also explores how the French Renaissance writer Montaigne influenced Shakespeare, and how Shakespeare pushed back on some of Montaigne’s ideas. Stephen Greenblatt is the John Cogan University Professor of the Humanities at Harvard University. He is the author of – among other books – "Will in the World: How Shakespeare Became Shakespeare" and "The Swerve: How the World Became Modern." Professor Greenblatt was interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published November 15, 2016. © Folger Shakespeare Library. All rights reserved. “Teach him how to tell my story” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Professor Greenblatt's assistant, Aubrey Everett; from Anna Steinbock in the Harvard Office of Public Affairs & Communications and from Jeff Peters and the staff of the Marketplace studios in Los Angeles. http://www.folger.edu/shakespeare-unlimited/stephen-greenblatt

Nov 15 2016
28 mins
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Rank #16: Barry Edelstein: Thinking Shakespeare

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How do actors breathe life into Shakespeare’s texts? How do they take language that’s centuries old and make it sound so real and immediate? Barry Edelstein, the Erna Finci Viterbi Artistic Director at The Old Globe in San Diego, is one of the nation’s most experienced Shakespeare directors. Join him for an abbreviated version of Thinking Shakespeare Live!, his master class for acting that pulls back the curtain on the rehearsal room. From the Shakespeare Unlimited podcast series. Published September 19, 2017. © Folger Shakespeare Library. All rights reserved. This episode Speak The Speech, I Pray You, As I Pronounced It was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had help from Justin Waldman, Associate Artistic Director at The Old Globe, and from Andrew Feliciano and Evan Marquardt at Voice Trax West in Studio City, California, and Kurt Kohnen at KPBS in San Diego.

Sep 19 2017
35 mins
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Rank #17: Derek Jacobi: Playing Hamlet

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Renowned actor Derek Jacobi talks about the Shakespearean role for which he is best known, Hamlet. Beginning at the Edinburgh Fringe in 1957, Jacobi has acted this role on stage nearly 400 times, and as you can imagine, he’s devoted hours to thinking about Hamlet’s words, Hamlet’s motivations, and the best way to play the role. Derek Jacobi was interviewed by Barbara Bogaev. This is the first of a two-part interview. From the Shakespeare Unlimited podcast series. Published February 20, 2018. © Folger Shakespeare Library. All rights reserved. This podcast episode, “Do not saw the air with your hands, thus,” was produced by Richard Paul. Garland Scott is the associate producer.

Feb 20 2018
29 mins
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Rank #18: Othello and Blackface

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This podcast episode, which deals with race, Othello, and how the Elizabethans portrayed blackness onstage, offers a startling, new interpretation of Desdemona’s handkerchief that is changing the way scholars understand the play. Our guests are Ayanna Thompson, Professor of English at George Washington University and a Trustee of the Shakespeare Association of America, and Ian Smith, Professor of English at Lafayette College in Easton, Pennsylvania. They are interviewed by Barbara Bogaev. From the Shakespeare Unlimited podcast series. Published June 14, 2016. © Folger Shakespeare Library. All rights reserved. This podcast episode, "Teach Him How To Tell My Story," was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. Thank you to Tobey Schreiner at WAMU-FM in Washington, DC, Neil Hever at radio station WDIY in Bethlehem, PA, and Jeff Peters at Marketplace in Los Angeles.

Jun 14 2016
34 mins
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Rank #19: Shakespeare and Insane Asylums

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"Though this be madness, yet there is method in ’t." (Hamlet, 2.2.223) Plenty of people today consider Shakespeare a literary genius, a pillar of theater history, a gifted writer of timeless love poems, and more. But even the most over-the-top contemporary admirer of Shakespeare is unlikely to consider him a pioneer of modern medical science... much less forensic psychiatry. Hard as it may be to believe, however, there was a strange period in American history when that's exactly how William Shakespeare was seen in both law and medicine. Rebecca Sheir, host of the Shakespeare Unlimited series, interviews Benjamin Reiss, a professor in the English department at Emory University and the author of a book called "Theaters of Madness: Insane Asylums and Nineteenth-Century American Culture." "From the mid-1840s through about the mid-1860s in the United States, during the first generation of American psychiatry, no figure was cited as an authority on insanity and mental functioning more frequently than William Shakespeare," says Reiss. Such citations were not just in medical journals, he adds, but in sworn legal testimony. The reason, we learn in this podcast, was essentially this: Modern psychiatry was a fledgling field, regarded with distrust and little respect by many Americans. What it needed, above all, was authority—and what better, more respected authority than the great playwright? Join us to explore this curious yet fascinating intersection between civil society and William Shakespeare. ------------------- From the Shakespeare Unlimited podcast series. © Folger Shakespeare Library. All rights reserved. Produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Gail Kern Paster and Esther Ferington. Recorded by Toby Schreiner.

Mar 20 2015
18 mins
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Rank #20: Stanley Wells on Great Shakespeare Actors

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For the majority of audience members, Shakespeare is brought to life by the actors and actresses who speak his lines. Shakespeare scholar Stanley Wells considered all of the most outstanding Shakespeare performers, from past to present, and essentially created his own personal Hall of Fame. He’s written about these artists in a book called "Great Shakespeare Actors: Burbage to Branagh." Wells sifted through firsthand accounts from those who saw these great performers on stage to get a sense of what the actors brought to Shakespeare and why it was worth going to see them. Stanley Wells is interviewed by Stephanie Kaye. This podcast episode is called “O, there be players that I have seen play.” From the Shakespeare Unlimited podcast series. © October 21, 2015. Folger Shakespeare Library. All rights reserved. Written and produced for the Folger Shakespeare Library by Richard Paul. Garland Scott is associate producer. Edited by Esther Ferington and Gail Kern Paster. We had help from Timothy Olmstead at WAMU-FM in Washington, DC. We’d also like to thank Beverley Hemming, the Corporate Communications Manager at the Stratford-on-Avon District Council for allowing Dr. Wells to speak from their recording unit at Elizabeth House.

Oct 21 2015
23 mins
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