Cover image of LA Phil Podcasts (Inside the Music, Upbeat Live, and more!)
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Education
Performing Arts

LA Phil Podcasts (Inside the Music, Upbeat Live, and more!)

Updated 3 days ago

Education
Performing Arts
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Upbeat Live is an informative and engaging way to learn about the music before your concert. Renowned musicologists will take you through music theory, guided listening and the program's historical and cultural context. Plus, you'll hear interviews with guest artists and members of the LA Phil and participate in Q & A!

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Upbeat Live is an informative and engaging way to learn about the music before your concert. Renowned musicologists will take you through music theory, guided listening and the program's historical and cultural context. Plus, you'll hear interviews with guest artists and members of the LA Phil and participate in Q & A!

iTunes Ratings

11 Ratings
Average Ratings
10
0
0
1
0

Very nice

By No history, - Oct 15 2015
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Just what I was looking for, I hope there will be more! :)

iTunes Ratings

11 Ratings
Average Ratings
10
0
0
1
0

Very nice

By No history, - Oct 15 2015
Read more
Just what I was looking for, I hope there will be more! :)
Cover image of LA Phil Podcasts (Inside the Music, Upbeat Live, and more!)

LA Phil Podcasts (Inside the Music, Upbeat Live, and more!)

Updated 3 days ago

Read more

Upbeat Live is an informative and engaging way to learn about the music before your concert. Renowned musicologists will take you through music theory, guided listening and the program's historical and cultural context. Plus, you'll hear interviews with guest artists and members of the LA Phil and participate in Q & A!

Rank #1: Phantom of the Opera

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Guest Artist Clark Wilson will join the Upbeat Live program for the first 15 minutes.

Nov 01 2017

35mins

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Rank #2: Chicago Symphony Orchestra

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Oct 23 2017

27mins

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Rank #3: Mariinsky Orchestra

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Nov 02 2017

37mins

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Rank #4: Mirga Conducts Mahler

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Oct 20 2017

31mins

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Rank #5: A Midsummer Night's Dream

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Guest Artist Susanna Mälkki will join the Upbeat Live program for the first 15 minutes.

Nov 03 2017

34mins

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Rank #6: LA Phil MUSIC 101

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Oct 27 2017

36mins

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Rank #7: CDMX: New Music from Mexico (Contemporary Mexico)

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Oct 18 2017

39mins

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Rank #8: Israel Philharmonic Orchestra

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Oct 31 2017

38mins

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Rank #9: Dutoit Conducts Ravel

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Nov 10 2017

44mins

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Rank #10: Upbeat Live - April 17, 2017: Árni Heimir Ingólfsson re: Reykjavík Festival: Jóhann Jóhannsson

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Concert: Reykjavík Festival: Jóhann Jóhannsson Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Árni Heimir Ingólfsson is Iceland’s leading musicologist and a renowned pianist, choral conductor, and music educator. Born in Reykjavík, he majored in piano performance and music history at the Oberlin Conservatory of Music, and received his PhD in musicology from Harvard University. He is currently Associate/Visiting Professor of Musicology at the Iceland Academy of the Arts, as well as being Artistic Advisor for the Iceland Symphony Orchestra. Ingólfsson has devoted much of his career to researching Icelandic music history. He has published widely in Icelandic and English, including an article published by Harvard University Press in the 2013 volume City, Chant, and the Topography of Early Music. His biography of the Icelandic composer Jón Leifs was nominated for the Icelandic Book Award and an English version will be published in 2018 by Indiana University Press. His most recent book, published in 2016, is the first comprehensive history of classical music to be written in the Icelandic language. Ingólfsson has given lectures at conferences in Europe and the United States, been Visiting Erasmus Lecturer at the Vienna Conservatory of Music, and has held visiting fellowships in musicology at Oxford University, Boston University, and Harvard. As a musician, Ingólfsson is primarily active as a collaborative pianist and choral conductor. He is the founder and artistic director of the Carmina Chamber Choir, which has appeared in various concerts in Iceland, England, Germany, France, and Sweden, as well as at the Reykjavik Arts Festival. On the Icelandic label Smekkleysa, he has produced three CDs with music from medieval Icelandic manuscripts, two of which won the Icelandic Music Awards for Best Classical CD of the Year. One of these CDs, Melodia, was also Editor’s Choice in Gramophone. Ingólfsson has worked with a wide range of prominent musicians including composer Nico Muhly and singer-composer Björk, arranging several tracks for her 2011 Grammy-nominated album Biophilia.

May 11 2018

31mins

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Rank #11: Upbeat Live - April 20, 2017: Alan Chapman re: From the New World

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Concert: From the New World Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Alan Chapman is heard weekdays on Classical KUSC (91.5 FM). He also produces and hosts “Modern Times” on Saturday nights and “A Musical Offering,” a program of Baroque music Sunday mornings. He was a longtime Professor of Music at Occidental College and served as a Visiting Professor at UCLA and UC Santa Barbara. In recent years he has been a member of the music theory faculty of the Colburn Conservatory. Well known as a pre-concert lecturer, he has been a regular speaker on the Upbeat Live series since its inception in 1984. He also works closely with the Los Angeles Master Chorale and Pacific Symphony, and has been heard globally as programmer and host of the inflight classical channels on United and Delta Airlines. After receiving his undergraduate degree from the Massachusetts Institute of Technology, he earned a Ph.D. in music theory from Yale University. His analytical work has appeared in The Journal of Music Theory, and he is a contributor to A New Orpheus: Essays on Kurt Weill (Yale University Press, 1986), winner of the 1987 Deems Taylor Award for excellence in writing on music. Dr. Chapman is also active as a composer-lyricist and pianist. His songs, which have been performed and recorded by Andrea Marcovicci, Amanda McBroom, and many other artists throughout the United States and in England, have been honored by ASCAP, the Johnny Mercer Foundation, and the Manhattan Association of Cabarets. His children’s opera Les Moose: The Operatic Adventures of Rocky and Bullwinkle, commissioned by Los Angeles Opera, was premiered in 15 public schools in 1997. Peter and Mr. Wolf, a work chronicling the tribulations of an eighth-grader in search of a science project, was commissioned by Chamber Music Palisades and premiered in 2008 with Chapman as narrator. He frequently appears with his wife, soprano Karen Benjamin, in evenings of his original songs as well as concerts dedicated to preserving the American Songbook. They have performed at Carnegie Hall, Lincoln Center, New York’s Town Hall, the Los Angeles Music Center, Pepperdine University, Ford Amphitheatre, Broad Stage, Dallas Museum of Art, and many other venues across the United States. Their CD, Que Será, Será: The Songs of Livingston and Evans, features the late Ray Evans telling the stories behind such beloved songs as “Mona Lisa” and “Silver Bells.”

May 11 2018

30mins

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Rank #12: Upbeat Live - April 28, 2017: Thomas Neenan re: The Best of Wagner’s Ring

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Concert: The Best of Wagner’s Ring Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Thomas Neenan is Lecturer in Music History and Music Theory at California Institute of Technology, Pasadena where he teaches a full range of courses devoted to history, theory, music appreciation, jazz history, opera, and special topics. Neenan holds a Bachelor of Arts degree in Organ Performance from Cal-State Northridge and a Master of Fine Arts degree in Organ Performance Practices and Conducting from UCLA where he was named an Outstanding Graduate Student. He studied organ with David Britton and Thomas Harmon in the U.S. and Ernst-Ulrich von Kameke and Jean Langlais in Europe. As a recital organist, he has performed in the United States, Germany, France, The Netherlands, Japan and Switzerland. In 2004 he performed a solo recital on the newly restored 1746 Hilldebrandt “Bach Organ” in Naumburg, Germany. As a conductor, he has led a variety of instrumental and choral ensembles throughout the United States, Europe and Japan. He was a conducting fellow under Helmut Rilling at the Oregon Bach Festival where he conducted baritone Thomas Quasthoff and the Festival Chorus in portions of Haydn’s “Creation” and he has led performances by the Choir of St. Matthew’s Parish (Pacific Palisades) in Hungary, the Czech Republic, Germany and throughout the British Isles. Neenan has contributed scholarly essays to a variety of professional journals on topics ranging from Gregorian chant to the organ music of Gyorgy Ligeti. He has received research grants to study and write on performance practices in the organ music of Dietrich Buxtehude, music and culture in the Dutch communities of colonial New York, and music in the monastic community of Taizé, France. In 2017 he retired after 36 years as Music Director at The Parish of St. Matthew (Episcopal), Pacific Palisades, and 33 years as Music Director and Conductor of The Chamber Orchestra at St. Matthew’s. He currently serves as President of St. Matthew’s Music Guild which presents a concert series by the chamber orchestra and guest artists and ensembles (MusicGuildOnline.org) and offers multi-faceted music outreach activities in area schools and retirement communities.

May 11 2018

39mins

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Rank #13: Upbeat Live - January 13, 2017: Eric Bromberger re: Mehta & Shankar

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Concert: Mehta & Shankar Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Eric Bromberger received his Ph.D. in American Literature from UCLA and taught literature and writing courses at Bates College (Lewiston, ME) and San Diego State University.  A violinist, he joined the La Jolla Symphony Orchestra in 1980 and began writing the orchestra’s program notes the following year.  Those notes drew the attention of presenters and performers, and soon he was able to quit his day job and devote himself to his first love, music.  He is presently program annotator for the Minnesota Orchestra, San Diego Symphony, Washington Performing Arts at the Kennedy Center, Santa Fe Chamber Music Festival, 92nd Street Y in New York City, San Francisco Performances, University of Chicago Presents, La Jolla Music Society, and others.  He wrote the liner notes for the Alexander String Quartet’s recent recordings of the quartet cycles of Mozart, Beethoven, Shostakovich, and Bartók.

May 11 2018

32mins

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Rank #14: Upbeat Live - January 19, 2017: Alan Chapman re: Gil Shaham Plays Prokofiev

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Concert: Gil Shaham Plays Prokofiev Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Alan Chapman is heard weekdays on Classical KUSC (91.5 FM). He also produces and hosts “Modern Times” on Saturday nights and “A Musical Offering,” a program of Baroque music Sunday mornings. He was a longtime Professor of Music at Occidental College and served as a Visiting Professor at UCLA and UC Santa Barbara. In recent years he has been a member of the music theory faculty of the Colburn Conservatory. Well known as a pre-concert lecturer, he has been a regular speaker on the Upbeat Live series since its inception in 1984. He also works closely with the Los Angeles Master Chorale and Pacific Symphony, and has been heard globally as programmer and host of the inflight classical channels on United and Delta Airlines. After receiving his undergraduate degree from the Massachusetts Institute of Technology, he earned a Ph.D. in music theory from Yale University. His analytical work has appeared in The Journal of Music Theory, and he is a contributor to A New Orpheus: Essays on Kurt Weill (Yale University Press, 1986), winner of the 1987 Deems Taylor Award for excellence in writing on music. Dr. Chapman is also active as a composer-lyricist and pianist. His songs, which have been performed and recorded by Andrea Marcovicci, Amanda McBroom, and many other artists throughout the United States and in England, have been honored by ASCAP, the Johnny Mercer Foundation, and the Manhattan Association of Cabarets. His children’s opera Les Moose: The Operatic Adventures of Rocky and Bullwinkle, commissioned by Los Angeles Opera, was premiered in 15 public schools in 1997. Peter and Mr. Wolf, a work chronicling the tribulations of an eighth-grader in search of a science project, was commissioned by Chamber Music Palisades and premiered in 2008 with Chapman as narrator. He frequently appears with his wife, soprano Karen Benjamin, in evenings of his original songs as well as concerts dedicated to preserving the American Songbook. They have performed at Carnegie Hall, Lincoln Center, New York’s Town Hall, the Los Angeles Music Center, Pepperdine University, Ford Amphitheatre, Broad Stage, Dallas Museum of Art, and many other venues across the United States. Their CD, Que Será, Será: The Songs of Livingston and Evans, features the late Ray Evans telling the stories behind such beloved songs as “Mona Lisa” and “Silver Bells.”

May 11 2018

37mins

Play

Rank #15: Upbeat Live - January 26, 2017: Russell Steinberg re: Dudamel & Emanuel Ax

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Concert: Dudamel & Emanuel Ax Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Composer, conductor, performer, and lecturer Russell Steinberg received a Ph.D. in Music from Harvard University, an M.M. from the New England Conservatory, and a B.A. from UCLA. He studied composition most notably with Leon Kirchner, Arthur Berger, Elaine Barkin, and Kenneth Klauss. His works range from solo to chamber to orchestra and have been performed worldwide. His orchestra tone poem Cosmic Dust, commissioned by a tri-consortium of orchestras—the New West Symphony, the Bay Atlantic Symphony, and the Hopkins Symphony—was featured in a Science News Magazine article on the Hubble Space Telescope’s 25th anniversary and has had a dozen performances worldwide. The Los Angeles Jewish Symphony recently premiered Canopy of Peace with mezzo soprano Diana Tash, based on meditations by noted scholar and philosopher Rabbi Harold M. Schulweis. Available recordings of Steinberg’s music include Sacred Transitions: A Song Cycle Based On Meditations by Harold M. Schulweis (sung by mezzo soprano Diana Tash), Stories From My Favorite Planet: A Musical Tribute to Journalist Daniel Pearl (performed by Los Angeles Philharmonic violinist Mitchell Newman) produced by the Daniel Pearl Foundation (available at www.danielpearl.org), Flute Sonata recorded by Michelle Stanley and produced by Centaur Records, Desert Stars, a recording of Steinberg’s solo music for piano and classical guitar, and Fantasy for Flute and Piano on the album Ascend featuring flutist Elizabeth Erenberg. Steinberg is Artistic Director of the Los Angeles Youth Orchestra, a widely praised group that includes 120 students from over 60 schools in the LA area and performs at UCLA and the Colburn School. This past summer (2015) the orchestra traveled on its first international tour, collaborating with high school musicians from the Johann Sebastian Bach Music School in Vienna, and performing concerts in Vienna and Prague to full houses and enthusiastic acclaim. Steinberg is also a popular speaker for pre-concert events with the Los Angeles Philharmonic and annually offers a Winter Evening Lecture Series on a wide range of topics. This year’s series titled The Classical Guitar—An Intimate Mystery begins Wednesday evening January 13. For information about signing up for this series, or information about Steinberg’s current performances, recordings, and pre-concert lectures, please visit www.russellsteinberg.com.

May 11 2018

46mins

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Rank #16: Upbeat Live - January 5, 2017: Russell Steinberg re: Tchaikovsky & Sibelius

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Concert: Tchaikovsky & Sibelius Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Composer, conductor, performer, and lecturer Russell Steinberg received a Ph.D. in Music from Harvard University, an M.M. from the New England Conservatory, and a B.A. from UCLA. He studied composition most notably with Leon Kirchner, Arthur Berger, Elaine Barkin, and Kenneth Klauss. His works range from solo to chamber to orchestra and have been performed worldwide. His orchestra tone poem Cosmic Dust, commissioned by a tri-consortium of orchestras—the New West Symphony, the Bay Atlantic Symphony, and the Hopkins Symphony—was featured in a Science News Magazine article on the Hubble Space Telescope’s 25th anniversary and has had a dozen performances worldwide. The Los Angeles Jewish Symphony recently premiered Canopy of Peace with mezzo soprano Diana Tash, based on meditations by noted scholar and philosopher Rabbi Harold M. Schulweis. Available recordings of Steinberg’s music include Sacred Transitions: A Song Cycle Based On Meditations by Harold M. Schulweis (sung by mezzo soprano Diana Tash), Stories From My Favorite Planet: A Musical Tribute to Journalist Daniel Pearl (performed by Los Angeles Philharmonic violinist Mitchell Newman) produced by the Daniel Pearl Foundation (available at www.danielpearl.org), Flute Sonata recorded by Michelle Stanley and produced by Centaur Records, Desert Stars, a recording of Steinberg’s solo music for piano and classical guitar, and Fantasy for Flute and Piano on the album Ascend featuring flutist Elizabeth Erenberg. Steinberg is Artistic Director of the Los Angeles Youth Orchestra, a widely praised group that includes 120 students from over 60 schools in the LA area and performs at UCLA and the Colburn School. This past summer (2015) the orchestra traveled on its first international tour, collaborating with high school musicians from the Johann Sebastian Bach Music School in Vienna, and performing concerts in Vienna and Prague to full houses and enthusiastic acclaim. Steinberg is also a popular speaker for pre-concert events with the Los Angeles Philharmonic and annually offers a Winter Evening Lecture Series on a wide range of topics. This year’s series titled The Classical Guitar—An Intimate Mystery begins Wednesday evening January 13. For information about signing up for this series, or information about Steinberg’s current performances, recordings, and pre-concert lectures, please visit www.russellsteinberg.com.

May 11 2018

37mins

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Rank #17: Upbeat Live - October 19, 2017: Eric Bromberger re: Mirga Conducts Mahler

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Concert: Mirga Conducts Mahler Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Eric Bromberger received his Ph.D. in American Literature from UCLA and taught literature and writing courses at Bates College (Lewiston, ME) and San Diego State University. A violinist, he joined the La Jolla Symphony Orchestra in 1980 and began writing the orchestra’s program notes the following year. Those notes drew the attention of presenters and performers, and soon he was able to quit his day job and devote himself to his first love, music. He is presently program annotator for the Minnesota Orchestra, San Diego Symphony, Washington Performing Arts at the Kennedy Center, Santa Fe Chamber Music Festival, 92nd Street Y in New York City, San Francisco Performances, University of Chicago Presents, La Jolla Music Society, and others. He wrote the liner notes for the Alexander String Quartet’s recent recordings of the quartet cycles of Mozart, Beethoven, Shostakovich, and Bartók.

May 11 2018

31mins

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Rank #18: Upbeat Live - September 29, 2017: Bruce Alan Brown - Mozart 1791: Final Piano Concerto | Upbeat Live

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Concert: Mozart 1791 - Final Piano Concerto Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive

May 11 2018

37mins

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Rank #19: Upbeat Live - April 14, 2017: Árni Heimir Ingólfsson re: Reykjavík Festival: Sigur Rós & LA Phil

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Concert: Reykjavík Festival: Sigur Rós & LA Phil Night 2 Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Árni Heimir Ingólfsson is Iceland’s leading musicologist and a renowned pianist, choral conductor, and music educator. Born in Reykjavík, he majored in piano performance and music history at the Oberlin Conservatory of Music, and received his PhD in musicology from Harvard University. He is currently Associate/Visiting Professor of Musicology at the Iceland Academy of the Arts, as well as being Artistic Advisor for the Iceland Symphony Orchestra. Ingólfsson has devoted much of his career to researching Icelandic music history. He has published widely in Icelandic and English, including an article published by Harvard University Press in the 2013 volume City, Chant, and the Topography of Early Music. His biography of the Icelandic composer Jón Leifs was nominated for the Icelandic Book Award and an English version will be published in 2018 by Indiana University Press. His most recent book, published in 2016, is the first comprehensive history of classical music to be written in the Icelandic language. Ingólfsson has given lectures at conferences in Europe and the United States, been Visiting Erasmus Lecturer at the Vienna Conservatory of Music, and has held visiting fellowships in musicology at Oxford University, Boston University, and Harvard. As a musician, Ingólfsson is primarily active as a collaborative pianist and choral conductor. He is the founder and artistic director of the Carmina Chamber Choir, which has appeared in various concerts in Iceland, England, Germany, France, and Sweden, as well as at the Reykjavik Arts Festival. On the Icelandic label Smekkleysa, he has produced three CDs with music from medieval Icelandic manuscripts, two of which won the Icelandic Music Awards for Best Classical CD of the Year. One of these CDs, Melodia, was also Editor’s Choice in Gramophone. Ingólfsson has worked with a wide range of prominent musicians including composer Nico Muhly and singer-composer Björk, arranging several tracks for her 2011 Grammy-nominated album Biophilia.

May 10 2018

52mins

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Rank #20: Upbeat Live - April 15, 2017: Árni Heimir Ingólfsson re: Reykjavík Festival: Sigur Rós & LA Phil

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Concert: Reykjavík Festival: Sigur Rós & LA Phil Night 3 Upbeat Live provides historical and cultural context for many concerts, featuring engaging speakers, audio examples, and special guests. These events are free to ticket holders and are held in BP Hall, on the second floor, accessible after your ticket is scanned. For more information: laphil.com/upbeatlive About the Speaker: Árni Heimir Ingólfsson is Iceland’s leading musicologist and a renowned pianist, choral conductor, and music educator. Born in Reykjavík, he majored in piano performance and music history at the Oberlin Conservatory of Music, and received his PhD in musicology from Harvard University. He is currently Associate/Visiting Professor of Musicology at the Iceland Academy of the Arts, as well as being Artistic Advisor for the Iceland Symphony Orchestra. Ingólfsson has devoted much of his career to researching Icelandic music history. He has published widely in Icelandic and English, including an article published by Harvard University Press in the 2013 volume City, Chant, and the Topography of Early Music. His biography of the Icelandic composer Jón Leifs was nominated for the Icelandic Book Award and an English version will be published in 2018 by Indiana University Press. His most recent book, published in 2016, is the first comprehensive history of classical music to be written in the Icelandic language. Ingólfsson has given lectures at conferences in Europe and the United States, been Visiting Erasmus Lecturer at the Vienna Conservatory of Music, and has held visiting fellowships in musicology at Oxford University, Boston University, and Harvard. As a musician, Ingólfsson is primarily active as a collaborative pianist and choral conductor. He is the founder and artistic director of the Carmina Chamber Choir, which has appeared in various concerts in Iceland, England, Germany, France, and Sweden, as well as at the Reykjavik Arts Festival. On the Icelandic label Smekkleysa, he has produced three CDs with music from medieval Icelandic manuscripts, two of which won the Icelandic Music Awards for Best Classical CD of the Year. One of these CDs, Melodia, was also Editor’s Choice in Gramophone. Ingólfsson has worked with a wide range of prominent musicians including composer Nico Muhly and singer-composer Björk, arranging several tracks for her 2011 Grammy-nominated album Biophilia.

May 10 2018

50mins

Play