Today’s Two Words: Blast Off! Thanks to everyone who's watched my film Gugu naGogo and shared their lovely messages of support. I'm so pleased you're enjoying it! Here are a few fun bloopers for you: https://www.youtube.com/watch?v=26wnTc3wcJU It was also pretty magical celebrating our film launch at Melbourne Planetarium. Gugu naGogo played on the large dome, surrounded by twinkly stars in a dark night sky. It was wonderful hearing people’s different reactions as it played and I was so emotional afterwards. After our speeches, as a special treat, we were transported across the universe in a night sky tour. We saw stars and planets, galaxies and constellations - our collective oohs and aahs were glorious! ✨ Special thanks to astronomer Dr Tanya Hill, Kate Barnard, Sophie Oakes and Catriona Nguyen-Robertson from Scienceworks for making our first screening so special. Our community is over the moon! ⭐️👏🏾🌔 More photos coming soon. Watch Gugu naGogo in Australia on iview at https://iview.abc.net.au/show/gugu-nagogo. Music by Audius Mtwararia Vox Pop interviews at start of podcast by Amanda Mudege-Fleischer from It's Layered Podcast.See omnystudio.com/listener for privacy information.

Today’s Two Words: Blast Off! Thanks to everyone who's watched my film Gugu naGogo and shared their lovely messages of support. I'm so pleased you're enjoying it! Here are a few fun bloopers for you: <a href="https://www.youtube.com/watch?v=26wnTc3wcJU" rel="nofollow" target="_blank">https://www.youtube.com/watch?v=26wnTc3wcJU</a> It was also pretty magical celebrating our film launch at Melbourne Planetarium. Gugu naGogo played on the large dome, surrounded by twinkly stars in a dark night sky. It was wonderful hearing people’s different reactions as it played and I was so emotional afterwards. After our speeches, as a special treat, we were transported across the universe in a night sky tour. We saw stars and planets, galaxies and constellations - our collective oohs and aahs were glorious! ✨ Special thanks to astronomer Dr Tanya Hill, Kate Barnard, Sophie Oakes and Catriona Nguyen-Robertson from Scienceworks for making our first screening so special. Our community is over the moon! ⭐️👏🏾🌔 More photos coming soon. Watch Gugu naGogo in Australia on iview at <a href="https://iview.abc.net.au/show/gugu-nagogo" rel="nofollow" target="_blank">https://iview.abc.net.au/show/gugu-nagogo</a>. Music by Audius Mtwararia Vox Pop interviews at start of podcast by Amanda Mudege-Fleischer from <a href="https://podcasts.apple.com/us/podcast/its-layered-podcast/id1531607342" rel="nofollow" target="_blank">It's Layered Podcast</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Blast Off! — Gugu naGogo BTS

Today's Two Words: Film Community What does the future of community-led content creation look like in Australia? My filmmaker friends and I discuss the Kaleidoscope Project, our films and much more. Watch all our films Viv’s Silly Mango, Gugu naGogo, Namaste Yoga, and Yaz Queens on ABC iview: linktr.ee/kaleidoscopeproject and our video chat here. Our Collective Viv's Silly Mango  Mary Duong (Writer/Producer) Rae Choi (Writer/Producer) Rachel Maxine Anderson (Director)  Gugu naGogo  Taku Mbudzi (Writer/Director/Producer)  Namaste Yoga  Ravi Chand (Writer/Producer/Director)  Yaz Queens  Lara Köse (Writer/Director) William Duan (Producer)  More at https://taku.com.au/film-community/ Music by Audius MtawariraSee omnystudio.com/listener for privacy information.

Today's Two Words: Film Community What does the future of community-led content creation look like in Australia? My filmmaker friends and I discuss the Kaleidoscope Project, our films and much more. Watch all our films Viv’s Silly Mango, Gugu naGogo, Namaste Yoga, and Yaz Queens on ABC iview: <a href="https://linktr.ee/kaleidoscopeproject" rel="nofollow" target="_blank">linktr.ee/kaleidoscopeproject</a> and our video chat <a href="https://vimeo.com/770706763" rel="nofollow" target="_blank">here.</a> Our Collective Viv's Silly Mango <ul> <li>Mary Duong (Writer/Producer)</li> <li>Rae Choi (Writer/Producer)</li> <li>Rachel Maxine Anderson (Director)</li> </ul> Gugu naGogo <ul> <li>Taku Mbudzi (Writer/Director/Producer)</li> </ul> Namaste Yoga <ul> <li>Ravi Chand (Writer/Producer/Director)</li> </ul> Yaz Queens <ul> <li>Lara Köse (Writer/Director)</li> <li>William Duan (Producer)</li> </ul> More at <a href="https://taku.com.au/film-community/" rel="nofollow" target="_blank">https://taku.com.au/film-community/</a> Music by Audius MtawariraSee <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Film Community — Gugu naGogo BTS

Today's two words: Safe Space In this episode I discuss how I handled creative, business, emotional and cultural safety during the making of my film Gugu naGogo. I also give special thanks to some of the black and African women who have supported me and my project along the way.  Karine Larché – costume designer Ratidzo Mambo – actor, producer Portia Jamu – set nurse Rufaro Ndoro – actor Aunty Emily Chifadza – community elder, actor Aunty Vongai Nzenza – community elder, actor Dorcas Maphakela – creative producer, writer, stylist Judith Mari – actor, makeup artist, stylist Mars Williamson – colourist, editor Jacqui Kairu – singer Karena Bravo – visual artist, graphic designer Vimbai Nenzou – actor, writer, producer Amanda Mudege-Fleischer – podcaster, stylist Florence Matemadombo – voice actor Thembi Brooking – community advocate, entrepreneur Molinda Dzangare – fashion stylist Hawanatu Bangura – filmmaker Albertina Ncube – filmmaker, photographer Rumbi Mutezo – actor, artist Tariro Mukando – social media and marketing consultant Tewabech Tesfay – community member, actor Yandisa Xundu – community advocate, social worker Tendai Mhasho – community advocate Audrey – my therapist Maria Mbudzi – my mother  More at https://taku.com.au/safe-space Watch Gugu naGogo on ABC ME and iview from 20 November 2022. Music by Audius Mtawarira See omnystudio.com/listener for privacy information.

Today's two words: Safe Space In this episode I discuss how I handled creative, business, emotional and cultural safety during the making of my film Gugu naGogo. I also give special thanks to some of the black and African women who have supported me and my project along the way. <ul> <li>Karine Larché – costume designer</li> <li>Ratidzo Mambo – actor, producer</li> <li>Portia Jamu – set nurse</li> <li>Rufaro Ndoro – actor</li> <li>Aunty Emily Chifadza – community elder, actor</li> <li>Aunty Vongai Nzenza – community elder, actor</li> <li>Dorcas Maphakela – creative producer, writer, stylist</li> <li>Judith Mari – actor, makeup artist, stylist</li> <li>Mars Williamson – colourist, editor</li> <li>Jacqui Kairu – singer</li> <li>Karena Bravo – visual artist, graphic designer</li> <li>Vimbai Nenzou – actor, writer, producer</li> <li>Amanda Mudege-Fleischer – podcaster, stylist</li> <li>Florence Matemadombo – voice actor</li> <li>Thembi Brooking – community advocate, entrepreneur</li> <li>Molinda Dzangare – fashion stylist</li> <li>Hawanatu Bangura – filmmaker</li> <li>Albertina Ncube – filmmaker, photographer</li> <li>Rumbi Mutezo – actor, artist</li> <li>Tariro Mukando – social media and marketing consultant</li> <li>Tewabech Tesfay – community member, actor</li> <li>Yandisa Xundu – community advocate, social worker</li> <li>Tendai Mhasho – community advocate</li> <li>Audrey – my therapist</li> <li>Maria Mbudzi – my mother</li> </ul> More at <a href="https://taku.com.au/safe-space" rel="nofollow" target="_blank">https://taku.com.au/safe-space</a> Watch Gugu naGogo on ABC ME and <a href="https://iview.abc.net.au/show/gugu-nagogo" rel="nofollow" target="_blank">iview</a> from 20 November 2022. Music by Audius Mtawarira See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Safe Space — Gugu naGogo BTS

 Escape velocity requires an object to propel itself with enough speed and thrust to break through a barrier. — NASA  Today's Two Words: Escape Velocity In Season 4, I'm going behind the scenes to break down how I made my first short film Gugu naGogo, premiering on ABC ME and iview on World Children’s Day, 20 November 2022. More at https://taku.com.au/escape-velocity Original music composed by Audius Mtawarira.See omnystudio.com/listener for privacy information.

<blockquote> Escape velocity requires an object to propel itself with enough speed and thrust to break through a barrier. — NASA </blockquote> Today's Two Words: Escape Velocity In Season 4, I'm going behind the scenes to break down how I made my first short film Gugu naGogo, premiering on ABC ME and <a href="https://iview.abc.net.au/show/gugu-nagogo" rel="nofollow" target="_blank">iview</a> on World Children’s Day, 20 November 2022. More at <a href="https://taku.com.au/escape-velocity" rel="nofollow" target="_blank">https://taku.com.au/escape-velocity</a> Original music composed by Audius Mtawarira.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Escape Velocity — Gugu naGogo BTS

Today's Two Words: Casting Call I'm joined by guest co-host Tariro Mukando to share the casting call for my short film Gugu naGogo. We discuss the film synopsis, what we're looking for and how you can apply for the roles. Shoot date: September 2021 in Melbourne, Australia. More information at https://tsvaga.com/gugunagogo/. Timestamps:  3:26 — How to apply 4:30 — About our project and team 5:33 — Gugu character breakdown (12) 6:06 — Mama character breakdown (36) 6:36 — Gogo character breakdown (60s) See omnystudio.com/listener for privacy information.

Today's Two Words: Casting Call I'm joined by guest co-host Tariro Mukando to share the casting call for my short film Gugu naGogo. We discuss the film synopsis, what we're looking for and how you can apply for the roles. Shoot date: September 2021 in Melbourne, Australia. More information at <a href="https://tsvaga.com/gugunagogo/" rel="nofollow" target="_blank">https://tsvaga.com/gugunagogo/</a>. Timestamps: <ul> <li>3:26 — How to apply</li> <li>4:30 — About our project and team</li> <li>5:33 — Gugu character breakdown (12)</li> <li>6:06 — Mama character breakdown (36)</li> <li>6:36 — Gogo character breakdown (60s)</li> </ul>See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Casting Call

Today's two words are: Access Granted and in this episode I'm answering your question, "How do I find the money to write my story?" More at https://taku.com.au/access-granted/See omnystudio.com/listener for privacy information.

Today's two words are: Access Granted and in this episode I'm answering your question, "How do I find the money to write my story?" More at <a href="https://taku.com.au/?p=5517&amp;preview=true" rel="nofollow" target="_blank">https://taku.com.au/access-granted/</a>See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Access Granted

Today’s two words are: Canon Eyes and in this episode I ponder, “Where do we want our stories to sit amongst others like them?” More at https://taku.com.au/canon-eyes.See omnystudio.com/listener for privacy information.

Today’s two words are: Canon Eyes and in this episode I ponder, “Where do we want our stories to sit amongst others like them?” More at <a href="https://taku.com.au/canon-eyes" rel="nofollow" target="_blank">https://taku.com.au/canon-eyes</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Canon Eyes

Today’s two words are: Same Same and in this episode we explore, “How do we know when a story’s dead and it’s time to write a new one?” More at https://taku.com.au/same-same/.See omnystudio.com/listener for privacy information.

Today’s two words are: Same Same and in this episode we explore, “How do we know when a story’s dead and it’s time to write a new one?” More at <a href="https://taku.com.au/same-same/" rel="nofollow" target="_blank">https://taku.com.au/same-same/</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Same Same

Today’s two words are: About Face and in this episode I ask, “What do we want the world to know about us?” More at https://taku.com.au/about-face/.See omnystudio.com/listener for privacy information.

Today’s two words are: About Face and in this episode I ask, “What do we want the world to know about us?” More at <a href="https://taku.com.au/about-face/" rel="nofollow" target="_blank">https://taku.com.au/about-face/</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

About Face

So, you call yourself a writer, huh? Where’ve you been published? Can we watch your films? What’s on your IMDB profile? Oh... you’ve self-published… on your blog? Oh, you’re just, sort of starting out? Oh, so are you even a real writer? Ignore all that. You are a writer. You love words. You find them delicious and eat them for breakfast. You love putting them together and tearing them apart. You love testing and teasing them. You. Love. Words. Except sometimes your own words terrify you. What do you actually do with them? This might be you. Seeing those other writers, crowding your timelines with their awards and ...and... joy, because they’ve finished something and shared it with the world. The whole world. Now you’re looking at your writing, thinking, “Screw it! It’s too hard to get these words out to the whole world!” You’re right. It is hard. Hi, I’m Taku Mbudzi, a writer like you. If I have to describe this podcast in two words, I’d say PIT STOP. Two Words with Taku is a show about writing, but unlike other shows about writing, only we are the pit stop for writers you’ve never heard of, giving them rest when they’re about to give up on their words and extra fuel for when they’re ready to keep writing. And why? The doors are slowly starting to open for unknown writers like you and me. Competitions, writer call outs, guest spots, magazine submissions — OMG so many new places to throw our words. But now we’re overwhelmed by how to write, package or present our writing in the best way, especially if we haven’t studied the industry, inherited legacy within the industry or just gone ‘viral’ around the world. I say come and rest your mind. It’s okay. The truth is our writing will need good time to make it good. We’re going to write a lot of shitty first drafts, but we’ll keep writing. We’re going to pitch here, and pitch there and hear back from nowhere, but we’ll keep writing. We’re even going to get tired of our own unfinished stories, but I don’t know about you, mine sit on my heart till they’re out. They come out eventually and the best feeling is when I can put my pen down. But beyond ‘keep writing’ is more work until you can finally put your pen down. What that looks like and who you collaborate with will look different – for me that’s TV producers, film directors and my book publisher. My stories are taking time. Your stories are going to take time. And that’s perfectly fine. Every word you write means something to you and you know it’s good not just for yourself but for the people in your world. Yes, in your world, not the whole world. And that changes everything. Now imagine writing from that perspective. Of course, you’re going to shout, “Screw it — I’ll keep writing!” because you’re just excited to write for your people. And that’s what this show is about. I’m a writer and I’ve got some other writers here with me. We see you, we hear you and we’re in this together. For more stories, subscribe to Two Words with Taku in your fave podcast app or visit https://taku.com.au.See omnystudio.com/listener for privacy information.

<a href="https://taku.com.au/so-you-call-yourself-a-writer/" rel="nofollow" target="_blank">So, you call yourself a writer, huh?</a> Where’ve you been published? Can we watch your films? What’s on your IMDB profile? Oh... you’ve self-published… on your blog? Oh, you’re just, sort of starting out? Oh, so are you even a real writer? Ignore all that. You are a writer. You love words. You find them delicious and eat them for breakfast. You love putting them together and tearing them apart. You love testing and teasing them. You. Love. Words. Except sometimes your own words terrify you. What do you actually do with them? This might be you. Seeing those other writers, crowding your timelines with their awards and ...and... joy, because they’ve finished something and shared it with the world. The whole world. Now you’re looking at your writing, thinking, “Screw it! It’s too hard to get these words out to the whole world!” You’re right. It is hard. Hi, I’m Taku Mbudzi, a writer like you. If I have to describe this podcast in two words, I’d say PIT STOP. Two Words with Taku is a show about writing, but unlike other shows about writing, only we are the pit stop for writers you’ve never heard of, giving them rest when they’re about to give up on their words and extra fuel for when they’re ready to keep writing. And why? The doors are slowly starting to open for unknown writers like you and me. Competitions, writer call outs, guest spots, magazine submissions — OMG so many new places to throw our words. But now we’re overwhelmed by how to write, package or present our writing in the best way, especially if we haven’t studied the industry, inherited legacy within the industry or just gone ‘viral’ around the world. I say come and rest your mind. It’s okay. The truth is our writing will need good time to make it good. We’re going to write a lot of shitty first drafts, but we’ll keep writing. We’re going to pitch here, and pitch there and hear back from nowhere, but we’ll keep writing. We’re even going to get tired of our own unfinished stories, but I don’t know about you, mine sit on my heart till they’re out. They come out eventually and the best feeling is when I can put my pen down. But beyond ‘keep writing’ is more work until you can finally put your pen down. What that looks like and who you collaborate with will look different – for me that’s TV producers, film directors and my book publisher. My stories are taking time. Your stories are going to take time. And that’s perfectly fine. Every word you write means something to you and you know it’s good not just for yourself but for the people in your world. Yes, in your world, not the whole world. And that changes everything. Now imagine writing from that perspective. Of course, you’re going to shout, “Screw it — I’ll keep writing!” because you’re just excited to write for your people. And that’s what this show is about. I’m a writer and I’ve got some other writers here with me. We see you, we hear you and we’re in this together. For more stories, subscribe to Two Words with Taku in your fave podcast app or visit <a href="https://taku.com.au" rel="nofollow" target="_blank">https://taku.com.au</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Season 3 Intro — So you call yourself a writer?

Hi, I'm Taku Mbudzi and I love to tell stories — give me a pen, a microphone or a camera and I’ll have something to share.  Two Words with Taku is a show about my writing and storytelling adventures. Watch my film Gugu naGogo on ABC iview at https://iview.abc.net.au/show/gugu-nagogo and see my world at https://www.instagram.com/takumbudzi/. Podcast produced and recorded on the traditional country of the Wurundjeri people of the Kulin nation, Australia.

Episode 100! I finally took to Instagram LIVE to answer your burning questions about podcasting. Watch the whole video, complete with show-and-tell of my recording gear at https://www.instagram.com/takumbudzi. Thank you for listening and supporting Two Words with Taku since 2017 — here's to 100 more episodes!See omnystudio.com/listener for privacy information.

Episode 100! I finally took to Instagram LIVE to answer your burning questions about podcasting. Watch the whole video, complete with show-and-tell of my recording gear at <a href="https://www.instagram.com/takumbudzi" rel="nofollow" target="_blank">https://www.instagram.com/takumbudzi</a>. Thank you for listening and supporting Two Words with Taku since 2017 — here's to 100 more episodes!See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Episode 100 — Answering Your Podcasting Questions on Instagram LIVE

I've finally made it to Episode 99 of this podcast! Here's a quick update on what's happening with my TV stuff and what I'm planning for my 100th podcast episode. Thanks for listening and stay safe! xSee omnystudio.com/listener for privacy information.

I've finally made it to Episode 99 of this podcast! Here's a quick update on what's happening with my TV stuff and what I'm planning for my 100th podcast episode. Thanks for listening and stay safe! xSee <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

99 Episodes but a TV Show Ain't One

 "Pitching is a verbal way of selling your story, and I like to leave something visual so they remember my pitch." — Sher-Li Tan  I thought I was the Queen of Pitch Preparation until I met producer and filmmaker Sher-Li Tan. We first met at YouTube conference VidCon and she blew me away with how passionately she spruiked her projects. In this episode we talk about how she prepares for pitching her shows — everything from the documents she creates to how she researches her audience and the people she's pitching to. We also discuss how pitching can be a way to test the market for your ideas, and different ways to measure the success of your pitches. Sher-Li's full of great insights and stresses the importance of nurturing relationships with the people you pitch to along the way.  Podcast Guest Profile Sher-Li Tan is an early-career producer with an interest in storytelling and production excellence. She strongly believes in the power of the film to connect and engage. Raised in both Mauritius and Singapore, she aspires to use her exposure to different cultures and backgrounds to inform her filmmaking. She is also a trained speech pathologist and hence a vocal advocate for communities from various under-represented populations. Time Stamps 0:53 | How I've approached pitching my TV ideas 5:45 | Interview with Sher-Li Tan Interesting Links  Sher-Li's website https://www.passport-productions.com/ Sher-Li's LinkedIn https://www.linkedin.com/in/sherlitan/ VidCon Australia https://vidconaustralia.com/ Screen Forever Conference https://www.screenforever.org.au/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "Pitching is a verbal way of selling your story, and I like to leave something visual so they remember my pitch." — Sher-Li Tan </blockquote> I thought I was the Queen of Pitch Preparation until I met producer and filmmaker Sher-Li Tan. We first met at YouTube conference VidCon and she blew me away with how passionately she spruiked her projects. In this episode we talk about how she prepares for pitching her shows — everything from the documents she creates to how she researches her audience and the people she's pitching to. We also discuss how pitching can be a way to test the market for your ideas, and different ways to measure the success of your pitches. Sher-Li's full of great insights and stresses the importance of nurturing relationships with the people you pitch to along the way.  Podcast Guest Profile Sher-Li Tan is an early-career producer with an interest in storytelling and production excellence. She strongly believes in the power of the film to connect and engage. Raised in both Mauritius and Singapore, she aspires to use her exposure to different cultures and backgrounds to inform her filmmaking. She is also a trained speech pathologist and hence a vocal advocate for communities from various under-represented populations. Time Stamps 0:53 | How I've approached pitching my TV ideas 5:45 | Interview with Sher-Li Tan Interesting Links <ul> <li>Sher-Li's website <a href="https://www.passport-productions.com/" rel="nofollow" target="_blank">https://www.passport-productions.com/</a></li> <li>Sher-Li's LinkedIn <a href="https://www.linkedin.com/in/sherlitan/" rel="nofollow" target="_blank">https://www.linkedin.com/in/sherlitan/</a></li> <li>VidCon Australia <a href="https://vidconaustralia.com/" rel="nofollow" target="_blank">https://vidconaustralia.com/</a></li> <li>Screen Forever Conference <a href="https://www.screenforever.org.au/" rel="nofollow" target="_blank">https://www.screenforever.org.au/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Pitch Perfectin' with Producer and Filmmaker Sher-Li Tan

Wendy Gray

 "Children's television is wonderful for people starting out in the industry because there tends to be more opportunity for people who don't have a long list of credits." — Wendy Gray  I've fast-tracked a few skills after discovering the short courses offered by the Australian Film Television Radio School (AFTRS). In this episode, I chat to Wendy Gray from AFTRS about their courses and who they're designed for. We also chat about Wendy's career in the screen industry, including her extensive experience working in children's television.  Friendly manners: this is not a paid endorsement. Podcast Guest Profile Wendy Gray currently runs the short course and industry certificate programs at the Australian Film Television Radio School (AFTRS). Over the last seven years she has been Head of the Open Program, Head of the TV Unit and began life at AFTRS as the Industry Program Manager. In her current role she liaises with Industry through the Industry Advisory Panels, runs industry-related events and oversees the development and delivery of industry short courses and industry certificates. Wendy started her career in the media at ABC TV, where she worked for twelve years in a wide variety of production roles, across all genres. Her final years at the ABC saw her devising, producing and directing a number of children’s television series including AFI-award winning series The Ferals and forty episodes of Play School. Subsequently as a freelance producer Wendy worked on a wide range of television productions, including documentary series Greatest Cities of the World with Griff Rhys-Jones, and The Upside Down Show, an award-winning children’s series with The Umbilical Brothers, Nickelodeon US and the Children’s Television Workshop. She returned to the ABC joining the (then) New Media Division to work on the launch of ABC2, designing and executing channel branding and program development and production. Wendy has also worked on a number of online projects including working as Online Content Producer in the marketing department for Southern Cross and as a senior website producer for Gadfly Media, supervising website content for clients such as SOCOG and NRMA.She also worked for the Australian Film Commission (now Screen Australia) on a major online content project Australian Screen Online and taught production at SAE Byron Bay. She has a BA (Communications) from Macquarie University and a Grad Dip in Interactive Multimedia from UTS. Time Stamps 0:53 | Why I've been doing short courses through AFTRS 8:01 | Interview with Wendy Gray Interesting Links  Australian Film Television Radio School https://www.aftrs.edu.au/; Telephone (Australia): 1300065 281 Australian Writers' Guild https://www.awg.com.au/ Film Victoria https://www.film.vic.gov.au/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "Children's television is wonderful for people starting out in the industry because there tends to be more opportunity for people who don't have a long list of credits." — Wendy Gray </blockquote> I've fast-tracked a few skills after discovering the short courses offered by the Australian Film Television Radio School (AFTRS). In this episode, I chat to Wendy Gray from AFTRS about their courses and who they're designed for. We also chat about Wendy's career in the screen industry, including her extensive experience working in children's television.  Friendly manners: this is not a paid endorsement. Podcast Guest Profile Wendy Gray currently runs the short course and industry certificate programs at the Australian Film Television Radio School (AFTRS). Over the last seven years she has been Head of the Open Program, Head of the TV Unit and began life at AFTRS as the Industry Program Manager. In her current role she liaises with Industry through the Industry Advisory Panels, runs industry-related events and oversees the development and delivery of industry short courses and industry certificates. Wendy started her career in the media at ABC TV, where she worked for twelve years in a wide variety of production roles, across all genres. Her final years at the ABC saw her devising, producing and directing a number of children’s television series including AFI-award winning series The Ferals and forty episodes of Play School. Subsequently as a freelance producer Wendy worked on a wide range of television productions, including documentary series Greatest Cities of the World with Griff Rhys-Jones, and The Upside Down Show, an award-winning children’s series with The Umbilical Brothers, Nickelodeon US and the Children’s Television Workshop. She returned to the ABC joining the (then) New Media Division to work on the launch of ABC2, designing and executing channel branding and program development and production. Wendy has also worked on a number of online projects including working as Online Content Producer in the marketing department for Southern Cross and as a senior website producer for Gadfly Media, supervising website content for clients such as SOCOG and NRMA. She also worked for the Australian Film Commission (now Screen Australia) on a major online content project Australian Screen Online and taught production at SAE Byron Bay. She has a BA (Communications) from Macquarie University and a Grad Dip in Interactive Multimedia from UTS. Time Stamps 0:53 | Why I've been doing short courses through AFTRS 8:01 | Interview with Wendy Gray Interesting Links <ul> <li>Australian Film Television Radio School <a href="https://www.aftrs.edu.au/" rel="nofollow" target="_blank">https://www.aftrs.edu.au/</a>; Telephone (Australia): 1300065 281</li> <li>Australian Writers' Guild <a href="https://www.awg.com.au/" rel="nofollow" target="_blank">https://www.awg.com.au/</a></li> <li>Film Victoria <a href="https://www.film.vic.gov.au/" rel="nofollow" target="_blank">https://www.film.vic.gov.au/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Short Courses with Wendy Gray, AFTRS Head of Industry Program

 "…without the proper documentation proving the ownership of the work, there’s no protection from legal action."  The world of television is full of great ideas and magic...and contracts and legal agreements that underpin how all that magic comes together. In this episode, lawyer Dee Mbugua explains what 'chain of title' means and why it's so important in the media industry. She also gives useful tips for seeking legal advice, especially when it comes to the fineprint. If in doubt, don't make a wild guess and definitely don't sign anything! Podcast Guest Profile Dee Mbugua is the Deputy Director, Industrial, Advice and Advocacy at Media, Entertainment and Arts Alliance. She’s an experienced lawyer and writer with a demonstrated history of working in the alternative dispute resolution industry. Dee enjoys sharing her stories via social media, radio broadcasting, digital media, public speaking, and writing. Time Stamps 0:53 | Why I needed to find a lawyer 3:07 | Interview with Dee Mbugua Interesting Links  Dee's Instagram https://www.instagram.com/thingsdeesays/ Media, Entertainment and Arts Alliance https://www.meaa.org/ Arts Law Centre of Australia https://www.artslaw.com.au/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "…without the proper documentation proving the ownership of the work, there’s no protection from legal action." </blockquote> The world of television is full of great ideas and magic...and contracts and legal agreements that underpin how all that magic comes together. In this episode, lawyer Dee Mbugua explains what 'chain of title' means and why it's so important in the media industry. She also gives useful tips for seeking legal advice, especially when it comes to the fineprint. If in doubt, don't make a wild guess and definitely don't sign anything! Podcast Guest Profile Dee Mbugua is the Deputy Director, Industrial, Advice and Advocacy at Media, Entertainment and Arts Alliance. She’s an experienced lawyer and writer with a demonstrated history of working in the alternative dispute resolution industry. Dee enjoys sharing her stories via social media, radio broadcasting, digital media, public speaking, and writing. Time Stamps 0:53 | Why I needed to find a lawyer 3:07 | Interview with Dee Mbugua Interesting Links <ul> <li>Dee's Instagram <a href="https://www.instagram.com/thingsdeesays/" rel="nofollow" target="_blank">https://www.instagram.com/thingsdeesays/</a></li> <li>Media, Entertainment and Arts Alliance <a href="https://www.meaa.org/" rel="nofollow" target="_blank">https://www.meaa.org/</a></li> <li>Arts Law Centre of Australia <a href="https://www.artslaw.com.au/" rel="nofollow" target="_blank">https://www.artslaw.com.au/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Chain of Title with Lawyer Dee Mbugua

 "The way that we can tell stories if we use audio, specifically fiction, is so interesting and diverse. Audio is such a freeing medium."   I joined the Australian Writers’ Guild (AWG) so I could meet inspiring young screenwriters like Evrim Şen. We met at an Animation Writing Workshop and hit it off instantly — we're both fired up about stories for and about young people. In this episode, Evrim shares how joining the AWG is helping her writing career and how things are different in real-life writers' rooms vs what she learnt at film school. We also chat about her fun podcast Script Roulette, where in each episode, she and her team produce an audio drama based on a random prompt, written by an emerging writer.  Podcast Guest Profile Evrim Şen is a podcast producer and screenwriter, working in creative and youth sector non-for-profits with a focus on social enterprise and social impact. She has a Masters in Screenwriting from the Victorian College of the Arts, and her passion is representing the perspectives of and writing for young people and children. She’s been part of the production of numerous podcasts including, the fiction / talked-based podcast Script Roulette, and radio play series Troll Foods. Time Stamps 0:53 | Why I joined the Australian Writers' Guild 8:08 | Interview with Evrim Şen Interesting Links  Australian Writers' Guild https://www.awg.com.au/ Evrim's website https://www.evrimsen.com.au/ Script Roulette Podcast https://podcasts.apple.com/au/podcast/script-roulette-podcast Script Roulette Facebook https://www.facebook.com/scriptroulettepodcast/ Troll Foods Podcast http://syn.org.au/show/troll-foods/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "The way that we can tell stories if we use audio, specifically fiction, is so interesting and diverse. Audio is such a freeing medium."  </blockquote> I joined the Australian Writers’ Guild (AWG) so I could meet inspiring young screenwriters like Evrim Şen. We met at an Animation Writing Workshop and hit it off instantly — we're both fired up about stories for and about young people. In this episode, Evrim shares how joining the AWG is helping her writing career and how things are different in real-life writers' rooms vs what she learnt at film school. We also chat about her fun podcast Script Roulette, where in each episode, she and her team produce an audio drama based on a random prompt, written by an emerging writer.  Podcast Guest Profile Evrim Şen is a podcast producer and screenwriter, working in creative and youth sector non-for-profits with a focus on social enterprise and social impact. She has a Masters in Screenwriting from the Victorian College of the Arts, and her passion is representing the perspectives of and writing for young people and children. She’s been part of the production of numerous podcasts including, the fiction / talked-based podcast Script Roulette, and radio play series Troll Foods. Time Stamps 0:53 | Why I joined the Australian Writers' Guild 8:08 | Interview with Evrim Şen Interesting Links <ul> <li>Australian Writers' Guild <a href="https://www.awg.com.au/" rel="nofollow" target="_blank">https://www.awg.com.au/</a></li> <li>Evrim's website <a href="https://www.evrimsen.com.au/" rel="nofollow" target="_blank">https://www.evrimsen.com.au/</a></li> <li>Script Roulette Podcast <a href="https://podcasts.apple.com/au/podcast/script-roulette-podcast" rel="nofollow" target="_blank">https://podcasts.apple.com/au/podcast/script-roulette-podcast</a></li> <li>Script Roulette Facebook <a href="https://www.facebook.com/scriptroulettepodcast/" rel="nofollow" target="_blank">https://www.facebook.com/scriptroulettepodcast/</a></li> <li>Troll Foods Podcast <a href="http://syn.org.au/show/troll-foods/" rel="nofollow" target="_blank">http://syn.org.au/show/troll-foods/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Writers' Guild with Screenwriter and Podcaster Evrim Şen

 "I love that this younger generation is being more expressive and feeling their emotions, instead of trying to not feel things. "  We keep hearing that we need more authentic voices telling their own stories. But what does that look like when you’re creating a TV show with different characters? How do you, as a writer, make their stories feel authentic, if you haven’t personally lived those experiences? In this episode, I chat candidly with YouTuber and content creator AJ Clementine about why she started sharing her stories online. We also discuss how young people in the LGBTQI+ community are representing themselves and supporting each other online. Podcast Guest Profile AJ Clementine is an Australian creator known for being an LGBTQI+ advocate for the community. She is also a vlogger who often shares life experiences about being transgender, while also covering lifestyle and fashion content. This year AJ was featured on the 'Barcroft TV' YouTube channel for the 'My Trans Life' series, and walked the Mardi Gras parade with Instagram in Sydney. She has been a Featured Creator at VidCon AU in 2017, 2018 and now 2019. Time Stamps 0:53 | Why I want to include authentic voices in my show 5:29 | Interview with AJ Clementine Interesting Links  AJ Clementine LinkedIn https://au.linkedin.com/in/ajclementine AJ Clementine YouTube, Instagram Minus 18 https://www.minus18.org.au/ Kids Helpline https://kidshelpline.com.au/ Fazed web series https://www.instagram.com/fazed.series/ Euphoria starring Zendaya https://www.hbo.com/euphoria  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "I love that this younger generation is being more expressive and feeling their emotions, instead of trying to not feel things. " </blockquote> We keep hearing that we need more authentic voices telling their own stories. But what does that look like when you’re creating a TV show with different characters? How do you, as a writer, make their stories feel authentic, if you haven’t personally lived those experiences? In this episode, I chat candidly with YouTuber and content creator AJ Clementine about why she started sharing her stories online. We also discuss how young people in the LGBTQI+ community are representing themselves and supporting each other online. Podcast Guest Profile AJ Clementine is an Australian creator known for being an LGBTQI+ advocate for the community. She is also a vlogger who often shares life experiences about being transgender, while also covering lifestyle and fashion content. This year AJ was featured on the 'Barcroft TV' YouTube channel for the 'My Trans Life' series, and walked the Mardi Gras parade with Instagram in Sydney. She has been a Featured Creator at VidCon AU in 2017, 2018 and now 2019. Time Stamps 0:53 | Why I want to include authentic voices in my show 5:29 | Interview with AJ Clementine Interesting Links <ul> <li>AJ Clementine LinkedIn <a href="https://au.linkedin.com/in/ajclementine" rel="nofollow" target="_blank">https://au.linkedin.com/in/ajclementine</a></li> <li>AJ Clementine <a href="https://www.youtube.com/channel/UCu2P3v6-gW5aMDGQA2EOFXQ" rel="nofollow" target="_blank">YouTube</a>, <a href="https://www.instagram.com/ajclementine_/?hl=en" rel="nofollow" target="_blank">Instagram</a></li> <li>Minus 18 <a href="https://www.minus18.org.au/" rel="nofollow" target="_blank">https://www.minus18.org.au/</a></li> <li>Kids Helpline <a href="https://kidshelpline.com.au/" rel="nofollow" target="_blank">https://kidshelpline.com.au/</a></li> <li>Fazed web series <a href="https://www.instagram.com/fazed.series/" rel="nofollow" target="_blank">https://www.instagram.com/fazed.series/</a></li> <li>Euphoria starring Zendaya <a href="https://www.hbo.com/euphoria" rel="nofollow" target="_blank">https://www.hbo.com/euphoria</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Authentic Voices with Vlogger and LGBQTI+ Advocate AJ Clementine

 "Read scripts from the shows you like and shows you don't like. Have a good look at how they lay things out. "   Wendy Hanna's episode is full of great tips about writing, finding other writers, growing your community of writers and even entering writing competitions. Hear how we first met at an Animation Writing Workshop and how the mock writers' room she created inspired me to re-think how I'd find writers for my show.  Podcast Guest Profile Wendy Hanna is an AWGie nominated screenwriter and creative development consultant with a passion for people, characters and big ideas. Her credits include iconic serial Neighbours, popular drama Love Child and docu-drama Dating the H-Bomb, as well as numerous children’s programs including Giggle &amp; Hoot, Dumbotz and Sydney Sailboat. She is also is co-creator of factual teen format MY:24. A former Development Executive for Essential Media &amp; Entertainment, she has extensive development experience across genres including kids, drama, animation and factual, and regularly works with creative teams to help concepts find their best form. In 2017, Wendy was nominated for an AWGie for her work on ABC’s Hoot Hoot Go! Time Stamps 0:53 | How I've set up my writers' room...so far 7:20 | Interview with Wendy Hanna Interesting Links  Wendy's website https://wendylikesstories.com/ Wendy's Instagram https://www.instagram.com/wendylikesstories/ Australian Writers Guild https://www.awg.com.au/ Women In Film and TV Australia https://wiftaustralia.org.au/ NYC Midnight Competition http://www.nycmidnight.com/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "Read scripts from the shows you like and shows you don't like. Have a good look at how they lay things out. "  </blockquote> Wendy Hanna's episode is full of great tips about writing, finding other writers, growing your community of writers and even entering writing competitions. Hear how we first met at an Animation Writing Workshop and how the mock writers' room she created inspired me to re-think how I'd find writers for my show.  Podcast Guest Profile Wendy Hanna is an AWGie nominated screenwriter and creative development consultant with a passion for people, characters and big ideas. Her credits include iconic serial Neighbours, popular drama Love Child and docu-drama Dating the H-Bomb, as well as numerous children’s programs including Giggle &amp; Hoot, Dumbotz and Sydney Sailboat. She is also is co-creator of factual teen format MY:24. A former Development Executive for Essential Media &amp; Entertainment, she has extensive development experience across genres including kids, drama, animation and factual, and regularly works with creative teams to help concepts find their best form. In 2017, Wendy was nominated for an AWGie for her work on ABC’s Hoot Hoot Go! Time Stamps 0:53 | How I've set up my writers' room...so far 7:20 | Interview with Wendy Hanna Interesting Links <ul> <li>Wendy's website <a href="https://wendylikesstories.com/" rel="nofollow" target="_blank">https://wendylikesstories.com/</a></li> <li>Wendy's Instagram <a href="https://www.instagram.com/wendylikesstories/" rel="nofollow" target="_blank">https://www.instagram.com/wendylikesstories/</a></li> <li>Australian Writers Guild <a href="https://www.awg.com.au/" rel="nofollow" target="_blank">https://www.awg.com.au/</a></li> <li>Women In Film and TV Australia <a href="https://wiftaustralia.org.au/" rel="nofollow" target="_blank">https://wiftaustralia.org.au/</a></li> <li>NYC Midnight Competition <a href="http://www.nycmidnight.com/" rel="nofollow" target="_blank">http://www.nycmidnight.com/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Writers' Rooms with Screenwriter and Script Editor Wendy Hanna

 "The key thing is, these funding bodies want you to contact them. They'll give you the time to explain what's required because they want people to succeed as well. "  How can you fund your creative projects whilst working a day job? Who do you need on your team to make your funding applications more competitive? How important is it to create a proof of concept to get more funding? In this episode I chat to filmmaker Hawanatu about how she's managed to get her films and web series made. We also discuss the importance of valuing time and talent — yours and that of the people you're working with. The numbers start to add up and that's when you can look at applying to screen agencies for support. Hawanatu's latest project Afro Sistahs recently received funding from Screen Australia's Generate initiative. Podcast Guest Profile Hawanatu Bangura is an Afro-Australian writer, director and producer. Born in Sierra Leone, she migrated to Australia in 2002 and as a teenager discovered her interest in filmmaking when she was involved in a youth film project. Since then, she has written and directed six short films in various genres including dance, experimental, drama, documentary and animation. Her films have been screened both in Australia and internationally at film festivals including the Legacy Film Festival (United Kingdom), Shaan-E-Awadh International Film Festival (India), Adelaide Kids Film Festival, African Film festival Australia and International Pan African Film Festival (Cannes), Toronto International Film Festival Kids. Her short animation film, ‘Money Tree’, about a boy who wants to become rich by planting a stolen coin was nominated for best animation at Montreal International Black Film Festival (Canada). Recently, she joined forces with a group of Afro-Australian female filmmakers to create a web series titled Afro Sistahs a short form narrative comedy/drama that explores the complex nature in which culture, gender, race, love and of course, hair, intersect. Hawanatu’s films are driven by her personal values – so themes of social justice, empowerment, identity, peace, hope and wisdom are strong in her work. The stories in her films are universal, resonating with audiences far and wide. Hawanatu is passionate about using her films as a platform to raise consciousness about social issues and social injustices. She was part of the prestigious Screen Producers Australia: One to Watch program in 2017. Time Stamps 0:53 | How I've sought funding for my project   4:45 | Interview with Hawanatu Bangura Interesting Links  Hawanatu’s website https://www.hawanatu.com/ Afro Sistahs website https://www.afrosistahs.com Screen Australia funding page https://www.screenaustralia.gov.au/funding-and-support  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "The key thing is, these funding bodies want you to contact them. They'll give you the time to explain what's required because they want people to succeed as well. " </blockquote> How can you fund your creative projects whilst working a day job? Who do you need on your team to make your funding applications more competitive? How important is it to create a proof of concept to get more funding? In this episode I chat to filmmaker Hawanatu about how she's managed to get her films and web series made. We also discuss the importance of valuing time and talent — yours and that of the people you're working with. The numbers start to add up and that's when you can look at applying to screen agencies for support. Hawanatu's latest project Afro Sistahs recently received funding from Screen Australia's Generate initiative. Podcast Guest Profile Hawanatu Bangura is an Afro-Australian writer, director and producer. Born in Sierra Leone, she migrated to Australia in 2002 and as a teenager discovered her interest in filmmaking when she was involved in a youth film project. Since then, she has written and directed six short films in various genres including dance, experimental, drama, documentary and animation. Her films have been screened both in Australia and internationally at film festivals including the Legacy Film Festival (United Kingdom), Shaan-E-Awadh International Film Festival (India), Adelaide Kids Film Festival, African Film festival Australia and International Pan African Film Festival (Cannes), Toronto International Film Festival Kids. Her short animation film, ‘Money Tree’, about a boy who wants to become rich by planting a stolen coin was nominated for best animation at Montreal International Black Film Festival (Canada). Recently, she joined forces with a group of Afro-Australian female filmmakers to create a web series titled <a href="http://www.afrosistahs.com/" rel="nofollow" target="_blank">Afro Sistahs</a> a short form narrative comedy/drama that explores the complex nature in which culture, gender, race, love and of course, hair, intersect. Hawanatu’s films are driven by her personal values – so themes of social justice, empowerment, identity, peace, hope and wisdom are strong in her work. The stories in her films are universal, resonating with audiences far and wide. Hawanatu is passionate about using her films as a platform to raise consciousness about social issues and social injustices. She was part of the prestigious Screen Producers Australia: One to Watch program in 2017. Time Stamps 0:53 | How I've sought funding for my project   4:45 | Interview with Hawanatu Bangura Interesting Links <ul> <li>Hawanatu’s website <a href="https://www.hawanatu.com/" rel="nofollow" target="_blank">https://www.hawanatu.com/</a></li> <li>Afro Sistahs website <a href="https://www.afrosistahs.com" rel="nofollow" target="_blank">https://www.afrosistahs.com</a></li> <li>Screen Australia funding page <a href="https://www.screenaustralia.gov.au/funding-and-support" rel="nofollow" target="_blank">https://www.screenaustralia.gov.au/funding-and-support</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Funding Films with Filmmaker and Director Hawanatu Bangura

Amanda Newton

 "Don't settle for a relationship with your accountant or bookkeeper that isn't working for you. "  I know too many artists and creative people who don't feel comfortable talking about money — how much to charge, how to get more of it, how to manage it, how to grow it etc. I've finally had to confront my own fears and insecurities about money because my creative projects need proper funding to happen. In this episode I share how I manage the finances in my production company and how I unexpectedly scored my first investor. I've also invited Amanda Newton from Xero Australia to explain the difference between an accountant and a bookkeeper, and how to know which one is best for you. Amanda's very friendly and also shares tips about working with people who can handle your finances and tax obligations. Friendly manners: I've been using Xero for a couple of years and genuinely find that it helps me in my business. This episode is not a paid endorsement for Xero; I invited Amanda on the show because I wanted to interview an expert about accounting. Podcast Guest Profile Amanda Newton is Xero Australia’s Head of Community where she works closely alongside their valued community of bookkeepers and accountants on a daily basis to create, foster and nurture safe and engaging spaces for these partners to meaningfully connect. In addition to serving as a liaison for Xero's accountant and bookkeeping partners, Amanda is a passionate advocate for the industry - presenting at industry conferences and events, and maintaining an active voice on social media. Combining a Masters of Accounting with undergraduate studies in Marketing and Communications, Amanda's career currently spans two decades and has included leadership roles in small business, politics, large enterprise and non-profit sectors. Amanda featured in the Top 50 Women in Accounting in 2018. Time Stamps 0:53 | Managing money in my business and how I got my first investor 14:06 | Interview with Amanda Newton Interesting Links  Amanda on LinkedIn https://au.linkedin.com/in/amandajnewton Xero website https://www.xero.com/au and Xero's Instagram https://www.instagram.com/xero/ Xero Advisor Directory https://www.xero.com/au/advisors/ Small Business Mentoring Services Victoria https://www.business.gov.au/advisory-services/small-business-mentoring-service-sbms-victoria Small Business Development Corporation Western Australia https://www.smallbusiness.wa.gov.au/  Say Hello! I'm at taku.com.au, Instagram/Twitter: @takuspeaks or Facebook: @TakuTV.See omnystudio.com/listener for privacy information.

<blockquote> "Don't settle for a relationship with your accountant or bookkeeper that isn't working for you. " </blockquote> I know too many artists and creative people who don't feel comfortable talking about money — how much to charge, how to get more of it, how to manage it, how to grow it etc. I've finally had to confront my own fears and insecurities about money because my creative projects need proper funding to happen. In this episode I share how I manage the finances in my production company and how I unexpectedly scored my first investor. I've also invited Amanda Newton from Xero Australia to explain the difference between an accountant and a bookkeeper, and how to know which one is best for you. Amanda's very friendly and also shares tips about working with people who can handle your finances and tax obligations. Friendly manners: I've been using Xero for a couple of years and genuinely find that it helps me in my business. This episode is not a paid endorsement for Xero; I invited Amanda on the show because I wanted to interview an expert about accounting. Podcast Guest Profile Amanda Newton is Xero Australia’s Head of Community where she works closely alongside their valued community of bookkeepers and accountants on a daily basis to create, foster and nurture safe and engaging spaces for these partners to meaningfully connect. In addition to serving as a liaison for Xero's accountant and bookkeeping partners, Amanda is a passionate advocate for the industry - presenting at industry conferences and events, and maintaining an active voice on social media. Combining a Masters of Accounting with undergraduate studies in Marketing and Communications, Amanda's career currently spans two decades and has included leadership roles in small business, politics, large enterprise and non-profit sectors. Amanda featured in the Top 50 Women in Accounting in 2018. Time Stamps 0:53 | Managing money in my business and how I got my first investor 14:06 | Interview with Amanda Newton Interesting Links <ul> <li>Amanda on LinkedIn <a href="https://au.linkedin.com/in/amandajnewton" rel="nofollow" target="_blank">https://au.linkedin.com/in/amandajnewton</a></li> <li>Xero website <a href="https://www.xero.com/au" rel="nofollow" target="_blank">https://www.xero.com/au</a> and Xero's Instagram <a href="https://www.instagram.com/xero/" rel="nofollow" target="_blank">https://www.instagram.com/xero/</a></li> <li>Xero Advisor Directory <a href="https://www.xero.com/au/advisors/" rel="nofollow" target="_blank">https://www.xero.com/au/advisors/</a></li> <li>Small Business Mentoring Services Victoria <a href="https://www.business.gov.au/advisory-services/small-business-mentoring-service-sbms-victoria" rel="nofollow" target="_blank">https://www.business.gov.au/advisory-services/small-business-mentoring-service-sbms-victoria</a></li> <li>Small Business Development Corporation Western Australia <a href="https://www.smallbusiness.wa.gov.au/" rel="nofollow" target="_blank">https://www.smallbusiness.wa.gov.au/</a></li> </ul> Say Hello! I'm at <a href="http://www.taku.com.au" rel="nofollow" target="_blank">taku.com.au</a>, Instagram/Twitter: <a href="https://instagram.com/takuspeaks/" rel="nofollow" target="_blank">@takuspeaks</a> or Facebook: <a href="https://www.facebook.com/takutv" rel="nofollow" target="_blank">@TakuTV</a>.See <a href="https://omnystudio.com/listener" rel="nofollow" target="_blank">omnystudio.com/listener</a> for privacy information.

Managing Money with Xero Australia's Amanda Newton

Hi, I'm Taku Mbudzi and I love to tell stories — give me a pen, a microphone or a camera and I’ll have something to share.  Two Words with Taku is a show about my writing and storytelling adventures. Watch my film Gugu naGogo on ABC iview at <a href="https://iview.abc.net.au/show/gugu-nagogo" rel="nofollow" target="_blank">https://iview.abc.net.au/show/gugu-nagogo</a> and see my world at <a href="https://www.instagram.com/takumbudzi/" rel="nofollow" target="_blank">https://www.instagram.com/takumbudzi/</a>. Podcast produced and recorded on the traditional country of the Wurundjeri people of the Kulin nation, Australia.

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