The Outro Message to “Artists-In-Presidents: Transmissions to Power” is a soundscape bringing together messages from across the 21 episodes, and new reflections from contributors on their participation in the project. In this immersive composition, voices from throughout “Artists-In-Presidents” speak to the challenges of performing power, the local contexts and conditions underpinning their messages, and the urgency to reimagine leadership.Over the past four months, twenty-one transmissions and portraits from artists, activists, public intellectuals, and writers have radically reimagined political power and possibility. This international assembly of contributors were invited to position themselves as world leaders who speak directly to the people, describing their vision for the future and how we get there. Together, they compose a rousing collection of imaginative proposals for the leadership we need in this moment of crisis and possibility.Produced and composed by Olivia Bradley-Skill.Excerpted clips from transmissions and interviews by Raji Aujla, Roy Dib, Irmgard Emmelhainz, Macarena Gómez-Barris, Emily Johnson, Cheryl L’Hirondelle, Mkomose (Dr. Andrew Judge), Raqs Media Collective, Fariha Róisín, Adrian Stimson, Melati Suryodarmo, Paulo Tavares, Françoise Vergès, Ravyn Wngz.

The Outro Message to “Artists-In-Presidents: Transmissions to Power” is a soundscape bringing together messages from across the 21 episodes, and new reflections from contributors on their participation in the project. In this immersive composition, voices from throughout “Artists-In-Presidents” speak to the challenges of performing power, the local contexts and conditions underpinning their messages, and the urgency to reimagine leadership. Over the past four months, twenty-one transmissions and portraits from artists, activists, public intellectuals, and writers have radically reimagined political power and possibility. This international assembly of contributors were invited to position themselves as world leaders who speak directly to the people, describing their vision for the future and how we get there. Together, they compose a rousing collection of imaginative proposals for the leadership we need in this moment of crisis and possibility. Produced and composed by Olivia Bradley-Skill. Excerpted clips from transmissions and interviews by Raji Aujla, Roy Dib, Irmgard Emmelhainz, Macarena Gómez-Barris, Emily Johnson, Cheryl L’Hirondelle, Mkomose (Dr. Andrew Judge), Raqs Media Collective, Fariha Róisín, Adrian Stimson, Melati Suryodarmo, Paulo Tavares, Françoise Vergès, Ravyn Wngz.

Artists-In-Presidents: Transmissions to Power – Outro Message

Constance Hockaday

“We can’t lose sight of the fact that we need each other, especially because we don’t have precisely the same experiences, feelings, or words.”As the twenty-first and final contributor to Artists-in-Presidents, project initiator Constance Hockaday shares a message calling for care, generosity, and understanding. Hockaday advocates for a qualified sense of unity; she acknowledges the imperfect and messy nature of working together, while suggesting that the very act of building and maintaining relationships is prefatory to social and political change.“Artists-in-Presidents” is curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Constance Hockaday is a queer Chilean-American from the US/Mexico Border. She is a director and visual artist who creates immersive social sculptures on urban waterways. She has worked with the Floating Neutrinos since 2001, and collaborated with Swoon’s Swimming Cities projects, sailing floating sculptures along the Hudson, Mississippi, and the Adriatic Sea (2006–09). In 2011, she created The Boatel, a floating art hotel in New York’s Far Rockaways made of refurbished salvaged boats—an effort to reconnect New Yorkers to their waterfront. Her 2014 piece All These Darlings and Now Us highlighted the displacement of San Francisco’s queer community: more than 1000 people watched peep show performances on a raft of retrofitted sailboats featuring artists from two recently shuttered iconic queer businesses. Hockaday holds an MFA in Social Practice and MA in Conflict Resolution. She is also a Senior TED Fellow and an artist-in-residence at The Center for the Art of Performance at UCLA.Photo: Max Knight

“We can’t lose sight of the fact that we need each other, especially because we don’t have precisely the same experiences, feelings, or words.” As the twenty-first and final contributor to Artists-in-Presidents, project initiator Constance Hockaday shares a message calling for care, generosity, and understanding. Hockaday advocates for a qualified sense of unity; she acknowledges the imperfect and messy nature of working together, while suggesting that the very act of building and maintaining relationships is prefatory to social and political change. “Artists-in-Presidents” is curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Constance Hockaday is a queer Chilean-American from the US/Mexico Border. She is a director and visual artist who creates immersive social sculptures on urban waterways. She has worked with the Floating Neutrinos since 2001, and collaborated with Swoon’s Swimming Cities projects, sailing floating sculptures along the Hudson, Mississippi, and the Adriatic Sea (2006–09). In 2011, she created The Boatel, a floating art hotel in New York’s Far Rockaways made of refurbished salvaged boats—an effort to reconnect New Yorkers to their waterfront. Her 2014 piece All These Darlings and Now Us highlighted the displacement of San Francisco’s queer community: more than 1000 people watched peep show performances on a raft of retrofitted sailboats featuring artists from two recently shuttered iconic queer businesses. Hockaday holds an MFA in Social Practice and MA in Conflict Resolution. She is also a Senior TED Fellow and an artist-in-residence at The Center for the Art of Performance at UCLA. Photo: Max Knight

Transmission: Constance Hockaday

“There is an urgency to save our time from becoming the cost of business.”Raqs Media Collective’s trio-logue binds economics to climate change, extinction, and extractivism. They stress the externalized costs of our accepted capitalist logics: including extreme weather, species extinction, and language loss. In content and form, the Collective wryly critique the “rationality” of economic thinking, shedding light on its many casualties. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Raqs Media Collective was formed in 1992 in Delhi, India. The word “raqs” in several languages denotes an intensification of awareness and presence attained by whirling, turning, and being in a state of revolution. Raqs Media Collective take this sense to mean “kinetic contemplation” and a restless entanglement with the world, and with time. Raqs enlists objects such as an early-modern tiger-automata from Southern India, or a biscuit from the Paris Commune, or a cup salvaged from an ancient Mediterranean shipwreck, to turn them into devices to sniff and taste time. Devices and modalities are also played with to undertake historical subterfuge and philosophical query. Raqs practices across several media; making installation, sculpture, video, performance, text, lexica, and curation.Photo: Vicky Roy

“There is an urgency to save our time from becoming the cost of business.” Raqs Media Collective’s trio-logue binds economics to climate change, extinction, and extractivism. They stress the externalized costs of our accepted capitalist logics: including extreme weather, species extinction, and language loss. In content and form, the Collective wryly critique the “rationality” of economic thinking, shedding light on its many casualties. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Raqs Media Collective was formed in 1992 in Delhi, India. The word “raqs” in several languages denotes an intensification of awareness and presence attained by whirling, turning, and being in a state of revolution. Raqs Media Collective take this sense to mean “kinetic contemplation” and a restless entanglement with the world, and with time. Raqs enlists objects such as an early-modern tiger-automata from Southern India, or a biscuit from the Paris Commune, or a cup salvaged from an ancient Mediterranean shipwreck, to turn them into devices to sniff and taste time. Devices and modalities are also played with to undertake historical subterfuge and philosophical query. Raqs practices across several media; making installation, sculpture, video, performance, text, lexica, and curation. Photo: Vicky Roy

Transmission: Raqs Media Collective

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.”Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.  Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated.Farsi Voiceover: Ramin MazharPhoto: Fatimah Hossaini

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.” Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.  Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated. Farsi Voiceover: Ramin Mazhar Photo: Fatimah Hossaini

Transmission: Ramin Mazhar (in Farsi)

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.”Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.  Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated.English Voiceover: AshrafPhoto: Fatimah Hossaini

“Resistance, and the fight for freedom are still sacred for us. We must not lose our last hope or abandon our dreams. And we want you not to lose your voice or abandon your rights.” Ramin Mazhar’s visceral speech shares the plight of human rights defenders in Afghanistan, many of whom were forced to flee the country following the Taliban’s takeover. Now in France as a refugee, Mazhar reflects on his continued hope for his home nation. Voiced in English by his friend Ashraf from within Afghanistan, Mazhar’s transmission fans the flames of resistance amid state repression. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Ramin Mazhar is, a poet, journalist, and human rights activist from Afghanistan. He graduated from the Persian language and literature program at Kabul university and has worked for 8AM Daily Newspaper and Afghanistan Independent Human Commission.  Two years ago, during peace negotiation talks between the US government and the Taliban, Ramin organized and performed an art program at Kabul University in protest. He said to the audience that in those talks, victims of war, women, and Afghanistan are completely ignored. He also expressed the pain and frustration of millions of Afghans who thought that the peace talks would hand the country back to the Taliban, and that the progress over the last twenty years related to democratic values and basic human rights would be eliminated. English Voiceover: Ashraf Photo: Fatimah Hossaini

Transmission: Ramin Mazhar

“[O]urs was a struggle not to take power. But to dismantle power altogether. We made presidency an empty seat, a void, a space never to be acquired nor exercised.”In a speculative address by three performers, Paulo Tavares weaves a story of state repression and environmental destruction from recent histories in South and Central America. Collapsing past, present, and future, Tavares’ transmission highlights the need for movements to shift “do luto à luta” (from mourning to struggle): using remembrance and mourning as fuel for resistance and rebellion.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Paulo Tavares is an architect, writer, and educator. He is the author of Forest Law (2014), Des-Habitat (2019), and Memória da terra (2020), and runs the spatial advocacy agency autonoma. He teaches spatial and visual cultures at the University of Brasília in Brazil.Speech delivered by arquivo mangue (camila mota and cafira zoé) and Cyro MoraisSong credit: Excerpted soundtrack from Terra em Transe (Dir: Glauber Rocha), 1967.Photo: Pedro Pinho

“[O]urs was a struggle not to take power. But to dismantle power altogether. We made presidency an empty seat, a void, a space never to be acquired nor exercised.” In a speculative address by three performers, Paulo Tavares weaves a story of state repression and environmental destruction from recent histories in South and Central America. Collapsing past, present, and future, Tavares’ transmission highlights the need for movements to shift “do luto à luta” (from mourning to struggle): using remembrance and mourning as fuel for resistance and rebellion. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Paulo Tavares is an architect, writer, and educator. He is the author of Forest Law (2014), Des-Habitat (2019), and Memória da terra (2020), and runs the spatial advocacy agency autonoma. He teaches spatial and visual cultures at the University of Brasília in Brazil. Speech delivered by arquivo mangue (camila mota and cafira zoé) and Cyro Morais Song credit: Excerpted soundtrack from Terra em Transe (Dir: Glauber Rocha), 1967. Photo: Pedro Pinho

Transmission: Paulo Tavares

Cheryl L'Hirondelle

“A healthy ecosystem is a multitude of life forces. So love yourself. Be fulfilled in your meadow flower-ness, your mossiness, your grassiness, your rockiness, your wild animal-ness. We are all related.”Cheryl L’Hirondelle shares Cree songs and teachings on strength, pride, and interdependence. Through song and speech, L’Hirondelle also affirms the rootedness of languages in the territories from which they emerge: her transmission eloquently shows the inseparability of culture and environment.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Cheryl L’Hirondelle (Cree/Halfbreed; German/Polish) is an interdisciplinary artist, singer/songwriter and critical thinker whose family roots are from Papaschase First Nation, amiskwaciy wâskahikan (Edmonton, AB) and Kikino Metis Settlement, AB. Her work investigates and articulates a dynamism of nêhiyawin (Cree worldview) in contemporary time-place, incorporating Indigenous language(s), audio, video, VR, olfactory, sewn objects, music, and audience/user participation to create immersive environments towards “radical inclusion.” As a songwriter, L’Hirondelle’s focus is on both sharing nêhiyawêwin (Cree language) and Indigenous and contemporary song-forms, and personal narrative songwriting as methodologies toward survivance.Song Credits: “okâwîmâw,” © 2016 Miyoh Music/SOCAN. Melody: Cheryl L'Hirondelle and Ursula Johnson. Lyrics: Cheryl L'Hirondelle and Joseph Naytowhow. “waniska,” traditional Cree morning song. Courtesy the artist.Photo: Tenille Campbell

“A healthy ecosystem is a multitude of life forces. So love yourself. Be fulfilled in your meadow flower-ness, your mossiness, your grassiness, your rockiness, your wild animal-ness. We are all related.” Cheryl L’Hirondelle shares Cree songs and teachings on strength, pride, and interdependence. Through song and speech, L’Hirondelle also affirms the rootedness of languages in the territories from which they emerge: her transmission eloquently shows the inseparability of culture and environment. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Cheryl L’Hirondelle (Cree/Halfbreed; German/Polish) is an interdisciplinary artist, singer/songwriter and critical thinker whose family roots are from Papaschase First Nation, amiskwaciy wâskahikan (Edmonton, AB) and Kikino Metis Settlement, AB. Her work investigates and articulates a dynamism of nêhiyawin (Cree worldview) in contemporary time-place, incorporating Indigenous language(s), audio, video, VR, olfactory, sewn objects, music, and audience/user participation to create immersive environments towards “radical inclusion.” As a songwriter, L’Hirondelle’s focus is on both sharing nêhiyawêwin (Cree language) and Indigenous and contemporary song-forms, and personal narrative songwriting as methodologies toward survivance. Song Credits: “okâwîmâw,” © 2016 Miyoh Music/SOCAN. Melody: Cheryl L'Hirondelle and Ursula Johnson. Lyrics: Cheryl L'Hirondelle and Joseph Naytowhow. “waniska,” traditional Cree morning song. Courtesy the artist. Photo: Tenille Campbell

Transmission: Cheryl L'Hirondelle

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.”In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy. Photo and Video: Nithya Thayaal Assisted by: Adad HannahPunjabi translation and voiceover: Surjit Kaur Producer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.” In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy.  Photo and Video: Nithya Thayaal Assisted by: Adad Hannah Punjabi translation and voiceover: Surjit Kaur Producer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

Transmission: Raji Aujla (in Punjabi)

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.”In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy. Photo and Video: Nithya Thayaal Assisted by: Adad HannahProducer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

“Not too long ago, humans and nonhumans lived in co-dependency. We intuited, breathed, and created together. Their offspring was mine and my offspring was theirs.” In an intimate letter from an older generation, Raji Aujla links gender-based oppression, economic logic, the invisibilization of non-Western forms of knowing, and environmental destruction. “Dispel this illusion of our current worldview,” she intones, “by thinking about revolutionary, radical love that impacts our very social and political structures.” Aujla’s powerful rejoinder to capitalism and colonialism spans personal and collective experience across generations. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Raji Aujla is the founder and president of Willendorf Cultural Planning and editor-in-chief of Newest Magazine, sister companies that focus on better representation and inclusion of IBPoC voices in Canadian arts and culture. She has been a cultural builder, curator, creative director, and advocate in the Canadian arts sector for the past ten years. Prior to this, she worked in journalism, spending tireless hours researching and developing stories focused on racial, gender, and caste injustices. Throughout this experience, storytelling has been her greatest superpower to help bring together people of different backgrounds and beliefs and to empower her generation to design a better future. She believes that the arts have a transformative power to bring people together and build empathy.  Photo and Video: Nithya Thayaal Assisted by: Adad Hannah Producer: Aakanksha Luthra Photo hair and makeup: Sangeeta Bhella

Transmission: Raji Aujla

Roy Dib

“I’m scared. I’m fragile, weak, and scared.”Roy Dib smokes, checks Instagram, and looks out onto the Mediterranean while delivering a pensive monologue on love, sex, nationhood, and migration. Between drags, Dib pries apart the norms that ostensibly unite societies (marriage, the nation-state, the pursuit of happiness), forging a critique embedded in his own entanglements and complicities.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Roy Dib (born in 1983) is an artist and filmmaker based in Beirut. On both formal and conceptual levels, Roy Dib challenges common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day.His work has been presented at Studio la Città (2021), Loop Barcelona (2020), Galerie Tanit (2018), MAXXI Museum (2017), Sharjah Biennial 13 (2017), ALFILM (2017), JCC (2016), Forum Expanded – 64th and 65th Berlinale, Exposure 2015 – Beirut Art Center, Uppsala International Short Film Festival (2014), Queer Lisboa (2014), Images Festival (2016) - Toronto, Contemporary Art Festival SESC_Videobrasil (2013, 2015 and 2017), Ashkal Alwan (2014), and Video Works (2011–2014).Song credit: Cesária Évora, "Sodade," 1992.Photo: Aly Saab

“I’m scared. I’m fragile, weak, and scared.” Roy Dib smokes, checks Instagram, and looks out onto the Mediterranean while delivering a pensive monologue on love, sex, nationhood, and migration. Between drags, Dib pries apart the norms that ostensibly unite societies (marriage, the nation-state, the pursuit of happiness), forging a critique embedded in his own entanglements and complicities. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Roy Dib (born in 1983) is an artist and filmmaker based in Beirut. On both formal and conceptual levels, Roy Dib challenges common notions of space and boundary, weaving together archival material, scripted text and hypothetical circumstances to chronicle the political narratives of our day. His work has been presented at Studio la Città (2021), Loop Barcelona (2020), Galerie Tanit (2018), MAXXI Museum (2017), Sharjah Biennial 13 (2017), ALFILM (2017), JCC (2016), Forum Expanded – 64th and 65th Berlinale, Exposure 2015 – Beirut Art Center, Uppsala International Short Film Festival (2014), Queer Lisboa (2014), Images Festival (2016) - Toronto, Contemporary Art Festival SESC_Videobrasil (2013, 2015 and 2017), Ashkal Alwan (2014), and Video Works (2011–2014). Song credit: Cesária Évora, "Sodade," 1992. Photo: Aly Saab

Transmission: Roy Dib

Returning in a new iteration for 2021, "Artists-In-Presidents: Transmissions to Power” invites artists, public intellectuals, and writers to radically reimagine political power and possibility. Hockaday and the Blackwood (University of Toronto Mississauga) have commissioned an international assembly of 21 contributors to create audio addresses that position themselves as world leaders who speak directly to the people, describing their vision for the future and how we get there.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.

Emily Johnson

“How do our cells become oriented to justice?” Dancer and activist Emily Johnson invites us to embody justice through song, dance, and vibration. “Think of the ground lifting up with you, beneath your feet … this vibratory lift. The stomp is after the sound, the impact, the land. The spaces in-between: possibility, otherwise.” Emerging from Johnson’s land and water protection efforts in Lenapehoking (New York City), her Transmission serves as a call-to-action to resist setter capitalism.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Emily Johnson is an artist who makes body-based work. She is a land- and water-protector and an activist for justice, sovereignty, and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow, and recipient of the Doris Duke Artist Award, she is based in Lenapehoking/New York City. Johnson is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and care processions, they engage audienceship within and through space, time, and environment—interacting with a place's architecture, peoples, history, and role in building futures. Johnson is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present and future.Contributor Acknowledgments: Love to Karyn Recollet, ever collaborator; Zach Crumrine, sound engineer and support; and Eileen Myles who offered feedback.Photo: Adam Sings in the Timber

“How do our cells become oriented to justice?” Dancer and activist Emily Johnson invites us to embody justice through song, dance, and vibration. “Think of the ground lifting up with you, beneath your feet … this vibratory lift. The stomp is after the sound, the impact, the land. The spaces in-between: possibility, otherwise.” Emerging from Johnson’s land and water protection efforts in Lenapehoking (New York City), her Transmission serves as a call-to-action to resist setter capitalism. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Emily Johnson is an artist who makes body-based work. She is a land- and water-protector and an activist for justice, sovereignty, and well-being. A Bessie Award-winning choreographer, Guggenheim Fellow, and recipient of the Doris Duke Artist Award, she is based in Lenapehoking/New York City. Johnson is of the Yup’ik Nation, and since 1998 has created work that considers the experience of sensing and seeing performance. Her dances function as portals and care processions, they engage audienceship within and through space, time, and environment—interacting with a place's architecture, peoples, history, and role in building futures. Johnson is trying to make a world where performance is part of life; where performance is an integral connection to each other, our environment, our stories, our past, present and future. Contributor Acknowledgments: Love to Karyn Recollet, ever collaborator; Zach Crumrine, sound engineer and support; and Eileen Myles who offered feedback. Photo: Adam Sings in the Timber

Transmission: Emily Johnson

“This body is a shelter, / of networking, of systems, / which give a complete life / and responsibilities / beyond culture, classes, and language.”Punctuated by gasps, inhalations, whispers, and nonverbal vocalizations, performance artist Melati Suryodarmo bridges the connections between her own body and the social bodies that sustain us. In a poem that probes the boundaries of oration and performance, Suryodarmo shows how we might find empowerment within our own bodies as the basis for collective transformation.   “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Melati Suryodarmo (born 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany. Her practice is informed by Butoh, dance and history, among other things. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are translated into photography, dance choreography, video, and live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change on the individual. The body is the home for memories and the self, rather than the individual itself, and the body’s system.Photo: Harry Hartantio.

“This body is a shelter, / of networking, of systems, / which give a complete life / and responsibilities / beyond culture, classes, and language.” Punctuated by gasps, inhalations, whispers, and nonverbal vocalizations, performance artist Melati Suryodarmo bridges the connections between her own body and the social bodies that sustain us. In a poem that probes the boundaries of oration and performance, Suryodarmo shows how we might find empowerment within our own bodies as the basis for collective transformation. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Melati Suryodarmo (born 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany. Her practice is informed by Butoh, dance and history, among other things. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are translated into photography, dance choreography, video, and live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change on the individual. The body is the home for memories and the self, rather than the individual itself, and the body’s system. Photo: Harry Hartantio.

Transmission: Melati Suryodarmo

“Never let go of your authentic self, even if it must be in hiding for now. Protect it like a lit match in the wind. Don’t let fear blow it out.”Blending frankness and wit, Esra’a Al Shafei speaks out against state-led repression of speech and expression. She chronicles the survival mechanisms—art, spoken word, music, comedy—that she regularly uses to critique and change her circumstances. Al Shafei powerfully affirms the need to live as one’s authentic self, as a leader who lights the way for others to do the same.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Esra'a Al Shafei is a Bahraini human rights activist and founder of Majal.org, a network of digital platforms that amplify under-reported and marginalized voices in the Middle East and North Africa (MENA). This work includes Mideast Tunes, a web and mobile application for independent musicians in the MENA who use music as a tool for social justice advocacy; Ahwaa.org, a discussion tool for Arab LGBTQ+ youth which leverages game mechanics to protect and engage its community; and Migrant-Rights.org, the primary resource on the plight of migrant workers in the Gulf region.Illustration: Nicole Georges

“Never let go of your authentic self, even if it must be in hiding for now. Protect it like a lit match in the wind. Don’t let fear blow it out.” Blending frankness and wit, Esra’a Al Shafei speaks out against state-led repression of speech and expression. She chronicles the survival mechanisms—art, spoken word, music, comedy—that she regularly uses to critique and change her circumstances. Al Shafei powerfully affirms the need to live as one’s authentic self, as a leader who lights the way for others to do the same. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Esra'a Al Shafei is a Bahraini human rights activist and founder of <a href="http://Majal.org" rel="nofollow" target="_blank">Majal.org</a>, a network of digital platforms that amplify under-reported and marginalized voices in the Middle East and North Africa (MENA). This work includes Mideast Tunes, a web and mobile application for independent musicians in the MENA who use music as a tool for social justice advocacy; <a href="http://Ahwaa.org" rel="nofollow" target="_blank">Ahwaa.org</a>, a discussion tool for Arab LGBTQ+ youth which leverages game mechanics to protect and engage its community; and <a href="http://Migrant-Rights.org" rel="nofollow" target="_blank">Migrant-Rights.org</a>, the primary resource on the plight of migrant workers in the Gulf region. Illustration: Nicole Georges

Transmission: Esra'a Al Shafei

“Today we see that the past is the future, and what once was will be once again.”Stimson offers a powerful call-and-response to John F. Kennedy’s 1961 Presidential Address, using JFK’s words as a springboard to advocate for decolonization and environmental stewardship. Looking beyond the borders and bounded histories of the United States, Stimson centres Turtle Island and Mother Earth in his speech, reflecting on how generational and ancestral stories of interdependence might shape a freer and more unified future.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Adrian Stimson is a member of the Siksika (Blackfoot) Nation, Treaty 7 Territory, in southern Alberta. Stimson has a BFA with distinction from the Alberta College of Art and Design and an MFA from the University of Saskatchewan. He is an interdisciplinary artist and exhibits nationally and internationally.Stimson received the Alumni of Influence Award in 2020 from the University of Saskatchewan, the Governor General’s Award for Visual and Media Arts in 2018, the REVEAL Indigenous Arts Award from the Hnatyshyn Foundation in 2017, the Blackfoot Visual Arts Award in 2009, the Alberta Centennial Medal in 2005, and the Queen Elizabeth II Golden Jubilee Medal in 2003.Audio credit: "Owl Dance Song" by Calvin and Mary Boy from An Historical Album of Blackfoot Indian Music, FW34001, courtesy Smithsonian Folkways Recordings. (p) (c) 1979. Used with permission.Photo: Blaire Russell

“Today we see that the past is the future, and what once was will be once again.” Stimson offers a powerful call-and-response to John F. Kennedy’s 1961 Presidential Address, using JFK’s words as a springboard to advocate for decolonization and environmental stewardship. Looking beyond the borders and bounded histories of the United States, Stimson centres Turtle Island and Mother Earth in his speech, reflecting on how generational and ancestral stories of interdependence might shape a freer and more unified future. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Adrian Stimson is a member of the Siksika (Blackfoot) Nation, Treaty 7 Territory, in southern Alberta. Stimson has a BFA with distinction from the Alberta College of Art and Design and an MFA from the University of Saskatchewan. He is an interdisciplinary artist and exhibits nationally and internationally. Stimson received the Alumni of Influence Award in 2020 from the University of Saskatchewan, the Governor General’s Award for Visual and Media Arts in 2018, the REVEAL Indigenous Arts Award from the Hnatyshyn Foundation in 2017, the Blackfoot Visual Arts Award in 2009, the Alberta Centennial Medal in 2005, and the Queen Elizabeth II Golden Jubilee Medal in 2003. Audio credit: "Owl Dance Song" by Calvin and Mary Boy from An Historical Album of Blackfoot Indian Music, FW34001, courtesy Smithsonian Folkways Recordings. (p) (c) 1979. Used with permission. Photo: Blaire Russell

Transmission: Adrian Stimson

Irmgard Emmelhainz

“Only we, the people together, can inhabit the world differently. We are not united by the illusion of saving the world but defending life, binding ourselves to the territory through relationships of reciprocity.”In a future where queer leadership holds the seat of power, Emmelhainz speculates on the structures of governance needed for a revolutionary, horizontal, Earth-centred territory. She addresses a nationless public as a reluctant leader—spearheading an exit from extractivist capitalism, and reimagining what participatory democracy can look like.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Irmgard Emmelhainz is an independent translator, writer and researcher based in Anahuac Valley (Mexico City). Her work about film, the Palestine Question, art, culture and neoliberalism has been translated to many languages and presented at an array of international venues. Her book in Spanish, The Tyranny of Common Sense: Mexico’s Neoliberal Conversion (2016), is currently being translated to English to be published by SUNY Press. She has also published the books The Sky is Incomplete: Travel Chronicles in Palestine with Taurus Mexico (2017) and Jean-Luc Godard’s Political Filmmaking with Palgrave Macmillan (2019). Also forthcoming is Toxic Loves, Impossible Futures: Feminist Lives as Resistance with Vanderbilt University Press.Photo: Lake Verea

“Only we, the people together, can inhabit the world differently. We are not united by the illusion of saving the world but defending life, binding ourselves to the territory through relationships of reciprocity.” In a future where queer leadership holds the seat of power, Emmelhainz speculates on the structures of governance needed for a revolutionary, horizontal, Earth-centred territory. She addresses a nationless public as a reluctant leader—spearheading an exit from extractivist capitalism, and reimagining what participatory democracy can look like. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Irmgard Emmelhainz is an independent translator, writer and researcher based in Anahuac Valley (Mexico City). Her work about film, the Palestine Question, art, culture and neoliberalism has been translated to many languages and presented at an array of international venues. Her book in Spanish, The Tyranny of Common Sense: Mexico’s Neoliberal Conversion (2016), is currently being translated to English to be published by SUNY Press. She has also published the books The Sky is Incomplete: Travel Chronicles in Palestine with Taurus Mexico (2017) and Jean-Luc Godard’s Political Filmmaking with Palgrave Macmillan (2019). Also forthcoming is Toxic Loves, Impossible Futures: Feminist Lives as Resistance with Vanderbilt University Press. Photo: Lake Verea

Transmission: Irmgard Emmelhainz

Transmission: Irmgard Emmelhainz (en Español)

“Is it my greed? Is it my greed that propels me to behave like this? How do I learn to share? Is it my fear? Is it my fear that propels me to behave like this? How do I learn to not be afraid of the unknown?”Writing as Patriarchy Misogyny, anitafrika reflects on how this character sees his domain under threat in the face of constant resistance. In an address to the Global Village, Patriarchy Misogyny muses on how his norms have been constructed and upheld, and the contested terrain on which they rest—testifying to the inspirational progress of feminist, queer and trans, and anti-racist movements. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.  d’bi.young anitafrika is an African-Jamaican-Tkarontonian, London-based dub poet, theatre interventionist and decolonial scholar committed to embodying art that ritualizes acts of transformation from violence inflicted upon the people and the planet. The multi-award-winning Canadian Poet of Honour, author of twelve plays, seven albums, and four collections of poetry was recently recognized as a Global Leader in Theatre and Performance by Arts Council England. After receiving hxr Masters from the University of London, anitafrika was awarded a Dean's Scholarship by London South Bank University (LSBU) to conduct doctoral research in Black womxn’s theatre. In addition to being the Director of Curriculum Design and Pedagogy at the new Soulpepper Theatre Academy in Canada, anitafrika works at the UN's Global Initiatives Fellowship as Theatre Interventionist and lectures at LSBU. Shx continues to share hxr liberatory framework—the Anitafrika Method—with practitioners worldwide through hxr ongoing online residencies. Shx most recently worked as Director of Kaie Kellough’s Jah in the Ever-Expanding Song for Obsidian Theatre’s 21 Black Futures project and is currently completing Dubbin Theatre, an anthology of hxr plays written between 2000-2020. You can find hxr latest theatrical work in She Mama Wata— as an audio version that she wrote, directed and performed—featured in Soulpepper Theatre’s Around the World in 80 Plays.Photo: Anthony Rock

“Is it my greed? Is it my greed that propels me to behave like this? How do I learn to share? Is it my fear? Is it my fear that propels me to behave like this? How do I learn to not be afraid of the unknown?” Writing as Patriarchy Misogyny, anitafrika reflects on how this character sees his domain under threat in the face of constant resistance. In an address to the Global Village, Patriarchy Misogyny muses on how his norms have been constructed and upheld, and the contested terrain on which they rest—testifying to the inspirational progress of feminist, queer and trans, and anti-racist movements. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>.   d’bi.young anitafrika is an African-Jamaican-Tkarontonian, London-based dub poet, theatre interventionist and decolonial scholar committed to embodying art that ritualizes acts of transformation from violence inflicted upon the people and the planet. The multi-award-winning Canadian Poet of Honour, author of twelve plays, seven albums, and four collections of poetry was recently recognized as a Global Leader in Theatre and Performance by Arts Council England. After receiving hxr Masters from the University of London, anitafrika was awarded a Dean's Scholarship by London South Bank University (LSBU) to conduct doctoral research in Black womxn’s theatre. In addition to being the Director of Curriculum Design and Pedagogy at the new Soulpepper Theatre Academy in Canada, anitafrika works at the UN's Global Initiatives Fellowship as Theatre Interventionist and lectures at LSBU. Shx continues to share hxr liberatory framework—the Anitafrika Method—with practitioners worldwide through hxr ongoing online residencies. Shx most recently worked as Director of Kaie Kellough’s Jah in the Ever-Expanding Song for Obsidian Theatre’s 21 Black Futures project and is currently completing Dubbin Theatre, an anthology of hxr plays written between 2000-2020. You can find hxr latest theatrical work in She Mama Wata— as an audio version that she wrote, directed and performed—featured in Soulpepper Theatre’s Around the World in 80 Plays. Photo: Anthony Rock

Transmission: d'bi.young anitafrika

Luis Jacob

“Do you even know what you want to want?”Jacob takes us on a looping and circuitous path through self-care and empowerment rhetoric. “Own it!” “You know you want it.” “I’m over it—you do you.” With a text-to-speech device twisting these words to the point of their collapse, Jacob at once celebrates their capacity to inspire, and exposes their vacuity.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca. Based in Toronto, Luis Jacob is an artist whose work destabilizes conventions of viewing and invites collisions of meaning. Jacob has achieved an international reputation, with his work exhibited at the Museum der Moderne Salzburg (2019); Württembergischer Kunstverein Stuttgart (2019); the Toronto Biennial of Art (2019); Musée d’art contemporain de Montréal (2018); Museion, Bolzano, Italy (2017); La Biennale de Montréal (2016); Tanya Bonakdar Gallery, New York (2015); Taipei Biennial 2012; Generali Foundation, Vienna (2011); Solomon R. Guggenheim Museum, New York (2010); Hamburg Kunstverein, the Power Plant Contemporary Art Gallery (both 2008); and Documenta12, Kassel (2007). In 2016 he curated the exhibition Form Follows Fiction: Art and Artists in Toronto at the Art Museum at the University of Toronto, with a catalogue co-published with Black Dog Press in 2020.Photo: Miguel Jacob

“Do you even know what you want to want?” Jacob takes us on a looping and circuitous path through self-care and empowerment rhetoric. “Own it!” “You know you want it.” “I’m over it—you do you.” With a text-to-speech device twisting these words to the point of their collapse, Jacob at once celebrates their capacity to inspire, and exposes their vacuity. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Based in Toronto, Luis Jacob is an artist whose work destabilizes conventions of viewing and invites collisions of meaning. Jacob has achieved an international reputation, with his work exhibited at the Museum der Moderne Salzburg (2019); Württembergischer Kunstverein Stuttgart (2019); the Toronto Biennial of Art (2019); Musée d’art contemporain de Montréal (2018); Museion, Bolzano, Italy (2017); La Biennale de Montréal (2016); Tanya Bonakdar Gallery, New York (2015); Taipei Biennial 2012; Generali Foundation, Vienna (2011); Solomon R. Guggenheim Museum, New York (2010); Hamburg Kunstverein, the Power Plant Contemporary Art Gallery (both 2008); and Documenta12, Kassel (2007). In 2016 he curated the exhibition Form Follows Fiction: Art and Artists in Toronto at the Art Museum at the University of Toronto, with a catalogue co-published with Black Dog Press in 2020. Photo: Miguel Jacob

Transmission: Luis Jacob

“Hope has always been necessary, but I do wonder if we’ve ever really had it.”Set against the backdrop of COVID-19 in New York, and rooted in complicated family histories, Róisín’s address advocates for hope in spite of its many obstacles. In a heartfelt letter to the listener she shares resilience and capacity for hope, amid loss and cataclysm.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Fariha Róisín is a multidisciplinary artist born in Ontario, Canada. She was raised in Sydney, Australia, and is based in Brooklyn, New York. Róisín’s work exists at the intersections of her identity as a queer, Muslim, South Asian woman interested in spirituality, race and pop culture. Her writing has been featured in The New York Times, Al Jazeera, The Guardian, and Allure. She has also pioneered a refreshing and renewed conversation about wellness, contemporary Islam and queer identities. She is the author of the poetry collection How To Cure A Ghost (2019) and the novel Like A Bird (2020). Her upcoming work is a book of non-fiction entitled, Who Is Wellness For?, to be released in spring 2022.Photo: Clémence Polès

“Hope has always been necessary, but I do wonder if we’ve ever really had it.” Set against the backdrop of COVID-19 in New York, and rooted in complicated family histories, Róisín’s address advocates for hope in spite of its many obstacles. In a heartfelt letter to the listener she shares resilience and capacity for hope, amid loss and cataclysm. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Fariha Róisín is a multidisciplinary artist born in Ontario, Canada. She was raised in Sydney, Australia, and is based in Brooklyn, New York. Róisín’s work exists at the intersections of her identity as a queer, Muslim, South Asian woman interested in spirituality, race and pop culture. Her writing has been featured in The New York Times, Al Jazeera, The Guardian, and Allure. She has also pioneered a refreshing and renewed conversation about wellness, contemporary Islam and queer identities. She is the author of the poetry collection How To Cure A Ghost (2019) and the novel Like A Bird (2020). Her upcoming work is a book of non-fiction entitled, Who Is Wellness For?, to be released in spring 2022. Photo: Clémence Polès

Transmission: Fariha Róisín

Kevin Gotkin

“When I say ‘Let’s get cozy,’ I’m asking you to join me in the making of a new and better world.”Gotkin reflects on the historical, social, and political meanings of coziness—from its origins in consumer culture, through to its contemporary usages in networks of self and community care. Rejecting political movements premised on discomfort or hustle, Gotkin shows how getting cozy should be celebrated when founding movements rooted in disability justice principles.“Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry.Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit www.artistsinpresidents.com and www.blackwoodgallery.ca.Kevin Gotkin is an access ecologist, community organizer, and teacher. They received their PhD from the University of Pennsylvania in 2018 and were a Visiting Assistant Professor of Media, Culture, &amp; Communication at NYU from 2018–2021. From 2016–2019, they co-founded Disability/Arts/NYC with Simi Linton. More recently, they were an Artist-in-Residence at Het HEM in the Netherlands, lead steward of the REMOTE ACCESS nightlife series, and an inaugural cohort member of Creative Time's Think Tank.Photo: Louise Hickman

“When I say ‘Let’s get cozy,’ I’m asking you to join me in the making of a new and better world.” Gotkin reflects on the historical, social, and political meanings of coziness—from its origins in consumer culture, through to its contemporary usages in networks of self and community care. Rejecting political movements premised on discomfort or hustle, Gotkin shows how getting cozy should be celebrated when founding movements rooted in disability justice principles. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>. Kevin Gotkin is an access ecologist, community organizer, and teacher. They received their PhD from the University of Pennsylvania in 2018 and were a Visiting Assistant Professor of Media, Culture, &amp; Communication at NYU from 2018–2021. From 2016–2019, they co-founded Disability/Arts/NYC with Simi Linton. More recently, they were an Artist-in-Residence at Het HEM in the Netherlands, lead steward of the REMOTE ACCESS nightlife series, and an inaugural cohort member of Creative Time's Think Tank. Photo: Louise Hickman

Transmission: Kevin Gotkin

Returning in a new iteration for 2021, "Artists-In-Presidents: Transmissions to Power” invites artists, public intellectuals, and writers to radically reimagine political power and possibility. Hockaday and the Blackwood (University of Toronto Mississauga) have commissioned an international assembly of 21 contributors to create audio addresses that position themselves as world leaders who speak directly to the people, describing their vision for the future and how we get there. “Artists-in-Presidents” is initiated by Constance Hockaday, curated by Christine Shaw, and commissioned by The Blackwood (University of Toronto Mississauga). Podcast production by Vocal Fry. Transmissions are released every Friday from August 6–December 17, 2021. To view the portrait gallery, access ASL videos and transcripts, and for additional information about the project, visit <a href="http://www.artistsinpresidents.com" rel="nofollow" target="_blank">www.artistsinpresidents.com</a> and <a href="http://www.blackwoodgallery.ca" rel="nofollow" target="_blank">www.blackwoodgallery.ca</a>.

Artists In Presidents: Transmissions to Power

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