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Rank #43 in Visual Arts category

Arts
Visual Arts

MoMA Talks: Conversations

Updated 6 days ago

Rank #43 in Visual Arts category

Arts
Visual Arts
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Curators, scholars, and artists discuss modern and contemporary art. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.

Read more

Curators, scholars, and artists discuss modern and contemporary art. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.

iTunes Ratings

38 Ratings
Average Ratings
13
6
9
3
7

more please

By f bacon - Sep 01 2009
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Really great stuff! Thank You.

Fantastic

By Raccoons_ - Jun 07 2007
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A must hear, especially the feminist series

iTunes Ratings

38 Ratings
Average Ratings
13
6
9
3
7

more please

By f bacon - Sep 01 2009
Read more
Really great stuff! Thank You.

Fantastic

By Raccoons_ - Jun 07 2007
Read more
A must hear, especially the feminist series

Listen to:

Cover image of MoMA Talks: Conversations

MoMA Talks: Conversations

Updated 6 days ago

Read more

Curators, scholars, and artists discuss modern and contemporary art. To view images of these artworks, please visit the Online Collection at moma.org/collection. MoMA Audio is available free of charge courtesy of Bloomberg.

5 x 20 x 20 (5/14/2009; Part 2 of 7): Marcia Hafif

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Part 2 of 7: Marcia Hafif

A special series of talks in the format of Pecha Kucha, an informal Japanese lecture style. In each session, approximately five artists who are represented in MoMA's collection discuss twenty slides of their work, twenty seconds per slide.

This series celebrates a gift by the Judith Rothschild Foundation to the Museum of works by over 650 artists.

Dec 03 2010

7mins

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Elizabeth Murray: Artists Panel

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Monday, November 21, 2005
6:00 p.m.
Contemporary artists, including Carroll Dunham, Robert Gober, and Jessica Stockholder discuss the impact of Elizabeth Murray’s work in a panel discussion moderated by Robert Storr, organizer of the exhibition.
Held in conjunction with the exhibition Elizabeth Murray.

Dec 03 2010

1hr 18mins

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Kerry James Marshall

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September 14, 2007
6:30 p.m.
Kerry James Marshall's mixed media works address the perspectives of African Americans through references to popular culture, history, and the civil rights movement. His work draws inspiration from art-historical sources from the Renaissance to black folk art. Born in Birmingham, Alabama, Marshall has a BFA and an honorary Doctorate from the Otis Art Institute, Los Angeles. He has exhibited in the United States, and at international exhibitions such as Documenta X. In 1997 Marshall was awarded a MacArthur Foundation grant. The program is moderated by Romi Crawford, Curator and Director of Education and Public Programs, The Studio Museum in Harlem, and introduced by Wendy Woon, The Edward John Noble Foundation Deputy Director for Education, The Museum of Modern Art.
Photo courtesy of Paula Court

Dec 03 2010

1hr 58mins

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Jeff Koons

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March 9, 2007
6:30 p.m.
Jeff Koons uses unexpected models and everyday objects to create works of art. From his Hoover vacuum cleaners to his stainless steel Rabbit (1986), he challenges viewers’ perception and standards of “good taste,” addressing established hierarchies and aesthetic value systems. Koons, whose 1985 work Three Ball 50/50 Tank (Two Dr. J. Silver Series, Wilson Supershot) is included in Out of Time: A Contemporary View, has exhibited internationally and has received many awards and honors.

Dec 03 2010

1hr 40mins

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Henri Matisse in the Twenty-first Century

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Wednesday, September 15, 2010, 6:00 p.m.
Matisse's art continues to be popular, but also to be misunderstood as an art of hedonistic pleasure. This lecture, presented by John Elderfield, Chief Curator Emeritus, Department of Painting and Sculpture, and organizer of the exhibition Matisse: Radical Invention, 1913–1917, explores the important lessons that Matisse's art, and his attitudes towards it, continue to teach us more than a century after he burst into public attention.
In conjunction with the exhibition Matisse: Radical Invention, 1913–1917

Dec 03 2010

1hr 1min

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Abstract Expressionism Reconsidered: A Roundtable Discussion

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Abstract Expressionism Reconsidered: A Roundtable Discussion
Thursday, March 10, 2011, 6:30 p.m.
Theater 3

The work of the Abstract Expressionists during the postwar period in New York was characterized by the deep conviction that contemporary painting could be not only a vehicle for personal expression, but also a form of spiritual experience. Artists Brice Marden and Tauba Auerbach and anthropologist Michael Taussig discuss the continuing relevance and implications of this viewpoint. Laura Hoptman, curator in the Department of Painting and Sculpture, moderates the discussion.

Apr 29 2011

1hr 33mins

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Conversations with Contemporary Artists: Andrea Geyer

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Wednesday, March 31, 2010
6:30 PM

Artist Andrea Geyer talks about the way she uses networks and systems to turn knowledge into works of art. MoMA director Glenn D. Lowry moderates the discussion.

Dec 03 2010

1hr 32mins

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Dalí and New York: Callie Angell, Jack Bond, Jonas Mekas, Ingrid Schaffner

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September 10, 2008
6:30 p.m.

Salvador Dalí first arrived in New York in 1934 and immediately became a flamboyant part of the city's life and art scene. Engaging with the artists and celebrities who helped create the spirit of the city at the time, Dalí pursued his interests in art and commerce, the urban streets, and friendships with members of polite society and those in the rebellious underground. This program brings together scholars and filmmakers who address the impact of Dalí's diverse activities on his work and on the New York artistic community. Participants include Callie Angell, Adjunct Curator, The Andy Warhol Film Project, The Whitney Museum of American Art, who discusses the relationship between Dalí and Andy Warhol; filmmaker Jack Bond, who presents clips of his own film, Dalí in New York, and reflections on his friendship with the artist; Jonas Mekas, filmmaker and Director, Anthology Film Archives, who shares the films he made of Dalí; and Ingrid Schaffner, Senior Curator, Institute of Contemporary Art, University of Pennsylvania, who explores Dalí and the 1939 World's Fair. Anne Morra, Assistant Curator, Department of Film, and co-organizer of the exhibition Dalí: Painting and Film, moderates a discussion.

This event is held in conjunction with the exhibition Dalí: Painting and Film.

Dec 03 2010

1hr 4mins

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Knowing Kippenberger

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Tuesday, April 14, 2009. 6:30 PM

Martin Kippenberger's The Happy End of Franz Kafka's "Amerika" stages the scenario of America as the land of the job interview. In the spirit of this work, tonight's program takes the shape of a series of interviews between artists, art dealers, and friends of Kippenberger's. Together they help to form a collective portrait of this complicated figure. Participants include artists Rachel Harrison and Jeff Koons, art dealer Friedrich Petzel, and critic and art historian Jan Avgikos.
Photo courtesy of Paula Court

Dec 03 2010

1hr 14mins

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Elizabeth Murray: Gallery Talk with Robert Storr

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Elizabeth Murray: Gallery Talk
Monday, October 24, 2005
6:00 p.m.
Robert Storr, organizer of the exhibition and Rosalie Solow Professor of Modern Art, The Institute of Fine Arts, New York University, leads a discussion about the exhibition in the Museum galleries, after-hours.

Dec 03 2010

47mins

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Conversations with Contemporary Artists: Artist's Choice I: Danh Vo and Julie Ault

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Monday, May 10, 2010
6:30 PM

Artist Danh Vo invites artist Julie Ault to join him in a conversation about his practice and the contexts he explores in his work, as well as various points of connection between both artists' creative practices.

Dec 03 2010

1hr 24mins

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Lucian Freud Portrayed: An Evening with William Feaver

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February 28, 2008
6:30 p.m.

A lecture by art critic, curator, and Freud biographer William Feaver

Dec 03 2010

1hr 6mins

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Art and Commerce: Alternative Economies: Christine Hill and Rirkrit Tiravanija

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Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry
Art and Commerce: Alternative Economies
October 16, 2008
6:30 p.m.

From F.T. Marinetti, the founder of the Italian Futurist movement in 1909, to Andy Warhol in the 1960s, many artists have reveled in the promotion of their own work, linking it to marketing and commerce. Others, however, resist or challenge this dynamic by instead addressing issues surrounding art and social exchange. In this program, artists Christine Hill and Rirkrit Tiravanija discuss how they create artworks for an alternative "economy." Moderated by Glenn D. Lowry, director of The Museum of Modern Art.

Dec 03 2010

1hr 43mins

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Myths of the West: Photographers, Filmmakers, and Writers

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Tuesday, March 31, 2009. 6:30 PM

In conjunction with Into the Sunset, which examines how photography has pictured the idea of the American West from 1850 to the present, this panel features photographers, a filmmaker, and a writer in a discussion of how their work elicits and contributes to our collective imagination and narratives of the West. Participants include photographer Katy Grannan, writer Annie Proulx, and photographer, filmmaker, and actor Dennis Hopper. Eva Respini, Assistant Curator, Department of Photography, and organizer of the exhibition moderates a discussion.

Dec 03 2010

1hr 33mins

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Plane Image: A Conversation with Brice Marden

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Wednesday, November 1, 2006
6:00 p.m.
Brice Marden and Gary Garrels, curator of Brice Marden: A Retrospective of Paintings and Drawings, discuss the artist's work and the exhibition.
Photo courtesy of Miriam Berkley

Dec 03 2010

1hr 27mins

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Conversations on Color: Chromophobia/Chromophilia

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April 9, 2008
6:30 p.m.

In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With David Batchelor, artist and the author of Chromophobia, and Chris McGlinchey, conservation scientist, Department of Conservation, The Museum of Modern Art.

Dec 03 2010

1hr 38mins

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Eat, Sleep, and Pray: Everyday Rituals and Contemporary Art

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Ever closing the gap between art and life, many contemporary artists incorporate everyday rituals, from kissing to cooking to teaching and talking, into their performances. As a result, they transform the environments in which they situate their work—and the people whom they engage—into parts of the work itself. Join artists Tino Sehgal and Lee Mingwei as they discuss their practice. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion.

Dec 03 2010

1hr 33mins

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Conversations on Color: Color and Conceptualism

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March 13, 2008
6:30 p.m.
In conversations moderated by Ann Temkin, curator, Department of Painting and Sculpture, and organizer of the exhibition Color Chart: Reinventing Color, 1950 to Today, artists and scholars explore the ways in which artists use color, whether by chance, through systems, or in the context of everyday life. With artists John Baldessari and Daniel Buren, and Bernard Marcadé, art critic, freelance curator, and professor of art history and aesthetics at the École nationale supérieure des beaux-arts of Paris-Cergy.
Photo courtesy of Paula Court

Dec 03 2010

1hr 27mins

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Open Source: Cory Arcangel and Rafael Lozano-Hemmer

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Artists Speak: Conversations on Contemporary Art with Glenn D. Lowry
Open Source
January 20, 2009
6:30 p.m.

This program explores contemporary art in the age of YouTube, Facebook, and Wikipedia, online resources that connect people and information in countless ways and through immeasurable distances. Artists Cory Arcangel and Rafael Lozano-Hemmer discuss the ways in which they utilize electronic databases to create works of art. Glenn D. Lowry, director of The Museum of Modern Art, moderates a discussion.

Dec 03 2010

1hr 34mins

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A Conversation between Briony Fer, Gabriel Orozco, and Ann Temkin

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Tuesday, December 15, 2009
6:30 PM

Briony Fer, Professor of History of Art, University College, London, and Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture and organizer of the exhibition Gabriel Orozco engage the artist in a conversation about his practice and exhibition.

Special thanks to the Mexican Cultural Institute and the Mexico Tourism Board of New York.

Dec 03 2010

1hr 8mins

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A Conversation between Lynne Cooke and Richard Serra

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September 6, 2007
6:00 p.m.
Co-curator Lynne Cooke and Richard Serra discuss the artist’s work and the exhibition Richard Serra Sculpture: Forty Years.
Photo courtesy of Paula Court

Feb 03 2016

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Dissonant Abstraction

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In conjunction with the MoMA exhibition Inventing Abstraction, 1910–1925, Bang on a Can presents a pair of concerts that reveal how pioneering European composers of 100 years ago forever changed the music in New York. Each concert pairs two composers—an early-20th-century innovator, and a New Yorker they influenced. The music is performed by alumni and faculty of the Bang on a Can Summer Music Festival at MASS MoCA, a program dedicated entirely to the creation, study, and performance of the most adventurous music of our time. This second evening in the series features one of Arnold Schoenberg's shortest, oddest, most intense pieces, Herzgewächse, a shockingly expressive vocal miniature originally written for Vasily Kandinsky's journal The Blue Rider. Morton Feldman's meditative work Three Voices, for solo voice and two prerecorded solo voices, a luxurious, introspective setting of a poem by Frank O'Hara, has a much slower tempo than the Schoenberg piece, but is ultimately no less intense.

Oct 21 2013

1hr 23mins

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Conversation with Gund and Laib

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In conjunction with MoMA's presentation of Wolfgang Laib's Pollen from Hazelnut, Agnes Gund, President Emerita of The Museum of Modern Art, joins the artist in conversation about the installation and his creative process. Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, moderates.

Oct 21 2013

1hr 14mins

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Artist Talk: Scott Snibbe

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Media artist and filmmaker Scott Snibbe and his collaborator Lukas Girling discuss their work and its relationship to sound in space, with a particular focus on REWORK_(Philip Glass Remixed) [GLASS MACHINE], which is featured at MoMA Studio.

Oct 16 2013

56mins

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Artist Talk: Joe McKay

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Artist Joe McKay discusses his work and its relationship to sound in space, with a particular focus on Light Wave and Tweetagraph, his interactive installations in MoMA Studio.

Oct 16 2013

43mins

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Claes Oldenburg: Writing on the Side 1956–1969

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Claes Oldenburg reads from Writing on the Side 1956–1969 (edited by Achim Hochdörfer, Maartje Oldenburg, and Barbara Schröder), a newly published selection of diaries, notes, poems, scripts, and statements that the artist wrote in the 1960s. The event is introduced by Ann Temkin, Chief Curator, Department of Painting and Sculpture, and organizer of the exhibition Claes Oldenburg: The Street and The Store and Claes Oldenburg: Mouse Museum/Ray Gun Wing; and Maartje Oldenburg. The reading is followed by a book signing and reception.

Oct 16 2013

34mins

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An Exhibition Happening Everywhere, At All Times, with Everyone: A Lecture by Mathieu Copeland

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Curator Mathieu Copeland discusses the poetics of interstitial, neutral and otherwise overlooked off-spaces—and off-times—of museums and galleries. He envisages how they can be activated and seen anew through a variety of perspectives, and thus subvert the traditional role of exhibitions and renew the way they are perceived.

Oct 16 2013

1hr 20mins

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Art in Tokyo, 1950s and 1960s: Conversations and Films

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This half-day symposium explores the art scene and artistic production in Tokyo in the 1950s and 1960s through a series of film screenings and discussions with directors, curators, critics, and artists. The films, including ANPO: Art X War (Linda Hoaglund, 2010), Some Young People (Nagano Chiaki, 1964), and Japan: The New Art (Michael and Christian Blackwood, 1970), are followed by the roundtable discussion, “What Was So Avant-Garde about Tokyo from 1955 to 1970?”

Oct 16 2013

4hr 34mins

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Motherwell in His Time

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On the occasion of the publication of Robert Motherwell Paintings and Collages: A Catalogue Raisonné, 1941–1991, this roundtable discussion explores Robert Motherwell's role as a thinker across creative disciplines including painting, poetry, philosophy, and music. Presenters include Debra Balken, Bill Berkson, Tim Clifford, Heidi Colsman-Freyberger, Robert Hobbs, and Katy Rogers. Moderated by Ann Temkin, The Marie-Josée and Henry Kravis Chief Curator of Painting and Sculpture, MoMA. Following the program, visit The Museum of Modern Art Archives to view selected Motherwell materials and join us for a reception in the library. This program is presented in collaboration with the Dedalus Foundation and the Museum Library and Archives.

Oct 16 2013

2hr 21mins

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Modern Poets: Poetry Is Risk: A Performance with Augusto de Campos and Cid Campos

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Legendary Brazilian poet and founder of the Concrete poetry movement Augusto de Campos and his son, the musician Cid Campos, present a multimedia performance of text, music, and, image. Working within the expanded territory of poetry, Augusto de Campos uses sounds to activate associative thinking and explore the possibilities of language.
Revitalizing Frank O'Hara's legacy and MoMA's historical commitment to poetry, this series invites poets and performers to bring the literary tradition to the Museum's collection. They read historical works and their own work that reflects on modern and contemporary art.

Oct 16 2013

1hr 1min

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Trisha Donnelly- Conversations with Contemporary Artists Series

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Friday, November 10, 2006
6:30 p.m.
Trisha Donnelly's photographs, drawings, and video, sound, and performance art challenge viewers to consider the meaning of signs, logic, and narrative. Through gestures, expressions, and the passage of time, she cryptically reveals imaginary languages and belief systems that alter viewers' perceptions of images and environments. Donnelly received a BFA from UCLA and an MFA from Yale University. Her work has been seen most recently in the 2003 Venice Biennale and the Carnegie International in 2004.
Photo courtesy of Miriam Berkley

Jul 03 2013

19mins

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Pedagogy: Whole Schooling

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Paul Bartow and J. Morgan Puett in conversation.

Nov 21 2012

1hr 5mins

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Conversations with Contemporary Artists: Art and the Changing Middle East: Negar Azimi and William Wells

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Wednesday, December 7, 2011
6:00 p.m.

Negar Azimi, Senior Editor, Bidoun Projects (a not-for-profit publishing, curatorial, and educational initiative), and William Wells, Director, Townhouse Gallery of Contemporary Art, Cairo, discuss how artists and institutions in the Middle East are engaging with and activating their local communities.

Dec 20 2011

1hr 46mins

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Yoko Ono and Kara Walker in Conversation

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March 08, 2011 6:30 PM

Artists Yoko Ono and Kara Walker, whose work is represented in the exhibition Contemporary Art from the Collection, will engage in a dialogue about their respective practices and share their perspectives on how social, political, and gender issues inform their work. Moderated by MoMA director Glenn D. Lowry.
NOTE: Audio has been edited to include only Kara Walker's presentation.

Aug 30 2011

29mins

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Conversations with Contemporary Artists: Social Practice: Paul Ramírez Jonas

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Thursday, April 28, 2011
6:00 PM

New York–based artist Paul Ramírez Jonas, whose work examines the interaction between artist and audience, discusses his artistic practice with Carol Becker, Professor of the Arts and Dean of Columbia University School of the Arts. Moderated by MoMA Director Glenn D. Lowry.

Paul Ramírez Jonas' selected solo exhibitions include The Aldrich Contemporary Art Museum, Ridgefield, Connecticut; the Jack S. Blanton Museum of Art, Austin, Texas; Alexander Gray Associates, New York; Björkholmen Gallery, Stockholm; Postmasters Gallery, New York; and surveys at Ikon Gallery and Cornerhouse in the United Kingdom.

Ramírez Jonas' work was featured in numerous group exhibitions since the early 1990s, including the Gallery for Contemporary Art Leipzig; MoMA PS1; Whitechapel, London; Irish Museum of Modern Art, Dublin; Künstlerhaus, Vienna; The New Museum, New York; and Kunsthaus Zurich. He has participated in the Johannesburg Biennale; the Seoul Biennial, the Shanghai Biennial; the 28th Sao Paulo Biennial; 7th Bienal do Mercosul; and the 53rd Venice Biennial.

He has built permanent public art projects in Cambridge, Massachusetts and for the Hudson River Park, New York, New York. In 2010 his Key to the City project was presented by Creative Time in cooperation with the City of New York. He has received numerous grants and awards, including fellowships from the Joan Mitchell Foundation, Art Matters, and the Howard Foundation. He holds a B.A. from Brown University and an M.F.A. from the Rhode Island School of Design. He is a Professor of Art at Hunter College, New York, NY.

Carol Becker is Professor of the Arts and Dean of Columbia University School of the Arts. Prior to this appointment she was Dean of Faculty and Senior Vice-President for Academic Affairs at the School of the Art Institute of Chicago. She is the author of numerous articles and several books including: The Invisible Drama: Women and the Anxiety of Change (with multiple foreign editions); Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety; Surpassing the Spectacle: Global Transformations and the Changing Politics of Art; The Subversive Imagination: Artists, Society, and Social Responsibility—an edited edition; and most recently, Thinking in Place: Art, Action, and Cultural Production.

Jun 10 2011

1hr 50mins

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Contemporary Art Forum: Art Speech—A Symposium on Symposia, Day 2

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Saturday, May 21, 2011
9:30 AM

This two-day program brings together artists, art historians, scholars, critics, writers, and speech and performance studies experts to discuss possible frameworks for better understanding issues surrounding art speech and methods for being direct and achieving clarity in spoken public presentations in the visual arts. The spoken public presentation is central in the field of the visual arts, particularly in the area of adult learning. Public program departments in museums operate based on a set of conventions regarding the way they present lectures or discussions about art involving artists, art historians, and/or theorists. Yet very little qualitative analysis has been conducted on the effectiveness of these presentations. Often times, public presentations are deemed impenetrable or obscure. What is communicated in writing cannot always be easily grasped when presented on stage.

Using a variety of strategies, this year’s forum will seek to anatomize art historians' and artists' habits at the podium. Sessions will include reenactments of famous acts of criticism, critiques of the academic slide show, an investigation of the effects of apparently authoritative presentations, experiments in the effects of stage presence, and analyses of the academic introduction and of the performative.

Program Schedule

9:30–10:00 a.m.
Coffee and snacks

10:00 a.m.–12:30 p.m.
Session 1

10:00–10:15
James Elkins discusses the philosophical and rhetorical problems with art speech
10:15–10:45
Christophe Cherix, Chief Curator, Department of Prints and Illustrated Books, The Museum of Modern Art, presents a film of Robert Morris's early performance work 21.3 (1964)
10:45–11:45
Donald Preziosi, Professor of Art History, University of California, Los Angeles, deconstructs one of his previous talks, followed by a conversation with James Elkins
11:45–12:30
Anna Kryczka, PhD candidate, Visual Studies, University of California, Irvine, talks about “Our Literal Speed,” with a response by Abbey Shane Dubin on behalf of “Our Literal Speed.” A conversation follows

12:30–12:45 p.m.
Coffee break

12:45–1:20 p.m.
Respondent's panel discussion

Respondents: Charles Altieri, Professor of English, University of California, Berkley; Alexander Alberro, Virginia Bloedel Wright Professor of Art History, Barnard, Columbia University, New York; Pablo Helguera; and James Elkins

1:20–2:00 p.m.
Q&A

May 27 2011

3hr 28mins

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Contemporary Art Forum: Art Speech—A Symposium on Symposia, Day 1

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Friday, May 20, 2011
1:00 PM

This two-day program brings together artists, art historians, scholars, critics, writers, and speech and performance studies experts to discuss possible frameworks for better understanding issues surrounding art speech and methods for being direct and achieving clarity in spoken public presentations in the visual arts. The spoken public presentation is central in the field of the visual arts, particularly in the area of adult learning. Public program departments in museums operate based on a set of conventions regarding the way they present lectures or discussions about art involving artists, art historians, and/or theorists. Yet very little qualitative analysis has been conducted on the effectiveness of these presentations. Often times, public presentations are deemed impenetrable or obscure. What is communicated in writing cannot always be easily grasped when presented on stage.

Using a variety of strategies, this year’s forum will seek to anatomize art historians' and artists' habits at the podium. Sessions will include reenactments of famous acts of criticism, critiques of the academic slide show, an investigation of the effects of apparently authoritative presentations, experiments in the effects of stage presence, and analyses of the academic introduction and of the performative.

Program Schedule

1:00–1:15 p.m.
Opening Remarks
Pablo Helguera, Director of Adult and Academic Programs, Department of Education, The Museum of Modern Art; and James Elkins, E.C. Chadbourne Chair in the Department of Art History, Theory, and Criticism, School of the Art Institute of Chicago

1:15–2:30 p.m.
Session 1: The Slide Talk and Museum Talk Dissected

1:15–1:25
Introduction by Pablo Helguera
1:25–1:40
Carey Young, artist, on her recent work Speechcraft, a mass participative event involving the public-speaking club Toastmasters
1:40–1:55
Monika Szewczyk, Head of Publications, Witte de With Center for Contemporary Art, Rotterdam, on modes of visual presentation
1:55–2:10
Jonathan Gilmore, Assistant Professor, Department of Philosophy, Yale University, New Haven, examines the slide lecture
2:10–2:30
Discussion and Q&A

2:30–2:45 p.m.
Coffee Break

2:45–4:00 p.m.
Session 2: The Art Historical Lecture

2:45–3:00
Introduction by James Elkins
3:00–3:10
Video excerpt of lecture by T. J. Clark
3:10–3:30
Claus Noppeney, Professor, Bern University of the Arts, Bern, Switzerland, discusses video excerpt
3:30–3:45
Ellen Levy, artist and Associate Professor, Pratt Institute, New York, analyzes video excerpt
3:45–4:00
Conclusions

4:00–5:00 p.m.
Panel discussion and Q&A
Respondents: Marjorie Perloff, Professor Emerita of Humanities, Stanford University; Benjamin Binstock, Adjunct Assistant Professor, Cooper Union, New York; Pablo Helguera; and James Elkins

May 27 2011

3hr 15mins

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Artists Present at Noon Part 5

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Discussion with Peter Eleey

Monday, May 09, 2011
12:00 PM

Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing.

May 13 2011

19mins

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Artists Present at Noon Part 4

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Alexandre Singh

Monday, May 09, 2011
12:00 PM

Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing.

May 13 2011

9mins

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Artists Present at Noon Part 3

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Matt Keeganr

Monday, May 09, 2011
12:00 PM

Join us for Artists Present at Noon, the second in a special two-part series of talks by contemporary artists. In sessions consisting of short and dynamic presentations of 20 images, 25 seconds per image, loosely modeled on an informal Japanese presentation style, artists discuss their work, creative process, and other issues in contemporary art, followed by a moderated discussion. This session will focus on artists who create and present work that moves beyond the object, from publications and events to public talks and writing.

May 13 2011

8mins

Play