The Jago is one of the few black-owned clubs left in Dalston, East London. When Kwame took it over in 2018 his idea was to make it a space for community – whether giving grassroots musicians and DJs a place to start nights or providing a food bank for local residents. But as the cost of living starts to bite, a noise complaint that could cost thousands to resolve makes Kwame wonder whether he can afford to keep the club open while staying true to his values.Produced and presented by Emily Dicks

The Jago is one of the few black-owned clubs left in Dalston, East London. When Kwame took it over in 2018 his idea was to make it a space for community – whether giving grassroots musicians and DJs a place to start nights or providing a food bank for local residents. But as the cost of living starts to bite, a noise complaint that could cost thousands to resolve makes Kwame wonder whether he can afford to keep the club open while staying true to his values. Produced and presented by Emily Dicks

Can Kwame keep his club open?

Zoe’s not entirely sure how to make sense of the last couple of years. But she’s going to give it a go.  This is her story of the good, the bad and the ugly everydayness of life with Long Covid. Via life-saving phone calls, cloud-gazing park walks, homeschooling squabbles, summer holidays that don't feel like summer holidays, and lots of lying in bed. And now it's December 2022, over two and a half years after Zoe first got ill. Life is not all Christmas chocolate boxes and Ding Dong Merrily on High. It’s still really hard sometimes. But it is getting easier. There is singing and music-making again. There is hope.Programme image by Zoe's daughter Clara, age 9. Produced by Becky Ripley.

Zoe’s not entirely sure how to make sense of the last couple of years. But she’s going to give it a go. This is her story of the good, the bad and the ugly everydayness of life with Long Covid. Via life-saving phone calls, cloud-gazing park walks, homeschooling squabbles, summer holidays that don't feel like summer holidays, and lots of lying in bed. And now it's December 2022, over two and a half years after Zoe first got ill. Life is not all Christmas chocolate boxes and Ding Dong Merrily on High. It’s still really hard sometimes. But it is getting easier. There is singing and music-making again. There is hope. Programme image by Zoe's daughter Clara, age 9. Produced by Becky Ripley.

Life After Long Covid

Richard Gamble believes God has given him a mission: to build a huge national monument, made from a million bricks, each representing an answered Christian prayer. It seems an impossible task for a sports chaplain who has no experience of construction. And yet over the past eight years, he's managed to pull together a project team, raise thousands of pounds and launch a global design competition with the Royal Institute of British  Architects (RIBA).But before a single brick can be laid, they need to secure a site to lay it. Richard hopes lie in the Edmistons - a family multimillionaires and evangelical Christians, who own extensive land in the West Midlands.Will his hopes be realised? Will he find a home for the Eternal Wall of Answered Prayer?Producer: Becca Bryers

Richard Gamble believes God has given him a mission: to build a huge national monument, made from a million bricks, each representing an answered Christian prayer. It seems an impossible task for a sports chaplain who has no experience of construction. And yet over the past eight years, he's managed to pull together a project team, raise thousands of pounds and launch a global design competition with the Royal Institute of British Architects (RIBA). But before a single brick can be laid, they need to secure a site to lay it. Richard hopes lie in the Edmistons - a family multimillionaires and evangelical Christians, who own extensive land in the West Midlands. Will his hopes be realised? Will he find a home for the Eternal Wall of Answered Prayer? Producer: Becca Bryers

The Prayer Wall

Concluding a sequence of stories offering three different perspectives of the cost of living crisis. In Whitehaven, West Cumbria, Neil receives an update on whether a new coal mine will in in the town. He and his son both aspire to work there if the pit receives approval. Fighting for the mine to be rejected is Maggie, an environmental activist who has dedicated years of her life to opposing the project. A Barrister Aisha adjusts to a new reality  following strike action and in Eastbourne, East Sussex, the customers of a pawnbrokers face up to using the shop as financial support for the coming winter.Producers: Neil McCarthy, Sarah Bowen and Sam Peach

Concluding a sequence of stories offering three different perspectives of the cost of living crisis. In Whitehaven, West Cumbria, Neil receives an update on whether a new coal mine will in in the town. He and his son both aspire to work there if the pit receives approval. Fighting for the mine to be rejected is Maggie, an environmental activist who has dedicated years of her life to opposing the project. A Barrister Aisha adjusts to a new reality following strike action and in Eastbourne, East Sussex, the customers of a pawnbrokers face up to using the shop as financial support for the coming winter. Producers: Neil McCarthy, Sarah Bowen and Sam Peach

Three Sides of a Crisis: Part 3

Over the coming weeks, the Untold follows three individuals as they experience the cost of living crisis this autumn.  We hear from a barrister in Manchester who is stepping out on strike action for the first time. We visit a pawnbroker's and her customers as they part with their belongings to pay the bills; and a father praying for a coal mine to open in Cumbria and provide jobs for his community to rely on.Producers: Sam Peach, Sarah Bowen and Neil McCarthy

Over the coming weeks, the Untold follows three individuals as they experience the cost of living crisis this autumn. We hear from a barrister in Manchester who is stepping out on strike action for the first time. We visit a pawnbroker's and her customers as they part with their belongings to pay the bills; and a father praying for a coal mine to open in Cumbria and provide jobs for his community to rely on. Producers: Sam Peach, Sarah Bowen and Neil McCarthy

Three Sides of a Crisis: Part 1

Continuing three parallel stories of the cost of living crisis. Join a striking barrister, a miner hoping to work again and the customer of a pawnbroker's as they make ends meet.

Three Sides of a Crisis: Part 2

Finding the long-lost pink-headed duck has been Richard's obsession for twenty years.

Quest for the Pink-Headed Duck

In 2011 Lindsay McKenna was running corporate workshops from her farm in Ross-on-Wye.  An animal lover as a child, when Lindsay came across a raccoon living in squalid conditions she offered to take it.  But this was just the beginning.  As word spread, Lindsay discovered more and more exotic animals in trouble.  Today her farm is home to almost 200 exotic animals including Lemurs, Lynx, Mountain Lions, Coatis and Servals.  Lindsay gave up her corporate work to look after these animals, but with food and energy costs on the rise things may need to change.  Toby Field joins Lindsay as she prepares her feed mixes, and finds out why she refuses to let these animals become exhibits.  There's a close encounter with a Mountain Lion, and some Capybara provide an unlikely backdrop to discussions about barn insulation and growing your own produce.  Toby watches as Lindsay and her colleague Adrian capture Rudy the Wallaby for a trip to the vet, and Lindsay's husband Frank and daughter Caitlin talk about the origins and future of this extraordinary place.Produced for BBC Audio in Bristol by Toby Field.

In 2011 Lindsay McKenna was running corporate workshops from her farm in Ross-on-Wye. An animal lover as a child, when Lindsay came across a raccoon living in squalid conditions she offered to take it. But this was just the beginning. As word spread, Lindsay discovered more and more exotic animals in trouble. Today her farm is home to almost 200 exotic animals including Lemurs, Lynx, Mountain Lions, Coatis and Servals. Lindsay gave up her corporate work to look after these animals, but with food and energy costs on the rise things may need to change. Toby Field joins Lindsay as she prepares her feed mixes, and finds out why she refuses to let these animals become exhibits. There's a close encounter with a Mountain Lion, and some Capybara provide an unlikely backdrop to discussions about barn insulation and growing your own produce. Toby watches as Lindsay and her colleague Adrian capture Rudy the Wallaby for a trip to the vet, and Lindsay's husband Frank and daughter Caitlin talk about the origins and future of this extraordinary place. Produced for BBC Audio in Bristol by Toby Field.

Lions, Lemurs and Lindsay

GLOR1A has always dreamed of becoming a singer. Growing up in a Pentecostal Christian family near Blackpool, music was always part of her life and she spent her childhood summers performing on the pier before heading off to university to study business, finance and economics. But the siren call of music remained strong, with GLOR1A eventually moving to London and recording vocals for house music producers. Often unpaid and feeling overlooked, Gloria was close to giving up until she met Gaika, a musician and visual artist who encouraged her to find her own sound. She released her first EP as GLOR1A, starting to find her creative voice and a more experimental sound and look. Things were going well. So well, in fact, that she quit her day job in February 2020. Four weeks later the world shut down and with it all her gigs and income disappeared. With no money coming in, she reluctantly left London and moved in with her dad.Two years later with her savings depleted and no home to call her own, GLOR1A gave herself an ultimatum; six months to get her music to a level where she can find a label to back her, try and get a publishing deal and build back the momentum she needs to make singing a sustainable career. Now the six months is nearly up, can she do it or should she give up her dreams?Produced and presented by Emily Dicks

GLOR1A has always dreamed of becoming a singer. Growing up in a Pentecostal Christian family near Blackpool, music was always part of her life and she spent her childhood summers performing on the pier before heading off to university to study business, finance and economics. But the siren call of music remained strong, with GLOR1A eventually moving to London and recording vocals for house music producers. Often unpaid and feeling overlooked, Gloria was close to giving up until she met Gaika, a musician and visual artist who encouraged her to find her own sound. She released her first EP as GLOR1A, starting to find her creative voice and a more experimental sound and look. Things were going well. So well, in fact, that she quit her day job in February 2020. Four weeks later the world shut down and with it all her gigs and income disappeared. With no money coming in, she reluctantly left London and moved in with her dad. Two years later with her savings depleted and no home to call her own, GLOR1A gave herself an ultimatum; six months to get her music to a level where she can find a label to back her, try and get a publishing deal and build back the momentum she needs to make singing a sustainable career. Now the six months is nearly up, can she do it or should she give up her dreams? Produced and presented by Emily Dicks

Should GLOR1A give up her dreams?

We’ve all done it, at some point: You walk past a shabby, ruined building, with boarded up windows and peeling paint, and you think: 'That could be really beautiful if we could only fix it up'. It’s a very human kind of fantasy. To take something shabby, and broken, and neglected, and make it beautiful, and loved once again. Whether it's your local crumbling church, a dusty old cinema, or a pub that's seen better days, we've all thought about buying it up, turning it around, and making it a focal point for a community who could come to love it.For most of us though, these are just passing fantasies, idle daydreams on a daily walk. But some people turn that dream into reality…Abbe is a musician and music teacher, in Exeter. Just behind her house is a small but very beautiful Georgian park, with pristine lawns, a rose garden, and a 100-year old wisteria archway. It's also got a Gatehouse; a beautiful old building at the entrance to the park. But it's covered in graffiti, with boarded up windows and rusting railings. The local kids smash the roof-tiles for fun, and mould creeps up the walls. It's been out of use for decades, but Abbe sees so much potential in it, and dreams of what it COULD be: a sweet little community cafe, and a meeting-hub for local groups.Abbe is a busy woman; juggling her career, her band, and now a new baby. Can she take on the mammoth task of restoring the Gatehouse too?Produced and presented in Bristol by Emily Knight

We’ve all done it, at some point: You walk past a shabby, ruined building, with boarded up windows and peeling paint, and you think: 'That could be really beautiful if we could only fix it up'. It’s a very human kind of fantasy. To take something shabby, and broken, and neglected, and make it beautiful, and loved once again. Whether it's your local crumbling church, a dusty old cinema, or a pub that's seen better days, we've all thought about buying it up, turning it around, and making it a focal point for a community who could come to love it. For most of us though, these are just passing fantasies, idle daydreams on a daily walk. But some people turn that dream into reality… Abbe is a musician and music teacher, in Exeter. Just behind her house is a small but very beautiful Georgian park, with pristine lawns, a rose garden, and a 100-year old wisteria archway. It's also got a Gatehouse; a beautiful old building at the entrance to the park. But it's covered in graffiti, with boarded up windows and rusting railings. The local kids smash the roof-tiles for fun, and mould creeps up the walls. It's been out of use for decades, but Abbe sees so much potential in it, and dreams of what it COULD be: a sweet little community cafe, and a meeting-hub for local groups. Abbe is a busy woman; juggling her career, her band, and now a new baby. Can she take on the mammoth task of restoring the Gatehouse too? Produced and presented in Bristol by Emily Knight

The Birdhouse

A series documenting the untold dramas of 21st-century Britain.

Each episode focuses on a life and an impending event that change that life completely. The show typically looks at how a faceless, amoral State can and does casually disrupt or destroy the lives of its people.

Ordinary people's lives

So happy I stumbled upon this podcast. I absolutely love all the interesting, unique, and deeply personal stories that leave me thinking about them days after I&#39;ve listened to them. Plus, Grace Dent is a fantastic host. I love her voice and her sensitivity to delicate topics. THANK YOU!!

My Favorite Podcast!

The Untold

When Kirsty's youngest son goes to university, she decides to go in search of adventure. At the age of 47 she buys an old plasterer's van, and moves into it - knowing nothing about vehicles or DIY, and with a fear of heights so strong she gets scared of big hills. She starts a Youtube channel to record her journey, and over the next eighteen months goes through a radical change. But through the story of this change, we hear about her past - and what she's left behind. Produced in Bristol by Polly Weston.

When Kirsty's youngest son goes to university, she decides to go in search of adventure. At the age of 47 she buys an old plasterer's van, and moves into it - knowing nothing about vehicles or DIY, and with a fear of heights so strong she gets scared of big hills. She starts a Youtube channel to record her journey, and over the next eighteen months goes through a radical change. But through the story of this change, we hear about her past - and what she's left behind. Produced in Bristol by Polly Weston.

Van Life

In Autumn last year AMIS, an organisation and helpline for Abused Men in Scotland based in Edinburgh, faced the prospect of closure.  In spite of being busier than it had ever been in almost a decade of operation, a crucial element of their funding had been cut. It left them unable to pay for the office, phones and staff required to keep even the most basic Helpline service available.  In the run up to Christmas Producer Joel Cox follows Iris, Alison and Elizabeth as they face the crisis while knowing that the service they provide is vital and not being covered by any other organisation in Scotland.  Will crowd funding, grant applications and a raffle be enough to keep the lines open, and what does it mean to the women who strive to keep this unfashionable branch of victim abuse support running.Producers:   Joel Cox and Tom Alban

In Autumn last year AMIS, an organisation and helpline for Abused Men in Scotland based in Edinburgh, faced the prospect of closure. In spite of being busier than it had ever been in almost a decade of operation, a crucial element of their funding had been cut. It left them unable to pay for the office, phones and staff required to keep even the most basic Helpline service available. In the run up to Christmas Producer Joel Cox follows Iris, Alison and Elizabeth as they face the crisis while knowing that the service they provide is vital and not being covered by any other organisation in Scotland. Will crowd funding, grant applications and a raffle be enough to keep the lines open, and what does it mean to the women who strive to keep this unfashionable branch of victim abuse support running. Producers: Joel Cox and Tom Alban

Help for the Helpline

Grace Dent documents the untold dramas of 21st century Britain. Boxing Day, 7.30am: flood sirens sounded in Todmorden, West Yorkshire. As the waters rose rapidly, Mandy and Paul faced a unique rescue mission. They share their terraced house on the outskirts of Todmorden with their student daughter, her boyfriend, three dogs, four cats and 27 tortoises. The Untold follows them as they attempt to meet their first objective: getting one room clear of the water so that they can close the door on the chaos in the house and take stock. Sharing this one room with their many pets, they face numerous challenges. The town is cut off, roads are closed, they have elderly relatives in need of care, and a baby tortoise in need of emergency treatment, after it was stepped on in the chaos. Mandy also stands in the road, asking drivers to quell their speed: moving vehicles create waves which add to the water in the house. As the rain eases, The Untold finds out how Mandy and Paul try to restore some normality to their world under water. Producer Sue Mitchell.

Grace Dent documents the untold dramas of 21st century Britain. Boxing Day, 7.30am: flood sirens sounded in Todmorden, West Yorkshire. As the waters rose rapidly, Mandy and Paul faced a unique rescue mission. They share their terraced house on the outskirts of Todmorden with their student daughter, her boyfriend, three dogs, four cats and 27 tortoises. The Untold follows them as they attempt to meet their first objective: getting one room clear of the water so that they can close the door on the chaos in the house and take stock. Sharing this one room with their many pets, they face numerous challenges. The town is cut off, roads are closed, they have elderly relatives in need of care, and a baby tortoise in need of emergency treatment, after it was stepped on in the chaos. Mandy also stands in the road, asking drivers to quell their speed: moving vehicles create waves which add to the water in the house. As the rain eases, The Untold finds out how Mandy and Paul try to restore some normality to their world under water. Producer Sue Mitchell.

Todmorden Under Water

Salma is having a baby, but as the due date draws near she's forced to confront unresolved issues with her last pregnancy: her baby was born with Down's syndrome and she's yet to tell her in-laws. Grace Dent follows what happens.The shock of the diagnosis and the way Salma was given the news contributed to a long period of struggle and shame. As she reveals in The Untold, she was fearful of letting others know what had happened and to this day she's still not been able to bring herself to tell her in-laws. For the first few months she didn't even tell her own parents as she feared that others would see her responsible and would feel differently about her, her husband and their children.Following the diagnosis she lost confidence, wouldn't go out in public and cried constantly. The turning point came after a chance meeting with another Asian Mum whose son also has Down's syndrome. Soon Mariam had introduced her to a third mother in the same position, Bilkish, and the three women have formed a strong friendship.Producer: Sue Mitchell.

Salma is having a baby, but as the due date draws near she's forced to confront unresolved issues with her last pregnancy: her baby was born with Down's syndrome and she's yet to tell her in-laws. Grace Dent follows what happens. The shock of the diagnosis and the way Salma was given the news contributed to a long period of struggle and shame. As she reveals in The Untold, she was fearful of letting others know what had happened and to this day she's still not been able to bring herself to tell her in-laws. For the first few months she didn't even tell her own parents as she feared that others would see her responsible and would feel differently about her, her husband and their children. Following the diagnosis she lost confidence, wouldn't go out in public and cried constantly. The turning point came after a chance meeting with another Asian Mum whose son also has Down's syndrome. Soon Mariam had introduced her to a third mother in the same position, Bilkish, and the three women have formed a strong friendship. Producer: Sue Mitchell.

Down's Syndrome: It's Just Two Words

My Lost Brother

Mandy was shocked to discover how much the funeral for her ex-husband was going to cost. But she was also determined that her three children should not be forced to carry the cost alone. Matt the eldest is her carer, and legally liable for all costs, but his carer's allowance was never going to cover the costs - embalming, cremation, flowers, the hearse. So the idea of a fundraising day at the local pub slowly emerged. But despite the best efforts of the community, Mandy and Matt still struggle to settle the bill. And more bills keep coming in. Grace Dent presents one family's struggle to grieve for their dead father while dealing with the spiralling price of his death. The producer is Miles Warde.

Mandy was shocked to discover how much the funeral for her ex-husband was going to cost. But she was also determined that her three children should not be forced to carry the cost alone. Matt the eldest is her carer, and legally liable for all costs, but his carer's allowance was never going to cover the costs - embalming, cremation, flowers, the hearse. So the idea of a fundraising day at the local pub slowly emerged. But despite the best efforts of the community, Mandy and Matt still struggle to settle the bill. And more bills keep coming in. Grace Dent presents one family's struggle to grieve for their dead father while dealing with the spiralling price of his death. The producer is Miles Warde.

The Funeral

Grace Dent follows 21-year-old footballer Brandon Coleman, who is hoping to get his first cap for England. Brandon is a typical 21-year-old. He's good looking, says "like" a lot, and takes a great interest in girls, and drum and bass music. Then there's football. He loves football. Not just watching, but playing too. His coaches say he's a "freak". They've never seen anyone train as hard as him before. Grace Dent follows him in the run up to England's match against France in May - will Brandon make the grade?It's been a long road for Brandon to get here. Four years ago, aged 17, he was in and out of work, and getting into trouble. Then, suddenly, his eye sight began to deteriorate. Six weeks later, he was blind. After trying to pretend his situation wasn't real, he eventually enrolled at the Royal National College for the Blind in Hereford, where he learnt to play football. Just eighteen months later, he's been training with England's blind football team, and if he can make the grade, he'll be getting his first cap for England.The team suffered a bitter defeat at the euros on their home turf last year - depriving them of a place in this year's paralympics. Brandon's first match will also be the team's first game together since then. England manager, Jonathan Pugh, has to pull the team back together again - and Brandon is part of the plan. Producer: Polly Weston.

Grace Dent follows 21-year-old footballer Brandon Coleman, who is hoping to get his first cap for England. Brandon is a typical 21-year-old. He's good looking, says "like" a lot, and takes a great interest in girls, and drum and bass music. Then there's football. He loves football. Not just watching, but playing too. His coaches say he's a "freak". They've never seen anyone train as hard as him before. Grace Dent follows him in the run up to England's match against France in May - will Brandon make the grade? It's been a long road for Brandon to get here. Four years ago, aged 17, he was in and out of work, and getting into trouble. Then, suddenly, his eye sight began to deteriorate. Six weeks later, he was blind. After trying to pretend his situation wasn't real, he eventually enrolled at the Royal National College for the Blind in Hereford, where he learnt to play football. Just eighteen months later, he's been training with England's blind football team, and if he can make the grade, he'll be getting his first cap for England. The team suffered a bitter defeat at the euros on their home turf last year - depriving them of a place in this year's paralympics. Brandon's first match will also be the team's first game together since then. England manager, Jonathan Pugh, has to pull the team back together again - and Brandon is part of the plan. Producer: Polly Weston.

The Blind Side

On a busy street in Reading - at the front of the shopping centre - you might catch the distinctive smell of peri peri chicken. This is Fernando's. Opened in Autumn 2017, it's a halal restaurant, belonging to Asam Aziz.A huge fan of the ITV dating show, Take Me Out, Asam says he named his restaurant after the fictional island where couples are sent : "the isle of Fernando's". Some customers did wonder whether Nando's might take issue with the name - but "I just couldn't see that. Why would Nando's have a problem with that?", he says.This is Asam's first venture of his own. His Dad arrived in Reading in 1965 from Pakistan "with nothing but 50p in his pocket and the trousers he was wearing", and Asam moved here in the 70s when he was one. His Dad saved and saved until he could afford their first convenience store in 2000 and now, with Fernando's, Asam is branching out on his own. 200 people came to their opening in September, as the local Imam blessed the restaurant. The restaurant was a huge success in the community. Busy all the time, Asam seemed to be succeeding in his first year in business. But then, in March, a letter arrived from Nandos' lawyers - it stated that Fernando's was in breach of the company's copyright. Not only with the name, but with the Portuguese Chicken Barcelos symbol he'd chosen as his logo, and other branding inside. Now he faces a dilemma that could bring him down: should he totally re-brand, or refuse to make changes and be taken to court. Clearly, as a small business, the risk in fighting a huge global chain is enormous, but there's a problem - Asam isn't the sort of person who backs down easily: "I can't just hang my gloves up". But, it's still early days in the life of his restaurant. What choice does he have?Produced in Bristol by Polly Weston.

On a busy street in Reading - at the front of the shopping centre - you might catch the distinctive smell of peri peri chicken. This is Fernando's. Opened in Autumn 2017, it's a halal restaurant, belonging to Asam Aziz. A huge fan of the ITV dating show, Take Me Out, Asam says he named his restaurant after the fictional island where couples are sent : "the isle of Fernando's". Some customers did wonder whether Nando's might take issue with the name - but "I just couldn't see that. Why would Nando's have a problem with that?", he says. This is Asam's first venture of his own. His Dad arrived in Reading in 1965 from Pakistan "with nothing but 50p in his pocket and the trousers he was wearing", and Asam moved here in the 70s when he was one. His Dad saved and saved until he could afford their first convenience store in 2000 and now, with Fernando's, Asam is branching out on his own. 200 people came to their opening in September, as the local Imam blessed the restaurant. The restaurant was a huge success in the community. Busy all the time, Asam seemed to be succeeding in his first year in business. But then, in March, a letter arrived from Nandos' lawyers - it stated that Fernando's was in breach of the company's copyright. Not only with the name, but with the Portuguese Chicken Barcelos symbol he'd chosen as his logo, and other branding inside. Now he faces a dilemma that could bring him down: should he totally re-brand, or refuse to make changes and be taken to court. Clearly, as a small business, the risk in fighting a huge global chain is enormous, but there's a problem - Asam isn't the sort of person who backs down easily: "I can't just hang my gloves up". But, it's still early days in the life of his restaurant. What choice does he have? Produced in Bristol by Polly Weston.

Fernando's vs Nando's

DJ Derek

In July last year, veteran Bristol DJ, Derek Serpell-Morris, known as "DJ Derek", went missing. He was last seen on CCTV camera leaving a pub, but after that, nothing. He might as well have vanished into thin air. His great niece, Jennifer Griffiths, used to be his PR manager, and for the last six months she has been the public face of the campaign to find Derek. Over those months, we follow Jennifer as she goes through the cycles of hope and despair, following leads that go nowhere and clues that seem to mean either everything or nothing. It's a detective story, but one where the final chapter is still unwritten. What does it do to a family to live with such uncertainty? Presenter: Grace DentProducer: Jolyon Jenkins and Polly Weston.

In July last year, veteran Bristol DJ, Derek Serpell-Morris, known as "DJ Derek", went missing. He was last seen on CCTV camera leaving a pub, but after that, nothing. He might as well have vanished into thin air. His great niece, Jennifer Griffiths, used to be his PR manager, and for the last six months she has been the public face of the campaign to find Derek. Over those months, we follow Jennifer as she goes through the cycles of hope and despair, following leads that go nowhere and clues that seem to mean either everything or nothing. It's a detective story, but one where the final chapter is still unwritten. What does it do to a family to live with such uncertainty? Presenter: Grace Dent Producer: Jolyon Jenkins and Polly Weston.

Jennifer's Search for DJ Derek

Grace Dent tells the story of a white-collar-criminal's pregnant fiancée, trying to organise their prison wedding.When Veronica's partner - a successful businessman - was sent to prison for what is sometimes called a 'white-collar crime', she was pregnant with his child. On her first visit to him behind bars, he proposed. At a time of such uncertainty the prospect of marriage was something that kept them united.But they want the marriage to take place before the birth of the baby - just 9 weeks away. And they're not even sure if it's possible to get married in a prison at all.Producer: Georgia Catt.

Grace Dent tells the story of a white-collar-criminal's pregnant fiancée, trying to organise their prison wedding. When Veronica's partner - a successful businessman - was sent to prison for what is sometimes called a 'white-collar crime', she was pregnant with his child. On her first visit to him behind bars, he proposed. At a time of such uncertainty the prospect of marriage was something that kept them united. But they want the marriage to take place before the birth of the baby - just 9 weeks away. And they're not even sure if it's possible to get married in a prison at all. Producer: Georgia Catt.

The Prison Wedding

A headteacher's fate hangs in the balance as she awaits a visit from a school inspector.When Sue Vermes became headteacher of struggling Rose Hill Primary School less than two years ago, she hoped to reverse its fortunes. Instead, an Ofsted inspector labelled the Oxford school 'inadequate' and placed it into so-called 'Special Measures'. Now Sue's future is in question as she awaits the verdict of a follow-up visit by Ofsted. Have Sue and her team done enough to arrest the school's decline?Producer: Laurence Grissell.

A headteacher's fate hangs in the balance as she awaits a visit from a school inspector. When Sue Vermes became headteacher of struggling Rose Hill Primary School less than two years ago, she hoped to reverse its fortunes. Instead, an Ofsted inspector labelled the Oxford school 'inadequate' and placed it into so-called 'Special Measures'. Now Sue's future is in question as she awaits the verdict of a follow-up visit by Ofsted. Have Sue and her team done enough to arrest the school's decline? Producer: Laurence Grissell.

The School Inspection

Fifteen years ago Anna was diagnosed with cancer, and eventually had to have a double mastectomy. Now, as she turns 50, she returns to hospital for full reconstructive surgery.Presented by Grace DentProduced in Bristol by Polly WestonFor support with the issues in the programme, you can visit:Breast Cancer Care provides emotional support and tailored information to anyone affected by the disease. Phone: 0808 800 6000www.breastcancercare.org.ukBreast Cancer Now provides information on the signs and symptoms of breast cancer and how it is treated.www.breastcancernow.orgMacmillan Cancer Support provides medical, practical, emotional and financial support to cancer patients, their carers friends and family. Phone: 0808 808 0000 www.macmillan.org.ukCancer Research UK provides easy to understand information to anyone affected or concerned about cancer.Phone: 0808 800 4040 (weekdays 9am-5pm)www.cancerresearchuk.org

Fifteen years ago Anna was diagnosed with cancer, and eventually had to have a double mastectomy. Now, as she turns 50, she returns to hospital for full reconstructive surgery. Presented by Grace Dent Produced in Bristol by Polly Weston For support with the issues in the programme, you can visit: Breast Cancer Care provides emotional support and tailored information to anyone affected by the disease. Phone: 0808 800 6000 <a href="http://www.breastcancercare.org.uk" rel="nofollow" target="_blank">www.breastcancercare.org.uk</a> Breast Cancer Now provides information on the signs and symptoms of breast cancer and how it is treated. <a href="http://www.breastcancernow.org" rel="nofollow" target="_blank">www.breastcancernow.org</a> Macmillan Cancer Support provides medical, practical, emotional and financial support to cancer patients, their carers friends and family. Phone: 0808 808 0000 <a href="http://www.macmillan.org.uk" rel="nofollow" target="_blank">www.macmillan.org.uk</a> Cancer Research UK provides easy to understand information to anyone affected or concerned about cancer. Phone: 0808 800 4040 (weekdays 9am-5pm) <a href="http://www.cancerresearchuk.org" rel="nofollow" target="_blank">www.cancerresearchuk.org</a>

Fifteen Years Later

Grace Dent tells the story of Jean, 73, who's being harassed by her 80 year old estranged husband, George. After over 40 arrests, a judge must decide whether George's actions are the result of dementia.Jean and George finally split up in early 2015 after nine years of unhappy marriage. But for George, that wasn't the end of their relationship. For months, George has been harassing Jean: writing her love letters, verbally abusing her and coming to her flat trying to gain entry. Jean now feels like a prisoner in her own home, scared to go out alone. Despite over 40 arrests, George won't keep away. As the day of George's court appearance approaches, a judge must weigh up whether George's actions are deliberate or if they stem from dementia.Producer: Laurence Grissell.

Grace Dent tells the story of Jean, 73, who's being harassed by her 80 year old estranged husband, George. After over 40 arrests, a judge must decide whether George's actions are the result of dementia. Jean and George finally split up in early 2015 after nine years of unhappy marriage. But for George, that wasn't the end of their relationship. For months, George has been harassing Jean: writing her love letters, verbally abusing her and coming to her flat trying to gain entry. Jean now feels like a prisoner in her own home, scared to go out alone. Despite over 40 arrests, George won't keep away. As the day of George's court appearance approaches, a judge must weigh up whether George's actions are deliberate or if they stem from dementia. Producer: Laurence Grissell.

Tainted Love

Ellie and Ollie were once a lesbian couple.  Then Ollie began the process of transitioning from female to male. Grace Dent follows the story, as the couple negotiate the change.Presented by Grace DentProduced in Bristol by Polly Weston

Ellie and Ollie were once a lesbian couple. Then Ollie began the process of transitioning from female to male. Grace Dent follows the story, as the couple negotiate the change. Presented by Grace Dent Produced in Bristol by Polly Weston

Ellie and Ollie

Kira is an 18 year old Gloucester teenager who has just got her A level grades. The only girl from her school to be offered a place at Cambridge University, Kira is meant to be off to read history at the end of September. But she is a carer for Rachel, her mum. Rachel is bipolar, diabetic and arthritic. Virtually bedroom bound, she is heavily dependent upon Kira. Although hugely proud of her daughter, Rachel is not sure how she will cope if her daughter leaves. Kira is keen for a new start. Perceived to be the poor kid at school, her teenage years were not particularly happy. And caring each evening for her mum, means parties, sleepovers and teenage freedoms have somewhat passed her by. But Kira is consumed by worry and guilt. Can she find a way to leave her mother and if she did, would she actually enjoy life as a Cambridge undergraduate?Narrated by Grace Dent and produced by Sarah Bowen.

Kira is an 18 year old Gloucester teenager who has just got her A level grades. The only girl from her school to be offered a place at Cambridge University, Kira is meant to be off to read history at the end of September. But she is a carer for Rachel, her mum. Rachel is bipolar, diabetic and arthritic. Virtually bedroom bound, she is heavily dependent upon Kira. Although hugely proud of her daughter, Rachel is not sure how she will cope if her daughter leaves. Kira is keen for a new start. Perceived to be the poor kid at school, her teenage years were not particularly happy. And caring each evening for her mum, means parties, sleepovers and teenage freedoms have somewhat passed her by. But Kira is consumed by worry and guilt. Can she find a way to leave her mother and if she did, would she actually enjoy life as a Cambridge undergraduate? Narrated by Grace Dent and produced by Sarah Bowen.

Coping Without Kira

Hazel loves her job.  She is very good at.  But there is pressure on her to leave.   An impressive career has led Hazel to a perfect job at The University of Chichester: it’s stimulating, she loves the students and she is widely respected. With no age discrimination, Hazel could continue forever.  And she would like to.  Work is her very identity and the idea of pootling around the garden and joining a choir fills her with horror.  But Hazel suspects friends, family and colleagues think it is time to go.  “The expectation seems to be, from a lot of people, that I will give it all up, that my right job is to look after the grandchildren a bit, do a bit of painting and care for Phil, but that isn’t me, it isn’t me at all.” When her husband, Phil, is diagnosed with Parkinson’s, the pressure escalates but Hazel doesn't see her future as just his carer. “The joy of Phil’s and my relationship is that we’ve always been independent of each other. I don’t want to rush off and leave him, but I don’t want the burden of having the life sucked out of both of us.” She feels judged for thinking this, for not abandoning her career to look after Phil, but if she were a man, would expectations be different?Hazel has always been a clear-headed decision maker.  She knew within 10 minutes of meeting her husband she should marry him.  She even wants to write her PhD on decision-making.  But this choice is proving impossible to make.  What should she and what will she decide? Producer: Sarah Bowen

Hazel loves her job. She is very good at. But there is pressure on her to leave. An impressive career has led Hazel to a perfect job at The University of Chichester: it’s stimulating, she loves the students and she is widely respected. With no age discrimination, Hazel could continue forever. And she would like to. Work is her very identity and the idea of pootling around the garden and joining a choir fills her with horror. But Hazel suspects friends, family and colleagues think it is time to go. “The expectation seems to be, from a lot of people, that I will give it all up, that my right job is to look after the grandchildren a bit, do a bit of painting and care for Phil, but that isn’t me, it isn’t me at all.” When her husband, Phil, is diagnosed with Parkinson’s, the pressure escalates but Hazel doesn't see her future as just his carer. “The joy of Phil’s and my relationship is that we’ve always been independent of each other. I don’t want to rush off and leave him, but I don’t want the burden of having the life sucked out of both of us.” She feels judged for thinking this, for not abandoning her career to look after Phil, but if she were a man, would expectations be different? Hazel has always been a clear-headed decision maker. She knew within 10 minutes of meeting her husband she should marry him. She even wants to write her PhD on decision-making. But this choice is proving impossible to make. What should she and what will she decide? Producer: Sarah Bowen

Expectations

Paul Mosby was a professional oboist. Now with advanced Alzheimers, he is largely non-verbal, and spends his days walking the corridors of his care home. His wife Yvonne and daughter Helen hope that music therapy might awaken his connexion with music, and with himself. Paul made the decision to stop playing the oboe nearly twenty years ago. He put it away in a box, and has not played since. And the early music sessions don't go well - Paul only stays a few minutes and then again begins his endless walking. Then his daughter brings in an old oboe that he gave her many years before - will it evoke any memories in Paul and re-connect him with his past?

The Oboe Man

In the Northumberland fishing village of Newbiggin by the Sea, local ice cream van owner Tommy Brash has lost the prime spot in the car park for selling ice creams. The council put it out to tender, and the tender was won by 'foreigners'. Variously described as Polish and then Iraqi, it seems no one actually knows who they are, and they've kept a low profile since winning the tender, even though the news made the headlines. A local petition is launched to get Tommy's patch back, a march is held, but the newcomers are staying. Tracking them down for this programme, we discover who the new ice cream sellers really are and follow them over the summer as they battle local hostility, rain, Brexit and health issues. As they prepare for Newbiggin's big annual event, the Lifeboat fund-raiser - a sure-fire money-spinner, will they finally make their new business a success and will they get the welcome they're looking for?Grace Dent presents.Producer: Alice Lloyd.

In the Northumberland fishing village of Newbiggin by the Sea, local ice cream van owner Tommy Brash has lost the prime spot in the car park for selling ice creams. The council put it out to tender, and the tender was won by 'foreigners'. Variously described as Polish and then Iraqi, it seems no one actually knows who they are, and they've kept a low profile since winning the tender, even though the news made the headlines. A local petition is launched to get Tommy's patch back, a march is held, but the newcomers are staying. Tracking them down for this programme, we discover who the new ice cream sellers really are and follow them over the summer as they battle local hostility, rain, Brexit and health issues. As they prepare for Newbiggin's big annual event, the Lifeboat fund-raiser - a sure-fire money-spinner, will they finally make their new business a success and will they get the welcome they're looking for? Grace Dent presents. Producer: Alice Lloyd.

Ice Cream Wars in Newbiggin

Selina Medford grew up in Port Talbot, South Wales, where people of West Indian heritage were in a minority. Now she takes her daughter back to relive her experiences. Touring around the town, they delve into the good, the bad and the ugly struggles that Selina and her family faced growing up during the 1960s. On the way, her daughter Sian, who was born and raised in Birmingham, begins to understand her mother’s experience and how the multi-cultural world she grew up in, and often took for granted, was denied to her mother. A Young Sel in a Small Town paints a retrospective picture that highlights the musical and cultural life of the time, navigating through Selina’s early years of growing up in a harsh household with her Jamaican father, step mother and four other siblings - yet trying to fit in with the everyday European white world around her. A trip down memory lane, meeting old friends and faces in a collage of sounds and music, bringing back hard memories and hope for the future. New Storytellers presents the work of radio and audio producers new to BBC Radio 4 and this first series features the five winners of this year's Charles Parker Prize for the Best Student Radio Feature. A Young Sel in a Small Town won the top award, the Gold Charles Parker Prize, for its producer Sian Medford in Parker's centenary year. Sian has just graduated from the University of West London and the Judges thought her colourfully creative feature was “such a lovely simple idea. An important piece of social history mixed with modern reaction as the family reunites – a rich, dynamic production, with its rich sense of hard lives lived to the full – a really worthy Gold Charles Parker winner.” Producer: Sian Medford A Soundscape production for BBC Radio 4

Selina Medford grew up in Port Talbot, South Wales, where people of West Indian heritage were in a minority. Now she takes her daughter back to relive her experiences. Touring around the town, they delve into the good, the bad and the ugly struggles that Selina and her family faced growing up during the 1960s. On the way, her daughter Sian, who was born and raised in Birmingham, begins to understand her mother’s experience and how the multi-cultural world she grew up in, and often took for granted, was denied to her mother. A Young Sel in a Small Town paints a retrospective picture that highlights the musical and cultural life of the time, navigating through Selina’s early years of growing up in a harsh household with her Jamaican father, step mother and four other siblings - yet trying to fit in with the everyday European white world around her. A trip down memory lane, meeting old friends and faces in a collage of sounds and music, bringing back hard memories and hope for the future. New Storytellers presents the work of radio and audio producers new to BBC Radio 4 and this first series features the five winners of this year's Charles Parker Prize for the Best Student Radio Feature. A Young Sel in a Small Town won the top award, the Gold Charles Parker Prize, for its producer Sian Medford in Parker's centenary year. Sian has just graduated from the University of West London and the Judges thought her colourfully creative feature was “such a lovely simple idea. An important piece of social history mixed with modern reaction as the family reunites – a rich, dynamic production, with its rich sense of hard lives lived to the full – a really worthy Gold Charles Parker winner.” Producer: Sian Medford A Soundscape production for BBC Radio 4

NewStorytellers 5. A Young Sel in a Small Town

Sherrie Smith, a florist and Romany Gypsy from Hertford, wants to take the first ever UK Gypsy and Traveller group to an annual Holocaust memorial event at Auschwitz-Birkenau. She sees it as vital for getting up to half a million Roma deaths more widely acknowledged, and - by extension - improving the lives of modern day Gypsies and Travellers. But the cost of flights has tripled and Sherrie's meagre budget means it might no longer be possible. Can she raise the extra funds to get the trip back on track? Grace Dent follows her story.Producer Dave Howard.

Sherrie Smith, a florist and Romany Gypsy from Hertford, wants to take the first ever UK Gypsy and Traveller group to an annual Holocaust memorial event at Auschwitz-Birkenau. She sees it as vital for getting up to half a million Roma deaths more widely acknowledged, and - by extension - improving the lives of modern day Gypsies and Travellers. But the cost of flights has tripled and Sherrie's meagre budget means it might no longer be possible. Can she raise the extra funds to get the trip back on track? Grace Dent follows her story. Producer Dave Howard.

The Roma Memorial

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