Gregg Goodhart

Gregg Goodhart has a passion for teaching others how to learn so they can surpass their perceived limitations. This passion led to an intense interest in cognitive and behavioral neuroscience and psychology as they relate to teaching. By putting these principles into practical use in the classroom over many years, he has come to an understanding of how to teach others to reach their potential. We dig into Gregg’s background, how to actually improve, recommended books, and much more.  Enjoy, and be sure to check out Gregg’s website to get in touch and learn more about his important work. Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 00:00 Introduction and Background 00:45 Reminiscing About Hometowns 02:15 Discussing Urban Development and Nature 03:41 Adapting to California Weather 05:36 Podcast Recording Techniques 07:59 The Importance of Teaching Music 09:41 Sponsor Shoutout: Carnegie Mellon University 10:53 Exploring the Concept of Deliberate Practice 17:27 The Journey of Personal Musical Improvement 23:46 Promotion of Double Bass Course 24:03 The Influence of Heavy Metal on Bass Playing 25:21 The Importance of Proper Learning Methods 25:46 The Power of Repetition and Retrieval Practice 26:12 The Importance of Spacing in Learning 28:44 The Role of Contextual Interference in Learning 29:09 The Impact of Dotted Rhythms in Music Practice 34:15 The Misunderstanding of Talent in Learning 39:51 The Role of Stage Fright in Performance 48:22 The Importance of Deliberate Practice 50:20 Closing Thoughts and Future Directions 

<a href="https://gregggoodhart.com/" rel="nofollow" target="_blank">Gregg Goodhart</a> has a passion for teaching others how to learn so they can surpass their perceived limitations. This passion led to an intense interest in cognitive and behavioral neuroscience and psychology as they relate to teaching. By putting these principles into practical use in the classroom over many years, he has come to an understanding of how to teach others to reach their potential. We dig into Gregg’s background, how to actually improve, recommended books, and much more.  Enjoy, and be sure to <a href="https://gregggoodhart.com/" rel="nofollow" target="_blank">check out Gregg’s website</a> to get in touch and learn more about his important work. <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> <li>00:00 Introduction and Background</li> <li>00:45 Reminiscing About Hometowns</li> <li>02:15 Discussing Urban Development and Nature</li> <li>03:41 Adapting to California Weather</li> <li>05:36 Podcast Recording Techniques</li> <li>07:59 The Importance of Teaching Music</li> <li>09:41 Sponsor Shoutout: Carnegie Mellon University</li> <li>10:53 Exploring the Concept of Deliberate Practice</li> <li>17:27 The Journey of Personal Musical Improvement</li> <li>23:46 Promotion of Double Bass Course</li> <li>24:03 The Influence of Heavy Metal on Bass Playing</li> <li>25:21 The Importance of Proper Learning Methods</li> <li>25:46 The Power of Repetition and Retrieval Practice</li> <li>26:12 The Importance of Spacing in Learning</li> <li>28:44 The Role of Contextual Interference in Learning</li> <li>29:09 The Impact of Dotted Rhythms in Music Practice</li> <li>34:15 The Misunderstanding of Talent in Learning</li> <li>39:51 The Role of Stage Fright in Performance</li> <li>48:22 The Importance of Deliberate Practice</li> <li>50:20 Closing Thoughts and Future Directions</li> </ul>

1020: Gregg Goodhart on practicing and improvement

Oslo Philharmonic bassist Cécile-Laure Kouassi recently released an EP titled  Beaux Jours.  This album features two arrangements by Cécile-Laure as well as two original works for double bass and piano. We talk about this project and much more in this engaging conversation.   Check out the new album on Spotify and visit her website for her arrangements and much more! Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.   00:00 Introduction and Guest Presentation 00:58 Inspiration Behind the EP 03:02 Exploring the Unique Sound of the Double Bass 04:04 Unearthing Hidden Gems in Bass Compositions 07:30 The Art of Arranging Music 11:41 The Challenges and Rewards of Recording 17:48 The Accessibility of Music Production 18:40 Conclusion and Future Plans    theme music by Eric Hochberg 

<a href="https://ofo.no/en/musicians/double-bass/cecile-laure-kouassi" rel="nofollow" target="_blank">Oslo Philharmonic</a> bassist <a href="https://www.cecilelaurekouassi.com/" rel="nofollow" target="_blank">Cécile-Laure Kouassi</a> recently released an EP titled <a href="https://open.spotify.com/album/6AZEl3O8TMf9HtW2Xe1H69?si=O2qZGa2oTUqRsX1Sw5Jw4A&amp;nd=1&amp;dlsi=dfd66c4eb58c49b1" rel="nofollow" target="_blank"> Beaux Jours</a>.  This album features two arrangements by Cécile-Laure as well as two original works for double bass and piano. We talk about this project and much more in this engaging conversation.  <a href="https://open.spotify.com/album/6AZEl3O8TMf9HtW2Xe1H69?si=O2qZGa2oTUqRsX1Sw5Jw4A&amp;nd=1&amp;dlsi=dfd66c4eb58c49b1" rel="nofollow" target="_blank"> Check out the new album on Spotify</a> and v<a href="https://www.cecilelaurekouassi.com/" rel="nofollow" target="_blank">isit her website</a> for her arrangements and much more! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. 00:00 Introduction and Guest Presentation 00:58 Inspiration Behind the EP 03:02 Exploring the Unique Sound of the Double Bass 04:04 Unearthing Hidden Gems in Bass Compositions 07:30 The Art of Arranging Music 11:41 The Challenges and Rewards of Recording 17:48 The Accessibility of Music Production 18:40 Conclusion and Future Plans <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1019: Cécile-Laure Kouassi on her EP Beaux Jours

Drew Banzhaf

Drew Banzhaf won the audition for Associate Principal Bass Malmö Symphony in 2023. He spent three years as a guest musician of the Baltimore Symphony Orchestra and has regularly appeared with renowned orchestras such as the Chicago Symphony Orchestra, Atlanta Symphony Orchestra, and Minnesota Orchestra. Drew was also a New World Symphony Fellow for three seasons and is a graduate of Indiana University and Rice University. We dig into Drew’s background, his decade spent taking 36 professional auditions, lessons learned along the journey, and much more. Enjoy!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

Drew Banzhaf won the audition for Associate Principal Bass Malmö Symphony in 2023. He spent three years as a guest musician of the Baltimore Symphony Orchestra and has regularly appeared with renowned orchestras such as the Chicago Symphony Orchestra, Atlanta Symphony Orchestra, and Minnesota Orchestra. Drew was also a New World Symphony Fellow for three seasons and is a graduate of Indiana University and Rice University. We dig into Drew’s background, his decade spent taking 36 professional auditions, lessons learned along the journey, and much more. Enjoy! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1018: Drew Banzhaf on his audition path to the Malmö Symphony

Gregg August

Gregg August is a New York double bassist who successfully balances careers in classical and jazz music, as well as composition. He is member of the Orpheus Chamber Orchestra (Associate), the American Composers Orchestra, Westchester Philharmonic and Orchestra of St. Luke’s. He is also an active composer and performer in avant-garde, jazz and Latin jazz worlds. We talk about his background, how he balances these multiple disciplines, his 2020 project "Dialogues on Race," his experience with the innovative "Bang on a Can" summer festival, and much more. Enjoy, and be sure to check out Gregg’s website to learn more about his exceptional work!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

<a href="https://www.greggaugust.com/" rel="nofollow" target="_blank">Gregg August</a> is a New York double bassist who successfully balances careers in classical and jazz music, as well as composition. He is member of the Orpheus Chamber Orchestra (Associate), the American Composers Orchestra, Westchester Philharmonic and Orchestra of St. Luke’s. He is also an active composer and performer in avant-garde, jazz and Latin jazz worlds. We talk about his background, how he balances these multiple disciplines, his 2020 project "Dialogues on Race," his experience with the innovative "Bang on a Can" summer festival, and much more. Enjoy, and be sure to check out <a href="https://www.greggaugust.com/" rel="nofollow" target="_blank">Gregg’s website</a> to learn more about his exceptional work! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1017: Gregg August on balancing jazz, classical, and composition

Kostas Patsiotis

Greek bassist Kostas Patsiotis recently released his solo debut album October, which was recorded in a single day at Antart Studios in Athens and features Yiannis Papadopoulos on piano, Michael Tsiftis on guitar and Dimitris Klonis on drums.   We talk about what it’s like being a jazz bassist in Greece, how Kostas got into bass playing, his gear, what it was like recording this album, and much more.   Enjoy, and be sure to check out October and also follow along with Kostas on his website, YouTube, Facebook, and Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

Greek bassist <a href="https://patsiotisbass.com/" rel="nofollow" target="_blank">Kostas Patsiotis</a> recently released his solo debut album <a href="https://kostaspatsiotis.bandcamp.com/album/october" rel="nofollow" target="_blank">October</a>, which was recorded in a single day at Antart Studios in Athens and features Yiannis Papadopoulos on piano, Michael Tsiftis on guitar and Dimitris Klonis on drums. We talk about what it’s like being a jazz bassist in Greece, how Kostas got into bass playing, his gear, what it was like recording this album, and much more. Enjoy, and be sure to check out <a href="https://kostaspatsiotis.bandcamp.com/album/october" rel="nofollow" target="_blank">October</a> and also follow along with Kostas on his <a href="https://patsiotisbass.com/" rel="nofollow" target="_blank">website</a>, <a href="https://www.youtube.com/channel/UC6oo0pE0R0RDHuud4M6crVw" rel="nofollow" target="_blank">YouTube</a>, <a href="https://www.facebook.com/PatsiotisKostas/" rel="nofollow" target="_blank">Facebook</a>, and <a href="https://www.instagram.com/kostas_patsiotis_/?hl=el" rel="nofollow" target="_blank">Instagram</a>! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1016: Kostas Patsiotis on Greece and October

Jesse Dietschi

Jesse Dietschi recently released Gradient, his debut album with fellow Toronto musicians Ethan Ardelli (drums) and Ewen Farncombe (piano).  This album has been getting considerable acclaim and will be featured in the Debut Album Reviews section of the December 2023 edition of DownBeat Magazine, along with numerous radio programs throughout North America and Europe.   We talk about the story behind this album, how Jesse and I met several years ago at the  Suzuki Association of the Americas Conference, what it’s like balancing classical work like subbing with the Toronto Symphony with his jazz projects, and much more.   Enjoy, and be sure to check out October on  Spotify and bandcamp, and be sure to follow along with Jesse on his website and Instagram!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

<a href="http://jessedietschi.com/" rel="nofollow" target="_blank">Jesse Dietschi</a> recently released <a href="https://open.spotify.com/album/417M7Mfwk4foOkA23V7vjs" rel="nofollow" target="_blank">Gradient</a>, his debut album with fellow Toronto musicians Ethan Ardelli (drums) and Ewen Farncombe (piano).  This album has been getting considerable acclaim and will be featured in the Debut Album Reviews section of the December 2023 edition of DownBeat Magazine, along with numerous radio programs throughout North America and Europe. We talk about the story behind this album, how Jesse and I met several years ago at the <a href="https://doublebasshq.com/event_recaps/suzuki-association-of-the-americas-2018/" rel="nofollow" target="_blank"> Suzuki Association of the Americas Conference</a>, what it’s like balancing classical work like subbing with the Toronto Symphony with his jazz projects, and much more. Enjoy, and be sure to check out October on <a href="https://open.spotify.com/artist/51XhxNb4vYDtWWFKMrIAE8?si=6k7o8tOiSPONFycY8aPOWg&amp;nd=1" rel="nofollow" target="_blank"> Spotify</a> and <a href="https://jessedietschi.bandcamp.com/album/gradient" rel="nofollow" target="_blank">bandcamp</a>, and be sure to follow along with Jesse on his <a href="http://jessedietschi.com/" rel="nofollow" target="_blank">website</a> and <a href="https://www.instagram.com/jessedietschi/" rel="nofollow" target="_blank">Instagram</a>! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1015: Jesse Dietschi on balancing jazz and classical playing

Joseph Whitt

Technical Sergeant  Joseph Whitt is the bassist for the  United States Air Force Band of the Pacific in Tokyo, Japan. Prior to joining the Band of the Pacific, he was stationed at the United States Air Force Band of Flight, Wright-Patterson Air Force Base, Ohio, and at the United States Air Forces in Europe Band at Ramstein Air Base in Germany.   We dig into a variety of topics, including:  the USAF Band mission the USAF audition process and preparation military lifestyle, service, and overseas experience benefits, education, training professional development double/electric bass cross-over    Enjoy, and you can learn more about a career in The United States Air Force Band here.   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

Technical Sergeant <a href="https://www.music.af.mil/Home/Biographies/Display/Article/1309085/joseph-whitt/" rel="nofollow" target="_blank"> Joseph Whitt</a> is the bassist for the <a href="https://www.music.af.mil/Bands/US-Air-Force-Band-of-the-Pacific-Asia" rel="nofollow" target="_blank"> United States Air Force Band of the Pacific</a> in Tokyo, Japan. Prior to joining the Band of the Pacific, he was stationed at the United States Air Force Band of Flight, Wright-Patterson Air Force Base, Ohio, and at the United States Air Forces in Europe Band at Ramstein Air Base in Germany. We dig into a variety of topics, including: <ul> <li>the USAF Band mission</li> <li>the USAF audition process and preparation</li> <li>military lifestyle, service, and overseas experience</li> <li>benefits, education, training</li> <li>professional development</li> <li>double/electric bass cross-over</li> </ul> Enjoy, and you can learn more about a career in <a href="https://www.music.af.mil/USAFBand/About-Us/" rel="nofollow" target="_blank">The United States Air Force Band here</a>. <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1014: Joseph Whitt on a career as a military bassist

Marty Isenberg

Wes Anderson

Marty Isenberg recently released his debut album  "The Way I Feel Inside" - Inspired by the films of Wes Anderson, and it has been getting great press.  In this interview, we chat with Marty about his life in music, his career as a jazz bassist, the inspiration for this album, and much more.  We also bring up a  great interview that Marty also did for the Bass Shed.   Check out this super cool album on  bandcamp and  Spotify, and follow along with Marty and his projects on Instagram and his website!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

<a href="https://www.martyisenberg.com/" rel="nofollow" target="_blank">Marty Isenberg</a> recently released his debut album <a href="https://trrstore.bandcamp.com/album/the-way-i-feel-inside-inspired-by-the-films-of-wes-anderson" rel="nofollow" target="_blank"> "The Way I Feel Inside" - Inspired by the films of Wes Anderson</a>, and it has been getting <a href="https://www.martyisenberg.com/epk" rel="nofollow" target="_blank">great press</a>.  In this interview, we chat with Marty about his life in music, his career as a jazz bassist, the inspiration for this album, and much more.  We also bring up a <a href="https://www.thebassshed.com/podcast/cfletb2lvowhfw0c3msq67y2l0npc8" rel="nofollow" target="_blank"> great interview that Marty also did for the Bass Shed</a>. Check out this super cool album on <a href="https://trrstore.bandcamp.com/album/the-way-i-feel-inside-inspired-by-the-films-of-wes-anderson" rel="nofollow" target="_blank"> bandcamp</a> and <a href="https://open.spotify.com/album/1OWJ3GnguEU1TwxTChKvjb?si=q-kqMhPfSB6nYOyIE7ubmg&amp;nd=1" rel="nofollow" target="_blank"> Spotify</a>, and follow along with Marty and his projects on <a href="https://www.instagram.com/martyisenberg/" rel="nofollow" target="_blank">Instagram</a> and his <a href="https://www.martyisenberg.com/" rel="nofollow" target="_blank">website</a>! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1013: Marty Isenberg on "The Way I Feel Inside" - Inspired by the films of Wes Anderson

Phoebe Russell

Phoebe Russell is Principal Bass for the Queensland Symphony Orchestra.  She recently released a course on Discover Double Bass titled Smash Your Audition.    We released a YouTube video digging into this course, and in this podcast we cover Phoebe’s tips for preparing orchestral excerpts, what it was like to put all of her knowledge into a video course, general life updates, and more.   Check out Phoebe’s 2019 podcast appearance here, and be sure to check out her awesome course here!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.    theme music by Eric Hochberg 

<a href="https://www.instagram.com/phoeberussell_bass/" rel="nofollow" target="_blank">Phoebe Russell</a> is Principal Bass for the Queensland Symphony Orchestra.  She recently released a <a href="https://courses.discoverdoublebass.com/p/smash-your-audition" rel="nofollow" target="_blank">course on Discover Double Bass titled Smash Your Audition</a>.  We <a href="https://youtu.be/uQGin1wv02I" rel="nofollow" target="_blank">released a YouTube video</a> digging into this course, and in this podcast we cover Phoebe’s tips for preparing orchestral excerpts, what it was like to put all of her knowledge into a video course, general life updates, and more. Check out P<a href="https://contrabassconversations.com/2019/05/02/phoebe-russell/" rel="nofollow" target="_blank">hoebe’s 2019 podcast appearance here</a>, and be sure to <a href="https://courses.discoverdoublebass.com/p/smash-your-audition" rel="nofollow" target="_blank">check out her awesome course here</a>! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1012: Phoebe Russell on Smash Your Audition

Bobby Scharmann

Bobby Scharmann is Associate Principal Bass with the Omaha Symphony Orchestra and has been documenting his audition journey and what he has learned through the 24 professional orchestra auditions he took.   We last had Bobby on the podcast in 2020, and it was great to catch up with him and dig into his preparation process and what it was like landing his full-time orchestral position.  Enjoy, and be sure to check out Bobby’s website, Instagram, and YouTube Channel!   Subscribe to the podcast to get these interviews delivered to you automatically!   Connect with us:  all things double bass double bass merch double bass sheet music    Thank you to our sponsors!   Carnegie Mellon University Double Bass Studio – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university.   Every week each student receives private lessons and participates in a solo class with Micah Howard. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. Click here to visit Micah’s website and to sign up for a free online trial lesson.      theme music by Eric Hochberg 

<a href="https://www.bobbyscharmann.com" rel="nofollow" target="_blank">Bobby Scharmann</a> is <a href="https://www.bobbyscharmann.com/about" rel="nofollow" target="_blank">Associate Principal Bass</a> with the Omaha Symphony Orchestra and has been <a href="https://youtu.be/qTIs8rPp2gs?si=0msBxZQDbel0U2ew" rel="nofollow" target="_blank">documenting</a> his <a href="https://youtu.be/AbzJjdmR2QU?si=cEjujKx3Awx0hQM2" rel="nofollow" target="_blank">audition</a> <a href="https://youtu.be/lnc4Jwm9a-A?si=B_g4gjPAjmpywUbd" rel="nofollow" target="_blank">journey</a> and what he has learned through the 24 professional orchestra auditions he took. We last <a href="https://contrabassconversations.com/2020/11/30/bobby-scharmann/" rel="nofollow" target="_blank">had Bobby on the podcast in 2020</a>, and it was great to catch up with him and dig into his preparation process and what it was like landing his full-time orchestral position.  Enjoy, and be sure to check out Bobby’s <a href="https://www.bobbyscharmann.com" rel="nofollow" target="_blank">website</a>, <a href="https://www.instagram.com/bobby.scharmann/" rel="nofollow" target="_blank">Instagram</a>, and <a href="https://www.youtube.com/@BobbyScharmann" rel="nofollow" target="_blank">YouTube Channel</a>! <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically! Connect with us: <ul> <li><a href="https://doublebasshq.com/" rel="nofollow" target="_blank">all things double bass</a></li> <li><a href="https://shop.doublebasshq.com/collections/merch" rel="nofollow" target="_blank">double bass merch</a></li> <li><a href="https://shop.doublebasshq.com/" rel="nofollow" target="_blank">double bass sheet music</a></li> </ul> Thank you to our sponsors! <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Carnegie Mellon University Double Bass Studio</a> – The School of Music at CMU highly values each and every individual who wants to be a part of an innovative fine arts community immersed in a top research university. Every week each student receives private lessons and participates in a solo class with <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Micah Howard</a>. Peter Guild, another member of the PSO, teaches Orchestral Literature and Repertoire weekly. They encourage students to reach out to the great bassists in their area for lessons and direction. Many of the bassists from all of the city’s ensembles are more than willing to lend a hand. Every year members of the Symphony, the Opera and the Ballet give classes and offer our students individual attention. <a href="https://www.micahbhoward.com/heath" rel="nofollow" target="_blank">Click here</a> to visit Micah’s website and to sign up for a free online trial lesson. <ul> <li>theme music by <a href="https://erichochberg.com" rel="nofollow" target="_blank">Eric Hochberg</a></li> </ul>

1011: Bobby Scharmann on winning an orchestra audition

Contrabass Conversations features interviews and performances from top leaders in the world of the double bass.  Podcast host Jason Heath dives deep into what makes these world-class artists tick.  With 2 million downloads and counting, Contrabass Conversations is the most popular podcast for double bassists.  Join the community and experience life on the low end of the spectrum!

Great podcast that is both educational and entertaining.

Terrific Podcast!

I love this podcast. Every episode is fascinating and inspiring.

Always enjoyable

Contrabass Conversations

Today’s conversation features Stephen P. Brown, a conductor of orchestras, choirs, concert bands and musical theater, and the founder of Concert University.  We cover how Stephen woks with musicians, what holds people back in their performing careers, and much more.  Enjoy! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Modacity   Modacity is a practicing app that helps musicians be more effective at practice.  They help you get the results you want, while keeping you encouraged and motivated to stick with it and reach those goals – however big, or small, they may be.    Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. nkoda nkoda is a sheet music app for iOS, Android, and many platforms. It includes music from over 100 of the major music publishers like Boosey &amp; Hawkes and Barenreiter. Practice, play and perform your sheet music, and mark up your parts as needed.  This subscription service has received praise from Sir Simon Rattle and Joyce DiDonato.  Start your free trial at nkoda.com. Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion Krista Kopper, archival and cataloging  Subscribe to the podcast to get these interviews delivered to you automatically!

Today’s conversation features <a href="https://www.stephenpbrown.com" rel="nofollow" target="_blank">Stephen P. Brown</a>, a conductor of orchestras, choirs, concert bands and musical theater, and the founder of <a href="https://concertuniversity.lpages.co/cu-homepage/" rel="nofollow" target="_blank">Concert University</a>.  We cover how Stephen woks with musicians, what holds people back in their performing careers, and much more.  Enjoy! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="https://steveswanstringbass.com/" rel="nofollow" target="_blank">Steve Swan String Bass</a> Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">The Bass Violin Shop</a> The <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">Bass Violin Shop</a> offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="https://www.modacity.co/" rel="nofollow" target="_blank">Modacity</a> Modacity is a practicing app that helps musicians be more effective at practice.  They help you get the results you want, while keeping you encouraged and motivated to stick with it and reach those goals – however big, or small, they may be.  <a href="http://kolstein.com/" rel="nofollow" target="_blank">Kolstein Music</a> The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. <a href="https://www.nkoda.com" rel="nofollow" target="_blank">nkoda</a> nkoda is a sheet music app for iOS, Android, and many platforms. It includes music from over 100 of the major music publishers like Boosey &amp; Hawkes and Barenreiter. Practice, play and perform your sheet music, and mark up your parts as needed.  This subscription service has received praise from Sir Simon Rattle and Joyce DiDonato.  Start your free trial at <a href="https://www.nkoda.com" rel="nofollow" target="_blank">nkoda.com</a>. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> <li><a href="http://thebackstagecreative.libsyn.com/2019/03" rel="nofollow" target="_blank">Krista Kopper</a>, archival and cataloging</li> </ul> <a href="http://smarturl.it/cbcpodcast?ck_subscriber_id=90309136" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

654: Stephen P Brown on building a performing career

Larry Grenadier

Being able to sit down with outstanding artists and thinkers like Larry Grenadier is one of the true pleasures of doing this podcast. Larry is a longtime member of the Brad Mehldau Trio and Pat Metheny's group, and has recorded with Paul Motian, Charles Lloyd, Enrico Rava, Danilo Perez, Chris Potter, Joshua Redman, Kurt Rosenwinkel, and many others. I had the chance to check out Larry's mesmerizing headlining concert at the 2017 International Society of Bassists Convention, and I'm so thankful that we were able to catch up for this podcast!  Check out Larry on Facebook as well as his own trio Fly, and look for his solo bass album in the near future. Here's the flow for this episode:  Part 1 - Bay Area Years Part 2 - Technique Part 3 - Gear and Advice  Check out more jazz artists on the podcast at contrabassconversations.com/jazz. Contrabass Conversations is sponsored by: The Upton Bass String Instrument Company. Upton’s Bostonian was conceived at the 2009 International Society of Double Bassists convention at State College, Pennsylvania, while world-renowned jazz bassist and Professor of Jazz Studies at the University of North Texas, Lynn Seaton and Upton Bass String Instrument Co. President and Founder, Gary Upton Birkhamshaw were playing and discussing the various instruments Upton Bass had created for the convention. They started with a blank sheet of paper, and together began jotting down Lynn’s preferences and suggestion with each model. The result was a rough outline of what would become the UB Bostonian Concert Double Bass. A440 Violin Shop - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Bass Violin Shop -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Check out what people are saying about the Bass Violin Shop on Facebook. Subscribe to the podcast to get these interviews delivered to you automatically!

Being able to sit down with outstanding artists and thinkers like <a href="http://larrygrenadier.com/" rel="noopener nofollow" target="_blank">Larry Grenadier</a> is one of the true pleasures of doing this podcast. Larry is a longtime member of the <a href="http://www.bradmehldau.com/" rel="noopener nofollow" target="_blank">Brad Mehldau</a> Trio and <a href="http://www.patmetheny.com/" rel="noopener nofollow" target="_blank">Pat Metheny</a>'s group, and has recorded with Paul Motian, Charles Lloyd, Enrico Rava, Danilo Perez, Chris Potter, Joshua Redman, Kurt Rosenwinkel, and many others. I had the chance to check out Larry's mesmerizing headlining concert at the <a href="http://contrabassconversations.com/isb" rel="nofollow" target="_blank">2017 International Society of Bassists Convention</a>, and I'm so thankful that we were able to catch up for this podcast!  Check out <a href="https://www.facebook.com/Larry-Grenadier-461964190585123/" rel="noopener nofollow" target="_blank">Larry on Facebook</a> as well as his own trio <a href="https://www.facebook.com/FLY-Trio-121007407967902/" rel="noopener nofollow" target="_blank">Fly</a>, and look for his solo bass album in the near future. Here's the flow for this episode: <ul> <li>Part 1 - Bay Area Years</li> <li>Part 2 - Technique</li> <li>Part 3 - Gear and Advice</li> </ul> Check out more jazz artists on the podcast at <a href="http://contrabassconversations.com/jazz" rel="nofollow" target="_blank">contrabassconversations.com/jazz</a>. Contrabass Conversations is sponsored by: The <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Upton Bass String Instrument Company</a>. Upton’s <a href="https://uptonbass.com/instruments/the-upton-bass-double-basses/the-bostonian/" rel="noopener nofollow" target="_blank">Bostonian</a> was conceived at the 2009 International Society of Double Bassists convention at State College, Pennsylvania, while world-renowned jazz bassist and Professor of Jazz Studies at the University of North Texas, Lynn Seaton and Upton Bass String Instrument Co. President and Founder, Gary Upton Birkhamshaw were playing and discussing the various instruments Upton Bass had created for the convention. They started with a blank sheet of paper, and together began jotting down Lynn’s preferences and suggestion with each model. The result was a rough outline of what would become the UB Bostonian Concert Double Bass. <a href="http://contrabassconversations.com/a440" rel="noopener nofollow" target="_blank">A440 Violin Shop</a> - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. <a href="http://contrabassconversations.com/bassviolinshop" rel="noopener nofollow" target="_blank">Bass Violin Shop</a> -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="https://www.facebook.com/BassViolinShop/reviews/" rel="noopener nofollow" target="_blank">Check out what people are saying about the Bass Violin Shop on Facebook</a>. <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

386: Larry Grenadier on sound, technique, and fluidity

Lauren Pierce

Lauren Pierce has been a guest on the podcast many times in the past.  She’s a great friend and is constantly looking for new ways to help bass players learn ket concepts. Lauren has just come out with a  Left Hand Technique course through Discover Double Bass.  Talk about a big concept to tackle!  Lauren has done a magnificent job laying out a logical sequence of major concepts for the left hand. We talk about being efficient in the left hand, curved fingers, starting at the heel block, avoiding tension, the “Death Grip,” and much more in this fun and energetic conversation! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson &amp; Sons Violins For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

<a href="http://www.laurenpiercebass.com/" rel="nofollow" target="_blank">Lauren Pierce</a> has been a guest on the podcast many times in the past.  She’s a great friend and is constantly looking for new ways to help bass players learn ket concepts. Lauren has just come out with a <a href="https://courses.discoverdoublebass.com/p/double-bass-left-hand-technique/" rel="nofollow" target="_blank"> Left Hand Technique course</a> through <a href="https://discoverdoublebass.com/" rel="nofollow" target="_blank">Discover Double Bass</a>.  Talk about a big concept to tackle!  Lauren has done a magnificent job laying out a logical sequence of major concepts for the left hand. We talk about being efficient in the left hand, curved fingers, starting at the heel block, avoiding tension, the “Death Grip,” and much more in this fun and energetic conversation! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/robertson" rel="nofollow" target="_blank">Robertson &amp; Sons Violins</a> For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario3" rel="nofollow" target="_blank">Helicore strings</a>, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

456: Left Hand Technique with Lauren Pierce 

Today’s episode is a deep dive into the concept of abstract technique—what we work on each and every day on the instrument, both to stay in shape technically and keep moving forward in terms of skill. Resources covered:  The Talent Code Max Dimoff’s technique exercises (scroll down to the ‘Technique’ section) Galamian Technique book with bowing and rhythmic variations that Max references Michael Klinghoffer's Drive a Double Bass technique book Diana Gannett's website (great technique resource) Jeff Bradetich technique videos  Past compilation episodes:  Fitness and Healthy Living Winning the Audition  Past Guests Quoted:  Cleveland Orchestra principal bassist Max Dimoff Houston Symphony principal bassist Robin Kesselman Indiana University bass professor Kurt Muroki Los Angeles Philharmonic bassist Jory Herman former Academy of St Martin in the Fields principal bassist Leon Bosch National Symphony bassist Ira Gold Lyric Opera of Chicago bassist Andrew Anderson University of Michigan professor emeritus Diana Gannett Chicago Symphony bassist Michael Hovnanian MET Orchestra percussionist Rob Knopper Butler University bass professor David Murray University of North Texas bass professor Jeff Bradetich Jerusalem Academy of Music faculty member Michael Klinghoffer New York Philharmonic bassist David Grossman Cincinnati Symphony principal bassist Owen Lee Berlin Philharmonic principal bassist Matthew McDonald University of Illinois professor Larry Gray Ithaca College bass professor Nicholas Walker  Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at contrabassconversations.com/strings! This episode is also brought to you by Rosin Saver, a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. Rosin Saver is used by members of the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, and many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from rosinsaver.com. Subscribe to the podcast to get these interviews delivered to you automatically!

Today’s episode is a deep dive into the concept of abstract technique—what we work on each and every day on the instrument, both to stay in shape technically and keep moving forward in terms of skill. Resources covered: <ul> <li><a href="http://amzn.to/2q4l89W" rel="noopener nofollow" target="_blank">The Talent Code</a></li> <li><a href="http://doublebassblog.org/features/downloads-2" rel="noopener nofollow" target="_blank">Max Dimoff’s technique exercises</a> (scroll down to the ‘Technique’ section)</li> <li><a href="http://amzn.to/2pa74OS" rel="noopener nofollow" target="_blank">Galamian Technique book</a> with bowing and rhythmic variations that Max references</li> <li>Michael Klinghoffer's <a href="http://www.driveadoublebass.com/" rel="noopener nofollow" target="_blank">Drive a Double Bass</a> technique book</li> <li><a href="http://drgannett.com/" rel="noopener nofollow" target="_blank">Diana Gannett's website</a> (great technique resource)</li> <li><a href="https://www.youtube.com/playlist?list=PLC132045FAD598EF3" rel="noopener nofollow" target="_blank">Jeff Bradetich technique videos</a></li> </ul> Past compilation episodes: <ul> <li><a href="http://contrabassconversations.com/2016/12/02/281-radio-hour-fitness-healthy-living/" rel="noopener nofollow" target="_blank">Fitness and Healthy Living</a></li> <li><a href="http://contrabassconversations.com/winning-audition-complete-series/" rel="noopener nofollow" target="_blank">Winning the Audition</a></li> </ul> Past Guests Quoted: <ul> <li>Cleveland Orchestra principal bassist <a href="http://contrabassconversations.com/2009/03/14/cbc-112-max-dimoff-interview-2/" rel="noopener nofollow" target="_blank">Max Dimoff</a></li> <li>Houston Symphony principal bassist <a href="http://contrabassconversations.com/2016/05/23/cbc-215-robin-kesselman-audition-strategies-injury-recovery-bow-arm-practicing/" rel="noopener nofollow" target="_blank">Robin Kesselman</a></li> <li>Indiana University bass professor <a href="http://contrabassconversations.com/2015/11/16/cbc-163-kurt-muroki-interview/" rel="noopener nofollow" target="_blank">Kurt Muroki</a></li> <li>Los Angeles Philharmonic bassist <a href="http://contrabassconversations.com/2016/07/21/cbc-232-jory-herman-community-engagement-balance-resonant-churches/" rel="noopener nofollow" target="_blank">Jory Herman</a></li> <li>former Academy of St Martin in the Fields principal bassist <a href="http://contrabassconversations.com/2016/05/16/cbc-213-leon-bosch-the-sherlock-holmes-of-the-double-bass/" rel="noopener nofollow" target="_blank">Leon Bosch</a></li> <li>National Symphony bassist <a href="http://contrabassconversations.com/2016/03/31/cbc-201-ira-gold-on-bow-strokes-musical-curiosity-and-practicing-techniques/" rel="noopener nofollow" target="_blank">Ira Gold</a></li> <li>Lyric Opera of Chicago bassist <a href="http://contrabassconversations.com/2007/01/21/cbc-4-a-anderson-interview/" rel="noopener nofollow" target="_blank">Andrew Anderson</a></li> <li>University of Michigan professor emeritus <a href="http://contrabassconversations.com/2016/09/12/250-diana-gannett-musical-journey/" rel="noopener nofollow" target="_blank">Diana Gannett</a></li> <li>Chicago Symphony bassist <a href="http://contrabassconversations.com/2007/06/10/cbc-24-m-hovnanian-interview/" rel="noopener nofollow" target="_blank">Michael Hovnanian</a></li> <li>MET Orchestra percussionist <a href="http://contrabassconversations.com/2016/10/17/261-rob-knopper-auditionhacker/" rel="noopener nofollow" target="_blank">Rob Knopper</a></li> <li>Butler University bass professor <a href="http://contrabassconversations.com/2016/02/29/cbc-191-david-murray-on-the-karr-sound-bow-technique-and-the-spirit-of-koussevitzky/" rel="noopener nofollow" target="_blank">David Murray</a></li> <li>University of North Texas bass professor <a href="http://contrabassconversations.com/2016/02/24/cbc-189-barry-green-and-jeff-bradetich-on-the-annas-promise-project/" rel="noopener nofollow" target="_blank">Jeff Bradetich</a></li> <li>Jerusalem Academy of Music faculty member <a href="http://contrabassconversations.com/2016/03/02/cbc-192-michael-klinghoffer-on-driving-a-double-bass-how-not-to-hold-the-bow-and-directions-in-education/" rel="noopener nofollow" target="_blank">Michael Klinghoffer</a></li> <li>New York Philharmonic bassist <a href="http://contrabassconversations.com/2009/10/03/cbc-141-david-grossman-interview/" rel="noopener nofollow" target="_blank">David Grossman</a></li> <li>Cincinnati Symphony principal bassist <a href="http://contrabassconversations.com/2008/02/23/cbc-66-owen-lee-interview-and-music-2/" rel="noopener nofollow" target="_blank">Owen Lee</a></li> <li>Berlin Philharmonic principal bassist <a href="http://contrabassconversations.com/2016/08/04/cbc-236-matthew-mcdonald-resonance-bow-distribution-mindset/" rel="noopener nofollow" target="_blank">Matthew McDonald</a></li> <li>University of Illinois professor <a href="http://contrabassconversations.com/2015/12/07/cbc-166-larry-gray-interview/" rel="noopener nofollow" target="_blank">Larry Gray</a></li> <li>Ithaca College bass professor <a href="http://contrabassconversations.com/2016/06/27/cbc-225-nicholas-walker-musical-influences-performing-domaine-forget/" rel="noopener nofollow" target="_blank">Nicholas Walker</a></li> </ul> Thanks to our sponsors! This episode is brought to you by <a href="http://contrabassconversations.com/daddario1" rel="noopener nofollow" target="_blank">D’Addario Strings</a>! Check out their <a href="http://contrabassconversations.com/daddario4" rel="noopener nofollow" target="_blank">Kaplan strings</a>, which have versatility and control throughout the dynamic spectrum, rich tonal color palette, superb bow response, and beautiful balance. Enter our latest string giveaway for Kaplan strings at <a href="http://contrabassconversations.com/strings" rel="noopener nofollow" target="_blank">contrabassconversations.com/strings</a>! This episode is also brought to you by <a href="http://contrabassconversations.com/rosinsaver" rel="noopener nofollow" target="_blank">Rosin Saver</a>, a revolutionary storage device that keeps bass rosin feeling as fresh as the day it was made. Rosin Saver is used by members of the New York Philharmonic, the MET orchestra, the Los Angles Philharmonic, the Cleveland Orchestra, the Seattle Symphony, and many others. Use the promo code 'HEATH' at checkout for 10% off any and all orders from <a href="http://contrabassconversations.com/rosinsaver" rel="noopener nofollow" target="_blank">rosinsaver.com</a>. <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

336: Practicing Technique - Advice from the Masters

We’re chatting today with Killer Walking Bass co-author and Mike Stern band member Teymur Phell! About Teymur Phell: ​" Unbelievable bass player, both electric and upright… Great feel, amazing soloist, love playing with him! " - Mike Stern " A virtuoso, incredible musician! " - Arturo Sandoval Teymur is a virtuoso bassist, proficient in classical, upright jazz and electric bass styles. He graduated with honors from the Jerusalem Academy of Music, where he studied with bass professor Dr. Michael Klinghoffer. In 2010, Teymur moved to New York City and quickly became a sought-after bassist. He’s performed with Mike Stern, Arturo Sandoval, Vic Juris, Oz Noy, Lafayette Harris, and others. Mike Stern says Teymur is an “unbelievable bassist and incredible musician. He’s mastered the art of walking with an amazing feel. Teymur really walks his ass off!” Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson &amp; Sons Violins For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. D'Addario Strings Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

We’re chatting today with <a href="https://killerwalkingbass.com/" rel="nofollow" target="_blank">Killer Walking Bass</a> co-author and Mike Stern band member <a href="https://www.teymurphell.com/" rel="nofollow" target="_blank">Teymur Phell</a>! About Teymur Phell: ​" Unbelievable bass player, both electric and upright… Great feel, amazing soloist, love playing with him! " - Mike Stern " A virtuoso, incredible musician! " - Arturo Sandoval Teymur is a virtuoso bassist, proficient in classical, upright jazz and electric bass styles. He graduated with honors from the Jerusalem Academy of Music, where he studied with bass professor Dr. Michael Klinghoffer. In 2010, Teymur moved to New York City and quickly became a sought-after bassist. He’s performed with Mike Stern, Arturo Sandoval, Vic Juris, Oz Noy, Lafayette Harris, and others. Mike Stern says Teymur is an “unbelievable bassist and incredible musician. He’s mastered the art of walking with an amazing feel. Teymur really walks his ass off!” <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/robertson" rel="nofollow" target="_blank">Robertson &amp; Sons Violins</a> For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

450: Teymur Phell on Killer Walking Bass

David Allen

When I got the podcast going again in 2015, I knew that I wanted to do "round two" interviews with past guests. Los Angeles Philharmonic bassist and USC Thornton School of Music professor David Allen Moore was at the top of my list. I had David on the show back in 2009, which has been one of the most popular interviews from the first-generation podcast episodes (nearly 14,000 downloads at the moment). A lot has changed for David since we last spoke:  He took a sabbatical and, after analyzing Edgar Meyer's technique, developed the concept of fractal fingerings. He wrote a book on Fractal Fingerings. He became an ultra-marathon runner.  Several of my former students have studied with David over the years.  When I asked them who had the biggest impact on them as a musician and as a person, David was the first person they mentioned. I headed down to Los Angeles and we met up at his USC studio. Here's a shot of us along with bassists Fernando de la Fuente and Dan Carson (another former student of mine!). We dig into all kinds of topics, including:  building an internal map how bass pedagogy is still catching up to reality analyzing Edgar Meyer's bass playing the concept of framing Rabbath's approach and the German bow how practicing is a creative process how running changed David's approach to various aspects of life fractal fingering peak performance raising your floor as well as your ceiling reveling in your successes  ...and much more! Links to check out:  David's previous podcast appearance Videos on Musaic (New World Symphony's great service)  Bowing exercises for clear sound and articulation Building a technical and musical foundation Learning a new piece of music Organizing practice habits and learning how to learn   Domaine Forget (David teaches there in the summer) David's LA Phil page David's USC page  Subscribe to the podcast to get these interviews delivered to your inbox! Learn how you can support the show at contrabassconversations.com/support Thanks to our sponsor! This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Enter the D’Addario strings giveaway for Contrabass Conversations listeners at contrabassconversations.com/strings!

When I got the podcast going again in 2015, I knew that I wanted to do "round two" interviews with past guests. <a href="http://www.laphil.com/philpedia/david-allen-moore" rel="noopener nofollow" target="_blank">Los Angeles Philharmonic bassist</a> and <a href="https://music.usc.edu/david-allen-moore/" rel="noopener nofollow" target="_blank">USC Thornton School of Music professor</a> <a href="http://www.laphil.com/philpedia/david-allen-moore" rel="noopener nofollow" target="_blank">David Allen Moore</a> was at the top of my list. <a href="http://contrabassconversations.com/2009/07/18/cbc-128-david-allen-moore-interview/" rel="noopener nofollow" target="_blank">I had David on the show back in 2009</a>, which has been one of the most popular interviews from the first-generation podcast episodes (nearly 14,000 downloads at the moment). A lot has changed for David since we last spoke: <ul> <li>He took a sabbatical and, after analyzing Edgar Meyer's technique, developed the concept of fractal fingerings.</li> <li>He wrote a book on Fractal Fingerings.</li> <li>He became an ultra-marathon runner.</li> </ul> Several of my former students have studied with David over the years.  When I asked them who had the biggest impact on them as a musician and as a person, David was the first person they mentioned. I headed down to Los Angeles and we met up at his USC studio. <a href="https://www.facebook.com/photo.php?fbid=10157737956810284&amp;set=a.55433290283.130656.777035283&amp;type=3&amp;theater" rel="noopener nofollow" target="_blank">Here's a shot of us</a> along with bassists <a href="https://www.facebook.com/fernando.fuente" rel="noopener nofollow" target="_blank">Fernando de la Fuente</a> and <a href="https://www.facebook.com/dbrcarson" rel="noopener nofollow" target="_blank">Dan Carson</a> (another former student of mine!). We dig into all kinds of topics, including: <ul> <li>building an internal map</li> <li>how bass pedagogy is still catching up to reality</li> <li>analyzing Edgar Meyer's bass playing</li> <li>the concept of framing</li> <li>Rabbath's approach and the German bow</li> <li>how practicing is a creative process</li> <li>how running changed David's approach to various aspects of life</li> <li>fractal fingering</li> <li>peak performance</li> <li>raising your floor as well as your ceiling</li> <li>reveling in your successes</li> </ul> ...and much more! Links to check out: <ul> <li><a href="http://contrabassconversations.com/2015/11/09/cbc-162-david-allen-moore-interview-from-the-archives/" rel="noopener nofollow" target="_blank">David's previous podcast appearance</a></li> <li>Videos on Musaic (New World Symphony's great service) <ul> <li><a href="http://musaic.nws.edu/videos/bowing-exercises-for-clear-sound-and-articulation" rel="noopener nofollow" target="_blank">Bowing exercises for clear sound and articulation</a></li> <li><a href="http://musaic.nws.edu/videos/building-a-technical-and-musical-foundation" rel="noopener nofollow" target="_blank">Building a technical and musical foundation</a></li> <li><a href="http://musaic.nws.edu/videos/learning-a-new-piece-of-music" rel="noopener nofollow" target="_blank">Learning a new piece of music</a></li> <li><a href="http://musaic.nws.edu/videos/organizing-practice-habits-and-learning-how-to-lear" rel="noopener nofollow" target="_blank">Organizing practice habits and learning how to learn</a></li> </ul> </li> <li><a href="http://domaineforget.com/" rel="noopener nofollow" target="_blank">Domaine Forget</a> (David teaches there in the summer)</li> <li><a href="http://www.laphil.com/philpedia/david-allen-moore" rel="noopener nofollow" target="_blank">David's LA Phil page</a></li> <li><a href="https://music.usc.edu/david-allen-moore/" rel="noopener nofollow" target="_blank">David's USC page</a></li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to your inbox! Learn how you can support the show at <a href="http://contrabassconversations.com/support" rel="nofollow" target="_blank">contrabassconversations.com/support</a> Thanks to our sponsor! This episode is brought to you by <a href="http://contrabassconversations.com/daddario1" rel="noopener nofollow" target="_blank">D’Addario Strings</a>! Check out their <a href="http://contrabassconversations.com/daddario2" rel="noopener nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Enter the D’Addario strings giveaway for Contrabass Conversations listeners at <a href="http://contrabassconversations.com/strings" rel="noopener nofollow" target="_blank">contrabassconversations.com/strings</a>!

279: Round Two with David Allen Moore

Lizzie Burns

It was a pleasure chatting with  Lizzie Burns about the fascinating career that she has carved out for herself in the music world.  Lizzie spent six years studying in Boston while maintaining an active freelance career. She was a founding member of Phoenix and the Pianosofia Chamber Players; a fellow of Symphony Nova; and has been heard many times in Symphony Hall, Jordan Hall, and at the American Repertory Theater. Lizzie has appeared at Yellow Barn, both as a summer participant and as an artist-in-residence, and has served as principal bass of both the chamber and symphony orchestras at the National Orchestral Institute. We talk about her path toward music school, how Don Palma inspired her to head down the path that she’s now on, advice for people looking to explore a career in chamber music, and much more. We chatted on February 25h for the podcast, and much has changed in the world in the intervening weeks, but I hope that you enjoy taking your mind off of these concerning times with this engaging and thoughtful conversation with Lizzie! I’d also like to thank the sponsors who have supported us over the months and years. If you’d like to help the bass community recover as quickly as possible, consider visiting their site and making a purchase:  D’Addario Strings Upton Bass The Bass Violin Shop Steve Swan String Bass Kolstein Music A440 Violin Shop Modacity 

It was a pleasure chatting with <a href="https://www.carnegiehall.org/Education/Ensemble-Connect/2016-2018-Fellows/Lizzie-Burns" rel="nofollow" target="_blank"> Lizzie Burns</a> about the fascinating career that she has carved out for herself in the music world.  Lizzie spent six years studying in Boston while maintaining an active freelance career. She was a founding member of <a href="http://www.phoenixorch.org/" rel="nofollow" target="_blank">Phoenix</a> and the Pianosofia Chamber Players; a fellow of <a href="http://www.symphonynova.org/" rel="nofollow" target="_blank">Symphony Nova</a>; and has been heard many times in Symphony Hall, Jordan Hall, and at the American Repertory Theater. Lizzie has appeared at <a href="https://www.yellowbarn.org/" rel="nofollow" target="_blank">Yellow Barn</a>, both as a summer participant and as an artist-in-residence, and has served as principal bass of both the chamber and symphony orchestras at the National Orchestral Institute. We talk about her path toward music school, how Don Palma inspired her to head down the path that she’s now on, advice for people looking to explore a career in chamber music, and much more. We chatted on February 25h for the podcast, and much has changed in the world in the intervening weeks, but I hope that you enjoy taking your mind off of these concerning times with this engaging and thoughtful conversation with Lizzie! I’d also like to thank the sponsors who have supported us over the months and years. If you’d like to help the bass community recover as quickly as possible, consider visiting their site and making a purchase: <ul> <li><a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D’Addario Strings</a></li> <li><a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass</a></li> <li><a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">The Bass Violin Shop</a></li> <li><a href="https://steveswanstringbass.com/" rel="nofollow" target="_blank">Steve Swan String Bass</a></li> <li><a href="http://kolstein.com/" rel="nofollow" target="_blank">Kolstein Music</a></li> <li><a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a></li> <li><a href="https://www.modacity.co/" rel="nofollow" target="_blank">Modacity</a></li> </ul>

682: Lizzie Burns on chamber music and community engagement 

Orin O'Brien

Leonard Bernstein

Fred Zimmerman

It is an honor and a pleasure to welcome Orin O'Brien to the show!  I've been hoping to have Orin as a guest for years, and I want to give a big shout-out to Chris Mathers for connecting the two of us! We chat about numerous shared acquaintances, including Greg Sarchet, Miloslov Gajdos, David Grossman, Ira Gold, Ed Barker, Hal Robinson, Max Dimoff, Michael Hovnanian, Douglas Mapp, and Ron Wasserman. More About Orin New York Philharmonic bassist Orin O’Brien was born in Hollywood to parents in the film industry, George O’Brien and Marguerite Churchill, and received her early musical training in Los Angeles, where she studied with Milton Kestenbaum and Herman Reinshagen. She then studied in New York with Frederick Zimmermann and graduated from The Juilliard School, and is an alumna of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. She has been a member of the New York Philharmonic since 1966, where she has played with the world’s leading conductors. She has participated in numerous chamber music festivals, including Marlboro, and in first performances of the Gunther Schuller Quartet for Four Double Basses. She co-chaired the double bass department of The Juilliard School for ten years, and currently serves on the faculties of the Manhattan School of Music and Mannes College of Music. Her most recent chamber music performances were the quintets of Schubert and Dvorak with the Guarneri String Quartet. We dig into a wealth of topics, including:  how Orin came to study with Fred Zimmerman how to play specific excerpts the switch from gut strings to steel strings and the premiere of the Gunther Schuller Quartet (these two events are interlocking) how Orin felt about being the first woman in the NY Phil (the answer will surprise you!) how to really be a good principal player what trips people up in auditions New York in the 50s Herman Reinshagen and the bass lineage of the 20th century the great premieres throughout her career how special Riccardo Muti is as a conductor, and what makes him special - one of the living greats what was special about the musicianship of Carlos Kleiber how a great conductor can use imagery to inspire the orchestra  Links to Check Out:  Double Bass Notebook - amazing book by Orin O'Brien Orin's New York Philharmonic page the Manhattan School of Music double bass program Orin O'Brien Tribute from ISB 2013 (arranged and conducted by Inez Wyrick and narrated by Kristin Korb) Felix Weingartner - On the performance of Beethoven’s Symphonies (PDF) Women in Orchestras panel discussion with Orin - Brooklyn Museum the Miloslav Gajdos video Orin references Corresponding with Carlos: A Biography of Carlos Kleiber  Contrabass Conversations is sponsored by: The Upton Bass String Instrument Company.  Upton's Mittenwald model is a sister to their popular Brescian model.  The contrabasses from the Mittenwald school are characterized by a high-shouldered gamba pattern with outside linings on deep ribs, resulting in a fine orchestral double bass. Our version incorporates all the ergonomic improvements and geometries found in other Upton models, with great flexibility in sizing afforded by the stout German pattern. The gamba pattern, especially when combined with a flat back, allows us to build this instrument in the 5/8ths sizing of the Kloz copy, all the way up to a large 7/8ths pattern built to lift a string section or push a big band. Bass Violin Shop -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

It is an honor and a pleasure to welcome <a href="https://nyphil.org/about-us/artists/orin-o-brien" rel="noopener nofollow" target="_blank">Orin O'Brien</a> to the show!  I've been hoping to have Orin as a guest for years, and I want to give a big shout-out to <a href="https://www.facebook.com/chris.mathers.71" rel="noopener nofollow" target="_blank">Chris Mathers</a> for connecting the two of us! We chat about numerous shared acquaintances, including <a href="http://contrabassconversations.com/2007/08/26/cbc-35-g-sarchet-interview-2/" rel="noopener nofollow" target="_blank">Greg Sarchet</a>, Miloslov Gajdos, <a href="http://contrabassconversations.com/2009/10/03/cbc-141-david-grossman-interview/" rel="noopener nofollow" target="_blank">David Grossman</a>, <a href="http://contrabassconversations.com/iragold" rel="noopener nofollow" target="_blank">Ira Gold</a>, <a href="http://contrabassconversations.com/edbarker" rel="noopener nofollow" target="_blank">Ed Barker</a>, Hal Robinson, <a href="http://contrabassconversations.com/2009/03/14/cbc-112-max-dimoff-interview-2/" rel="noopener nofollow" target="_blank">Max Dimoff</a>, <a href="http://contrabassconversations.com/2007/06/10/cbc-24-m-hovnanian-interview/" rel="noopener nofollow" target="_blank">Michael Hovnanian</a>, <a href="http://contrabassconversations.com/2016/02/01/cbc-179-douglas-mapp-interview/" rel="noopener nofollow" target="_blank">Douglas Mapp</a>, and Ron Wasserman. More About Orin New York Philharmonic bassist Orin O’Brien was born in Hollywood to parents in the film industry, George O’Brien and Marguerite Churchill, and received her early musical training in Los Angeles, where she studied with Milton Kestenbaum and Herman Reinshagen. She then studied in New York with Frederick Zimmermann and graduated from The Juilliard School, and is an alumna of the Music Academy of the West, now a partner in the New York Philharmonic Global Academy. She has been a member of the New York Philharmonic since 1966, where she has played with the world’s leading conductors. She has participated in numerous chamber music festivals, including Marlboro, and in first performances of the Gunther Schuller Quartet for Four Double Basses. She co-chaired the double bass department of The Juilliard School for ten years, and currently serves on the faculties of the Manhattan School of Music and Mannes College of Music. Her most recent chamber music performances were the quintets of Schubert and Dvorak with the Guarneri String Quartet. We dig into a wealth of topics, including: <ul> <li>how Orin came to study with Fred Zimmerman</li> <li>how to play specific excerpts</li> <li>the switch from gut strings to steel strings and the premiere of the Gunther Schuller Quartet (these two events are interlocking)</li> <li>how Orin felt about being the first woman in the NY Phil (the answer will surprise you!)</li> <li>how to really be a good principal player</li> <li>what trips people up in auditions</li> <li>New York in the 50s</li> <li>Herman Reinshagen and the bass lineage of the 20th century the great premieres throughout her career</li> <li>how special Riccardo Muti is as a conductor, and what makes him special - one of the living greats</li> <li>what was special about the musicianship of Carlos Kleiber</li> <li>how a great conductor can use imagery to inspire the orchestra</li> </ul> Links to Check Out: <ul> <li><a href="http://amzn.to/2wmTrAy" rel="noopener nofollow" target="_blank">Double Bass Notebook</a> - amazing book by Orin O'Brien</li> <li><a href="https://nyphil.org/about-us/artists/orin-o-brien" rel="noopener nofollow" target="_blank">Orin's New York Philharmonic page</a></li> <li><a href="http://doublebassblog.org/colleges/new-york/manhattan-school-music" rel="noopener nofollow" target="_blank">the Manhattan School of Music double bass program</a></li> <li><a href="https://www.youtube.com/watch?v=bu8FxVeXkN0" rel="noopener nofollow" target="_blank">Orin O'Brien Tribute from ISB 2013</a> (arranged and conducted by <a href="http://contrabassconversations.com/2016/03/07/cbc-194-inez-wyrick-interview-on-911-bass-teaching-creating-artists-and-teaching-the-whole-fingerboard/" rel="noopener nofollow" target="_blank">Inez Wyrick</a> and narrated by <a href="http://contrabassconversations.com/2008/05/17/cbc-79-kristin-korb-interview/" rel="noopener nofollow" target="_blank">Kristin Korb</a>)</li> <li><a href="https://ia802704.us.archive.org/34/items/onperformanceof00wein/onperformanceof00wein_bw.pdf" rel="noopener nofollow" target="_blank">Felix Weingartner - On the performance of Beethoven’s Symphonies</a> (PDF)</li> <li><a href="https://www.youtube.com/watch?v=BAkUAWkUQJA" rel="noopener nofollow" target="_blank">Women in Orchestras panel discussion with Orin</a> - Brooklyn Museum</li> <li><a href="https://www.youtube.com/watch?v=SKZghKZSvNY" rel="noopener nofollow" target="_blank">the Miloslav Gajdos video Orin references</a></li> <li><a href="http://amzn.to/2hbL5Bg" rel="noopener nofollow" target="_blank">Corresponding with Carlos: A Biography of Carlos Kleiber</a></li> </ul> Contrabass Conversations is sponsored by: The <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Upton Bass String Instrument Company</a>.  Upton's <a href="https://uptonbass.com/instruments/the-upton-bass-double-basses/the-mittenwald/" rel="noopener nofollow" target="_blank">Mittenwald</a> model is a sister to their popular Brescian model.  The contrabasses from the Mittenwald school are characterized by a high-shouldered gamba pattern with outside linings on deep ribs, resulting in a fine orchestral double bass. Our version incorporates all the ergonomic improvements and geometries found in other Upton models, with great flexibility in sizing afforded by the stout German pattern. The gamba pattern, especially when combined with a flat back, allows us to build this instrument in the 5/8ths sizing of the Kloz copy, all the way up to a large 7/8ths pattern built to lift a string section or push a big band. <a href="http://contrabassconversations.com/bassviolinshop" rel="noopener nofollow" target="_blank">Bass Violin Shop</a> -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

396: Orin O'Brien on Leonard Bernstein, Fred Zimmerman, and life in the New York Philharmonic

Chuck Israels

Bill Evans

I had the opportunity to spend some time with Chuck Israels during my recent trip to Portland, Oregon.  In fact, we even took a trip together to visit Seth Kimmel’s shop in Eugene! Both  Chuck and Seth are past podcast guests, and I thought that a rebroadcast of my conversation with Chuck was in order.  Chuck and I dig into a wide range of topics, including:  meeting Charlie Mingus playing with Bill Evans Bill’s use of rhythm the importance of having concrete and specific role models Balinese wood carving not creating your own artistic world without the traditions that preceded you the perils of the “parallel case” commonalities among how great artists approach their craft    Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

I had the opportunity to spend some time with <a href="http://www.chuckisraelsjazz.com/" rel="nofollow" target="_blank">Chuck Israels</a> during my recent trip to Portland, Oregon.  In fact, we even took a trip together to visit <a href="https://www.sethkimmel.com/" rel="nofollow" target="_blank">Seth Kimmel</a>’s shop in Eugene! Both <a href="http://contrabassconversations.com/2016/04/04/cbc-202-chuck-israels-on-rhythm-amplification-and-jazz-education/" rel="nofollow" target="_blank"> Chuck</a> and <a href="http://contrabassconversations.com/2017/07/27/seth-kimmel/" rel="nofollow" target="_blank">Seth</a> are past podcast guests, and I thought that a rebroadcast of my conversation with Chuck was in order.  Chuck and I dig into a wide range of topics, including: <ul> <li>meeting Charlie Mingus</li> <li>playing with Bill Evans</li> <li>Bill’s use of rhythm</li> <li>the importance of having concrete and specific role models</li> <li>Balinese wood carving</li> <li>not creating your own artistic world without the traditions that preceded you</li> <li>the perils of the “parallel case”</li> <li>commonalities among how great artists approach their craft</li> </ul> <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario3" rel="nofollow" target="_blank">Helicore strings</a>, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

467: Chuck Israels on Bill Evans and a life in music 

Victor Wooten

Today’s special episode is Mike Forfia's conversation with Victor Wooten.  An edited version of this conversation appeared in the June 2018 edition of Bass World magazine from the International Society of Bassists.  Enjoy, and be sure to join the ISB if you're not a member already!

Today’s special episode is <a href="https://www.mikeforfia.com/" rel="nofollow" target="_blank">Mike Forfia</a>'s conversation with <a href="https://www.victorwooten.com/" rel="noopener nofollow" target="_blank">Victor Wooten</a>.  An edited version of this conversation appeared in the June 2018 edition of <a href="https://www.isbworldoffice.com/bass-world.asp" rel="noopener nofollow" target="_blank">Bass World</a> magazine from the <a href="http://isbworldoffice.com/" rel="noopener nofollow" target="_blank">International Society of Bassists</a>.  Enjoy, and be sure to <a href="https://www.isbworldoffice.com/join.asp" rel="noopener nofollow" target="_blank">join the ISB</a> if you're not a member already!

495: Victor Wooten

This year’s Winter Olympics inspired podcast listener Steven Bingham to write in the following topic request: “If I could suggest a future podcast topic, it would be "performance psychology" with a bassist or other musician who also is a subject matter expert, for example, a university teacher or researcher. Watching the Winter Olympics reminds me of what human beings are capable of achieving when their mind is made up and their body coached up to do it.” I  put this question out on Facebook and got some great responses, so I decided to take these responses and roll them together with some performance psychology-related conversations from these past guests:   Dr. Don Greene - Performance Coach Paul Ellison - Rice University  Ian Hallas - Lyric Opera of Chicago  David Allen Moore - Los Angeles Philharmonic and University of Southern California Andy Raciti - Northwestern University and Milwaukee Symphony Karl Fenner - Atlanta Symphony  These topics were also covered in my Winning the Audition book and podcast series. Let me know if you have any other tops-specific episodes like this that you’d like to hear! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Kaplan strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and are great for all kind os styles of music.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

This year’s Winter Olympics inspired podcast listener Steven Bingham to write in the following topic request: “If I could suggest a future podcast topic, it would be "performance psychology" with a bassist or other musician who also is a subject matter expert, for example, a university teacher or researcher. Watching the Winter Olympics reminds me of what human beings are capable of achieving when their mind is made up and their body coached up to do it.” I <a href="https://www.facebook.com/groups/contrabassconversations/permalink/10156858936058265/" rel="nofollow" target="_blank"> put this question out on Facebook</a> and got some great responses, so I decided to take these responses and roll them together with some performance psychology-related conversations from these past guests: <ul> <li><a href="http://contrabassconversations.com/2017/05/04/339-dr-don-greene-peak-performance/" rel="nofollow" target="_blank"> Dr. Don Greene</a> - Performance Coach</li> <li><a href="http://contrabassconversations.com/paul" rel="nofollow" target="_blank">Paul Ellison</a> - Rice University</li> <li><a href="http://contrabassconversations.com/2016/02/04/cbc-180-audition-winner-ian-hallas-lyric-opera-of-chicago/" rel="nofollow" target="_blank"> Ian Hallas</a> - Lyric Opera of Chicago</li> <li><a href="http://contrabassconversations.com/2016/11/28/279-round-two-david-allen-moore/" rel="nofollow" target="_blank"> David Allen Moore</a> - Los Angeles Philharmonic and University of Southern California</li> <li>Andy Raciti - Northwestern University and Milwaukee Symphony</li> <li>Karl Fenner - Atlanta Symphony</li> </ul> These topics were also covered in my <a href="http://winningtheaudition.net" rel="nofollow" target="_blank">Winning the Audition</a> book and podcast series. Let me know if you have any other tops-specific episodes like this that you’d like to hear! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario3" rel="nofollow" target="_blank">Kaplan strings</a>, which are are designed, engineered, and crafted at the D’Addario string factory in New York and are great for all kind os styles of music. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

463: The Mental Game 

Stephanie Patterson

 Stephanie Patterson specializes in teaching adult learners.  After playing professionally for a period of time, she developed an overuse injury and had to leave her symphonic career. Her teaching career began by accident about 10 years ago when her former hairdresser wanted to learn to play bass to do rockabilly.  Around the same time, she began corresponding with New York Philharmonic bassist and Manhattan School of Music bass faculty member  Orin O’Brien.  Through her own experiences and advice from Orin, Stephanie has developed a teaching philosophy specifically tailored for adult learners. We dig into the details surrounding this journey in this episode.  If this resonates with you and you’d like to learn more, you can reach out to Stephanie via email. Contrabass Conversations is sponsored by: D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Texas Hill Country Bass Collective Join them July 22 thru July 25 for our 6th annual Austin Bass Workshop at the amazing Westlake High School.  Come join friends from the Texas Hill Country Bass Collective for four days of music, bass, and fun and work with 2019 featured guest artist (and past Contrabass Conversations guest) Dennis Whittaker!   Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion Krista Kopper, archival and cataloging  Subscribe to the podcast to get these interviews delivered to you automatically!

<a href="https://lessons.com/pa/philadelphia/music-theory-lessons/stephanie-patterson-double-bass-lessons" rel="nofollow" target="_blank"> Stephanie Patterson</a> specializes in teaching adult learners.  After playing professionally for a period of time, she developed an overuse injury and had to leave her symphonic career. Her teaching career began by accident about 10 years ago when her former hairdresser wanted to learn to play bass to do rockabilly.  Around the same time, she began corresponding with New York Philharmonic bassist and Manhattan School of Music bass faculty member <a href="https://contrabassconversations.com/2017/09/18/orin-obrien-leonard-bernstein-fred-zimmerman-life-new-york-philharmonic/" rel="nofollow" target="_blank"> Orin O’Brien</a>.  Through her own experiences and advice from Orin, Stephanie has developed a teaching philosophy specifically tailored for adult learners. We dig into the details surrounding this journey in this episode.  If this resonates with you and you’d like to learn more, you can <a href="mailto:sdoddpat1@gmail.com">reach out to Stephanie via email</a>. Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">The Bass Violin Shop</a> The <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">Bass Violin Shop</a> offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="http://www.texashillcountrybasscollective.com/" rel="nofollow" target="_blank">Texas Hill Country Bass Collective</a> Join them July 22 thru July 25 for our 6th annual Austin Bass Workshop at the amazing Westlake High School.  Come join friends from the Texas Hill Country Bass Collective for four days of music, bass, and fun and work with 2019 featured guest artist (and past Contrabass Conversations guest) Dennis Whittaker! <a href="http://kolstein.com/" rel="nofollow" target="_blank">Kolstein Music</a> The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. <a href="https://steveswanstringbass.com/" rel="nofollow" target="_blank">Steve Swan String Bass</a> Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> <li>Krista Kopper, archival and cataloging</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

597: Stephanie Patterson on adult learners

Chris West

Former Guildhall Strings solo double bassist  Chris West has built a tremendous resource for learning thumb position, and he’s finally unleashed it upon the world.  Titled  Reaching the Heights - Thumb Position on the Double Bass, it’s chock full of useful exercises and pieces that will have you navigating the upper reaches fo the fingerboard in no time.   Chris and I dig into all kinds of cool concepts in this conversation, including the myelination process detailed in Daniel Coyle’s book The Talent Code, the “secret spacing” that makes navigating thumb position much easier, and many other topics.   Chris is a great guy, and this book is a great read.  Be sure to  pick up a copy!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion  Subscribe to the podcast to get these interviews delivered to you automatically!

Former Guildhall Strings solo double bassist <a href="https://www.trinitylaban.ac.uk/study/teaching-staff/christopher-west" rel="nofollow" target="_blank"> Chris West</a> has built a tremendous resource for learning thumb position, and he’s finally unleashed it upon the world.  Titled <a href="https://www.amazon.com/Reaching-Heights-Thumb-Position-Double-ebook/dp/B079VRBHLV" rel="nofollow" target="_blank"> Reaching the Heights - Thumb Position on the Double Bass</a>, it’s chock full of useful exercises and pieces that will have you navigating the upper reaches fo the fingerboard in no time. Chris and I dig into all kinds of cool concepts in this conversation, including the myelination process detailed in Daniel Coyle’s book <a href="https://amzn.to/2qcuPo6" rel="nofollow" target="_blank">The Talent Code</a>, the “secret spacing” that makes navigating thumb position much easier, and many other topics. Chris is a great guy, and this book is a great read.  Be sure to <a href="https://www.amazon.com/Reaching-Heights-Thumb-Position-Double-ebook/dp/B079VRBHLV" rel="nofollow" target="_blank"> pick up a copy</a>! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

476: Chris West on thumb position

Charles Chandler

It has been such a pleasure getting to know Charles Chandler since moving to San Francisco!  In addition to playing in the San Francisco Symphony, Charles teaches at the San Francisco Academy Orchestra and is an active soloist and chamber musician.  He is actively involved with the Golden Gate Bass Camp and other Bay Area double bass events and is a champion of new and previously undiscovered works for the double bass. More About Charles: Bassist Charles Chandler has been a member of the San Francisco Symphony since 1992. Prior to his current position, he was Associate Principal Bass and Soloist with the Phoenix Symphony. He also served as Principal Bass of the Carmel Bach Festival Orchestra and the New York 20th Century Chamber Players. His primary teachers were Shinji Eshima of the San Francisco Opera Orchestra and David Walter at the Juilliard School. His numerous honors and awards include the San Francisco Symphony Pepsi Cola Young Musician Award, the Pittenger Scholarship, the Irving Klein Scholarship, and first prize in the A.S.T.A. National String Competition. Upon receiving his Bachelor of Music degree from Juilliard in 1987, Charles Chandler was selected to perform as a member of the Schleswig-Holstein Musik Festival under the direction of Leonard Bernstein. Playing with Marin Symphony, he has enjoyed performing with his wife Van, a violinist. He also performs at the Music@Menlo Festival and Chamber Music Sundaes series and frequently records at Skywalker Ranch. Mr. Chandler resides in San Francisco with his wife and their daughter Julie. When not playing on his 1750 double bass made by the Venetian luthier, Domenico Busan, he enjoys organic gardening, bicycling, hiking and spending time with his family. Music Featured on this Episode:  Rossini Duetto - 1st Movement (Charles Chandler and Amos Yang, recital live in Davies Hall, 2014) Francesco Burlone Sonata No. 8 for Two Basses “The Ferrret” - Mov. 1 Allegro Appassionato - with Charles Chandler &amp; Mark Wright, double bass Francesco Burlone - Prelude to Act III from the opera “Phoebus and Daphne” arranged by the composer for cello and 2 double basses (Amos Yang, Mark Wright, and Charles Chandler, recital live in Davies Hall) Francesco Burlone "Gambo d’ amore” from the opera “La Vigna Incantevole” for Bass and Piano (Sujeevah Hapugalle, piano) Francesco Burlone “O! Mie Stelle” from the opera “Galileo” for bass and piano (Sujeevah Hapugalle, piano) Pierre-Louis Hus Desforges Sonata for Cello and bass (with Amos Yang live in Davies Hall)  Links to Check Out:  Charles' website Charles' San Francisco Symphony page Charles' San Francisco Academy Orchestra page Shinji Eshima Interview (Shinji taught Charles during high school)  Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

It has been such a pleasure getting to know <a href="http://basschandler.com" rel="noopener nofollow" target="_blank">Charles Chandler</a> since moving to San Francisco!  In addition to playing in the San Francisco Symphony, Charles teaches at the <a href="http://www.sfacademyorchestra.org/charleschandler" rel="noopener nofollow" target="_blank">San Francisco Academy Orchestra</a> and is an active soloist and chamber musician.  He is actively involved with the <a href="http://contrabassconversations.com/2017/03/26/join-us-2017-golden-gate-bass-camp/" rel="noopener nofollow" target="_blank">Golden Gate Bass Camp</a> and other Bay Area double bass events and is a champion of new and previously undiscovered works for the double bass. More About Charles: Bassist Charles Chandler has been a member of the San Francisco Symphony since 1992. Prior to his current position, he was Associate Principal Bass and Soloist with the Phoenix Symphony. He also served as Principal Bass of the Carmel Bach Festival Orchestra and the New York 20th Century Chamber Players. His primary teachers were Shinji Eshima of the San Francisco Opera Orchestra and David Walter at the Juilliard School. His numerous honors and awards include the San Francisco Symphony Pepsi Cola Young Musician Award, the Pittenger Scholarship, the Irving Klein Scholarship, and first prize in the A.S.T.A. National String Competition. Upon receiving his Bachelor of Music degree from Juilliard in 1987, Charles Chandler was selected to perform as a member of the Schleswig-Holstein Musik Festival under the direction of Leonard Bernstein. Playing with Marin Symphony, he has enjoyed performing with his wife Van, a violinist. He also performs at the Music@Menlo Festival and Chamber Music Sundaes series and frequently records at Skywalker Ranch. Mr. Chandler resides in San Francisco with his wife and their daughter Julie. When not playing on his 1750 double bass made by the Venetian luthier, Domenico Busan, he enjoys organic gardening, bicycling, hiking and spending time with his family. Music Featured on this Episode: <ul> <li>Rossini Duetto - 1st Movement (Charles Chandler and Amos Yang, recital live in Davies Hall, 2014)</li> <li><a href="https://basschandler.wordpress.com/basses/" rel="noopener nofollow" target="_blank">Francesco Burlone Sonata No. 8 for Two Basses</a> “The Ferrret” - Mov. 1 Allegro Appassionato - with Charles Chandler &amp; Mark Wright, double bass</li> <li>Francesco Burlone - Prelude to Act III from the opera “Phoebus and Daphne” arranged by the composer for cello and 2 double basses (Amos Yang, Mark Wright, and Charles Chandler, recital live in Davies Hall)</li> <li><a href="https://basschandler.wordpress.com/bass-and-piano/" rel="noopener nofollow" target="_blank">Francesco Burlone "Gambo d’ amore” from the opera “La Vigna Incantevole”</a> for Bass and Piano (Sujeevah Hapugalle, piano)</li> <li><a href="https://basschandler.wordpress.com/bass-and-piano/" rel="noopener nofollow" target="_blank">Francesco Burlone “O! Mie Stelle” from the opera “Galileo”</a> for bass and piano (Sujeevah Hapugalle, piano)</li> <li>Pierre-Louis Hus Desforges Sonata for Cello and bass (with Amos Yang live in Davies Hall)</li> </ul> Links to Check Out: <ul> <li><a href="http://basschandler.com" rel="noopener nofollow" target="_blank">Charles' website</a></li> <li><a href="http://www.sfsymphony.org/Buy-Tickets/2014-2015/Chamber-Music-with-members-of-the-San-Francisco-Sy/Chandler,-Charles.aspx" rel="noopener nofollow" target="_blank">Charles' San Francisco Symphony page</a></li> <li><a href="http://www.sfacademyorchestra.org/charleschandler" rel="noopener nofollow" target="_blank">Charles' San Francisco Academy Orchestra page</a></li> <li><a href="http://contrabassconversations.com/shinjieshima" rel="noopener nofollow" target="_blank">Shinji Eshima Interview</a> (Shinji taught Charles during high school)</li> </ul> <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: This episode is brought to you by <a href="http://contrabassconversations.com/daddario1" rel="noopener nofollow" target="_blank">D’Addario Strings</a>! Check out their <a href="http://contrabassconversations.com/daddario2" rel="noopener nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The <a href="http://contrabassconversations.com/bassviolinshop" rel="noopener nofollow" target="_blank">Bass Violin Shop</a>, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

410: Charles Chandler on auditions, excerpts, and chamber music

Eric Revis

Grammy Award-winning bassist and longtime Branford Marsalis collaborator Eric Revis joins Jason for today's deep-dive into growing up in California, being influenced by Parliament and prog rock, gut string explorations, and much more. A special shout-out to Eric Roy of Upton Bass for connecting me with Eric Revis for this conversation! About Eric Revis: One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brotzmann, Jeff “Tain” Watts, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits). Manning the bass chair with Branford Marsalis’ powerfully flexible quartet since 1997, Revis has also recorded four brilliant albums as a leader. 2004’s Tales of the Stuttering Mime and 2009’s Laughter’s Necklace of Tears have both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his latest release Parallax (Clean Feed ) and the soon to be released City of Asylum (Clean Feed). “Tales of the Stuttering Mime was an amalgam of songs I’d been composing for quite some time,” Revis explains. “Being that there were a lot of different influences at play, it required that I use various band configurations on almost every tune, which was great in that I had a very real connection to all of the musicians involved.” With Laughter’s Necklace of Tears the same conceptual construct was in place in terms of the confluence of musical influences, but the goal was to present it in a more cohesive fashion in terms of having one group navigate the songs for the record as opposed to five or six”. Conceptually improvisational and thematically broad, Parallax (Clean Feed) is timeless and borderless. The albums’ approach is one of inclusion, extrapolation and exploration. Joined by Jason Moran, Ken Vandermark and Nasheet Waits, it is a true document of Revis’ growth as a composer, bassist and sounding board. As on previous recordings, Revis’ playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring. Links to Check Out:  Eric's website Tales Of The Stuttering Mime by Eric Revis After Hours at the Upton barn  Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D’Addario Strings This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets.     Subscribe to the podcast to get these interviews delivered to you automatically!

Grammy Award-winning bassist and longtime Branford Marsalis collaborator <a href="https://ericrevis.com/" rel="noopener nofollow" target="_blank">Eric Revis</a> joins Jason for today's deep-dive into growing up in California, being influenced by Parliament and prog rock, gut string explorations, and much more. A special shout-out to <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Eric Roy of Upton Bass</a> for connecting me with Eric Revis for this conversation! About Eric Revis: One of the most talented and accomplished musicians of his generation, Grammy Award-winning bassist and composer Eric Revis has, over the past 15 years, become an important voice in jazz. Branford Marsalis states, “Eric’s sound is the sound of doom; big, thick, percussive.” Scores of musicians across various disciplines agree. Revis has performed and recorded with Betty Carter, Peter Brotzmann, Jeff “Tain” Watts, Kurt Rosenwinkel, Steve Coleman, Ralph Peterson, Lionel Hampton, McCoy Tyner, Andrew Cyrille, and Tarbaby (the experimental trio he tri-leads with Orrin Evans and Nasheet Waits). Manning the bass chair with Branford Marsalis’ powerfully flexible quartet since 1997, Revis has also recorded four brilliant albums as a leader. 2004’s Tales of the Stuttering Mime and 2009’s Laughter’s Necklace of Tears have both revealed his startling range as a musician and composer. Informed by his past but not tethered to it, a glimpse into the musical trajectory of this artist is indelibly clear on his latest release Parallax (Clean Feed ) and the soon to be released City of Asylum (Clean Feed). “Tales of the Stuttering Mime was an amalgam of songs I’d been composing for quite some time,” Revis explains. “Being that there were a lot of different influences at play, it required that I use various band configurations on almost every tune, which was great in that I had a very real connection to all of the musicians involved.” With Laughter’s Necklace of Tears the same conceptual construct was in place in terms of the confluence of musical influences, but the goal was to present it in a more cohesive fashion in terms of having one group navigate the songs for the record as opposed to five or six”. Conceptually improvisational and thematically broad, Parallax (Clean Feed) is timeless and borderless. The albums’ approach is one of inclusion, extrapolation and exploration. Joined by Jason Moran, Ken Vandermark and Nasheet Waits, it is a true document of Revis’ growth as a composer, bassist and sounding board. As on previous recordings, Revis’ playing is personal and distinctive: his tone deep and woody, his execution, agile, melodic and clear. A musical polyglot, Revis is comfortable in any setting, any direction. His skills as a band leader and composer are equally profound and inspiring. Links to Check Out: <ul> <li><a href="https://ericrevis.com/" rel="noopener nofollow" target="_blank">Eric's website</a></li> <li><a href="http://amzn.to/2hTMU6G" rel="noopener nofollow" target="_blank">Tales Of The Stuttering Mime by Eric Revis</a></li> <li><a href="https://www.youtube.com/watch?v=F5Kf9lMhZzc" rel="noopener nofollow" target="_blank">After Hours at the Upton barn</a></li> </ul> <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/daddario3" rel="noopener nofollow" target="_blank">D’Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario3" rel="noopener nofollow" target="_blank">Helicore strings</a>, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

432: Eric Revis on gut strings, funk, and influences

Micah Howard

Micah Howard has been on my “to interview” list for years.  As a member of the Pittsburgh Symphony and faculty at Carnegie Mellon University, Micah has had a huge influence on countless bass players (including my good friend Christian Dillingham!).  I actually just found a note from 2008 that said “interview Micah Howard” - that’s how long I’ve been hoping to do this!   A few weeks ago, I wrote him an email asking to schedule an interview, only to find that he had emailed me that exact same day to ask if I’d be up for being a clinician at the next Pittsburgh Bass Symposium.  We must have been on the same wavelength that day without realizing it!   Micah and I dig into a ton of topics:  Micah’s journey through the music world What he learned through his four Pittsburgh Symphony auditions The experience of serving on the PSO core audition committee Mindset shifts between preliminary rounds and later rounds What non-bassists hear when they listen to bassists Negotiating committees, lockouts, and other things you don’t think about when you’re in music school Advice for Micah’s younger self    This is a great conversation with a person who gives so much to the bass community, and I know you’ll love it!   Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: Robertson &amp; Sons Violins For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion Krista Kopper, cataloging and archiving  Subscribe to the podcast to get these interviews delivered to you automatically!

<a href="https://micahbhoward.com/" rel="nofollow" target="_blank">Micah Howard</a> has been on my “to interview” list for years.  As a member of the Pittsburgh Symphony and faculty at Carnegie Mellon University, Micah has had a huge influence on countless bass players (including my good friend <a href="http://www.christiandillingham.com/" rel="nofollow" target="_blank">Christian Dillingham</a>!).  I actually just found a note from 2008 that said “interview Micah Howard” - that’s how long I’ve been hoping to do this! A few weeks ago, I wrote him an email asking to schedule an interview, only to find that he had emailed me that exact same day to ask if I’d be up for being a clinician at the next <a href="https://www.facebook.com/events/2081044712136730/" rel="nofollow" target="_blank">Pittsburgh Bass Symposium</a>.  We must have been on the same wavelength that day without realizing it! Micah and I dig into a ton of topics: <ul> <li>Micah’s journey through the music world</li> <li>What he learned through his four Pittsburgh Symphony auditions</li> <li>The experience of serving on the PSO core audition committee</li> <li>Mindset shifts between preliminary rounds and later rounds</li> <li>What non-bassists hear when they listen to bassists</li> <li>Negotiating committees, lockouts, and other things you don’t think about when you’re in music school</li> <li>Advice for Micah’s younger self</li> </ul> This is a great conversation with a person who gives so much to the bass community, and I know you’ll love it! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/robertson" rel="nofollow" target="_blank">Robertson &amp; Sons Violins</a> For more than four decades, Robertson &amp; Sons has specialized in providing the highest quality stringed instruments and bows to collectors, professional musicians, music educators, and students of all ages. Their modern facility is equipped with three instrument showrooms as well as a beautiful Recital Hall available to our clients to in their search for the perfect instrument and/or bow. <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> <li>Krista Kopper, cataloging and archiving</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

503: Micah Howard on life in the Pittsburgh Symphony 

Adam Booker

Milt Hinton

Ever wonder what it's like to be transplanted from balmy Texas and Louisiana to the coldest city in the continental United States? Ask Adam Booker. Here's a recent weather report from Duluth in case you're curious. How did he go from the gigging life in Texas to the US Navy and finally into a life in academia? We talk about this and much more, including:  traditional jazz bass lines and what notes were really being played confessions from a former string neurotic what surprised Adam the most about academia Stefon Harris and his description of scales as a collection of emotions hanging up on Milt Hinton... and then watching Jeopardy with him not just creating great bassists, but creating great people  I had a great time hanging out with Adam at BASS2016 in Prague, and it was a real pleasure to sit down with him and do an interview! Here's a shot of Adam, Geoff Chalmers, and me in Prague. Links to check out:  Adam's website gear reviews from Adam Unraveled Rival (Adam's album) on iTunes Adam's University of Minnesota Duluth faculty page  Subscribe to the podcast to get these interviews delivered to your inbox! Learn how you can support the show at contrabassconversations.com/support Thanks to our sponsors! This episode is brought to you by D’Addario Strings! Check out their Helicore strings, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Hosting for Contrabass Conversations is provided by Bass Capos.  Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation.

Ever wonder what it's like to be transplanted from balmy Texas and Louisiana to the coldest city in the continental United States? Ask <a href="http://www.adambookeronbass.com/" rel="noopener nofollow" target="_blank">Adam Booker</a>. <a href="https://www.facebook.com/photo.php?fbid=10104411749505717&amp;set=a.652114106237.2285429.29622088&amp;type=3&amp;theater" rel="noopener nofollow" target="_blank">Here's a recent weather repor</a>t from Duluth in case you're curious. How did he go from the gigging life in Texas to the US Navy and finally into a life in academia? We talk about this and much more, including: <ul> <li>traditional jazz bass lines and what notes were really being played</li> <li>confessions from a former string neurotic</li> <li>what surprised Adam the most about academia</li> <li>Stefon Harris and his description of <a href="https://www.youtube.com/watch?v=W5lWPgTExoY&amp;feature=youtu.be" rel="noopener nofollow" target="_blank">scales as a collection of emotions</a></li> <li>hanging up on Milt Hinton... and then watching Jeopardy with him</li> <li>not just creating great bassists, but creating great people</li> </ul> I had a great time hanging out with Adam at BASS2016 in Prague, and it was a real pleasure to sit down with him and do an interview! <a href="https://www.flickr.com/photos/jasonheath/29985660925/in/dateposted-public/" rel="noopener nofollow" target="_blank">Here's a shot</a> of Adam, <a href="http://discoverdoublebass.com" rel="noopener nofollow" target="_blank">Geoff Chalmers</a>, and me in Prague. Links to check out: <ul> <li><a href="http://www.adambookeronbass.com/" rel="noopener nofollow" target="_blank">Adam's website</a></li> <li><a href="http://www.adambookeronbass.com/blog" rel="noopener nofollow" target="_blank">gear reviews from Adam</a></li> <li><a href="https://geo.itunes.apple.com/us/album/unraveled-rival/id1037148483?i=1037149260&amp;mt=1&amp;app=music" rel="noopener nofollow" target="_blank">Unraveled Rival (Adam's album) on iTunes</a></li> <li><a href="https://sfa.d.umn.edu/department-music/faculty-staff/dr-adam-booker" rel="noopener nofollow" target="_blank">Adam's University of Minnesota Duluth faculty page</a></li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to your inbox! Learn how you can support the show at <a href="http://contrabassconversations.com/support" rel="nofollow" target="_blank">contrabassconversations.com/support</a> Thanks to our sponsors! This episode is brought to you by <a href="http://contrabassconversations.com/daddario1" rel="noopener nofollow" target="_blank">D’Addario Strings</a>! Check out their <a href="http://contrabassconversations.com/daddario3" rel="noopener nofollow" target="_blank">Helicore strings</a>, which are are designed, engineered, and crafted at the D’Addario string factory in New York and come in orchestral, hybrid, pizzicato, and solo string sets. Hosting for Contrabass Conversations is provided by <a href="http://contrabassconversations.com/basscapos" rel="noopener nofollow" target="_blank">Bass Capos</a>.  Bass Capos are an excellent choice for any bass player using or looking to implement a double bass extension. Easy to install and adjust, cheaper and more reliable than hand-built latches, also lighter and quicker in operation.

296: Adam Booker on strings, Milt Hinton, and jazz mythology

Brian Perry

I had a great time chatting with Dallas Symphony bassist and Southern Methodist University faculty member Brian Perry!  Brian is also on the Board of Directors for the Bradetich Foundation and the International Society of Bassists, and he is the editor for the Bass World column "In The Zone." This episode is organized into three parts:  Part 1 - the difference one teacher can make Part 2 - auditioning Part 3 - staying motivated  More About Brian: Brian Perry is the newest member of the Dallas Symphony Orchestra double bass section. Prior to his appointment in 2013, he was a member of the Fort Worth Symphony Orchestra for nine seasons. He has appeared with the Minnesota Orchestra, National Symphony and Cleveland Orchestra, and often performs with the Boston Symphony Orchestra at Tanglewood. An active collaborator, Perry is a frequent guest artist with pianist Buddy Bray for the Cliburn Foundation’s Musical Awakenings educational concert series and has performed locally on the Spectrum Chamber Music, Fine Arts Chamber Players and Cliburn at the Modern series. Additionally, he has appeared as guest artist with the Vermeer String Quartet and pianist Natalie Zhu on the Bay Chamber Concerts series in Rockport, Maine. In recent seasons, he has served as the bassist in Miguel Harth-Bedoya’s Caminos del Inka ensemble and as a member of the Funkytown All-Stars, an all double-bass quartet based in Fort Worth. Always keeping his eyes open for new repertoire for the double bass, Perry performed his transcription of William Bolcom’s Graceful Ghost Rag for the composer himself in an all-Bolcom program at the Modern Art Museum in Fort Worth in 2010. Perry earned his music degrees from Boston University and the University of North Texas. His principal teachers include Larry Moore, Jeff Bradetich and Edwin Barker. Perry is currently adjunct lecturer of double bass at the Meadows School of the Arts at Southern Methodist University in Dallas. He also serves as a board member for the International Society of Bassists (I.S.B.) and the Bradetich Foundation, an organization dedicated to promoting the double bass as a solo instrument. Committed to educating and mentoring young bassists, he has adjudicated and presented master classes for both the 2015 I.S.B. convention and the TCU Bass Fest and, since 2010, has been the double bass instructor at the highly acclaimed Boston University Tanglewood Institute in Lenox, Mass., one of the nation’s premier summer orchestral training programs for high school students. Links to Check Out:    Brian's SMU page SMU in the Double Bassists Guide to Colleges    Contrabass Conversations is sponsored by: The Chromatic Endpin.  A straight endpin only lets you balance the bass one way. The Chromatic Endpin opens up many possibilities.You can feel more of the bass's weight, make it feel light as a feather, or anywhere in between. When the bass is balanced, you stand comfortably on two feet with a neutral spine. The instrument feels lighter, is easier to hold, and you're more comfortable. The Upton Bass String Instrument Company.  Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr.  Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Check out this video of David Murray "auditioning" his Upton Bass! The Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

I had a great time chatting with Dallas Symphony bassist and Southern Methodist University faculty member <a href="https://www.smu.edu/Meadows/AreasOfStudy/Music/Faculty/PerryBrian" rel="noopener nofollow" target="_blank">Brian Perry</a>!  Brian is also on the Board of Directors for the <a href="http://doublebassblog.org/2017/09/look-back-2017-bradetich-competition.html" rel="noopener nofollow" target="_blank">Bradetich Foundation</a> and the <a href="http://contrabassconversations.com/isb" rel="nofollow" target="_blank">International Society of Bassists</a>, and he is the editor for the Bass World column "In The Zone." This episode is organized into three parts: <ul> <li>Part 1 - the difference one teacher can make</li> <li>Part 2 - auditioning</li> <li>Part 3 - staying motivated</li> </ul> More About Brian: Brian Perry is the newest member of the Dallas Symphony Orchestra double bass section. Prior to his appointment in 2013, he was a member of the Fort Worth Symphony Orchestra for nine seasons. He has appeared with the Minnesota Orchestra, National Symphony and Cleveland Orchestra, and often performs with the Boston Symphony Orchestra at Tanglewood. An active collaborator, Perry is a frequent guest artist with pianist Buddy Bray for the Cliburn Foundation’s Musical Awakenings educational concert series and has performed locally on the Spectrum Chamber Music, Fine Arts Chamber Players and Cliburn at the Modern series. Additionally, he has appeared as guest artist with the Vermeer String Quartet and pianist Natalie Zhu on the Bay Chamber Concerts series in Rockport, Maine. In recent seasons, he has served as the bassist in Miguel Harth-Bedoya’s Caminos del Inka ensemble and as a member of the Funkytown All-Stars, an all double-bass quartet based in Fort Worth. Always keeping his eyes open for new repertoire for the double bass, Perry performed his transcription of William Bolcom’s Graceful Ghost Rag for the composer himself in an all-Bolcom program at the Modern Art Museum in Fort Worth in 2010. Perry earned his music degrees from Boston University and the University of North Texas. His principal teachers include Larry Moore, Jeff Bradetich and Edwin Barker. Perry is currently adjunct lecturer of double bass at the Meadows School of the Arts at Southern Methodist University in Dallas. He also serves as a board member for the International Society of Bassists (I.S.B.) and the Bradetich Foundation, an organization dedicated to promoting the double bass as a solo instrument. Committed to educating and mentoring young bassists, he has adjudicated and presented master classes for both the 2015 I.S.B. convention and the TCU Bass Fest and, since 2010, has been the double bass instructor at the highly acclaimed Boston University Tanglewood Institute in Lenox, Mass., one of the nation’s premier summer orchestral training programs for high school students. Links to Check Out: <ul> <li> <ul> <li><a href="https://www.smu.edu/Meadows/AreasOfStudy/Music/Faculty/PerryBrian" rel="noopener nofollow" target="_blank">Brian's SMU page</a></li> <li><a href="http://doublebassblog.org/colleges/texas/southern-methodist-university" rel="noopener nofollow" target="_blank">SMU in the Double Bassists Guide to Colleges</a></li> </ul> </li> </ul> Contrabass Conversations is sponsored by: <a href="http://thechromaticendpin.com/" rel="noopener nofollow" target="_blank">The Chromatic Endpin</a>.  A straight endpin only lets you balance the bass one way. The Chromatic Endpin opens up many possibilities.You can feel more of the bass's weight, make it feel light as a feather, or anywhere in between. When the bass is balanced, you stand comfortably on two feet with a neutral spine. The instrument feels lighter, is easier to hold, and you're more comfortable. The <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Upton Bass String Instrument Company</a>.  Upton's <a href="https://uptonbass.com/instruments/the-upton-bass-double-basses/the-karr/" rel="noopener nofollow" target="_blank">Karr Model Upton Double Bass</a> represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr.  Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="https://www.youtube.com/watch?v=Py3jU7AtEio" rel="noopener nofollow" target="_blank">Check out this video of David Murray "auditioning" his Upton Bass!</a> The <a href="http://contrabassconversations.com/bassviolinshop" rel="noopener nofollow" target="_blank">Bass Violin Shop</a>, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

401: Brian Perry on auditioning and motivation

This episode is a deep-dive into developing bow strokes on the double bass.    Part 1 - bow stroke overview Part 2 - developing spiccato Part 3 - bow stroke deep-dive  We feature highlights from past podcast guests on this topic:   Matthew McDonald - Berlin Philharmonic  Lloyd Goldstein - former member of the Florida Orchestra and a longtime Francois Rabbath student David Allen Moore - LA Phil and USC  Ed Barker and  Lawrence Wolfe of the Boston Symphony  Michael Hovnanian - Chicago Symphony Ira Gold - National Symphony and Peabody Conservatory  Lawrence Hurst - former Indiana University bass professor  Recommended resources:  Strokin’ by Hal Robinson (order it from Robertson &amp; Sons) Ira Gold's Orchestral Bowing Workshop  Check out more "best-of" episodes like this at contrabassconversations.com/highlights. Contrabass Conversations is sponsored by: The Upton Bass String Instrument Company.  Upton's Bohemian model is not about excess. With its simple lines, Gamba-style cornered and deep booming tone, its form is defined by purpose without ornament. Hand-built, with the same ergonomics and playability found in all of our models, the Bohemian double bass is being offered in four levels of build styles and price points, each carefully designed to meet unique requirements of its owner A440 Violin Shop - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. Bass Violin Shop -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!  Check out what people are saying about the Bass Violin Shop on Facebook. Subscribe to the podcast to get these interviews delivered to you automatically!

This episode is a deep-dive into developing bow strokes on the double bass.   <ul> <li>Part 1 - bow stroke overview</li> <li>Part 2 - developing spiccato</li> <li>Part 3 - bow stroke deep-dive</li> </ul> We feature highlights from past podcast guests on this topic: <ul> <li><a href="http://contrabassconversations.com/2016/08/04/cbc-236-matthew-mcdonald-resonance-bow-distribution-mindset/" rel="nofollow" target="_blank"> Matthew McDonald</a> - Berlin Philharmonic</li> <li><a href="http://contrabassconversations.com/2016/07/04/cbc-227-lloyd-goldstein-yoga-habits-entrainment/" rel="nofollow" target="_blank"> Lloyd Goldstein</a> - former member of the Florida Orchestra and a longtime Francois Rabbath student</li> <li><a href="http://contrabassconversations.com/davidallenmoore" rel="nofollow" target="_blank">David Allen Moore</a> - LA Phil and USC</li> <li><a href="http://contrabassconversations.com/2015/11/30/cbc-165-ed-barker-interview-from-the-archives/" rel="nofollow" target="_blank"> Ed Barker</a> and <a href="http://contrabassconversations.com/2009/03/21/cbc-113-lawrence-wolfe-interview-2/" rel="nofollow" target="_blank"> Lawrence Wolfe</a> of the Boston Symphony</li> <li><a href="http://contrabassconversations.com/2007/06/10/cbc-24-m-hovnanian-interview/" rel="nofollow" target="_blank"> Michael Hovnanian</a> - Chicago Symphony</li> <li><a href="http://contrabassconversations.com/iragold" rel="nofollow" target="_blank">Ira Gold</a> - National Symphony and Peabody Conservatory</li> <li><a href="http://contrabassconversations.com/2015/12/21/cbc-168-lawrence-hurst-interview-complete/" rel="nofollow" target="_blank"> Lawrence Hurst</a> - former Indiana University bass professor</li> </ul> Recommended resources: <ul> <li>Strokin’ by Hal Robinson (<a href="http://robertsonviolins.com/index.php%3Fpage=sheet-music" rel="noopener nofollow" target="_blank">order it from Robertson &amp; Sons</a>)</li> <li>Ira Gold's <a href="http://irajgold.com/?page_id=109" rel="noopener nofollow" target="_blank">Orchestral Bowing Workshop</a></li> </ul> Check out more "best-of" episodes like this at <a href="http://contrabassconversations.com/highlights" rel="nofollow" target="_blank">contrabassconversations.com/highlights</a>. Contrabass Conversations is sponsored by: The <a href="http://contrabassconversations.com/uptonbass" rel="noopener nofollow" target="_blank">Upton Bass String Instrument Company</a>.  Upton's <a href="https://uptonbass.com/instruments/the-upton-bass-double-basses/bohemian-double-bass/" rel="noopener nofollow" target="_blank">Bohemian</a> model is not about excess. With its simple lines, Gamba-style cornered and deep booming tone, its form is defined by purpose without ornament. Hand-built, with the same ergonomics and playability found in all of our models, the Bohemian double bass is being offered in four levels of build styles and price points, each carefully designed to meet unique requirements of its owner <a href="http://contrabassconversations.com/a440" rel="noopener nofollow" target="_blank">A440 Violin Shop</a> - An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. <a href="http://contrabassconversations.com/bassviolinshop" rel="noopener nofollow" target="_blank">Bass Violin Shop</a> -  Offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome!  <a href="https://www.facebook.com/BassViolinShop/reviews/" rel="noopener nofollow" target="_blank">Check out what people are saying about the Bass Violin Shop on Facebook</a>. <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

381: developing bow strokes

Sean Conly

I had a great time chatting with bassist, composer, and educator Sean Conly during my recent trip to New York City. Sean studied with  Rufus Reid and  Todd Coolman at William Paterson University and has worked with Freddie Hubbard, Regina Carter, Nicholas Payton, and many other prominent jazz artists. Sean also teaches for The Bass Collective in New York, which emphasizes learning by doing and faculty performing alongside students.  We talk about this approach to education and its benefits, life on the road, Sean’s path from Colorado and Kansas to New York City, how he established himself in NYC, and much more! Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: A440 Violin Shop An institution in the Roscoe Village neighborhood for over 20 years, A440's commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. The Bass Violin Shop The Bass Violin Shop offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Upton Bass String Instrument Company Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. D'Addario Strings This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut.   Steve Swan String Bass Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor.   Kolstein Music The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production.   Contrabass Conversations production team:  Jason Heath, host Michael Cooper and Steve Hinchey, audio editing Mitch Moehring, audio engineer  Trevor Jones, publication and promotion Krista Kopper, archival and cataloging  Subscribe to the podcast to get these interviews delivered to you automatically!

I had a great time chatting with bassist, composer, and educator <a href="https://www.seanconly.com/" rel="nofollow" target="_blank">Sean Conly</a> during my recent trip to New York City. Sean studied with <a href="https://contrabassconversations.com/2008/07/12/cbc-87-rufus-reid-interview/" rel="nofollow" target="_blank"> Rufus Reid</a> and <a href="https://contrabassconversations.com/2016/05/26/cbc-216-todd-coolman-jazz-bass-lines-recording-projects-classical-foundations/" rel="nofollow" target="_blank"> Todd Coolman</a> at William Paterson University and has worked with Freddie Hubbard, Regina Carter, Nicholas Payton, and many other prominent jazz artists. Sean also teaches for <a href="https://thecollective.edu/faculty/sean-conly/" rel="nofollow" target="_blank">The Bass Collective</a> in New York, which emphasizes learning by doing and faculty performing alongside students.  We talk about this approach to education and its benefits, life on the road, Sean’s path from Colorado and Kansas to New York City, how he established himself in NYC, and much more! <a href="http://contrabassconversations.com/app" rel="nofollow" target="_blank">Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle!</a> Contrabass Conversations is sponsored by: <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440 Violin Shop</a> An institution in the Roscoe Village neighborhood for over 20 years, <a href="http://contrabassconversations.com/a440" rel="nofollow" target="_blank">A440</a>'s commitment to fairness and value means that we have many satisfied customers from the local, national, and international string playing communities. Our clients include major symphony orchestras, professional orchestra and chamber music players, aspiring students, amateur adult players, all kinds of fiddlers, jazz and commercial musicians, university music departments, and public schools. <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">The Bass Violin Shop</a> The <a href="http://contrabassconversations.com/bassviolinshop" rel="nofollow" target="_blank">Bass Violin Shop</a> offers the Southeast’s largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! <a href="http://contrabassconversations.com/uptonbass" rel="nofollow" target="_blank">Upton Bass String Instrument Company</a> Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr. Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. <a href="http://contrabassconversations.com/strings" rel="nofollow" target="_blank">D'Addario Strings</a> This episode is brought to you by D’Addario Strings! Check out their <a href="http://contrabassconversations.com/daddario2" rel="nofollow" target="_blank">Zyex strings</a>, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. <a href="https://steveswanstringbass.com/" rel="nofollow" target="_blank">Steve Swan String Bass</a> Steve Swan String Bass features the West Coast’s largest selection of double basses between Los Angeles and Canada.  Located in Burlingame, just south of San Francisco, their large retail showroom holds about 70 basses on display. Their new basses all feature professional setups and come with a cover at no additional cost. Used and consignment instruments receive any needed repairs and upgrades before getting a display position on the sales floor. <a href="http://kolstein.com/" rel="nofollow" target="_blank">Kolstein Music</a> The Samuel Kolstein Violin Shop was founded by Samuel Kolstein in 1943 as a Violin and Bow making establishment in Brooklyn, New York. Now on Long Island, over 60 years later, Kolstein’s has built a proud reputation for quality, craftsmanship and expertise in both the manufacture and repair of a whole range of stringed instruments, and has expanded to a staff of twelve experts in restoration, marketing and production. Contrabass Conversations production team: <ul> <li><a href="http://doublebassblog.org" rel="nofollow" target="_blank">Jason Heath</a>, host</li> <li>Michael Cooper and Steve Hinchey, audio editing</li> <li><a href="http://mitchmoehring.com" rel="nofollow" target="_blank">Mitch Moehring</a>, audio engineer</li> <li><a href="http://contrabassconversations.com/2016/04/20/cbc-205-trevor-jones-on-musical-pit-work-scheduling-creativity-and-finding-balance/" rel="nofollow" target="_blank"> Trevor Jones,</a> publication and promotion</li> <li>Krista Kopper, archival and cataloging</li> </ul> <a href="http://contrabassconversations.com/subscribe" rel="nofollow" target="_blank">Subscribe to the podcast</a> to get these interviews delivered to you automatically!

541: Sean Conly on being a working jazz musician

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