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The Writing University Podcast

Updated 2 days ago

Rank #193 in Courses category

Arts
Education
Books
Courses
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The Writing University podcast features recordings of illuminative craft talks from the renown writers, novelists, poets, and essayists who present at the Eleventh Hour Lecture Series during the University of Iowa's Iowa Summer Writing Festival.

Read more

The Writing University podcast features recordings of illuminative craft talks from the renown writers, novelists, poets, and essayists who present at the Eleventh Hour Lecture Series during the University of Iowa's Iowa Summer Writing Festival.

iTunes Ratings

30 Ratings
Average Ratings
13
8
4
3
2

Great presenters, needs better audio/editing

By yogadog1 - Jan 10 2020
Read more
Fantastic podcast on writing and the writing process, information is useful and inspiring. I’m working my way backward through the series. As others have mentioned, it would be a much better listening experience with improved sound and some basic editing (removing blank spaces and inaudible comments). I’d also appreciate if the presenters were more aware that podcast listeners don’t have access to the visuals, so if presenting something on the screen that’s needed for context, a quick summary would be helpful (for example, the episode on titles is largely PowerPoint dependent; a listener misses out on a lot of the actual content.) Despite that, I still think this is a 5-star podcast, enjoyable and educational. Keep up the good work!

Writing breakthroughs and sound has improved!

By wlftn - Nov 12 2019
Read more
New episodes have much better sound quality now, and the talks are incredibly helpful for any writer at any point in their career. Helped me have some major breakthroughs.

iTunes Ratings

30 Ratings
Average Ratings
13
8
4
3
2

Great presenters, needs better audio/editing

By yogadog1 - Jan 10 2020
Read more
Fantastic podcast on writing and the writing process, information is useful and inspiring. I’m working my way backward through the series. As others have mentioned, it would be a much better listening experience with improved sound and some basic editing (removing blank spaces and inaudible comments). I’d also appreciate if the presenters were more aware that podcast listeners don’t have access to the visuals, so if presenting something on the screen that’s needed for context, a quick summary would be helpful (for example, the episode on titles is largely PowerPoint dependent; a listener misses out on a lot of the actual content.) Despite that, I still think this is a 5-star podcast, enjoyable and educational. Keep up the good work!

Writing breakthroughs and sound has improved!

By wlftn - Nov 12 2019
Read more
New episodes have much better sound quality now, and the talks are incredibly helpful for any writer at any point in their career. Helped me have some major breakthroughs.
Cover image of The Writing University Podcast

The Writing University Podcast

Latest release on Jan 21, 2020

Read more

The Writing University podcast features recordings of illuminative craft talks from the renown writers, novelists, poets, and essayists who present at the Eleventh Hour Lecture Series during the University of Iowa's Iowa Summer Writing Festival.

Rank #1: Episode 69: John Dalton—Ten Ways of Thinking about Character

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All good fiction is built around a writer’s fascination with made-up people. And as practicing writers, we’re well aware that our characters should be more than “talking heads”; they should have depth and range and complexity. But how does this happen? Part of it—the unteachable part—has to do with our own self-awareness. We understand our own flaws, contradictions, and virtues so well that we begin to understand people who are not ourselves. But another part comes down to technique. In this Eleventh Hour, John Dalton presents an array of helpful rules, suggestions, craft examples, and innovative ideas. Some of the ideas are John’s, but others have been harvested from a diverse range of writers: Gustave Flaubert, Emily St. John Mandel, Joyce Carol Oates, Chimamanda Ngozi Adichie. One example of vivid characterization comes from the life of a Titanic survivor.

Jul 13 2015

1hr

Play

Rank #2: Episode 111: The Life-Altering Magic of Revision - How Revisiting, Reassessing, and Reframing a Story Just Might Change Your Life - Hope Edelman

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Getting a story onto the page is a necessary first step. Then the heavy lifting, both outer and inner, can begin. While the facts of a real-life or fictional event may remain static from draft to draft, the author's interpretation of those events is likely to change with each iteration. That's where the real magic comes in. The workshop setting with its directed questioning is an ideal site for new insights to emerge. This Eleventh Hour combines literary craft and narrative therapy to explain how re-vision can promote lasting artistic and personal benefits.

Jul 23 2018

45mins

Play

Rank #3: Episode 50: Mary Allen -- Harnessing Time: The Key to Writing

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One of the biggest challenges, and imperatives, of writing is finding the time—making time—to sit down and do it. It’s something like that moment in the movie Field of Dreams, where a mysterious voice says to Kevin Costner, If you build it they will come. Except that in the case of writing, ‘building it’ means not creating a ballpark to attract ghostly baseball giants, but creating a little window of time in which to write. We can’t make the writing come to us, but if we make a space for it in our day, it will inevitably show up. And if we don’t make space for it, writing definitely won’t come. Mary Allen will share her experiences and struggles with finding time to write, and will pass along the workable solutions she’s arrived at over the years.

Jun 26 2014

47mins

Play

Rank #4: Episode 24: Karen Bender—How to Find the Short Story within your Novel

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In this Eleventh Hour, Karen Bender will address a strategy that she found helpful while writing her first novel—finding a short excerpt within it and polishing it to send out. She will discuss the differences between a story and a novel, what to look for in your novel when trying to shape a good excerpt or story, and how to use the story form to help you revise a nebulous, inchoate novel.

Jun 20 2012

39mins

Play

Rank #5: Bonus Episode: Beau O’Reilly — Finish the Thing

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A single lecture compressed from a popular weekend workshop: you have your favorite story, poem, limerick, song, theater piece, and you keep getting close—so close—to completing it. Then the dog gets the measles, you worry that your mom will read it, you get divorced, married, a new job, you take up fantasy football or water polo, you give up smoking, you try to live without the internet and everything grinds to a halt. You never finish the thing. Beau O’Reilly will use his psychic bulk, creative moxie, and his own experiences in playwriting to help you Finish the Thing.

Jul 21 2015

1hr

Play

Rank #6: Episode 116: Transforming Life Into Writing - Eric Goodman

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Transforming life into writing is an individual process, as individual as the art we create. Another way to think about this is how do we understand and explain the relationship of the real or actual, what some people might call, what really happened, to the stories, poems or essays we put on the page. Much of what I have to say will be a practical guide for helping writers access stories from their own lives and the lives of people they know, with pointers on bringing that material into full blossom on the page. In addition, drawing on my experience in writing a forthcoming novel/memoir, I’ll address an issue I know many ISWF students struggle with: should this be fiction or memoir.

Aug 23 2019

31mins

Play

Rank #7: Episode 55: Hope Edelman -- The Story Behind Your Story

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When we write narrative, both sides of our brains ideally work together: the left brain controls linear thinking, logic, and language skills, and the right brain creates context and inserts emotion. This Eleventh Hour Lecture will emphasize the importance of using both sides of the brain when writing fiction and nonfiction, to push beyond an episodic recounting of events into territory that reveals your story's deeper truths. Nonfiction author Hope Edelman will give you with tips for identifying universal themes and archetypes in your stories, and methods for articulating them to readers.

Jul 10 2014

55mins

Play

Rank #8: Episode 74: Clarity and Depth: Writing between the Lines w/ Venise Berry

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Clarity and Depth: Writing between the Lines w/ Venise Berry

Apr 26 2016

59mins

Play

Rank #9: Episode 90: Nerve - Some Kinds of Courage Necessary for Writing - Lon Otto

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Nerve: Some Kinds of Courage Necessary for Writing: Lon Otto

Jun 26 2017

55mins

Play

Rank #10: Episode 79: Actually Writing: The Outer, Inner & Secret Practice w/ Diana Goetsch

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Actually Writing: The Outer, Inner & Secret Practice w/ Diana Goetsch

May 23 2016

1hr 4mins

Play

Rank #11: Episode 23: Robert Siegel—Flash Fiction

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What is flash fiction? You’ve read it, perhaps even written it in class: super-short stories, anywhere from a paragraph to a couple of pages in length, sometimes zeroing in on a single moment of experience, sometimes trying to tell a whole life story in a handful of lines. In recent years, flash fiction has moved from the margins to the center, grabbing attention at literary magazines and spawning anthologies. Some of our best contemporary writers do their most challenging work in the form. Nevertheless, flash fiction is hard to define. Look at it one way and it seems to be related to folktale and parable—streamlined forms that know how to cover a lot of ground in few words. Look at it another way and it seems to have its roots in poetry, particularly the prose poem, with its emphasis on the power of language and image to alter the reader’s perceptions in a single magical moment. It’s a hybrid, which makes it great for both fiction writers and poets to explore. In this hour, we will take a look at some examples of flash fiction, considering what makes them work, what makes them different, and what makes them valuable for writers learning the craft. Be sure to bring pencil and paper because we’ll be writing some of our own.

Jun 18 2012

58mins

Play

Rank #12: Episode 15: Katie Ford: "Ghost Forms: Using Traditional Form in Free Verse"

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In this podcast, poet Katie Ford examines the usefulness of employing the “ghosts” of classical forms in crafting contemporary poetry. Ford advises writers to look to the sonnet and listen for the “inherent music” of popular and tested literary technologies.

Jun 19 2010

54mins

Play

Rank #13: Episode 18: Dara Wier—Chance, Risk, and “Getting Away With It”

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Risk taking, risk evaluation, risk avoidance are all leaned up against when one decides to become a writer and decides how to write what one writes. We hear writers say to one another all the time: how did you get away with that?! Or, I can’t believe you got away with that! We admire how writers “get away” with things in writing. Why is this? What attracts us to this? Obviously, at least partly, because in that expression is implicitly also unsaid: Hmmmmm, I don’t know if I could have let myself do that. Courage, recklessness, intention, all big things writers concern themselves with on a word-by-word basis. We will also expand our conversation into areas that involve Chance, Chance Operations, Generative Procedures, Erasure, Treated Texts, Ouilipian and other contingent constraints and why these are experiencing a renewed popularity. We will also talk about issues of agency and accountability.

Jun 13 2011

49mins

Play

Rank #14: Episode 61: Elizabeth Robinson -- You Can Start a Press/Publication

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One of the best ways to participate in, and help define, contemporary literature is to start your own press or literary publication. This may sound intimidating, but you might be surprised to find that such projects need not be prohibitively expensive or overwhelmingly difficult. This talk will discuss a variety of media (print and electronic) and a variety of projects (magazine, blog-zine, chapbook press, and full-length book publications) and how to make your project sustainable, enjoyable, and meaningful.

Jul 24 2014

16mins

Play

Rank #15: Episode 60: Juliet Patterson -- How Poets See the World: The Art of Description

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“It sounds like a simple thing say what you see,” Mark Doty has written. “But try to find the words for the shades of a mottled sassafras leaf or the reflectivity of a bay on an August morning." In this hour, we’ll take refuge in the sensory experience found in some contemporary poets, as a way of thinking about a number of questions: How does description contain or convey meaning? What do we do when we describe something? Reproduce, account for, portray, trace, parcel out? How does one take the measure of the external world and what can it mean for our writing?

Jul 23 2014

55mins

Play

Rank #16: Episode 102: Why Not Quit? Tips for Becoming a Durable Writer - Tim Bascom

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Talent is important in creative writing, but resilience is critical. Writing is a lonely endeavor with much rejection. Even worse, our projects are often so long-term that they require the staying power of a marathon runner. So how do we develop that sort of endurance—that stubborn persistence? Tim Bascom will discuss tried-and-true habits from practicing writers who have refused to quit.

Jun 27 2018

33mins

Play

Rank #17: Episode 109: On the Feminine vs. the Masculine Narrative Voice - Mieke Eerkens

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During workshops, it often becomes clear how heavily the “feminine” voice—characterized by multi-angled, expansive prose and a focus on the emotional realm—is criticized in writing, and the “masculine” voice—characterized by straightforward, sparse prose and a focus on the physical realm—is pushed. Editors and the work they publish reinforce this aesthetic preference, which affects our culture in a feedback loop. Yet, male, female, and gender-neutral writers alike reflect varying degrees of traditional masculinity or femininity in their authorial voices. We will interrogate the assumptions about the masculine voice versus the feminine voice, and discuss how it relates to our writing.

Jul 18 2018

32mins

Play

Rank #18: Episode 56: Éireann Lorsung -- ‘Productivity’ and ‘Failure’ for Writers

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Over and over I hear my students, my peers, and my own interior voice talk about failure as writers. Often this is linked to an idea of ‘productivity’, and in particular to a perception of others as ‘more productive’. As publication online increases the speed at which writing can appear in public, the distance between writing as a process and writing as a product closes. Consequently, the concept of productivity is measured more and more in terms of visible, finished objects, muddling the relation of publication to the act/process of writing. I’ll question the usefulness of these ideas—failure and productivity—for writing, and suggest ways of reframing our writing processes to accommodate work that ‘fails’ or is not visibly ‘productive’. In addition to talking about how what seems like ‘failure’ is an integral part of making writing that’s worthwhile, I’ll offer strategies and concepts—the multiple, the telescope—that help me keep writing despite unhappiness with my work or the feeling that others are ‘better writers’ (meaning ‘more productive’) than I am.

Jul 16 2014

38mins

Play

Rank #19: Episode 92: How to Write the Ten-Minute Play - Kelly Dwyer

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How to Write the Ten-Minute Play: Kelly Dwyer

Jun 28 2017

1hr

Play

Rank #20: Episode 13: Tim Bascom: "Picture That: Creative Nonfiction For The Visual Learner

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Tim Bascom, using only lines and circles and an array of strange doodles, will attempt to describe the amazing structural options available within the genre of creative nonfiction. No, he won't work blindfolded. However, he will attempt to be entertaining, and perhaps even a bit enlightening. If you like thinking in pictures, not just words, this may be a blessed break from all the verbiage of the week!

Jun 17 2010

1hr 2mins

Play

Episode 123: Writing From the Central Channel - Diana Goetsch

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The “central channel,” a somatic and energetic space well-known for centuries in contemplative disciplines,
is rarely discussed in connection with writing. Understanding the central channel, and how to apply it to writing,
can reveal much about us as artists, and it can open up our craft. This will be an informative, and often humorous presentation—from a poet,
essayist, and editor of dharma texts—with examples from many genres, and ample space for discussion.

Jan 21 2020

38mins

Play

Episode 122: The Memory Curve and Transitions - Anna Bruno

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The memory curve, on a most basic level, means the reader’s attention is highest at the beginning, dips in the middle,
and goes up again at the end. When putting pen to paper for the first time, most writers don’t think about a reader’s memory curve, nor should they.
But when considering structure after the fact, during revision, it is of paramount importance. Structuring a story or a novel has everything to do with
managing the retention dip in the middle of the curve. This requires a focus on beginnings, endings and transitions. This lecture will focus primarily on
transitions, their power and how they can become intermittent beginnings and endings when used effectively.

Dec 18 2019

42mins

Play

Episode 121: Writing and the Power of Now - Mary Allen

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"The present moment is all you have,” as author and spiritual teacher Eckhart Tolle says, and nowhere is this more the case than in writing. Successful narrative writing allows the reader to virtually experience a series of present moments through the magic of language and imagination. Mary Allen shares what’s she’s learned as a writer and a writing coach about how to create present moments on the page, why it’s important to do so, and what learning how to do so can teach us about living our lives.

Nov 11 2019

26mins

Play

Episode 120: Revising Like a Hack - Screenwriting "Rules" as a Guide for Rewrites - Kerry Howley

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No one wants your story, essay, or poem to read like Fast and the Furious 9. But Hollywood formulae reflect a kind of science of narrative satisfaction, which can be transformative for a piece that isn't coming together in precisely the right way. We'll apply a number of hallowed screenwriting maxims to works of nonfiction and fiction, from overall structure down to the level of the scene. This session will give you resources for revising work in any genre.

Oct 28 2019

37mins

Play

Episode 119: The Writing Life - Christine Hemp

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We’re all voyeurs when it comes to the habits and practices of other writers. Do they churn out a certain number of pages each week? Do they have a day job? A cat? A room of their own? What does the desk look like? After peeking into several artists’ practices, we’ll turn to our own—not just with our writing, but our everyday lives: doing the dishes to walking the dog; vegetable gardening to schlepping kids to hockey; playing drums to serving at the church soup kitchen. We will explore the nature of dailiness and how such activities can shape our art. What does it take to create a whole life, one that will nourish us and allow our writing to flow out of it rather than squeeze into it? Come with questions and a niggling sense of possibility.

Sep 30 2019

33mins

Play

Episode 118: The Music of Language, the Language of Music - Sands Hall

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Poets and songwriters utilize aspects of language that are essential for prose writers to know. Take the slow, repeated vowels and consonants Joyce uses in “The Dead”: “…his soul swooned slowly as he heard the snow falling faintly through the universe…” or the hasty sibilance alive in Shakespeare’s Hamlet: “Oh wicked speed, to post with such dexterity to incestuous sheets!” Sound and rhythm help create sense and emotion, and by paying close and purposeful attention to the words we use—the beginnings of them, the interior sounds of them, the rhythm of them—we can evoke and ignite those senses and those emotions. In this Eleventh Hour you’ll hear (and practice) how techniques used in the sung and the spoken can help us create magic on the page.

Sep 16 2019

36mins

Play

Episode 117: Writing About Family in Nonfiction - Mieke Eerkens

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The most intimate, powerful, and fraught relationships in our lives are often with the limited inner circle we call family. For that reason, those relationships often feature heavily in our writing. However, to write about family relationships means putting its players on a public stage, and this can bring a whole set of unique issues, both practical and emotional. In this lecture and discussion, specific difficulties a writer faces in writing about family members will be addressed, including concerns about ethical treatment of your subjects, family responses to publication, the writer’s fear of repercussions, discrepancies in memory, and research challenges.

Sep 08 2019

29mins

Play

Episode 116: Transforming Life Into Writing - Eric Goodman

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Transforming life into writing is an individual process, as individual as the art we create. Another way to think about this is how do we understand and explain the relationship of the real or actual, what some people might call, what really happened, to the stories, poems or essays we put on the page. Much of what I have to say will be a practical guide for helping writers access stories from their own lives and the lives of people they know, with pointers on bringing that material into full blossom on the page. In addition, drawing on my experience in writing a forthcoming novel/memoir, I’ll address an issue I know many ISWF students struggle with: should this be fiction or memoir.

Aug 23 2019

31mins

Play

Episode 115: The Art of Humor Writing - Lyz Lenz

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Chiaroscuro, in art, is a technique that uses bold contrasts of light and dark in painting to create vivid scenes and evoke emotion. It renders images almost three-dimensional. In writing, the bold use of light and dark has a similar effect. The balance of the serious with the humorous allows readers the chance to enter a story more fully, to laugh and cry, and connect with writing in a way that writing straight serious prose or simply humorous doesn't allow. This Eleventh Hour talk will look at examples from writing and art that perfectly balance the dark with the light to create hilarious and heart-rending work on the page.

Aug 14 2019

33mins

Play

Episode 114: Mixed Feelings - Lon Otto

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In creative writing, truth isn’t everything, but emotional truth almost is. Whatever the genre, however familiar or strange the situation or action, readers need to believe that the emotions in a piece of writing are true. And nothing conveys emotional truth more powerfully than mixed feelings. Combining different emotions, including conflicting emotions, can strengthen their intensity as well as deepening our sense of their authenticity. In this talk and conversation we will explore some of the ways in which mixed feelings work, looking at examples from various genres and considering occasions when mixing emotions might fail us.

Aug 09 2019

56mins

Play

Episode 113: Memoir from the Middle of Things - Zach Savich

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This lecture will consider memoirs and essays written about events that are still unfolding. How can you tell a story when you don't know how it will end? How can you write about yourself when your relationship to time, memory, language, the body, and the self are changing? We'll discuss memoirs from the middle of things by authors such as Laura Hillenbrand, Caren Beilin, Audre Lorde, Jean-Luc Nancy, Kazim Ali, Lily Hoang, and others. We'll ask how close attention to thresholds, brinks, and passing moments can lead to lasting discoveries.

Jul 31 2019

51mins

Play

Episode 112: Writing with Death Looking Over Your Shoulder - Lori Erickson

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Death has haunted the work of countless authors. And even if we’re not writing about death directly, it often overshadows our creations, as we deal with the loss of loved ones and the inevitability of our own mortality. These struggles can be paralyzing, or they can usher in new insights. Lori Erickson will talk about how wrestling with questions relating to loss, grieving, and mortality can provide rich inspiration for our writing.

Jul 25 2018

47mins

Play

Episode 111: The Life-Altering Magic of Revision - How Revisiting, Reassessing, and Reframing a Story Just Might Change Your Life - Hope Edelman

Podcast cover
Read more
Getting a story onto the page is a necessary first step. Then the heavy lifting, both outer and inner, can begin. While the facts of a real-life or fictional event may remain static from draft to draft, the author's interpretation of those events is likely to change with each iteration. That's where the real magic comes in. The workshop setting with its directed questioning is an ideal site for new insights to emerge. This Eleventh Hour combines literary craft and narrative therapy to explain how re-vision can promote lasting artistic and personal benefits.

Jul 23 2018

45mins

Play

Episode 110: Me, Myself, and I - The Transformative Power of Reflection in Nonfiction - Juliet Patterson

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We often think about the tool of reflection in writing as a mode of thought or tone of voice we employ when we ruminate, meditate, contemplate, or explain—in short, when we provide what Phillip Gerard calls “finished thought.” But we might also think about reflection as a turning, as a sometimes distorting, but transformational power. In this talk, we’ll look briefly at four qualities of reflection that might encourage artistic transformation in our writing and try some short exercises that will give you some practical tools to “think” about yourself differently on the page.

Jul 22 2018

34mins

Play

Episode 109: On the Feminine vs. the Masculine Narrative Voice - Mieke Eerkens

Podcast cover
Read more
During workshops, it often becomes clear how heavily the “feminine” voice—characterized by multi-angled, expansive prose and a focus on the emotional realm—is criticized in writing, and the “masculine” voice—characterized by straightforward, sparse prose and a focus on the physical realm—is pushed. Editors and the work they publish reinforce this aesthetic preference, which affects our culture in a feedback loop. Yet, male, female, and gender-neutral writers alike reflect varying degrees of traditional masculinity or femininity in their authorial voices. We will interrogate the assumptions about the masculine voice versus the feminine voice, and discuss how it relates to our writing.

Jul 18 2018

32mins

Play

Episode 108: Making and Breaking Taboos - Charles Holdefer

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Writers frequently confront taboos—cultural, religious, and sexual—in their work. These taboos are also reinforced by the publishing process. When is it OK to offend? When is it gratuitous? Are you being honest, or are you being a jerk? Who decides? In this Eleventh Hour presentation, Charles Holdefer will talk of recent trends and describe some of his own experiences in regard to these thorny questions.

Jul 16 2018

40mins

Play

Episode 107: Gratitude for Time - Poetry and Moments of Thanks - Zach Savich

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In this lecture, we’ll consider some recent poems in which gratitude emerges from or exists alongside difficult experiences. How do moments of acute gratitude interact with loss, grief, memory, and ongoing complexity? What are some ways in which a poem can break into thanks, however briefly? Perhaps poetry of gratitude goes beyond “finding a silver lining;” perhaps it offers an ethics of reflection that, through ways of speaking that become ways of being, intricately connects a poem to culture and community. We’ll discuss work by poets such as Kazim Ali, Ross Gay, Lauren Haldeman, Carl Phillips, Juliana Spahr, and others, as we think closely about what it means for a poem to say thank you.

Jul 15 2018

45mins

Play

Episode 106: Titles - Diana Goetsch

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Giving a piece of writing a title is a proper and necessary act—otherwise we’d have, “Untitled,” by Homer, not to be confused with Leo Tolstoy’s great work, “Untitled.” Yet titling is not generally spoken of at any length or depth. Naming anything—a book, a boat, a racehorse, or a child—is at once a craft and an art. There are spectacular titles, serviceable titles, and failed titles; but beyond that there are types of titles we can look at. Usually there’s only one best title for something, and new writers often shirk the task of finding it, or override it with cleverness or extravagance. This Eleventh Hour talk will be full of examples, suggestions, and exercises designed to help us think about titles.

Jul 14 2018

43mins

Play

Episode 105: Writing Under the Influence - Gordon Mennenga

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Lord Byron said, "We of the craft are all crazy." Maybe, maybe not. This talk will examine the forces that influence what we write, why we write, when we write, and where we write. Drugs, drink, depression, joy, compulsion, imagination, dreams, secrets, dollars—we'll cover the bitter and the sweet aspects of the act of creation. Caution: Gordon Mennenga is a writer not a doctor.

Jul 11 2018

56mins

Play

Episode 103: The Story Lens - Sandra Scofield

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Beneath our writing is a deep sense of self that informs the way we organize experience and shape meaning. Autobiographical writing heightens our awareness of life's patterns and themes, concepts that in turn feed fiction, creative nonfiction, essay, and poetry. This discussion will draw on contemporary thinking in narrative psychology and narrative theory, as well as models from literature, in the framework of incorporating the story lens of life experience into our creative work.

Jul 09 2018

36mins

Play

iTunes Ratings

30 Ratings
Average Ratings
13
8
4
3
2

Great presenters, needs better audio/editing

By yogadog1 - Jan 10 2020
Read more
Fantastic podcast on writing and the writing process, information is useful and inspiring. I’m working my way backward through the series. As others have mentioned, it would be a much better listening experience with improved sound and some basic editing (removing blank spaces and inaudible comments). I’d also appreciate if the presenters were more aware that podcast listeners don’t have access to the visuals, so if presenting something on the screen that’s needed for context, a quick summary would be helpful (for example, the episode on titles is largely PowerPoint dependent; a listener misses out on a lot of the actual content.) Despite that, I still think this is a 5-star podcast, enjoyable and educational. Keep up the good work!

Writing breakthroughs and sound has improved!

By wlftn - Nov 12 2019
Read more
New episodes have much better sound quality now, and the talks are incredibly helpful for any writer at any point in their career. Helped me have some major breakthroughs.