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Overly Animated Star vs. the Forces of Evil Podcasts

Star vs. the Forces of Evil discussions.

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“The Battle for Mewni” Recap – Star vs. the Forces of Evil

Dylan Hysen, Delaney Stovall, and Michelle Anderer recap and discuss the two hour Season 3 premiere event of Star vs. the Forces of Evil, “The Battle for Mewni”.

1hr 57mins

15 Jul 2017

Rank #1

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Week 1 of the February of Star vs. the Forces of Evil – Overly Animated Podcast #322

Dylan Hysen, Delaney Stovall, and Michelle Anderer discuss the 4 episodes of Star vs. the Forces of Evil from the week of February 6th, “Raid the Cave”, “Trickstar”, “Baby”, and “Running with Scissors”.

48mins

10 Feb 2017

Rank #2

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“Night Life”/”Deep Dive” & “Monster Bash” Recap – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, Sam Quattro, and Alex Bonilla recap the November 16th mid-season finale episodes of Star vs. the Forces of Evil, “Night Life”, “Deep Dive”, and “Monster Bash’.

1hr 44mins

17 Nov 2017

Rank #3

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Marco’s Harem Roundtable – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, April Collins, & Alex Bonilla discuss the increasing phenomenon of every character showing affection towards Marco on Star vs. the Forces of Evil and go through each potential romantic contender.

1hr 10mins

8 Feb 2018

Rank #4

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Bon Bon the Birthday Clown (Star vs. the Forces of Evil) – Overly Animated Podcast #280

Dylan Hysen and Delaney Stovall discuss the mid-season finale of Star vs. the Forces of Evil, “Bon Bon the Birthday Clown”!

59mins

22 Nov 2016

Rank #5

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Star vs. the Forces of Evil Season 2 Finale – Overly Animated Podcast #331

Dylan Hysen, Delaney Stovall, and Michelle Anderer discuss the Star vs. the Forces of Evil Season 2 finale episodes, “Face the Music” and “Starcrushed”.

1hr 13mins

28 Feb 2017

Rank #6

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“Sweet Dreams” & “Lava Lake Beach” Recap – Star vs. the Forces of Evil

Dylan Hysen, April Collins, Sam Quattro, and Alex Bonilla recap the November 14th episodes of Star vs. the Forces of Evil, “Sweet Dreams” and “Lava Lake Beach”.

1hr 1min

15 Nov 2017

Rank #7

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“Butterfly Trap” & “Ludo, Where Art Thou?” Recap – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, Sam Quattro, & Alex Bonilla recap the March 10th episodes of Star vs. the Forces of Evil, “Butterfly Trap” & “Ludo, Where Art Thou?”.

58mins

10 Mar 2018

Rank #8

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“Stump Day” & “Holiday Spellcial” Recap – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, and Alex Bonilla recap the December 2nd Holiday episodes of Star vs. the Forces of Evil, “Stump Day” and “Holiday Spellcial”.

47mins

2 Dec 2017

Rank #9

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Kelly Discussion – Star vs. the Forces of Evil

Dylan Hysen, Delaney Stovall, Michelle Anderer, Alex Bonilla, and April Collins take a deep-dive into the Star vs. the Forces of Evil character Kelly!

57mins

28 Jun 2017

Rank #10

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“Club Snubbed” & “Stranger Danger” Recap – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, Sam Quattro, and Alex Bonilla recap the November 7th episodes of Star vs. the Forces of Evil, “Club Snubbed” and “Stranger Danger”.

1hr 5mins

8 Nov 2017

Rank #11

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New S3 Star vs. the Forces of Evil Intro React

Dylan Hysen, Delaney Stovall, Michelle Anderer, Alex Bonilla, April Collins, and Andy Potter give their reactions and thoughts on the new Star vs. the Forces of Evil Season 3 intro!

50mins

15 Jun 2017

Rank #12

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“The Bogbeast of Boggabah” & “Total Eclipsa the Moon” Recap – Star vs. the Forces of Evil

Dylan Hysen, Delaney Stovall, Michelle Anderer, & April Collins recap the March 3rd episodes of Star vs. the Forces of Evil, “The Bogbeast of Boggabah” and “Total Eclipsa the Moon”.

42mins

3 Mar 2018

Rank #13

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“Demoncism” & “Sophomore Slump” Recap – Star vs. the Forces of Evil

Dylan Hysen, Delaney Stovall, Alex Bonilla, and Andy Potter recap the November 8th episodes of Star vs. the Forces of Evil, “Demoncism” and “Sophomore Slump”.

1hr

9 Nov 2017

Rank #14

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An Interview With Brian H. Kim, Composer of Star vs. The Forces of Evil

Alex Bonilla talks with Brian H. Kim, lead composer on Disney’s Star vs. The Forces of Evil about his work on the show, the deeper meanings behind the musical choices made during the program’s run, and what he’s learned along the way. Here’s some selected moments from the interview, which you can listen to in full below. Condensed and edited for clarity As someone who has been very involved with the show for its entire run, how does it feel to see the last piece of your work go public? It’s really bittersweet. I started working on the show five years ago, and it was the first time a television show had hired me as the lead composer on a show, and it wasn’t just my first show, it was on Disney, which for me was a big deal. I’d grown up watching Disney cartoons, and as an adult watching stuff like Gravity Falls, thinking what a cool place it’d be to work. So to see the show go through so much and develop such a huge, passionate fanbase, and see the show’s evolution over the seasons, to see that all come to a close, it’s really happy for me because I’m glad what we made, and glad that the public gets to see what we made, but I’m sad. It’s weird to not have this show to work on. Each episode takes me two to three weeks to do, so that’s a year-round gig. So, when I was done working on the show, it was literally the first time in five years I could wake up that morning and not think about what I had to do on the show that day. That was so weird. In general, how would you describe the responsibilities of the lead composer of the show? When I first started on the show, there was a lot of discussion about what the show was going to sound like. It took a few episodes for me to lock it down, but a lot of it was meeting with Daron [Nefcy], Dominic [Bisignano] and Aaron [Hammersley], the three producers I worked with the most, having lunch, talking about things, sending me MP3s and playlists to get a feel for what clicked, and then taking all those things they sent me and try to mush them all into one sound. Once that got laid down, the episode-to-episode duties are… I go in when the edit of the episode is done—I’m one of the last people to see it—I sit down with Daron and very often Dominic and Aaron as well, we watch the whole episode and we talk about every scene, where we want the music to come in and out. They obviously have their ideas of what they want, but they were always interested in hearing what I thought as well. I take all those notes, I go home and I work for a couple of weeks and I write all the music that I can, I finish the episode, I bring it in. We meet again, we sit down and watch the episode again with all the music in it, they take notes, we discuss, I go home and revise, I send for final mix and Daron gives final approval. In regards to character themes, how do you deal with character shifts in their music? How do you tweak the themes as we learn more about the character? Moon’s a really good example for that. When I wrote her theme in Season 2, I didn’t know where she was going in following seasons. I knew a handful of facts about her: I knew she was going to have a sad backstory, which we got into in The Battle For Mewni, and I knew her relationship with Star was her core relationship on the show. And I knew she was a badass; the first time I used her theme was when she was suiting up in armor, so I knew there was a fighter element to her. I didn’t know morally where she was going to be later. But because the things I knew about her were conflicting, I wrote a melody that was kind of conflicting. It switches from major to minor a lot, and at will I can change the chord progression. So later when things get fishier with her, I was thankful I made a melody that was somewhat ambiguous. Have fan reactions ever affected decisions you made in scoring later episodes, knowing how fans have reacted to certain moments in the past? It mattered more when I would get a scene I knew fans would have a large reaction to. For example, when Star and Tom have that big dance, I knew it was going to make waves and people would have strong opinions about it. Because I knew that, I spent a little extra time on that cue making sure it was big and grand and something that, even if you disagreed with the pairing, you would still feel empathetic towards them because of the music, because it was this big, sweeping romantic thing. In the fourth season, “Curse of the Blood Moon”, I get to reuse the Blood Moon Waltz in its entirety, and I knew that was going to be another moment the fans were going to react to, so I made sure the cue could stand on its own. There are two big musical cues in the series finale: when the magic dimension is collapsing, and the final moments when Star and Marco are running towards the portals. What did you want the music to transmit in those scenes? When the magic dimension is about to explode, and Star and Marco are holding each other not knowing what’s going to happen… that music starts a few minutes before when Marco asks Star, “What’s the plan?” and Star does not want to admit there isn’t a plan. I knew that I didn’t need to make this cue sound like the rest of the show. A lot of times I would shy away from using traditional string orchestration, I wanted to make sure we stayed in that retro synth world. But this felt different than the rest of the show. This felt apocalyptic, end-of-the-world stuff where we don’t know for sure if the heroes are going to come out OK. It needed to feel bleak, like this could be the end of everything. Instead of going big, I reduced everything to strings and piano. It moves slowly and builds slowly, as the audience realizes what Star is doing. Until the very end, when she sees Marco and they sit with each other, that’s when I begin to let it crescendo and swell all the way to the cut to black. With that one, I was happy to let it be its own thing without direct relation to other cues in the show. Now, when they’re running to the portals, I did want that to sound like the rest of the show, but I wanted a cue that had some finality to it. I have this repeating string figure that I use through it. I wanted a central string to push it from start to finish, to give the cue momentum. It had to be fast and flexible based on what was going on the screen. It starts in minor key, and I knew I was going to switch to major at some point. I knew I wanted it to feel like a big heroic moment for these two characters we’ve been with for years. I wanted it to have some suspense, so I don’t switch until halfway through the cue, I think when she’s bursting through the corn, and you go, “Oh! This is that thing that happens at the end of big romantic movies!” This is endgame, this is what we’ve been leading up to all these years. Now that Star is over, what’s the biggest thing that you’ve gotten out of this experience that’s helped you in other jobs? I’m not as afraid. When I first got the show and was handed these reins, I hadn’t written so much for one project before. At the end of Season 4, I tallied all the music I’d written for Star. I’ve written between 20 and 21 hours of music for the show. Before I moved to Los Angeles, I think I’d only written 40 minutes of music in my entire life. Looking back, having worked with all these themes and manipulating them over the years, if given that task again, I will have this knowledge that I did that before, that I had a project I wrote every note for and feel very proud of at the end. Most of the work I’ve gotten since Star has been nothing like Star; I’ve done a ton of comedy work, indie films, documentaries. Each time I do one of those projects, it feels like a testing ground. The job should never be rote, it should never feel repetitive, it should never feel really easy. So when I’m brought on to a new project, my portfolio is diverse and I’m happy about that. I never feel like when I’m hired for something, I’m getting hired to do the same thing over and over. I said to a producer on my last day, “I look forward to looking back fondly on all of this.” It was a very magical experience for me, it was a lovely job. It’s definitely going to be something I’ll miss. Listen to the full interview with Brian H. Kim on the Overly Animated Podcast!

56mins

22 May 2019

Rank #15

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Week 3 of the February of Star vs. the Forces of Evil – Overly Animated Podcast #328

Dylan Hysen, Delaney Stovall, and Michelle Anderer discuss the four episodes of Star vs. the Forces of Evil from the week of February 20th, “Heinous”, “All Belts are Off”, “Collateral Damage”, “Just Friends”.

1hr 9mins

24 Feb 2017

Rank #16

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“Scent of a Hoodie” & “Rest in Pudding” Recap – Star vs. the Forces of Evil

Dylan Hysen, Delaney Stovall, Sam Quattro, and April Collins recap the first night of Star vs. the Forces of Evil’s Starvember, discussing “Scent of a Hoodie” and “Rest in Pudding”. Video version: https://www.youtube.com/watch?v=NXCmedPIQWo

52mins

7 Nov 2017

Rank #17

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“Lint Catcher” & “Trial by Squire” Recap – Star vs. the Forces of Evil

Dylan Hysen, Michelle Anderer, Andy Potter, and Steve Zec recap the November 9th episodes of Star vs. the Forces of Evil, “Lint Catcher” and “Trial by Squire”.

1hr 3mins

10 Nov 2017

Rank #18

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Initial Star vs. the Forces of Evil Season 3 Predictions – Overly Animated Podcast #337

Dylan Hysen and Delaney Stovall discuss what could come next in Season 3 of Star vs. the Forces of Evil, and go over new info from the new “Star and Marco’s Guide to Mastering Every Dimension” book.

1hr 3mins

12 Mar 2017

Rank #19

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Week 2 of the February of Star vs. the Forces of Evil – Overly Animated Podcast #325

Dylan Hysen, Delaney Stovall, and Michelle Anderer discuss the four episodes of Star vs. the Forces of Evil from the week of February 13th”, “Mathmagic”, “The Bounce Lounge”, “Crystal Clear”, and “The Hard Way”.

1hr 6mins

17 Feb 2017

Rank #20