SUMMARY:Lake Street Dive's Rachael Price and composer/guitarist Vilray discuss their dynamic duo that preserves the spirit of the Great American Songbook with original music.  PART ONE:Scott tells a story about a bad demo that helped him learn an important lesson. Then Paul introduces a pop quiz to identify songs solely based on their drum intros. Scott does OK. PART TWO:Scott's in-depth interview with Rachael &amp; Vilray ABOUT RACHAEL &amp; VILRAY:Rachael and Vilray first met when they were both students at the New England Conservatory of Music. Rachael Price went on to form the band Lake Street Dive with their fellow students Michael Calabrese, Bridget Kearney, and Mike “McDuck” Olson, while Vilray developed his own path as a solo performer. Inspired by a shared love of classic Tin Pan Alley pop standards, the duo came together in 2015, eventually signing with Nonesuch Records. They released their self-titled debut in 2019, and the more elaborately produced I Love a Love Song album earlier this year. While Rachael contributes as a songwriter in other contexts, vocalist and guitarist Vilray is the sole writer of the duo’s original songs. Heavily steeped in classic songwriting traditions with a contemporary flourish, the music of Rachael &amp; Vilray is simultaneously fresh and timeless. The pair joined Scott for a conversation about songwriting and song interpretation earlier this year when I Love a Long Song was first released.   

SUMMARY: Lake Street Dive's Rachael Price and composer/guitarist Vilray discuss their dynamic duo that preserves the spirit of the Great American Songbook with original music.   PART ONE: Scott tells a story about a bad demo that helped him learn an important lesson. Then Paul introduces a pop quiz to identify songs solely based on their drum intros. Scott does OK.  PART TWO: Scott's in-depth interview with Rachael &amp; Vilray  ABOUT RACHAEL &amp; VILRAY: Rachael and Vilray first met when they were both students at the New England Conservatory of Music. Rachael Price went on to form the band Lake Street Dive with their fellow students Michael Calabrese, Bridget Kearney, and Mike “McDuck” Olson, while Vilray developed his own path as a solo performer. Inspired by a shared love of classic Tin Pan Alley pop standards, the duo came together in 2015, eventually signing with Nonesuch Records. They released their self-titled debut in 2019, and the more elaborately produced I Love a Love Song album earlier this year. While Rachael contributes as a songwriter in other contexts, vocalist and guitarist Vilray is the sole writer of the duo’s original songs. Heavily steeped in classic songwriting traditions with a contemporary flourish, the music of Rachael &amp; Vilray is simultaneously fresh and timeless. The pair joined Scott for a conversation about songwriting and song interpretation earlier this year when I Love a Long Song was first released.

Ep. 211 - RACHAEL & VILRAY ("Do Friends in Fall in Love?")

Ashley Gorley

SUMMARY:We chat with Ashley Gorley who, with more #1 singles than any writer in any genre, is the reigning king of country music songwriters. PART ONE:Paul and Scott discuss the state of contemporary country music, the way the genre has come to dominate the pop chart, and the rapidly-changing nature of what's the most popular song at any given moment.PART TWO:Our in-depth conversation with Ashley GorleyABOUT ASHLEY GORLEY:With an unprecedented track record of nearly 70 chart-topping country hits, Ashley Gorley is perhaps the most commercially successful songwriter in history. He has written more #1 singles than anyone in any genre, and has had over 400 of his songs recorded by artists such as Morgan Wallen, Chris Stapleton, Luke Bryan, Thomas Rhett, Carrie Underwood, Blake Shelton, Kelsea Ballerini, Lee Brice, Brad Paisley, Darius Rucker, Bon Jovi, and Weezer. Ashley has been named ASCAP Country Songwriter of the Year nine times, Billboard Country Songwriter of the Year six times, and NSAI Songwriter of the Year six times. He was then named NSAI Songwriter of the Decade for the period ranging from 2010-2019. Additionally, Ashley was honored as the Top Male Songwriter of 2021—across all genres—by the National Music Publishers Association. In 2023 the NMPA honored him with their icon award for non-performing songwriters. The multiple CMA, ACM, and Grammy nominee has received the CMA’s Triple Play Award 20 times in his career, which recognizes songwriters with three or more #1 songs in a single year. In 2016, Ashley became the first songwriter to be honored with three CMA Triple Play Awards in a single year for earning nine chart-topping songs in a 12-month period. He repeated that feat in 2020 and again in 2022. This year, Gorley was announced as ACM Songwriter of the Year, also taking home the Song of the Year award and celebrating three Song of the Year nominations, placing him in rare company with Kris Kristofferson and Merle Haggard, the only other songwriters to achieve the same feat in a single year. In addition to his decorated career as a songwriter, Ashley launched his own music publishing company, Tape Room Music, with a writer roster that has earned nearly 40 #1 hits. 

SUMMARY: We chat with Ashley Gorley who, with more #1 singles than any writer in any genre, is the reigning king of country music songwriters.  PART ONE: Paul and Scott discuss the state of contemporary country music, the way the genre has come to dominate the pop chart, and the rapidly-changing nature of what's the most popular song at any given moment. PART TWO: Our in-depth conversation with Ashley Gorley ABOUT ASHLEY GORLEY: With an unprecedented track record of nearly 70 chart-topping country hits, Ashley Gorley is perhaps the most commercially successful songwriter in history. He has written more #1 singles than anyone in any genre, and has had over 400 of his songs recorded by artists such as Morgan Wallen, Chris Stapleton, Luke Bryan, Thomas Rhett, Carrie Underwood, Blake Shelton, Kelsea Ballerini, Lee Brice, Brad Paisley, Darius Rucker, Bon Jovi, and Weezer. Ashley has been named ASCAP Country Songwriter of the Year nine times, Billboard Country Songwriter of the Year six times, and NSAI Songwriter of the Year six times. He was then named NSAI Songwriter of the Decade for the period ranging from 2010-2019. Additionally, Ashley was honored as the Top Male Songwriter of 2021—across all genres—by the National Music Publishers Association. In 2023 the NMPA honored him with their icon award for non-performing songwriters. The multiple CMA, ACM, and Grammy nominee has received the CMA’s Triple Play Award 20 times in his career, which recognizes songwriters with three or more #1 songs in a single year. In 2016, Ashley became the first songwriter to be honored with three CMA Triple Play Awards in a single year for earning nine chart-topping songs in a 12-month period. He repeated that feat in 2020 and again in 2022. This year, Gorley was announced as ACM Songwriter of the Year, also taking home the Song of the Year award and celebrating three Song of the Year nominations, placing him in rare company with Kris Kristofferson and Merle Haggard, the only other songwriters to achieve the same feat in a single year. In addition to his decorated career as a songwriter, Ashley launched his own music publishing company, Tape Room Music, with a writer roster that has earned nearly 40 #1 hits.

Ep. 210 - ASHLEY GORLEY ("Last Night")

Kevin Cronin

SUMMARY:REO Speedwagon's Kevin Cronin sits down in person with Scott and Paul for an amazingly in-depth conversation about his career and his legendary songs "Roll with the Changes," "Time for Me to Fly," "Keep on Loving You," and "Can't Fight This Feeling," and more! PART ONE: Paul and Scott talk about the resurgence of Tracy Chapman's "Fast Car," the current historical invasion of the pop charts by the country genre, the time they absolutely massacred REO Speedwagon's "Time for Me to Fly" in their high school cover band, and how you can hear 18 minutes of bonus audio detailing the wild saga that led to this episode. PART TWO:Our in-depth conversation with Kevin CroninABOUT KEVIN CRONIN:Kevin Cronin joined REO Speedwagon as the band’s lead singer prior to the release of the group’s second album in 1972. He contributed three songs to the project, including “Music Man,” but departed during the recording of the follow-up LP Ridin’ The Storm Out. After a brief solo career, Kevin returned to the group in 1976 and went on to write some of its most enduring songs, including “Roll with the Changes,” “Time for Me to Fly,” and “Don’t Let Him Go.” Additionally, he wrote the band’s only number one hits, “Keep on Loving You” and “Can’t Fight This Feeling,” cementing REO Speedwagon’s legacy as both classic rockers and masters of the power ballad. In a career spanning more than five decades, REO Speedwagon has sold more than 40 million records and has landed more than a dozen Top 40 hits on the Billboard chart, including “Take it On the Run,” which was written by lead guitarist Gary Richrath. In addition to Kevin’s success with his own band, his songs have been covered by artists ranging from The Lemonheads to Dolly Parton. The Grammy-nominated music legend also happens to be just about the nicest rock star you’ll ever meet.  

SUMMARY: REO Speedwagon's Kevin Cronin sits down in person with Scott and Paul for an amazingly in-depth conversation about his career and his legendary songs "Roll with the Changes," "Time for Me to Fly," "Keep on Loving You," and "Can't Fight This Feeling," and more!  PART ONE:  Paul and Scott talk about the resurgence of Tracy Chapman's "Fast Car," the current historical invasion of the pop charts by the country genre, the time they absolutely massacred REO Speedwagon's "Time for Me to Fly" in their high school cover band, and how you can hear 18 minutes of bonus audio detailing the wild saga that led to this episode.  PART TWO: Our in-depth conversation with Kevin Cronin ABOUT KEVIN CRONIN: Kevin Cronin joined REO Speedwagon as the band’s lead singer prior to the release of the group’s second album in 1972. He contributed three songs to the project, including “Music Man,” but departed during the recording of the follow-up LP Ridin’ The Storm Out. After a brief solo career, Kevin returned to the group in 1976 and went on to write some of its most enduring songs, including “Roll with the Changes,” “Time for Me to Fly,” and “Don’t Let Him Go.” Additionally, he wrote the band’s only number one hits, “Keep on Loving You” and “Can’t Fight This Feeling,” cementing REO Speedwagon’s legacy as both classic rockers and masters of the power ballad. In a career spanning more than five decades, REO Speedwagon has sold more than 40 million records and has landed more than a dozen Top 40 hits on the Billboard chart, including “Take it On the Run,” which was written by lead guitarist Gary Richrath. In addition to Kevin’s success with his own band, his songs have been covered by artists ranging from The Lemonheads to Dolly Parton. The Grammy-nominated music legend also happens to be just about the nicest rock star you’ll ever meet.

Ep. 209 - KEVIN CRONIN of REO Speedwagon ("Can't Fight This Feeling")

David Shaw

SUMMARYDavid Shaw, lead singer and one of the primary songwriters of the New Orleans-based band The Revivalists joins us to talk about the band's history, their three #1 Billboard singles, the times they opened for The Rolling Stones, and their new album, Pour it Out Into the Night.PART ONEPaul and Scott offer up opportunities for song critiques, co-writing, and a lot of other cool Patreon perks.PART TWOOur in-depth conversation with David Shaw of The RevivalistsABOUT DAVID SHAWDavid Shaw is the lead singer and one of the primary songwriters of the New Orleans based band The Revivalists. Formed by Shaw and guitarist Zack Feinberg, the now eight-piece group has released five full-length studio albums and two EPs since 2008. Their breakout single, “Wish I Knew You” from 2016 hit #1 on Billboard’s Alternative Airplay chart and has been certified double Platinum. Additionally, they’ve topped the Billboard Adult Alternative Airplay chart with their songs “All My Friends” and “Kid.” The latter is the lead single off The Revivalists most recent album, Pour It Out Into the Night. 

SUMMARY David Shaw, lead singer and one of the primary songwriters of the New Orleans-based band The Revivalists joins us to talk about the band's history, their three #1 Billboard singles, the times they opened for The Rolling Stones, and their new album, Pour it Out Into the Night. PART ONE Paul and Scott offer up opportunities for song critiques, co-writing, and a lot of other cool Patreon perks. PART TWO Our in-depth conversation with David Shaw of The Revivalists ABOUT DAVID SHAW David Shaw is the lead singer and one of the primary songwriters of the New Orleans based band The Revivalists. Formed by Shaw and guitarist Zack Feinberg, the now eight-piece group has released five full-length studio albums and two EPs since 2008. Their breakout single, “Wish I Knew You” from 2016 hit #1 on Billboard’s Alternative Airplay chart and has been certified double Platinum. Additionally, they’ve topped the Billboard Adult Alternative Airplay chart with their songs “All My Friends” and “Kid.” The latter is the lead single off The Revivalists most recent album, Pour It Out Into the Night.

Ep. 208 - DAVID SHAW of The Revivalists ("Wish I Knew You")

Graham Nash

Summary:Rock &amp; Roll Hall of Famer Graham Nash joins us to talk about CSN, his solo career, and his most recent album.Part One:Joe Biden and Donald Trump are the two oldest presidents in American history. And it looks like they might square off once again in a contest of the aged. But guess which rock stars are older than our oldest presidents? Scott and Paul hash it out, and you might be surprised. Part Two:Our in-depth conversation with Graham NashAbout Graham Nash:Grammy winner Graham Nash began his career with The Hollies, co-writing the Top 5 singles “Stop Stop Stop,” “On a Carousel,” and “Carrie Anne,” as well as penning the critically-acclaimed “King Midas in Reverse.” After leaving the group he joined forces with David Crosby of The Byrds and Stephen Stills of Buffalo Springfield to assemble one of music’s first supergroups, Crosby, Stills &amp; Nash. As a trio, and as a quartet with Neil Young, CSN became one of the most popular groups of the 1970s. As a songwriter, Nash contributed such classics to the group as “Marrakesh Express,” “Lady of the Island,” “Teach Your Children,” “Our House,” and the Top 10 hits “Just a Song Before I Go” and “Wasted on the Way.” As a solo artist, he penned classics such as “Better Days,” “Chicago,” and “Prison Song.” Nash is a member of the Songwriters Hall of Fame, and was inducted into the Rock &amp; Roll Hall of Fame as both a member of the Hollies and CSN. Additionally, he was appointed an Officer of the Most Excellent Order of the British Empire (OBE) by Queen Elizabeth II. While continually building his musical legacy, Graham is also a renowned photographer and visual artist whose work has been shown in galleries and museums worldwide. His latest project, and his seventh studio album as a solo artist, is entitled Now. 

Summary: Rock &amp; Roll Hall of Famer Graham Nash joins us to talk about CSN, his solo career, and his most recent album. Part One: Joe Biden and Donald Trump are the two oldest presidents in American history. And it looks like they might square off once again in a contest of the aged. But guess which rock stars are older than our oldest presidents? Scott and Paul hash it out, and you might be surprised.  Part Two: Our in-depth conversation with Graham Nash About Graham Nash: Grammy winner Graham Nash began his career with The Hollies, co-writing the Top 5 singles “Stop Stop Stop,” “On a Carousel,” and “Carrie Anne,” as well as penning the critically-acclaimed “King Midas in Reverse.” After leaving the group he joined forces with David Crosby of The Byrds and Stephen Stills of Buffalo Springfield to assemble one of music’s first supergroups, Crosby, Stills &amp; Nash. As a trio, and as a quartet with Neil Young, CSN became one of the most popular groups of the 1970s. As a songwriter, Nash contributed such classics to the group as “Marrakesh Express,” “Lady of the Island,” “Teach Your Children,” “Our House,” and the Top 10 hits “Just a Song Before I Go” and “Wasted on the Way.” As a solo artist, he penned classics such as “Better Days,” “Chicago,” and “Prison Song.” Nash is a member of the Songwriters Hall of Fame, and was inducted into the Rock &amp; Roll Hall of Fame as both a member of the Hollies and CSN. Additionally, he was appointed an Officer of the Most Excellent Order of the British Empire (OBE) by Queen Elizabeth II. While continually building his musical legacy, Graham is also a renowned photographer and visual artist whose work has been shown in galleries and museums worldwide. His latest project, and his seventh studio album as a solo artist, is entitled Now.

Ep. 207 - GRAHAM NASH ("Our House")

Matt Maher

SUMMARY:With nine Grammy nominations and a GMA Dove Award for Songwriter of the Year, Matt Maher is one of the leading songwriters in contemporary Christian music. He joins us for a wide-ranging conversation about creativity, collaboration, and and his evolving career. PART ONE:Paul and Scott talk about the recent Ed Sheeran copyright infringement trial.PART TWO:Our in-depth conversation with Matt MaherABOUT MATT MAHER:Matt Maher is one of the leading songwriters in contemporary Christian music. Raised in Canada, he studied jazz at Arizona State University before launching an artist career and releasing his major label debut, Empty &amp; Beautiful, in 2008. The album spawned the Top 5 single “Your Grace is Enough.” He went on to find further success as an artist with self-penned songs such as “Alive Again,” “Hold Us Together,” “All the People Said Amen,” and the double platinum single “Lord, I Need You.” He has been nominated for nine Grammy awards and was named the GMA Dove Award Songwriter of the Year in 2015. Finding great success with parenthetical titles, Matt has written four songs that have hit #1 on Billboard’s Christian Airplay chart for him as an artist: “Because He Lives (Amen),” “Glory (Let There Be Peace),” “Alive &amp; Breathing” (no parentheses), and “The Lord’s Prayer (It’s Yours),” Additionally, he’s hit #1 by writing for other artists, including “I Lift My Hands” (with Chris Tomlin) and “Come As You” (with David Crowder). Further successes writing for other artists includes Chris Tomlin’s “I Will Rise,” “Third Day’s “Soul on Fire,” and Cody Carnes’s “Run to the Father,” among many others. Matt’s most recent album as a songwriting artist is called The Stories I Tell Myself.   

SUMMARY: With nine Grammy nominations and a GMA Dove Award for Songwriter of the Year, Matt Maher is one of the leading songwriters in contemporary Christian music. He joins us for a wide-ranging conversation about creativity, collaboration, and and his evolving career.  PART ONE: Paul and Scott talk about the recent Ed Sheeran copyright infringement trial. PART TWO: Our in-depth conversation with Matt Maher ABOUT MATT MAHER: Matt Maher is one of the leading songwriters in contemporary Christian music. Raised in Canada, he studied jazz at Arizona State University before launching an artist career and releasing his major label debut, Empty &amp; Beautiful, in 2008. The album spawned the Top 5 single “Your Grace is Enough.” He went on to find further success as an artist with self-penned songs such as “Alive Again,” “Hold Us Together,” “All the People Said Amen,” and the double platinum single “Lord, I Need You.” He has been nominated for nine Grammy awards and was named the GMA Dove Award Songwriter of the Year in 2015. Finding great success with parenthetical titles, Matt has written four songs that have hit #1 on Billboard’s Christian Airplay chart for him as an artist: “Because He Lives (Amen),” “Glory (Let There Be Peace),” “Alive &amp; Breathing” (no parentheses), and “The Lord’s Prayer (It’s Yours),” Additionally, he’s hit #1 by writing for other artists, including “I Lift My Hands” (with Chris Tomlin) and “Come As You” (with David Crowder). Further successes writing for other artists includes Chris Tomlin’s “I Will Rise,” “Third Day’s “Soul on Fire,” and Cody Carnes’s “Run to the Father,” among many others. Matt’s most recent album as a songwriting artist is called The Stories I Tell Myself.

Ep. 206 - MATT MAHER ("Lord, I Need You")

Summary: Why the heck are we having  comedian on Songcraft?Part One:Paul and Scott chat about comedy, fandom, and the great Willie NelsonPart Two:Our in-depth conversation with the very funny Dusty SlayAbout Dusty Slay:Comedian Dusty Slay hasn’t written a song that you’ve heard, but he’s written a lot of jokes, and a lot of those jokes are about songs. Growing up in a trailer park in Opelika, Alabama, Dusty tried his hand at community college before dropping out. His plans to join the army were foiled by an arrest, so, at age 21, he moved to Charleston, South Carolina, where he spent years working as a pesticide salesman while moonlighting as an aspiring comedian at open mic nights. After getting sober in 2012 he got serious about his comedy career. After being voted "Best Local Comedian" and winning the Charleston Stand Up Comedy Competition two years in a row, Dusty eventually relocated to Nashville where he continued to build his comedy platform with his unique brand of self-described "clean comedy with an edge." He became the youngest comedian to ever perform at the Grand Ole Opry and, in 2019, Variety listed him as one of "10 Comics to Watch." Today, he has close to a half million Tik Tok followers, a Comedy Central special, and appearances on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! In 2021, Slay appeared on season three of the Netflix comedy special series The Standups. He hosts a podcast about drinking, drugs, and religion called We’re Having a Good Time, and is a co-host of the popular Nateland podcast, alongside fellow Nashville comedians Nate Bargatze, Brian Bates, and Aaron Weber. In April, all four performed at Nashville’s Bridgestone Arena to a record-breaking crowd of over 19,000 fans. 

Summary:  Why the heck are we having  comedian on Songcraft? Part One: Paul and Scott chat about comedy, fandom, and the great Willie Nelson Part Two: Our in-depth conversation with the very funny Dusty Slay About Dusty Slay: Comedian Dusty Slay hasn’t written a song that you’ve heard, but he’s written a lot of jokes, and a lot of those jokes are about songs. Growing up in a trailer park in Opelika, Alabama, Dusty tried his hand at community college before dropping out. His plans to join the army were foiled by an arrest, so, at age 21, he moved to Charleston, South Carolina, where he spent years working as a pesticide salesman while moonlighting as an aspiring comedian at open mic nights. After getting sober in 2012 he got serious about his comedy career. After being voted "Best Local Comedian" and winning the Charleston Stand Up Comedy Competition two years in a row, Dusty eventually relocated to Nashville where he continued to build his comedy platform with his unique brand of self-described "clean comedy with an edge." He became the youngest comedian to ever perform at the Grand Ole Opry and, in 2019, Variety listed him as one of "10 Comics to Watch." Today, he has close to a half million Tik Tok followers, a Comedy Central special, and appearances on The Tonight Show Starring Jimmy Fallon and Jimmy Kimmel Live! In 2021, Slay appeared on season three of the Netflix comedy special series The Standups. He hosts a podcast about drinking, drugs, and religion called We’re Having a Good Time, and is a co-host of the popular Nateland podcast, alongside fellow Nashville comedians Nate Bargatze, Brian Bates, and Aaron Weber. In April, all four performed at Nashville’s Bridgestone Arena to a record-breaking crowd of over 19,000 fans.

Ep. 205 - DUSTY SLAY ("We're Havin' a Good Time!")

Dar Williams

SUMMARYOur guest is author, educator, and celebrated singer-songwriter Dar Williams who emerged from the vibrant mid-90’s Boston scene that included Patty Griffith, Melissa Ferrick, Throwing Muses, Vance Gilbert, and Jonatha Brooke. Dar has now recorded more than a dozen studio albums, and recently released the book How to Write a Song That Matters, which was born from the songwriting retreats she’s been conducting since 2013. PART ONEScott and Paul talk about AI and the impact it's having on the world of songwritingPART TWOOur in-depth interview with Dar Williams ABOUT DAR WILLIAMSAuthor, educator, and celebrated singer-songwriter Dar Williams was always in the right place at the right time for the success she’s had over a career that has spanned 30 years. She emerged from the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, including Patty Griffith, Melissa Ferrick, Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United State. Dar has now recorded more than a dozen studio albums, and recently released the book How to Write a Song That Matters, which was born from the songwriting retreats she’s been conducting since 2013.  

SUMMARY Our guest is author, educator, and celebrated singer-songwriter Dar Williams who emerged from the vibrant mid-90’s Boston scene that included Patty Griffith, Melissa Ferrick, Throwing Muses, Vance Gilbert, and Jonatha Brooke. Dar has now recorded more than a dozen studio albums, and recently released the book How to Write a Song That Matters, which was born from the songwriting retreats she’s been conducting since 2013.  PART ONE Scott and Paul talk about AI and the impact it's having on the world of songwriting PART TWO Our in-depth interview with Dar Williams  ABOUT DAR WILLIAMS Author, educator, and celebrated singer-songwriter Dar Williams was always in the right place at the right time for the success she’s had over a career that has spanned 30 years. She emerged from the vibrant mid-90’s Boston scene, inspired by the eclectic influences of alt-rockers, Berklee jazz musicians, slam poets, and folk artists, including Patty Griffith, Melissa Ferrick, Throwing Muses, Vance Gilbert, and Jonatha Brooke. After a year of touring non-stop with her first album, The Honesty Room, in 1994, she was invited by Joan Baez to tour in Europe and The United State. Dar has now recorded more than a dozen studio albums, and recently released the book How to Write a Song That Matters, which was born from the songwriting retreats she’s been conducting since 2013.

Ep. 204 - DAR WILLIAMS ("The Beauty of the Rain")

Chris Shiflett

Summary:Our guest is Chris Shiflett, Foo Fighters guitarist, Rock &amp; Roll Hall of Famer, 12-time Grammy winner, and solo artist named "Americana's biggest rock star" by Rolling Stone. Part One: Scott &amp; Paul talk about country crossover and why Halloween's no fun at the Duncan housePart Two: Our in-depth interview with Chris ShiflettAbout Chris Shiflett:Best known for his work in Foo Fighters, Chris Shiflett is a punk veteran, Americana and rock songwriter, modern-day guitar hero, and an artist who’s been blurring the lines between genres for more than 25 years. He’s an alum of California-based punk bands No Use for a Name and Me First and the Gimme Gimmes, as well as his own projects Jackson United and Chris Shiflett and the Dead Peasants. Named "Americana’s biggest rock star" by Rolling Stone, Chris balances his full-band projects with a thriving solo career. The twelve-time Grammy winning Rock &amp; Roll Hall of Famer’s forthcoming country album—and his third as a solo artist—is called Lost at Sea. 

Summary: Our guest is Chris Shiflett, Foo Fighters guitarist, Rock &amp; Roll Hall of Famer, 12-time Grammy winner, and solo artist named "Americana's biggest rock star" by Rolling Stone.  Part One:  Scott &amp; Paul talk about country crossover and why Halloween's no fun at the Duncan house Part Two:  Our in-depth interview with Chris Shiflett About Chris Shiflett: Best known for his work in Foo Fighters, Chris Shiflett is a punk veteran, Americana and rock songwriter, modern-day guitar hero, and an artist who’s been blurring the lines between genres for more than 25 years. He’s an alum of California-based punk bands No Use for a Name and Me First and the Gimme Gimmes, as well as his own projects Jackson United and Chris Shiflett and the Dead Peasants. Named "Americana’s biggest rock star" by Rolling Stone, Chris balances his full-band projects with a thriving solo career. The twelve-time Grammy winning Rock &amp; Roll Hall of Famer’s forthcoming country album—and his third as a solo artist—is called Lost at Sea.

Ep. 203 - CHRIS SHIFLETT of Foo Fighters ("West Coast Town")

Brent Smith

Brent Smith is known as one of the best voices in rock thanks to his work as the lead singer, primary lyricist, and contributing songwriter to the band Shinedown. Formed in Jacksonville, Florida, Shinedown has gone on to land 30 singles in the Top 5 on Billboard’s Mainstream Rock chart. With 18 of those songs reaching the top spot, the band holds the record for the most number one singles in the chart’s history. Their music has been streamed more than 6.5 billion times around the globe, and 15 of their singles have been certified either gold, platinum, or multi-platinum. Shinedown has sold more than 10 million records, and their latest album, Planet Zero, is continuing the trend of rock dominance. In our conversation with Brent he shares how Otis Redding opened his eyes, why he’s committed to suicide prevention, and the nuts and bolts of his writing process with the band. 

Brent Smith is known as one of the best voices in rock thanks to his work as the lead singer, primary lyricist, and contributing songwriter to the band Shinedown. Formed in Jacksonville, Florida, Shinedown has gone on to land 30 singles in the Top 5 on Billboard’s Mainstream Rock chart. With 18 of those songs reaching the top spot, the band holds the record for the most number one singles in the chart’s history. Their music has been streamed more than 6.5 billion times around the globe, and 15 of their singles have been certified either gold, platinum, or multi-platinum. Shinedown has sold more than 10 million records, and their latest album, Planet Zero, is continuing the trend of rock dominance. In our conversation with Brent he shares how Otis Redding opened his eyes, why he’s committed to suicide prevention, and the nuts and bolts of his writing process with the band.

Ep. 202 - BRENT SMITH of Shinedown ("Second Chance")

Songcraft is a bi-weekly podcast that brings you in-depth conversations with and about the creators of lyrics and music that stand the test of time. You probably know their names, and you definitely know their songs. We bring you their stories.

The interviewers are fabulous and the songwriters are inspiring with great songwriting nuggets.

Love this series

It’s a shame we live in a subjective world. Some objective tips on this would be great but missing.

Focused on the songwriter not the writing process

Songcraft: Spotlight on Songwriters

Robert Earl Keen

PART ONE Scott and Paul talk about Randy Poe, Texas, and their favorite songwriters from the Lone Star State.  PART TWO - 20:52 mark Robert Earl Keen comes by Songcraft World Headquarters to chat about the Marty Robbins song that set him on his path as a kid; why he wants his songs to be provocative; the book Lyle Lovett gave him that jump started his career; what Steve Earle said that convinced Robert to move to Nashville; how having only $20 in his pocket led to writing his most classic song; which of his albums made him feel like he’d been accepted into the mainstream; and why he kept delaying making a bluegrass album.  ABOUT ROBERT EARL KEEN Regarded as one of the purest singer-songwriters in the Texas tradition, Robert Earl Keen is a true pioneer, and one of the most consistent practitioners of the Americana genre. While studying English at Texas A&amp;M University, Keen linked up with fellow aspiring songwriter Lyle Lovett. The pair analyzed songs and worked on their craft together, writing tunes such as “Front Porch Song” which each included on his respective debut album. After the release of the West Textures album in 1989, Keen hit the road with songwriting giants Guy Clark and Townes Van Zandt. It was another Texan, Joe Ely, who recorded two of Robert’s songs on his highly lauded 1993 release Love and Danger that brought Keen to the attention of a wider audience.  With a canon of classic songs that includes “The Road Goes on Forever,” “Corpus Christi Bay,” “Gringo Honeymoon,” and “Merry Christmas From the Family,” Keen built a diverse following that ranges from rowdy college kids to dyed-in-the-wool folkies. Live performance has been an important foundation of Keen’s artistry, as illustrated on the modern day classic live album No. 2 Live Dinner that was issued in 1996.   With a dozen studio albums and seven live albums under his belt, Keen has continued to explore new musical ground with a string of charting albums that includes 2015’s Happy Prisoner: The Bluegrass Sessions. Reaching the Top 10 on the country chart and #1 on the bluegrass rankings, Happy Prisoner demonstrates that Keen’s track record as an artist is just as strong as the respect his songs have earned from other performers. Those who’ve covered his material include Nanci Griffith, Eddy Raven, Kelly Willis, The Highwaymen, Jack Ingram, Montgomery Gentry, Shawn Colvin, Gillian Welch, and George Strait.  In 2012, Robert Earl Keen was inducted into the Texas Heritage Songwriters Hall of Fame.

PART ONE Scott and Paul talk about Randy Poe, Texas, and their favorite songwriters from the Lone Star State. PART TWO - 20:52 mark Robert Earl Keen comes by Songcraft World Headquarters to chat about the Marty Robbins song that set him on his path as a kid; why he wants his songs to be provocative; the book Lyle Lovett gave him that jump started his career; what Steve Earle said that convinced Robert to move to Nashville; how having only $20 in his pocket led to writing his most classic song; which of his albums made him feel like he’d been accepted into the mainstream; and why he kept delaying making a bluegrass album. ABOUT ROBERT EARL KEEN Regarded as one of the purest singer-songwriters in the Texas tradition, Robert Earl Keen is a true pioneer, and one of the most consistent practitioners of the Americana genre. While studying English at Texas A&amp;M University, Keen linked up with fellow aspiring songwriter Lyle Lovett. The pair analyzed songs and worked on their craft together, writing tunes such as “Front Porch Song” which each included on his respective debut album. After the release of the West Textures album in 1989, Keen hit the road with songwriting giants Guy Clark and Townes Van Zandt. It was another Texan, Joe Ely, who recorded two of Robert’s songs on his highly lauded 1993 release Love and Danger that brought Keen to the attention of a wider audience. With a canon of classic songs that includes “The Road Goes on Forever,” “Corpus Christi Bay,” “Gringo Honeymoon,” and “Merry Christmas From the Family,” Keen built a diverse following that ranges from rowdy college kids to dyed-in-the-wool folkies. Live performance has been an important foundation of Keen’s artistry, as illustrated on the modern day classic live album No. 2 Live Dinner that was issued in 1996.  With a dozen studio albums and seven live albums under his belt, Keen has continued to explore new musical ground with a string of charting albums that includes 2015’s Happy Prisoner: The Bluegrass Sessions. Reaching the Top 10 on the country chart and #1 on the bluegrass rankings, Happy Prisoner demonstrates that Keen’s track record as an artist is just as strong as the respect his songs have earned from other performers. Those who’ve covered his material include Nanci Griffith, Eddy Raven, Kelly Willis, The Highwaymen, Jack Ingram, Montgomery Gentry, Shawn Colvin, Gillian Welch, and George Strait. In 2012, Robert Earl Keen was inducted into the Texas Heritage Songwriters Hall of Fame.

Ep. 94 - ROBERT EARL KEEN ("The Road Goes on Forever")

Vince Gill

Multi-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard’s country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM’s Song of the Year awards.  Though he’s won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill’s band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don’t Let Our Love Start Slippin’ Away,” “One More Last Chance,” and “Tryin’ to Get Over You.”  In addition to writing his own material, Vince’s songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award.

Multi-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard’s country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM’s Song of the Year awards. Though he’s won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill’s band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don’t Let Our Love Start Slippin’ Away,” “One More Last Chance,” and “Tryin’ to Get Over You.” In addition to writing his own material, Vince’s songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award.

Ep. 61 - VINCE GILL ("Go Rest High On That Mountain")

Smokey Robinson

Songwriters Hall of Fame and Rock &amp; Roll Hall of Fame inductee Smokey Robinson talks about his Motown legacy and his string of timeless hits, including “Shop Around,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “My Guy,” “The Way You Do The Things You Do,” “Cruisin’,” and more!  PART ONE Scott and Paul chat about Pearl Snap Studios and share the behind-the-scenes details of how the Smokey interview came about.  PART TWO -  8:07 mark Scott and Paul sit down with Smokey to get the inside scoop on the first song he ever wrote; how his love of Gene Autry and Roy Rogers gave him his identity; the songwriting advice from Berry Gordy that changed his life; which song he calls his international songwriting anthem; the collaborator he referred to as his "music mountain;" the hit he wrote onstage; the tragic story behind his most personal song; the artists he had in mind when he wrote "Shop Around" and "Being with You;" which of his hits took less than 30 minutes to write - and which one took five years!  ABOUT SMOKEY ROBINSON  Ranked in the Top 5 of Rolling Stone magazine’s Greatest Songwriters of All Time, Smokey Robinson is an American Musical Icon. Practically synonymous with the legendary Motown Records, Robinson wrote most of the hits associated with his own group, The Miracles, including “Shop Around,” “You’ve Really Got a Hold On Me,” “Going to a Go-Go,” “Ooo Baby Baby,” “The Tracks of My Tears,” “I Second That Emotion,” “Baby, Baby Don’t Cry,” and “The Tears of a Clown.”  Beyond writing for himself, Smokey penned a long list of hits for other Motown artists, including “You Beat Me to the Punch” and “My Guy” for Mary Wells; “The Way You Do the Things You Do,” “My Girl,” and “Get Ready” for The Temptations, “Don’t Mess with Bill” and “The Hunter Gets Captured by the Game” for The Marvelettes; and “I’ll Be Doggone” and “Ain’t That Peculiar” for Marvin Gaye.  In later years, Smokey launched a successful solo career, scoring self-penned hits with “Baby That’s Backatcha,” “Quiet Storm,” “Cruisin’,” and “Being With You.”  The Grammy-winning songwriter, producer, and performer was inducted into the Songwriters Hall of Fame and the Rock &amp; Roll Hall of Fame. He is a National Medal of Arts Recipient and a Kennedy Center Honoree. Smokey has additionally been honored with the Library of Congress’ Gershwin Prize for Popular Song, the Soul Train Heritage Award, the BET Lifetime Achievement Award, the Grammy Lifetime Achievement Award, and countless other honors. Five of his songs are on the Rock &amp; Roll Hall of Fame’s list of 500 Songs That Shaped Rock &amp; Roll, and five have been inducted into the Grammy Hall of Fame. Four of his compositions can be found among Rolling Stone magazine’s 500 Greatest Songs of All Time.  The long list of other artists who’ve drawn from the Smokey Robinson songbook includes The Beatles, The Rolling Stones, Michael Jackson, Ella Fitzgerald, Aretha Franklin, Otis Redding, The Supremes, The Four Tops, Stevie Wonder, Gladys Knight, Dionne Warwick, Dusty Springfield, Linda Ronstadt, Dolly Parton, George Benson, D’Angelo , Ne-Yo, and more.  

Songwriters Hall of Fame and Rock &amp; Roll Hall of Fame inductee Smokey Robinson talks about his Motown legacy and his string of timeless hits, including “Shop Around,” “You’ve Really Got a Hold on Me,” “The Tracks of My Tears,” “My Guy,” “The Way You Do The Things You Do,” “Cruisin’,” and more! PART ONE Scott and Paul chat about Pearl Snap Studios and share the behind-the-scenes details of how the Smokey interview came about. PART TWO -  8:07 mark Scott and Paul sit down with Smokey to get the inside scoop on the first song he ever wrote; how his love of Gene Autry and Roy Rogers gave him his identity; the songwriting advice from Berry Gordy that changed his life; which song he calls his international songwriting anthem; the collaborator he referred to as his "music mountain;" the hit he wrote onstage; the tragic story behind his most personal song; the artists he had in mind when he wrote "Shop Around" and "Being with You;" which of his hits took less than 30 minutes to write - and which one took five years! ABOUT SMOKEY ROBINSON Ranked in the Top 5 of Rolling Stone magazine’s Greatest Songwriters of All Time, Smokey Robinson is an American Musical Icon. Practically synonymous with the legendary Motown Records, Robinson wrote most of the hits associated with his own group, The Miracles, including “Shop Around,” “You’ve Really Got a Hold On Me,” “Going to a Go-Go,” “Ooo Baby Baby,” “The Tracks of My Tears,” “I Second That Emotion,” “Baby, Baby Don’t Cry,” and “The Tears of a Clown.” Beyond writing for himself, Smokey penned a long list of hits for other Motown artists, including “You Beat Me to the Punch” and “My Guy” for Mary Wells; “The Way You Do the Things You Do,” “My Girl,” and “Get Ready” for The Temptations, “Don’t Mess with Bill” and “The Hunter Gets Captured by the Game” for The Marvelettes; and “I’ll Be Doggone” and “Ain’t That Peculiar” for Marvin Gaye. In later years, Smokey launched a successful solo career, scoring self-penned hits with “Baby That’s Backatcha,” “Quiet Storm,” “Cruisin’,” and “Being With You.” The Grammy-winning songwriter, producer, and performer was inducted into the Songwriters Hall of Fame and the Rock &amp; Roll Hall of Fame. He is a National Medal of Arts Recipient and a Kennedy Center Honoree. Smokey has additionally been honored with the Library of Congress’ Gershwin Prize for Popular Song, the Soul Train Heritage Award, the BET Lifetime Achievement Award, the Grammy Lifetime Achievement Award, and countless other honors. Five of his songs are on the Rock &amp; Roll Hall of Fame’s list of 500 Songs That Shaped Rock &amp; Roll, and five have been inducted into the Grammy Hall of Fame. Four of his compositions can be found among Rolling Stone magazine’s 500 Greatest Songs of All Time. The long list of other artists who’ve drawn from the Smokey Robinson songbook includes The Beatles, The Rolling Stones, Michael Jackson, Ella Fitzgerald, Aretha Franklin, Otis Redding, The Supremes, The Four Tops, Stevie Wonder, Gladys Knight, Dionne Warwick, Dusty Springfield, Linda Ronstadt, Dolly Parton, George Benson, D’Angelo , Ne-Yo, and more.

Ep. 109 - SMOKEY ROBINSON ("My Girl")

Marty Stuart

Marty Stuart, a five-time Grammy winner, singer, songwriter, multi-instrumentalist, collector, preservationist, and fierce defender of country music’s rich traditions joins us to discuss his career, artistic rebirth, and ongoing artistry. EPISODE DETAILS: PART ONE  Scott and Paul chat about image, country music hair, Elton John’s new autobiography, and two Songcraft contests that give you the chance to win one of two new books by Marty Stuart and Lamont Dozier. PART TWO - 14:15 mark Scott sits down with Marty Stuart to find out how he left home at age 13 to hit the road; what he learned from Johnny Cash about the craft of songwriting; how he found the song that launched the best-known country music supergroup of all time; the three people he considers THE standard of country songwriting; the album that cost him a record deal, a band, a manager, and a publicist; why he had to leave “butt wiggling” songs behind; what he loved about the Dixie Chicks; how a photo of Louis Armstrong gave him a sense of mission for his band; why his greatest songwriting motivation is a deadline; the reason he used to send Harlan Howard and Ralph Mooney $100 at the start of every year; and the Patsy Cline artifact he found in a junk shop that launched his interest in collecting country music memorabilia.  ABOUT MARTY STUART Five-time Grammy winner Marty Stuart only had two professional jobs before launching his own artist career: playing in Lester Flatt’s bluegrass group, then spending five years in Johnny Cash’s band. As a solo artist, Stuart has scored seventeen Top 40 county singles, including Top 10 hits such as “Hillbilly Rock," "Little Things,” “Tempted,” “Burn Me Down,” and the Travis Tritt duets “The Whiskey Ain’t Workin’” and “This One’s Gonna Hurt You (For a Long, Long Time).” Other Stuart songs that have hit the country chart include John Anderson’s recording of “Takin’ the Country Back,” The Dixie Chicks’ “Tortured, Tangled Heart,” and Clint Black and Martina McBride’s duet recording of “Still Holding On.” The release of Stuart’s concept album, The Pilgrim, in 1999 marked a turning point and creative renaissance where Marty, in his words, stopped following the charts and begin following his heart. He put together a highly-celebrated band, The Fabulous Superlatives, and has since championed the beauty and integrity of country music as a uniquely American art form. He is a frequent commentator for historically-oriented projects, including Ken Burns’ ambitious sixteen-hour Country Music documentary. His most recent effort is Marty Stuart’s Congress of Country Music, a Philadelphia, Mississippi-based museum, concert venue, educational and cultural facility that will house his personal collection of over 20,000 country music-related artifacts.  First and foremost, however, Marty is an artist and songwriter. His consistently well-reviewed albums over the last two decades are packed with original songs that celebrate country music’s roots without ever feeling dated. The Grand Ole Opry member’s songs have also been recorded by artists such as George Strait, Emmylou Harris, Linda Ronstadt, Patty Loveless, Kathy Mattea, Wynonna Judd, Gary Allan, Billy Bob Thornton, Connie Smith, Charley Pride, Porter Wagoner, Guy Clark, and Johnny Cash. American Songwriter Podcast Network

Marty Stuart, a five-time Grammy winner, singer, songwriter, multi-instrumentalist, collector, preservationist, and fierce defender of country music’s rich traditions joins us to discuss his career, artistic rebirth, and ongoing artistry. EPISODE DETAILS: PART ONE  Scott and Paul chat about image, country music hair, Elton John’s new autobiography, and two Songcraft contests that give you the chance to win one of two new books by Marty Stuart and Lamont Dozier. PART TWO - 14:15 mark Scott sits down with Marty Stuart to find out how he left home at age 13 to hit the road; what he learned from Johnny Cash about the craft of songwriting; how he found the song that launched the best-known country music supergroup of all time; the three people he considers THE standard of country songwriting; the album that cost him a record deal, a band, a manager, and a publicist; why he had to leave “butt wiggling” songs behind; what he loved about the Dixie Chicks; how a photo of Louis Armstrong gave him a sense of mission for his band; why his greatest songwriting motivation is a deadline; the reason he used to send Harlan Howard and Ralph Mooney $100 at the start of every year; and the Patsy Cline artifact he found in a junk shop that launched his interest in collecting country music memorabilia.  ABOUT MARTY STUART Five-time Grammy winner Marty Stuart only had two professional jobs before launching his own artist career: playing in Lester Flatt’s bluegrass group, then spending five years in Johnny Cash’s band. As a solo artist, Stuart has scored seventeen Top 40 county singles, including Top 10 hits such as “Hillbilly Rock," "Little Things,” “Tempted,” “Burn Me Down,” and the Travis Tritt duets “The Whiskey Ain’t Workin’” and “This One’s Gonna Hurt You (For a Long, Long Time).” Other Stuart songs that have hit the country chart include John Anderson’s recording of “Takin’ the Country Back,” The Dixie Chicks’ “Tortured, Tangled Heart,” and Clint Black and Martina McBride’s duet recording of “Still Holding On.” The release of Stuart’s concept album, The Pilgrim, in 1999 marked a turning point and creative renaissance where Marty, in his words, stopped following the charts and begin following his heart. He put together a highly-celebrated band, The Fabulous Superlatives, and has since championed the beauty and integrity of country music as a uniquely American art form. He is a frequent commentator for historically-oriented projects, including Ken Burns’ ambitious sixteen-hour Country Music documentary. His most recent effort is Marty Stuart’s Congress of Country Music, a Philadelphia, Mississippi-based museum, concert venue, educational and cultural facility that will house his personal collection of over 20,000 country music-related artifacts.  First and foremost, however, Marty is an artist and songwriter. His consistently well-reviewed albums over the last two decades are packed with original songs that celebrate country music’s roots without ever feeling dated. The Grand Ole Opry member’s songs have also been recorded by artists such as George Strait, Emmylou Harris, Linda Ronstadt, Patty Loveless, Kathy Mattea, Wynonna Judd, Gary Allan, Billy Bob Thornton, Connie Smith, Charley Pride, Porter Wagoner, Guy Clark, and Johnny Cash. <a href="https://americansongwriter.com/american-songwriter-podcast-network/" rel="nofollow" target="_blank">American Songwriter Podcast Network</a>

Ep. 127 - MARTY STUART ("Tempted")

Loretta Lynn

Multi-Grammy award winner Loretta Lynn is an American music legend. The Kentucky native married as a young teenager, moved to Washington State, and had four children by age 20. She poured her energies into life as a homemaker before teaching herself to play guitar and write songs. Her life experiences informed her writing style, which gave voice to the concerns of everyday working class women. She landed a record contract with a regional label and tirelessly promoted her first single, “I’m a Honky Tonk Girl,” to radio stations across the country. The record climbed to #14 on the Billboard country chart, leading to a move to Nashville.  After appearing on the Grand Ole Opry and signing a songwriting deal with the Wilburn Brothers’ publishing company she was recruited to Decca Records by legendary producer Owen Bradley. Loretta went on to place more than 75 singles on the Billboard country chart as either a solo artist or as a duet partner with Ernest Tubb or Conway Twitty. More than 50 of those singles hit the Top 10, including 15 #1 hits. Many of her classic songs were self-penned, including “Dear Uncle Sam,” “You Ain’t Woman Enough,” “Don’t Come Home A’ Drinkin’ (With Lovin’ On Your Mind),” “Fist City,” “Your Squaw Is on the Warpath,” “Rated X,” “The Pill,” and “Coal Miner’s Daughter,” which NPR named one of the “100 Most Significant Songs of the Century.”  She has received a combined 21 awards from the Country Music Association and the Academy of Country Music, including the ACM’s Artist of the Decade Award in 1979, the Pioneer Award in 1994, and the Crystal Milestone Award in 2014. She became the first female to win CMA Entertainer of the Year honors in 1972 and became the first female ACM Entertainer of the Year in 1975. She was inducted into the Nashville Songwriters Hall of Fame in 1983, the Country Music Hall of Fame in 1988, and the Songwriters Hall of Fame in 2008. She received Kennedy Center Honors in 2003, earned the prestigious BMI Icon award in 2004, took home a Grammy Award for Lifetime Achievement in 2010, and was presented with the Presidential Medal of Freedom in 2013. She has sold more than 45 million records worldwide, was the first woman in country music to receive a certified Gold album, and has been a member of the Grand Ole Opry for nearly 55 years.  

Multi-Grammy award winner Loretta Lynn is an American music legend. The Kentucky native married as a young teenager, moved to Washington State, and had four children by age 20. She poured her energies into life as a homemaker before teaching herself to play guitar and write songs. Her life experiences informed her writing style, which gave voice to the concerns of everyday working class women. She landed a record contract with a regional label and tirelessly promoted her first single, “I’m a Honky Tonk Girl,” to radio stations across the country. The record climbed to #14 on the Billboard country chart, leading to a move to Nashville. After appearing on the Grand Ole Opry and signing a songwriting deal with the Wilburn Brothers’ publishing company she was recruited to Decca Records by legendary producer Owen Bradley. Loretta went on to place more than 75 singles on the Billboard country chart as either a solo artist or as a duet partner with Ernest Tubb or Conway Twitty. More than 50 of those singles hit the Top 10, including 15 #1 hits. Many of her classic songs were self-penned, including “Dear Uncle Sam,” “You Ain’t Woman Enough,” “Don’t Come Home A’ Drinkin’ (With Lovin’ On Your Mind),” “Fist City,” “Your Squaw Is on the Warpath,” “Rated X,” “The Pill,” and “Coal Miner’s Daughter,” which NPR named one of the “100 Most Significant Songs of the Century.” She has received a combined 21 awards from the Country Music Association and the Academy of Country Music, including the ACM’s Artist of the Decade Award in 1979, the Pioneer Award in 1994, and the Crystal Milestone Award in 2014. She became the first female to win CMA Entertainer of the Year honors in 1972 and became the first female ACM Entertainer of the Year in 1975. She was inducted into the Nashville Songwriters Hall of Fame in 1983, the Country Music Hall of Fame in 1988, and the Songwriters Hall of Fame in 2008. She received Kennedy Center Honors in 2003, earned the prestigious BMI Icon award in 2004, took home a Grammy Award for Lifetime Achievement in 2010, and was presented with the Presidential Medal of Freedom in 2013. She has sold more than 45 million records worldwide, was the first woman in country music to receive a certified Gold album, and has been a member of the Grand Ole Opry for nearly 55 years.

Ep. 50 - LORETTA LYNN ("Coal Miner's Daughter")

Don McLean

 Best known as the writer and performer of “American Pie,” Don McLean and his songs have hit the Billboard pop, country, and adult contemporary charts nearly twenty times. Staples of his catalog include “Vincent (Starry Starry Night),” which hit #12 in the US and landed at the top of the UK chart; “Castles in the Air,” which charted twice with different versions in 1971 and 1981; and “And I Love You So,” which was covered by Bobby Goldsboro, Perry Como, Johnny Mathis, Glen Campbell and Elvis Presley. McLean’s compositions have been covered by Madonna, Fred Astaire, James Blake, Chet Atkins, Garth Brooks, George Michael, Harry Connick Jr., Josh Groban, Ed Sheeran, and others.  He was inducted into the Songwriters Hall of Fame in 2004 and received the BBC Folk Music Lifetime Achievement Award in 2012. “American Pie” was inducted into the Grammy Hall of Fame in 2002 and was named one of the Top 5 Songs of the 20th Century by the Recording Industry Association of America and the National Endowment for the Arts.  McLean has recorded nineteen studio albums. His most recent is Botanical Gardens.

Best known as the writer and performer of “American Pie,” <a href="https://don-mclean.com/" rel="noopener nofollow" target="_blank">Don McLean</a> and his songs have hit the Billboard pop, country, and adult contemporary charts nearly twenty times. Staples of his catalog include “Vincent (Starry Starry Night),” which hit #12 in the US and landed at the top of the UK chart; “Castles in the Air,” which charted twice with different versions in 1971 and 1981; and “And I Love You So,” which was covered by Bobby Goldsboro, Perry Como, Johnny Mathis, Glen Campbell and Elvis Presley. McLean’s compositions have been covered by Madonna, Fred Astaire, James Blake, Chet Atkins, Garth Brooks, George Michael, Harry Connick Jr., Josh Groban, Ed Sheeran, and others. He was inducted into the <a href="https://www.songhall.org/profile/Don_McLean" rel="noopener nofollow" target="_blank">Songwriters Hall of Fame</a> in 2004 and received the <a href="https://www.telegraph.co.uk/culture/music/worldfolkandjazz/9023159/Dubliners-and-Don-McLean-get-lifetime-awards.html" rel="noopener nofollow" target="_blank">BBC Folk Music Lifetime Achievement Award</a> in 2012. “American Pie” was inducted into the <a href="https://www.grammy.com/grammys/awards/hall-of-fame" rel="noopener nofollow" target="_blank">Grammy Hall of Fame</a> in 2002 and was named one of the <a href="http://www.theassociation.net/txt-music5.html" rel="noopener nofollow" target="_blank">Top 5 Songs of the 20th Century</a> by the Recording Industry Association of America and the National Endowment for the Arts. McLean has recorded nineteen studio albums. His most recent is Botanical Gardens.

Ep. 84 - DON McLEAN ("American Pie")

Jon Foreman

Jon Foreman is the front man and primary songwriter for the spiritually-minded alternative rock band Switchfoot. The group has released nine studio albums, including 2003’s The Beautiful Letdown, which sold more than two and a half million copies, earning it double platinum status. Their last six albums have hit the Top 20 on the Billboard 200 Album chart, with five of them going to #1 on the Billboard Christian Albums chart. With RIAA certified Gold selling singles “Meant to Live,” “Dare You to Move,” and “Stars,” Switchfoot has won 14 Dove Awards, including Artist of the Year, which they took home in 2005. They won a Grammy for Best Rock Gospel Album in 2010 for their Hello Hurricane LP. Foreman has released two albums with Nickel Creek’s Sean Watkins under the name Fiction Family, as well as two thematic series of critically acclaimed solo EPs. His songs have been covered by Mandy Moore, Taylor Swift, Mutemath, Meatloaf, Amy Grant, and others. In 2001 Foreman was honored with the Les Paul Horizon Award as the most promising up-and-coming guitarist at the annual Gibson Guitar Awards in Los Angeles. He is an avid surfer and a contributor to the Huffington Post, where he blogs about life, music, and culture. 

Jon Foreman is the front man and primary songwriter for the spiritually-minded alternative rock band Switchfoot. The group has released nine studio albums, including 2003’s The Beautiful Letdown, which sold more than two and a half million copies, earning it double platinum status. Their last six albums have hit the Top 20 on the Billboard 200 Album chart, with five of them going to #1 on the Billboard Christian Albums chart. With RIAA certified Gold selling singles “Meant to Live,” “Dare You to Move,” and “Stars,” Switchfoot has won 14 Dove Awards, including Artist of the Year, which they took home in 2005. They won a Grammy for Best Rock Gospel Album in 2010 for their Hello Hurricane LP. Foreman has released two albums with Nickel Creek’s Sean Watkins under the name Fiction Family, as well as two thematic series of critically acclaimed solo EPs. His songs have been covered by Mandy Moore, Taylor Swift, Mutemath, Meatloaf, Amy Grant, and others. In 2001 Foreman was honored with the Les Paul Horizon Award as the most promising up-and-coming guitarist at the annual Gibson Guitar Awards in Los Angeles. He is an avid surfer and a contributor to the Huffington Post, where he blogs about life, music, and culture.

Ep. 36 - JON FOREMAN of Switchfoot ("Dare You to Move")

Bobby Braddock

Bobby Braddock has written more than a dozen #1 country hits, including standards such as Tammy Wynette’s “D-I-V-O-R-C-E” and George Jones’ “He Stopped Loving Her Today,” which is frequently ranked as the greatest country song of all time. George Jones began finding success with Braddock’s songs in the 1970s with hits such as “Nothing Ever Hurt Me (Half As Bad As Losing You)” and “Her Name Is…” Jones and his then-wife, Tammy Wynette, also scored with Bobby’s “We’re Not the Jet Set” and “Golden Ring,” while Tammy found solo success with “Womanhood” and “They Call It Making Love.” Other Braddock-penned hits from the 1970s include “I Believe the South is Gonna Rise Again,” which Tanya Tucker took to the Top 20, “Something to Brag About,” which Mary Kay Place and Willie Nelson took to the Top 10, and “Come On In,” which was a hit for Jerry Lee Lewis in 1978. Bobby continued to reach the #1 position in the 1980s (“I Feel Like Loving You Again” and “Faking Love” by T.G. Shepard), the 1990s (“Texas Tornado” and “Time Marches On” by Tracy Lawrence), and the 2000s (“I Wanna Talk About Me” by Toby Keith and “People Are Crazy” by Billy Currington). He earned the CMA's Song of the Year award in both 1980 and 1981. He was, at the time, the youngest person inducted into the Nashville Songwriters Hall of Fame in 1981, and he was honored with the BMI Icon award in 2011. Additionally, he discovered Blake Shelton and produced or co-produced Shelton's first five albums. Braddock was inducted into the Country Music Hall of Fame in 2011, and was just inducted into the national Songwriters Hall of Fame in 2015. He is the only living person to have written #1 country songs in five consecutive decades. His second memoir, entitled Bobby Braddock: A Life on Music Row will be released in the fall of 2015.

Bobby Braddock has written more than a dozen #1 country hits, including standards such as Tammy Wynette’s “D-I-V-O-R-C-E” and George Jones’ “He Stopped Loving Her Today,” which is frequently ranked as the greatest country song of all time. George Jones began finding success with Braddock’s songs in the 1970s with hits such as “Nothing Ever Hurt Me (Half As Bad As Losing You)” and “Her Name Is…” Jones and his then-wife, Tammy Wynette, also scored with Bobby’s “We’re Not the Jet Set” and “Golden Ring,” while Tammy found solo success with “Womanhood” and “They Call It Making Love.” Other Braddock-penned hits from the 1970s include “I Believe the South is Gonna Rise Again,” which Tanya Tucker took to the Top 20, “Something to Brag About,” which Mary Kay Place and Willie Nelson took to the Top 10, and “Come On In,” which was a hit for Jerry Lee Lewis in 1978. Bobby continued to reach the #1 position in the 1980s (“I Feel Like Loving You Again” and “Faking Love” by T.G. Shepard), the 1990s (“Texas Tornado” and “Time Marches On” by Tracy Lawrence), and the 2000s (“I Wanna Talk About Me” by Toby Keith and “People Are Crazy” by Billy Currington). He earned the CMA's Song of the Year award in both 1980 and 1981. He was, at the time, the youngest person inducted into the Nashville Songwriters Hall of Fame in 1981, and he was honored with the BMI Icon award in 2011. Additionally, he discovered Blake Shelton and produced or co-produced Shelton's first five albums. Braddock was inducted into the Country Music Hall of Fame in 2011, and was just inducted into the national Songwriters Hall of Fame in 2015. He is the only living person to have written #1 country songs in five consecutive decades. His second memoir, entitled Bobby Braddock: A Life on Music Row will be released in the fall of 2015.

Ep. 12 - BOBBY BRADDOCK ("He Stopped Loving Her Today")

Chris Hillman

Rock &amp; Roll Hall of Famer and multiple Grammy nominee Chris Hillman joins us to talk about his songwriting with The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and much more.  EPISODE DETAILS:  PART ONE Scott and Paul talk about the Motley Crue movie and the pros and cons of musical biopics.  PART TWO - 9:45 mark Scott and Paul head up to Ventura to meet Chris Hillman and find out how he got hired to play bass with The Byrds without ever having played bass before; the reason that Miles Davis and Bob Eubanks deserve a lot of credit for The Byrds’ success; how playing bass on sessions for South African jazz legend Hugh Masekela inspired Chris to write his first songs (which became country-rock classics for The Byrds); the band he and Roger McGuinn were mocking when they wrote “So You Want to be a Rock ‘n’ Roll Star;” what happened on a particularly memorable trip to Stonehenge with Mick Jagger and Keith Richards; the song he and Gram Parsons were inspired to write following Gram’s motorcycle accident; what he says really killed Gram; why Chris was so shocked by his major country music success with The Desert Rose Band; how spirituality has impacted his songwriting process; and the inside details of creating his most recent album with producer Tom Petty.  ABOUT CHRIS HILLMAN:  Rock &amp; Roll Hall of Famer Chris Hillman first came to songwriting prominence as a founding member of The Byrds when he wrote or co-wrote several of the band’s classic songs, including “So You Want to be a Rock ’n’ Roll Star,” “Have You Seen Her Face,” “Time Between,” “Thoughts and Words,” “The Girl with No Name,” “Natural Harmony,” “Old John Robertson,” and others.  Departing The Byrds following their landmark Sweetheart of the Rodeo album, Hillman teamed with Gram Parsons to launch the Flying Burrito Brothers. The pair penned a series of now-classic Americana standards for the band, including “Sin City,” “Wheels,” “Christine’s Tune,” “Juanita,” and “High Fashion Queen.”   Chris spent time in the group Manassas, where he co-wrote the charting single “It Doesn’t Matter” with Stephen Stills, before releasing a handful of solo albums and collaborative projects with several other musicians, including Richie Furay, J.D. Souther, Gene Clark, and Roger McGuinn.  Hillman found his greatest commercial success with the Desert Rose Band, which he founded with Herb Pedersen and John Jorgenson. Chris penned a dozen of the group’s charting singles, including the Top 10 hits “Love Reunited,” “One Step Forward,” “Summer Wind,” Start All Over Again,” “Story of Love,” and “I Still Believe in You,” which reached #1 on the Billboard country chart. The group was named Band of the Year three years in a row by the Academy of Country Music and earned multiple CMA award nominations.  Hillman is a country rock pioneer, a four-time Grammy nominee, and the recipient of the Americana Music Association’s Lifetime Achievement Award. His songs have been recorded by Emmylou Harris, Sheryl Crow, Ron Wood, Tom Petty, Patti Smith, Beck, The Hollies, Roxette, Crowded House, Uncle Tupleo, Dan Fogelberg, Dwight Yoakam, Marty Stuart, Steve Earle, Nazareth, Black Oak Arkansas, The Oak Ridge Boys, Alison Krauss, and others.   

Rock &amp; Roll Hall of Famer and multiple Grammy nominee Chris Hillman joins us to talk about his songwriting with The Byrds, The Flying Burrito Brothers, The Desert Rose Band, and much more. EPISODE DETAILS: PART ONE Scott and Paul talk about the Motley Crue movie and the pros and cons of musical biopics. PART TWO - 9:45 mark Scott and Paul head up to Ventura to meet Chris Hillman and find out how he got hired to play bass with The Byrds without ever having played bass before; the reason that Miles Davis and Bob Eubanks deserve a lot of credit for The Byrds’ success; how playing bass on sessions for South African jazz legend Hugh Masekela inspired Chris to write his first songs (which became country-rock classics for The Byrds); the band he and Roger McGuinn were mocking when they wrote “So You Want to be a Rock ‘n’ Roll Star;” what happened on a particularly memorable trip to Stonehenge with Mick Jagger and Keith Richards; the song he and Gram Parsons were inspired to write following Gram’s motorcycle accident; what he says really killed Gram; why Chris was so shocked by his major country music success with The Desert Rose Band; how spirituality has impacted his songwriting process; and the inside details of creating his most recent album with producer Tom Petty. ABOUT CHRIS HILLMAN: Rock &amp; Roll Hall of Famer Chris Hillman first came to songwriting prominence as a founding member of The Byrds when he wrote or co-wrote several of the band’s classic songs, including “So You Want to be a Rock ’n’ Roll Star,” “Have You Seen Her Face,” “Time Between,” “Thoughts and Words,” “The Girl with No Name,” “Natural Harmony,” “Old John Robertson,” and others. Departing The Byrds following their landmark Sweetheart of the Rodeo album, Hillman teamed with Gram Parsons to launch the Flying Burrito Brothers. The pair penned a series of now-classic Americana standards for the band, including “Sin City,” “Wheels,” “Christine’s Tune,” “Juanita,” and “High Fashion Queen.”   Chris spent time in the group Manassas, where he co-wrote the charting single “It Doesn’t Matter” with Stephen Stills, before releasing a handful of solo albums and collaborative projects with several other musicians, including Richie Furay, J.D. Souther, Gene Clark, and Roger McGuinn. Hillman found his greatest commercial success with the Desert Rose Band, which he founded with Herb Pedersen and John Jorgenson. Chris penned a dozen of the group’s charting singles, including the Top 10 hits “Love Reunited,” “One Step Forward,” “Summer Wind,” Start All Over Again,” “Story of Love,” and “I Still Believe in You,” which reached #1 on the Billboard country chart. The group was named Band of the Year three years in a row by the Academy of Country Music and earned multiple CMA award nominations. Hillman is a country rock pioneer, a four-time Grammy nominee, and the recipient of the Americana Music Association’s Lifetime Achievement Award. His songs have been recorded by Emmylou Harris, Sheryl Crow, Ron Wood, Tom Petty, Patti Smith, Beck, The Hollies, Roxette, Crowded House, Uncle Tupleo, Dan Fogelberg, Dwight Yoakam, Marty Stuart, Steve Earle, Nazareth, Black Oak Arkansas, The Oak Ridge Boys, Alison Krauss, and others.

Ep. 112 - CHRIS HILLMAN ("So You Want to be a Rock 'n' Roll Star")

Beginning his career as a key player in the UK folk revival of the early 1960s, Donovan scored early hits with “Catch the Wind” and “Colours.” Embracing jazz, world music, and psychedelic influences, he expanded his sound and found success with the major hits “Sunshine Superman” and “Mellow Yellow” in 1966. Additional hits followed, including the Top 20 US singles “Epistle to Dippy” and “There is a Mountain,” as well as the Top 10 hits “Hurdy Gurdy Man” and “Atlantis.” He has recorded nearly thirty albums. Donovan’s songs have been recorded by Neil Young, Joan Baez, Judy Collins, Richie Havens, Van Dyke Parks, Jefferson Airplane, the Animals, the Allman Brothers Band, Cher, Eartha Kitt, Glen Campbell, Johnny Rivers, Duane Eddy, Buck Owens, Chet Atkins, Kenny Loggins, Susanna Hoffs, Joan Jett, Sarah McLachlan, Richard Thompson, and many others. He was awarded the prestigious BMI Icon award in 2009, inducted into the Rock and Roll Hall of Fame in 2012, and inducted into the Songwriters Hall of Fame in 2014.

Beginning his career as a key player in the UK folk revival of the early 1960s, Donovan scored early hits with “Catch the Wind” and “Colours.” Embracing jazz, world music, and psychedelic influences, he expanded his sound and found success with the major hits “Sunshine Superman” and “Mellow Yellow” in 1966. Additional hits followed, including the Top 20 US singles “Epistle to Dippy” and “There is a Mountain,” as well as the Top 10 hits “Hurdy Gurdy Man” and “Atlantis.” He has recorded nearly thirty albums. Donovan’s songs have been recorded by Neil Young, Joan Baez, Judy Collins, Richie Havens, Van Dyke Parks, Jefferson Airplane, the Animals, the Allman Brothers Band, Cher, Eartha Kitt, Glen Campbell, Johnny Rivers, Duane Eddy, Buck Owens, Chet Atkins, Kenny Loggins, Susanna Hoffs, Joan Jett, Sarah McLachlan, Richard Thompson, and many others. He was awarded the prestigious BMI Icon award in 2009, inducted into the Rock and Roll Hall of Fame in 2012, and inducted into the Songwriters Hall of Fame in 2014.

Ep. 33 - DONOVAN ("Sunshine Superman")

Matraca Berg

PART ONE Scott and Paul go down the rabbit hole of why it's just not the same when certain famous musicians aren't accompanied by their indispensable musical compatriots.  PART TWO - 8:15 mark Scott and Paul call up Matraca to get the lowdown on why she wanted to marry songwriter Red Lane when she was four years old; how she ended up with her first hit after crashing Bobby Braddock's party and sneaking into his music room; why she begged Deana Carter NOT to release "Strawberry Wine" as her first single; which of her songs she believes was partially inspired by Harlan Howard from beyond the grave; and why she doesn't want to be in the room with the producer or artist the first time she hears their version of one of her songs.  ABOUT MATRACA BERG Matraca Berg landed her first #1 country single as a songwriter when she was just 18 years old. She went on to earn well over a dozen more Top 10 hits by artists such as Patty Loveless (who found success with “I’m That Kind of Girl” and “You Can Feel Better”), Trisha Yearwood (who scored with “Wrong Side of Memphis,” “XXX’s and OOO’s,” and “Everybody Knows”), and Deana Carter (who hit #1 with “We Danced Anyway” and “Strawberry Wine,” the latter earning the award for CMA Song of the Year).  Other hits from the Matraca Berg songbook include Reba McEntire’s “The Last One to Know,” Martina McBride’s “Wild Angels,” The Dixie Chicks’ “If I Fall You’re Going Down with Me,” and Kenny Chesney and Grace Potter’s hit duet, “You and Tequila.” The list of others who’ve recorded Matraca’s songs includes Linda Ronstadt, Dusty Springfield, Emmylou Harris, Loretta Lynn, Ray Price, and Randy Travis.  In addition to her success on the mainstream country charts, Berg is what All Music calls “an unclassifiable but utterly classy singer/songwriter and recording artist.” Her debut album, Lying to the Moon, spawned two Top 40 singles and earned her an ACM nomination for Top New Female Vocalist. Her Sunday Morning to Saturday Night album was named one of the Top 10 albums of the year by Time magazine, Entertainment Weekly, and USA Today, while The Dreaming Fields has earned rave reviews from Rolling Stone, NPR, The New York Times, and others.  Berg has received three Grammy nominations for Best Country Song, was inducted into the Nashville Songwriters Hall of Fame in 2008, and received the prestigious ACM Poet’s Award in 2017. 

PART ONE Scott and Paul go down the rabbit hole of why it's just not the same when certain famous musicians aren't accompanied by their indispensable musical compatriots. PART TWO - 8:15 mark Scott and Paul call up Matraca to get the lowdown on why she wanted to marry songwriter Red Lane when she was four years old; how she ended up with her first hit after crashing Bobby Braddock's party and sneaking into his music room; why she begged Deana Carter NOT to release "Strawberry Wine" as her first single; which of her songs she believes was partially inspired by Harlan Howard from beyond the grave; and why she doesn't want to be in the room with the producer or artist the first time she hears their version of one of her songs. ABOUT MATRACA BERG Matraca Berg landed her first #1 country single as a songwriter when she was just 18 years old. She went on to earn well over a dozen more Top 10 hits by artists such as Patty Loveless (who found success with “I’m That Kind of Girl” and “You Can Feel Better”), Trisha Yearwood (who scored with “Wrong Side of Memphis,” “XXX’s and OOO’s,” and “Everybody Knows”), and Deana Carter (who hit #1 with “We Danced Anyway” and “Strawberry Wine,” the latter earning the award for CMA Song of the Year). Other hits from the Matraca Berg songbook include Reba McEntire’s “The Last One to Know,” Martina McBride’s “Wild Angels,” The Dixie Chicks’ “If I Fall You’re Going Down with Me,” and Kenny Chesney and Grace Potter’s hit duet, “You and Tequila.” The list of others who’ve recorded Matraca’s songs includes Linda Ronstadt, Dusty Springfield, Emmylou Harris, Loretta Lynn, Ray Price, and Randy Travis. In addition to her success on the mainstream country charts, Berg is what All Music calls “an unclassifiable but utterly classy singer/songwriter and recording artist.” Her debut album, Lying to the Moon, spawned two Top 40 singles and earned her an ACM nomination for Top New Female Vocalist. Her Sunday Morning to Saturday Night album was named one of the Top 10 albums of the year by Time magazine, Entertainment Weekly, and USA Today, while The Dreaming Fields has earned rave reviews from Rolling Stone, NPR, The New York Times, and others. Berg has received three Grammy nominations for Best Country Song, was inducted into the Nashville Songwriters Hall of Fame in 2008, and received the prestigious ACM Poet’s Award in 2017.

Ep. 98 - MATRACA BERG ("Strawberry Wine")

Lamont Dozier

SUPER-SIZED DELUXE DOUBLE EPISODE DETAILS:  PART ONE Scott and Paul celebrate their 100th episode by looking back on the origins of Songcraft and answering Rolling Stone's list of the 100 Greatest Songwriters of All Time by counting down their own list of the 100 OTHER Greatest Songwriters of All Time.   PART TWO - 19:37 mark The guys revisit their love of Pearl Snap Studios in Nashville.  PART THREE - 21:44 Scott and Paul chat about the search to find a writer for the 100th episode who's written at least 100 Top 10 hits on the Billboard charts. Plus, find out how to enter to win a signed copy of Lamont Dozier's new CD, Reimagination.  PART FOUR - 26:26 Scott and Paul catch up with Lamont and proceed to be blown away by his amazing stories of  punching a time clock as a staff songwriter at Motown; an inside look at the company's weekly "quality control" meetings; the secret behind the unusual percussion on "Nowhere to Run;" what happened when Marvin Gaye forgot to learn "How Sweet It Is (To Be Loved By You)" before the recording session; why Diana Ross was pissed off when she cut the vocals for "Where Did Our Love Go;" which of Lamont's classics came about as a result of getting caught in a compromising situation at a no-tell motel; the time one of his Four Tops hits knocked one of his Supremes hits out of the #1 spot on the pop chart; the muse who inspired "Bernadette" and "I Hear a Symphony;" and what skills he believes are necessary for a long career as a songwriter.  ABOUT LAMONT DOZIER  Lamont Dozier, along with brothers Eddie and Brian Holland, wrote and produced more than 20 consecutive singles recorded by the Supremes, including ten #1 pop hits: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” “Back in My Arms Again,” “I Hear a Symphony,” “You Can’t Hurry Love,” “You Keep Me Hangin’ On,” “Love is Here and Now You’re Gone,” and “The Happening.” Other Top 5 singles they wrote for the Supremes include “My World is Empty Without You” and “Reflections.”  In addition to their hits with the Supremes, Holland, Dozier, and Holland helped further define the Motown sound by writing major pop and R&amp;B hits such as “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack” for Martha and the Vandellas, “Mickey’s Monkey” for the Miracles, “Can I Get a Witness” and “You’re a Wonderful One” for Marvin Gaye, and “(I’m A) Road Runner” for Junior Walker and the All Stars. The trio found particular success with The Four Tops, who scored hits with their songs “Baby I Need Your Loving,” “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” and “Bernadette.”  Additional hits include “Crumbs Off the Table” for Glass House, “Give Me Just a Little More Time” for Chairmen of the Board, “Band of Gold” for Freda Payne, and Dozier’s own recording of “Why Can’t We Be Lovers.” Hit cover versions of his songs by rock artists include “Don’t Do It” by the Band, “Take Me in Your Arms (Rock Me a Little While)” by the Doobie Brothers, “How Sweet It Is (To Be Loved By You)” by James Taylor, and “This Old Heart of Mine” by Rod Stewart.  With hits spanning multiple decades, Dozier also co-wrote “Two Hearts” with Phil Collins, earning a #1 pop hit, a Grammy award, a Golden Globe, and an Oscar nomination.  Dozier is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. He is the recipient of the prestigious Johnny Mercer Award for songwriting, as well as the BMI Icon award. Lamont Dozier was additionally named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time.

SUPER-SIZED DELUXE DOUBLE EPISODE DETAILS: PART ONE Scott and Paul celebrate their 100th episode by looking back on the origins of Songcraft and answering Rolling Stone's list of the <a href="https://www.rollingstone.com/interactive/lists-100-greatest-songwriters/" rel="noopener nofollow" target="_blank">100 Greatest Songwriters of All Time</a> by counting down their own list of the <a href="http://www.songcraftshow.com/100_greats" rel="noopener nofollow" target="_blank">100 OTHER Greatest Songwriters of All Time</a>.  PART TWO - 19:37 mark The guys revisit their love of <a href="https://www.pearlsnapstudios.com/" rel="noopener nofollow" target="_blank">Pearl Snap Studios</a> in Nashville. PART THREE - 21:44 Scott and Paul chat about the search to find a writer for the 100th episode who's written at least 100 Top 10 hits on the Billboard charts. Plus, find out how to enter to win a signed copy of Lamont Dozier's new CD, Reimagination. PART FOUR - 26:26 Scott and Paul catch up with Lamont and proceed to be blown away by his amazing stories of  punching a time clock as a staff songwriter at Motown; an inside look at the company's weekly "quality control" meetings; the secret behind the unusual percussion on "Nowhere to Run;" what happened when Marvin Gaye forgot to learn "How Sweet It Is (To Be Loved By You)" before the recording session; why Diana Ross was pissed off when she cut the vocals for "Where Did Our Love Go;" which of Lamont's classics came about as a result of getting caught in a compromising situation at a no-tell motel; the time one of his Four Tops hits knocked one of his Supremes hits out of the #1 spot on the pop chart; the muse who inspired "Bernadette" and "I Hear a Symphony;" and what skills he believes are necessary for a long career as a songwriter. ABOUT LAMONT DOZIER Lamont Dozier, along with brothers Eddie and Brian Holland, wrote and produced more than 20 consecutive singles recorded by the Supremes, including ten #1 pop hits: “Where Did Our Love Go,” “Baby Love,” “Come See About Me,” “Stop! In the Name of Love,” “Back in My Arms Again,” “I Hear a Symphony,” “You Can’t Hurry Love,” “You Keep Me Hangin’ On,” “Love is Here and Now You’re Gone,” and “The Happening.” Other Top 5 singles they wrote for the Supremes include “My World is Empty Without You” and “Reflections.” In addition to their hits with the Supremes, Holland, Dozier, and Holland helped further define the Motown sound by writing major pop and R&amp;B hits such as “Heat Wave,” “Nowhere to Run,” and “Jimmy Mack” for Martha and the Vandellas, “Mickey’s Monkey” for the Miracles, “Can I Get a Witness” and “You’re a Wonderful One” for Marvin Gaye, and “(I’m A) Road Runner” for Junior Walker and the All Stars. The trio found particular success with The Four Tops, who scored hits with their songs “Baby I Need Your Loving,” “I Can’t Help Myself (Sugar Pie Honey Bunch),” “It’s the Same Old Song,” “Reach Out I’ll Be There,” “Standing in the Shadows of Love,” and “Bernadette.” Additional hits include “Crumbs Off the Table” for Glass House, “Give Me Just a Little More Time” for Chairmen of the Board, “Band of Gold” for Freda Payne, and Dozier’s own recording of “Why Can’t We Be Lovers.” Hit cover versions of his songs by rock artists include “Don’t Do It” by the Band, “Take Me in Your Arms (Rock Me a Little While)” by the Doobie Brothers, “How Sweet It Is (To Be Loved By You)” by James Taylor, and “This Old Heart of Mine” by Rod Stewart. With hits spanning multiple decades, Dozier also co-wrote “Two Hearts” with Phil Collins, earning a #1 pop hit, a Grammy award, a Golden Globe, and an Oscar nomination. Dozier is in the Songwriters Hall of Fame and the Rock and Roll Hall of Fame. He is the recipient of the prestigious Johnny Mercer Award for songwriting, as well as the BMI Icon award. Lamont Dozier was additionally named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time.

Ep. 100 - LAMONT DOZIER ("Stop! In the Name of Love")

Jimmy Webb

Jimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension’s “Up, Up and Away” and Glen Campbell’s “By the Time I Get to Phoenix” - were among the five nominees for the Grammy’s Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where’s the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn’t We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon’s a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin.  Others who’ve covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy’s song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums, most recently 2013’s Still Within the Sound of My Voice, which features duets with guest artists such as Lyle Lovett, Carly Simon, Keith Urban, and Brian Wilson.  One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP’s Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music’s prestigious Poets Award. In 2015 he was named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time. Jimmy’s new memoir, The Cake and the Rain, details his formative years and early career through 1973. It’s available now from St. Martin’s Press. 

Jimmy Webb emerged as a superstar songwriter and arranger in 1967 when two of his songs – The 5th Dimension’s “Up, Up and Away” and Glen Campbell’s “By the Time I Get to Phoenix” - were among the five nominees for the Grammy’s Song of the Year award. He went on to write a string of major hits for Campbell, including “Wichita Lineman,” “Galveston,” "Where’s the Playground Susie,” “Honey Come Back,” and many others. Additionally, he penned “MacArthur Park,” which was a hit for a diverse range of artists, including Richard Harris, Waylon Jennings, Tony Bennett, Andy Williams, and Donna Summer; “The Worst That Could Happen,” which was a Top 5 hit for The Brooklyn Bridge; “Didn’t We,” which was recorded by Thelma Houston, Frank Sinatra, Diana Ross, and Barbra Streisand; “All I Know,” which became a Top 10 hit for Art Garfunkel; “The Moon’s a Harsh Mistress,” which has been recorded by Joe Cocker, Judy Collins, Linda Ronstadt, and Josh Groban; and “If These Walls Could Speak,” which was recorded by Glen Campbell, Amy Grant, Nanci Griffith, and Shawn Colvin. Others who’ve covered material from the Jimmy Webb songbook include Diana Ross, Dusty Springfield, Nina Simone, The Four Tops, Roberta Flack, The Temptations, The Association, Tom Jones, Dionne Warwick, Cass Elliot, Harry Nilsson, Nancy Wilson, Cher, Bob Dylan, The Everly Brothers, Nick Cave, John Denver, Kenny Rogers, Sheena Easton, David Crosby, Rosemary Clooney, Michael Feinstein, R.E.M., Aimee Mann, America, Aretha Franklin, Isaac Hayes, Peggy Lee, Bette Midler, James Taylor, Carrie Underwood, Dwight Yoakam, and The Highwaymen (consisting of Johnny Cash, Willie Nelson, Waylon Jennings, and Kris Kristofferson), who took Jimmy’s song “Highwayman” to #1, earning him a Grammy for Country Song of the Year. As an artist, he has released more than a dozen albums, most recently 2013’s Still Within the Sound of My Voice, which features duets with guest artists such as Lyle Lovett, Carly Simon, Keith Urban, and Brian Wilson. One of the most celebrated songwriters on the planet, Jimmy is the only individual to win Grammy awards for music, lyrics, and orchestration. He was inducted into the Songwriters Hall of Fame, the Nashville Songwriters Hall of Fame, and the Great American Songbook Hall of Fame. Additionally, he has received ASCAP’s Lifetime Achievement Award, the Influential Songwriter Award from the National Music Publishers Association, and the Academy of Country Music’s prestigious Poets Award. In 2015 he was named among Rolling Stone magazine’s 100 Greatest Songwriters of All Time. Jimmy’s new memoir, The Cake and the Rain, details his formative years and early career through 1973. It’s available now from St. Martin’s Press.

Ep. 60 - JIMMY WEBB ("By the Time I Get to Phoenix")

Mike Stoller

Mike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin’,” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don’t,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&amp;B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&amp;B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Mike Stoller has written more than 60 songs that have appeared on the Billboard charts, including the #1 hits “Hound Dog,” “Kansas City,” “Yakety Yak,”  “Searchin’,” “Jailhouse Rock,” “Poison Ivy,” “Stand By Me,” “Young Blood,” “Don’t,” and “Ruby, Baby." After Stoller and songwriting partner Jerry Leiber found early R&amp;B success with recordings by Little Esther, Charles Brown, Ray Charles, and Big Mama Thornton, Elvis Presley turned their song "Hound Dog" into a #1 single on the pop, R&amp;B, and country charts in 1956. Elvis went on to record more than 20 Leiber and Stoller titles, including the hits "Love Me," "Loving You," "Jailhouse Rock," "Treat Me Nice," "She's Not You," and "Bossa Nova Baby." Mike and Jerry signed an independent production deal with Atlantic Records in the mid-1950s, where they wrote and produced a series of hits for several artists, including the Drifters' "There Goes My Baby," "Dance With Me," and "On Broadway." Additionally, the pair wrote and produced all the Coasters' singles, including "Young Blood," "Searchin'," "Charlie Brown," "Along Came Jones," and "Poison Ivy." Other highlights from the Leiber and Stoller songbook include "Love Potion No. 9," which was a hit for both the Clovers and the Searchers, and "Is That All There Is," which was a hit for Peggy Lee. Eleven different versions of their song “Stand By Me” appeared on the Billboard charts over the span of 50 years, with the original version by Ben E. King hitting the Top 10 in both 1961 and 1986. Smokey Joe's Cafe, which included 40 Leiber and Stoller songs, opened in 1995 and became the longest running musical revue in Broadway history. Stoller received the prestigious ASCAP Founders Award in 1991, has a star on the Hollywood Walk of Fame, and is a member of both the Songwriters Hall of Fame and the Rock and Roll Hall of Fame.

Ep. 27 - MIKE STOLLER ("Hound Dog")

Pop and R&amp;B legend Bill Withers released nine albums between 1971 and 1985 that included such classic songs as “Lean on Me,” “Ain’t No Sunshine,” “Grandma’s Hands,” “Use Me,” “Lovely Day,” and “Just the Two of Us.” Though he stepped away from the limelight in the mid-1980s, his songs have become classics that have withstood the test of time and been covered by iconic artists including Aretha Franklin, Michael Jackson, Gladys Knight, Garth Brooks, Willie Nelson, Paul McCartney, Ike &amp; Tina Turner, Smokey Robinson, Al Green, The Staple Singers, Diana Ross, Neil Diamond, Sting, Linda Ronstadt, Roberta Flack, Buddy Guy, Barbra Streisand, and George Benson. Additionally, his music has been sampled by Jay-Z, Dr. Dre, L.L. Cool J, Tupac Shakur, R. Kelly, and Kanye West. Withers was in the inaugural class of the West Virginia Music Hall of Fame, and is a nine-time Grammy nominee. He won three Grammy awards for Best R&amp;B song for “Ain’t No Sunshine” in 1971, “Just the Two of Us” in 1981, and the Club Nouveau cover of “Lean on Me” in 1987. He was inducted into the Songwriters Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2015.

Pop and R&amp;B legend Bill Withers released nine albums between 1971 and 1985 that included such classic songs as “Lean on Me,” “Ain’t No Sunshine,” “Grandma’s Hands,” “Use Me,” “Lovely Day,” and “Just the Two of Us.” Though he stepped away from the limelight in the mid-1980s, his songs have become classics that have withstood the test of time and been covered by iconic artists including Aretha Franklin, Michael Jackson, Gladys Knight, Garth Brooks, Willie Nelson, Paul McCartney, Ike &amp; Tina Turner, Smokey Robinson, Al Green, The Staple Singers, Diana Ross, Neil Diamond, Sting, Linda Ronstadt, Roberta Flack, Buddy Guy, Barbra Streisand, and George Benson. Additionally, his music has been sampled by Jay-Z, Dr. Dre, L.L. Cool J, Tupac Shakur, R. Kelly, and Kanye West. Withers was in the inaugural class of the West Virginia Music Hall of Fame, and is a nine-time Grammy nominee. He won three Grammy awards for Best R&amp;B song for “Ain’t No Sunshine” in 1971, “Just the Two of Us” in 1981, and the Club Nouveau cover of “Lean on Me” in 1987. He was inducted into the Songwriters Hall of Fame in 2005 and the Rock and Roll Hall of Fame in 2015.

Ep. 16 - BILL WITHERS ("Lean on Me")

Lori McKenna

Long before Little Big Town took her song “Girl Crush” to the #1 spot on the Billboard country chart for a record-breaking thirteen consecutive weeks in 2014, Lori McKenna established herself as a highly respected singer/songwriter on the Boston-area folk scene. She recorded four independent albums in the late 1990s and early 2000s before country superstar Faith Hill released her versions of four of Lori’s songs in 2005. The pair appeared together on The Oprah Winfrey Show, and McKenna soon signed a deal with Warner Bros. Records. After releasing the Top 20 country album Unglamorous in 2007, she returned to her folk roots with the critically acclaimed independent albums Lorraine, Massachusetts, and Numbered Doors. McKenna has expertly balanced both her career as an emotionally evocative musical poet and consistent mainstream success as a commercial songwriter. Her songs have been recorded by Sara Evans, Tim McGraw, Mandy Moore, Keith Urban, Alison Krauss, Ashley Monroe, Hunter Hayes, Reba McEntire, Carrie Underwood, and others. Fiercely devoted to her husband and five children, McKenna still lives in her small hometown of Stoughton, Massachusetts. She has famously described herself as “just a housewife from Stoughton who likes to write songs.” But those songs have earned her multiple Boston Music Awards, a half dozen Top 40 singles, and Song of the Year honors from the Nashville Songwriters Association, International and, most recently, the Country Music Association.  

Long before Little Big Town took her song “Girl Crush” to the #1 spot on the Billboard country chart for a record-breaking thirteen consecutive weeks in 2014, Lori McKenna established herself as a highly respected singer/songwriter on the Boston-area folk scene. She recorded four independent albums in the late 1990s and early 2000s before country superstar Faith Hill released her versions of four of Lori’s songs in 2005. The pair appeared together on The Oprah Winfrey Show, and McKenna soon signed a deal with Warner Bros. Records. After releasing the Top 20 country album Unglamorous in 2007, she returned to her folk roots with the critically acclaimed independent albums Lorraine, Massachusetts, and Numbered Doors. McKenna has expertly balanced both her career as an emotionally evocative musical poet and consistent mainstream success as a commercial songwriter. Her songs have been recorded by Sara Evans, Tim McGraw, Mandy Moore, Keith Urban, Alison Krauss, Ashley Monroe, Hunter Hayes, Reba McEntire, Carrie Underwood, and others. Fiercely devoted to her husband and five children, McKenna still lives in her small hometown of Stoughton, Massachusetts. She has famously described herself as “just a housewife from Stoughton who likes to write songs.” But those songs have earned her multiple Boston Music Awards, a half dozen Top 40 singles, and Song of the Year honors from the Nashville Songwriters Association, International and, most recently, the Country Music Association.

Ep. 23 - LORI MCKENNA ("Girl Crush")

One of the most successful and prolific writers and producers of all time, Desmond Child’s songs have resulted in nearly six dozen Top 40 singles on Billboard’s pop, rock, country, and R&amp;B charts. His band Desmond Child &amp; Rouge attracted the attention of Paul Stanley. He partnered with Child to write “I Was Made For Loving You,” which became a major hit for KISS in 1979. Desmond first collaborated with Jon Bon Jovi and Richie Sambora for Bon Jovi’s 1986 album, Slippery When Wet. That partnership resulted in the #1 hits, “You Give Love a Bad Name” and “Livin’ on a Prayer.” Desmond has appeared as a co-writer on every Bon Jovi album since, co-writing additional hits such as “Bad Medicine,” “Born To Be My Baby,” “This Ain’t a Love Song,” and “(You Want To) Make a Memory.” He formed a similar alliance with Aerosmith, with whom he wrote the hits “Dude (Looks Like a Lady),” “Angel,” “What It Takes,” and “Crazy.” He co-wrote Joan Jett’s “I Hate Myself for Loving You” and all of the tracks on Alice Cooper’s wildly successful Trash LP, including the hit single “Poison.” Not limited to the rock world, Child began branching out, co-writing pop songs such as Michael Bolton’s “How Can We Be Lovers,” as well as co-writing and producing “Just Like Jesse James” and “We All Sleep Alone” for Cher. In the late 1990s, he returned to his Latin roots, joining forces with Ricky Martin and scoring with several singles, inluding the #1 worldwide smash, “Livin’ La Vida Loca.” Among the many others artists who’ve recoded his songs are Cyndi Lauper, Megadeth, Ratt, Hanson, Robbie Williams, Roxette, Boyzone, Daryl Hall &amp; John Oates, Bonnie Tyler, Hilary Duff, Vince Neil, Lindsay Lohan, Jonas Brothers, Meat Loaf, Scorpions, Sebastian Bach, INXS, Kelly Clarkson, Joss Stone, and Weezer. He was inducted to the Songwriters Hall of Fame in 2008 and is the Chairman and CEO of the Latin Songwriters Hall of Fame. 

One of the most successful and prolific writers and producers of all time, Desmond Child’s songs have resulted in nearly six dozen Top 40 singles on Billboard’s pop, rock, country, and R&amp;B charts. His band Desmond Child &amp; Rouge attracted the attention of Paul Stanley. He partnered with Child to write “I Was Made For Loving You,” which became a major hit for KISS in 1979. Desmond first collaborated with Jon Bon Jovi and Richie Sambora for Bon Jovi’s 1986 album, Slippery When Wet. That partnership resulted in the #1 hits, “You Give Love a Bad Name” and “Livin’ on a Prayer.” Desmond has appeared as a co-writer on every Bon Jovi album since, co-writing additional hits such as “Bad Medicine,” “Born To Be My Baby,” “This Ain’t a Love Song,” and “(You Want To) Make a Memory.” He formed a similar alliance with Aerosmith, with whom he wrote the hits “Dude (Looks Like a Lady),” “Angel,” “What It Takes,” and “Crazy.” He co-wrote Joan Jett’s “I Hate Myself for Loving You” and all of the tracks on Alice Cooper’s wildly successful Trash LP, including the hit single “Poison.” Not limited to the rock world, Child began branching out, co-writing pop songs such as Michael Bolton’s “How Can We Be Lovers,” as well as co-writing and producing “Just Like Jesse James” and “We All Sleep Alone” for Cher. In the late 1990s, he returned to his Latin roots, joining forces with Ricky Martin and scoring with several singles, inluding the #1 worldwide smash, “Livin’ La Vida Loca.” Among the many others artists who’ve recoded his songs are Cyndi Lauper, Megadeth, Ratt, Hanson, Robbie Williams, Roxette, Boyzone, Daryl Hall &amp; John Oates, Bonnie Tyler, Hilary Duff, Vince Neil, Lindsay Lohan, Jonas Brothers, Meat Loaf, Scorpions, Sebastian Bach, INXS, Kelly Clarkson, Joss Stone, and Weezer. He was inducted to the Songwriters Hall of Fame in 2008 and is the Chairman and CEO of the Latin Songwriters Hall of Fame.

Ep. 17 - DESMOND CHILD ("Livin' on a Prayer")

Tom T. Hall was named by Rolling Stone magazine as one of the 100 Greatest Songwriters of All Time. Known as “The Storyteller,” the Grammy winner landed 35 songs in the Top 10 on Billboard’s country chart between 1965 and 1996. Many of those featured Hall as both writer and artist, including “Homecoming,” “Me and Jesus,” “Ravishing Ruby,” “That Song is Driving Me Crazy,” “I Like Beer,” and the #1 hits “A Week in a County Jail,” “The Year That Clayton Delaney Died,” “(Old Dogs, Children and) Watermelon Wine,” “Country Is,” “I Care,” “Faster Horses (The Cowboy and the Poet),” and “I Love,” which also became a hit on the pop chart.    Tom T. Hall songs that hit the Top 5 for other artists include “Hello Vietnam” by Johnny Wright, “How I Got to Memphis” and “(Margie’s at) The Lincoln Park Inn” by Bobby Bare, “If I Ever Fall in Love (With a Honky Tonk Girl)” by Faron Young, “Pool Shark” by Dave Dudley, “You Always Come Back (To Hurting Me)” by Johnny Rodriguez, “I’m Not Ready Yet” by George Jones, “Little Bitty” by Alan Jackson, and “Harper Valley P.T.A.,” which Jeannie C. Riley took to the #1 spot on both the country and pop chart, making her the first woman to achieve that feat.     Hall was named NSAI Songwriter of the Year in 1972, was inducted into the Nashville Songwriters Hall of Fame in 1978, joined the Country Music Hall of Fame in 2008, was honored with the Academy of Country Music’s Poet’s Award in 2010, and earned the prestigious BMI Icon award in 2012. 

Tom T. Hall was named by Rolling Stone magazine as one of the 100 Greatest Songwriters of All Time. Known as “The Storyteller,” the Grammy winner landed 35 songs in the Top 10 on Billboard’s country chart between 1965 and 1996. Many of those featured Hall as both writer and artist, including “Homecoming,” “Me and Jesus,” “Ravishing Ruby,” “That Song is Driving Me Crazy,” “I Like Beer,” and the #1 hits “A Week in a County Jail,” “The Year That Clayton Delaney Died,” “(Old Dogs, Children and) Watermelon Wine,” “Country Is,” “I Care,” “Faster Horses (The Cowboy and the Poet),” and “I Love,” which also became a hit on the pop chart.   Tom T. Hall songs that hit the Top 5 for other artists include “Hello Vietnam” by Johnny Wright, “How I Got to Memphis” and “(Margie’s at) The Lincoln Park Inn” by Bobby Bare, “If I Ever Fall in Love (With a Honky Tonk Girl)” by Faron Young, “Pool Shark” by Dave Dudley, “You Always Come Back (To Hurting Me)” by Johnny Rodriguez, “I’m Not Ready Yet” by George Jones, “Little Bitty” by Alan Jackson, and “Harper Valley P.T.A.,” which Jeannie C. Riley took to the #1 spot on both the country and pop chart, making her the first woman to achieve that feat.    Hall was named NSAI Songwriter of the Year in 1972, was inducted into the Nashville Songwriters Hall of Fame in 1978, joined the Country Music Hall of Fame in 2008, was honored with the Academy of Country Music’s Poet’s Award in 2010, and earned the prestigious BMI Icon award in 2012.

Ep. 67 - TOM T. HALL ("Old Dogs, Children, and Watermelon Wine")

Steve Earle

The sixteen-time Grammy nominee and three-time winner joins us to talk about his remarkably varied body of songwriting from country to to rock to political songs to Americana and contemporary folk. EPISODE DETAILS: PART ONE  Scott and Paul tell you how you can hear their wild story about getting ready for the Steve Earle interview, and they explain why this episode is particularly special. PART TWO - 7:12 mark Paul and Scott head over to Steve's Los Angeles hotel to get the details on how a Chicago radio station saved his career; why reading is more important than listening to records; the book Townes Van Zandt loaned him that transformed his view of writing; the concert that inspired Steve to write "Guitar Town;" what he really thinks of the "Copperhead Road" line-dancing phenomenon; the first song he wrote after a long period of drug addiction and homelessness; why bluegrass is like bebop; who he says is THE badass country singer/songwriter in Nashville today; why he's working on a new political album that isn't just about preaching to the choir; and which song he would play for Guy Clark today to try to impress him.    ABOUT STEVE EARLE Singer, songwriter, musician, author, actor, record producer, and progressive political activist Steve Earle rose to prominence in the 1980s with his album Guitar Town, which topped the Billboard country album chart, earned two Grammy nominations, picked up a Top New Male Artist nomination from the Academy of Country Music, and is included among Rolling Stone magazine’s 500 Greatest Albums of all Time. Raised in Texas, Earle launched his career in Nashville playing bass in legendary songwriter Guy Clark’s backing band. Following a stint recording with a rockabilly-influenced sound for Epic Records, Earle switched to MCA where he broke through with now-classic songs such as “Guitar Town,” “Someday,” “Goodbye’s All We’ve Got Left,” “My Old Friend the Blues,” “Fearless Heart,” “Nowhere Road,” “I Ain’t Ever Satisfied,” “The Devil’s Right Hand,” “The Other Kind,” and “Copperhead Road,” which reached the Top 10 on Billboard’s Mainstream Rock chart.    Drug addiction, homelessness, and a period of incarceration derailed Earle’s career for several years before he reemerged in the mid-1990s as standard-bearer for contemporary folk and Americana music. His eclectic comeback albums Train a Comin’, I Feel Alright and El Corazon garnered near-universal critical praise. The new millennium found Steve continuing to earn attention for his songs, including “Galway Girl,” “John Walker’s Blues,” “Jerusalem,” “The Revolution Starts Now,” and “City of Immigrants.” Always difficult to categorize, Steve has recorded the highly-acclaimed bluegrass album The Mountain with The Del McCoury Band, a traditional blues album called Terraplane, and a duet album with Shawn Colvin. In total, Earle has released nineteen studio albums and has earned sixteen Grammy nominations, including three wins in the Best Contemporary Folk Album category. Steve’s songs have been covered by Johnny Cash, Waylon Jennings, Patty Loveless, Joan Baez, Travis Tritt, Vince Gill, Ricky Skaggs, Wanda Jackson, Bob Seger, Levon Helm, and many others. His son, Justin Townes Earle, is a respected singer-songwriter in his own right. American Songwriter Podcast Network

The sixteen-time Grammy nominee and three-time winner joins us to talk about his remarkably varied body of songwriting from country to to rock to political songs to Americana and contemporary folk. EPISODE DETAILS: PART ONE  Scott and Paul tell you how you can hear their wild story about getting ready for the Steve Earle interview, and they explain why this episode is particularly special. PART TWO - 7:12 mark Paul and Scott head over to Steve's Los Angeles hotel to get the details on how a Chicago radio station saved his career; why reading is more important than listening to records; the book Townes Van Zandt loaned him that transformed his view of writing; the concert that inspired Steve to write "Guitar Town;" what he really thinks of the "Copperhead Road" line-dancing phenomenon; the first song he wrote after a long period of drug addiction and homelessness; why bluegrass is like bebop; who he says is THE badass country singer/songwriter in Nashville today; why he's working on a new political album that isn't just about preaching to the choir; and which song he would play for Guy Clark today to try to impress him.    ABOUT STEVE EARLE Singer, songwriter, musician, author, actor, record producer, and progressive political activist Steve Earle rose to prominence in the 1980s with his album Guitar Town, which topped the Billboard country album chart, earned two Grammy nominations, picked up a Top New Male Artist nomination from the Academy of Country Music, and is included among Rolling Stone magazine’s 500 Greatest Albums of all Time. Raised in Texas, Earle launched his career in Nashville playing bass in legendary songwriter Guy Clark’s backing band. Following a stint recording with a rockabilly-influenced sound for Epic Records, Earle switched to MCA where he broke through with now-classic songs such as “Guitar Town,” “Someday,” “Goodbye’s All We’ve Got Left,” “My Old Friend the Blues,” “Fearless Heart,” “Nowhere Road,” “I Ain’t Ever Satisfied,” “The Devil’s Right Hand,” “The Other Kind,” and “Copperhead Road,” which reached the Top 10 on Billboard’s Mainstream Rock chart.    Drug addiction, homelessness, and a period of incarceration derailed Earle’s career for several years before he reemerged in the mid-1990s as standard-bearer for contemporary folk and Americana music. His eclectic comeback albums Train a Comin’, I Feel Alright and El Corazon garnered near-universal critical praise. The new millennium found Steve continuing to earn attention for his songs, including “Galway Girl,” “John Walker’s Blues,” “Jerusalem,” “The Revolution Starts Now,” and “City of Immigrants.” Always difficult to categorize, Steve has recorded the highly-acclaimed bluegrass album The Mountain with The Del McCoury Band, a traditional blues album called Terraplane, and a duet album with Shawn Colvin. In total, Earle has released nineteen studio albums and has earned sixteen Grammy nominations, including three wins in the Best Contemporary Folk Album category. Steve’s songs have been covered by Johnny Cash, Waylon Jennings, Patty Loveless, Joan Baez, Travis Tritt, Vince Gill, Ricky Skaggs, Wanda Jackson, Bob Seger, Levon Helm, and many others. His son, Justin Townes Earle, is a respected singer-songwriter in his own right. <a href="https://americansongwriter.com/american-songwriter-podcast-network/" rel="nofollow" target="_blank">American Songwriter Podcast Network</a>

Ep. 122 - STEVE EARLE ("Guitar Town")

Tim Nichols

With over a dozen Top 5 singles on the Billboard country chart, Nashville Songwriters Hall of Famer Tim Nichols has been a hit machine for years with songs such as “Heads Carolina, Tails California,” “The Man I Want to Be,” and "Live Like You Were Dying."  EPISODE DETAILS:  PART ONE Scott and Paul talk about their earliest concert experiences.  PART TWO -  8:09 mark Scott and Paul get on the phone with Tim to find out how he went to a bunch of free country shows when he was a kid; why he says the story of his career is a cross between Forest Gump and Lemony Snicket; how Mike Wallace and 60 Minutes led to his big break; why he had to wear a Daniel Boone cap on his way to becoming a successful songwriter; what he was feeling when his first hit came from a non-living artist; how an audiobook gave him the idea for one of his biggest hits; and how he looks back now on the day that he wrote THAT classic song.  ABOUT TIM NICHOLS Nashville Songwriters Hall of Fame inductee Tim Nichols has written more than a dozen Top 5 country hits, including “I’m Over You” by Keith Whitley, “Heads Carolina, Tails California” by Jo Dee Messina, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, “I’d Rather Ride Around with You” by Reba McEntire, “I’ll Think of a Reason Later” by Lee Ann Womack,” “That’d Be Alright” by Alan Jackson, “Girls Lie Too” by Terri Clark, “I Still Miss You” by Keith Anderson, “The Man I Want to Be” by Chris Young, and “Cowboys and Angels” by Dustin Lynch.     Nichols is perhaps best known as the co-writer of Tim McGraw’s “Live Like You Were Dying,” which stayed at #1 for seven weeks, won a Grammy for Best Country Song, and was named Song of the Year by the Country Music Association, the Academy of Country Music, BMI, ASCAP, Billboard magazine, and the Nashville Songwriters Association International. It remains the only song to have won every major song award presented for country music.    The list of other artists who’ve recorded Nichols’ songs includes Blake Shelton, Faith Hill, Jason Aldean, Patty Loveless, Vince Gill, Montgomery Gentry, Kenny Chesney, Lonestar, Rascal Flats, Brad Paisley, Kenny Rogers, Tracy Byrd, Gretchen Wilson, Ronnie Milsap, and many more.  

With over a dozen Top 5 singles on the Billboard country chart, Nashville Songwriters Hall of Famer Tim Nichols has been a hit machine for years with songs such as “Heads Carolina, Tails California,” “The Man I Want to Be,” and "Live Like You Were Dying." EPISODE DETAILS: PART ONE Scott and Paul talk about their earliest concert experiences. PART TWO -  8:09 mark Scott and Paul get on the phone with Tim to find out how he went to a bunch of free country shows when he was a kid; why he says the story of his career is a cross between Forest Gump and Lemony Snicket; how Mike Wallace and 60 Minutes led to his big break; why he had to wear a Daniel Boone cap on his way to becoming a successful songwriter; what he was feeling when his first hit came from a non-living artist; how an audiobook gave him the idea for one of his biggest hits; and how he looks back now on the day that he wrote THAT classic song. ABOUT TIM NICHOLS Nashville Songwriters Hall of Fame inductee Tim Nichols has written more than a dozen Top 5 country hits, including “I’m Over You” by Keith Whitley, “Heads Carolina, Tails California” by Jo Dee Messina, “(This Ain’t) No Thinkin’ Thing” by Trace Adkins, “I’d Rather Ride Around with You” by Reba McEntire, “I’ll Think of a Reason Later” by Lee Ann Womack,” “That’d Be Alright” by Alan Jackson, “Girls Lie Too” by Terri Clark, “I Still Miss You” by Keith Anderson, “The Man I Want to Be” by Chris Young, and “Cowboys and Angels” by Dustin Lynch.    Nichols is perhaps best known as the co-writer of Tim McGraw’s “Live Like You Were Dying,” which stayed at #1 for seven weeks, won a Grammy for Best Country Song, and was named Song of the Year by the Country Music Association, the Academy of Country Music, BMI, ASCAP, Billboard magazine, and the Nashville Songwriters Association International. It remains the only song to have won every major song award presented for country music.   The list of other artists who’ve recorded Nichols’ songs includes Blake Shelton, Faith Hill, Jason Aldean, Patty Loveless, Vince Gill, Montgomery Gentry, Kenny Chesney, Lonestar, Rascal Flats, Brad Paisley, Kenny Rogers, Tracy Byrd, Gretchen Wilson, Ronnie Milsap, and many more.

Ep. 108 - TIM NICHOLS ("Live Like You Were Dying")

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