Mandy Walker believes that her job as a cinematographer is not just to make pretty pictures, but to enhance an emotion with lenses, camera placement and lighting. She works on a gut and emotional level for films, getting across the feelings of the characters- a DP's arsenal of tricks should only help convey what's going on in the scene. For Mulan, Mandy and director Nikki Caro wanted to take a different approach from the Disney animated version, and were free to interpret the film as they wished. Mandy watched several Chinese action films such as House of Flying Daggers and went on location scouting trips to China to find the look and inspiration for the film. Mandy grew up in Australia and always loved photography, film and art, so she felt a passion to become a cinematographer right from the beginning. She skipped film school and began as a production assistant and loader in Australia, learning as she went on films such as Lantana, which was shot using almost only available light. Shattered Glass, which tells the true story of a journalist who made up the majority of his articles, was her first American film. Working with Baz Luhrmann on Australia was a huge jump into bigger budget movies, and she learned how to organize and delegate an entire camera department with multiple cameras. For the film Hidden Figures, Mandy worked closely with the costume designer and makeup artists to ensure that how the characters were dressed and what they looked like matched the feel of what each scene is meant to convey. She watched a lot of archival footage from NASA, some of which was used in the film, and was thrilled to meet Katherine Johnson, one of the real-life subjects of the film.

Mandy Walker is currently working with director Baz Luhrmann again on a forthcoming biography film about Elvis Presley.

See Mulan on Disney Plus

Find Mandy Walker: https://www.mandywalkerdp.com/
Instagram: @mandywalkerdp

Find out even more about this episode, with extensive show notes and links: http://camnoir.com/ep90/

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Disney's highly-anticipated live-action remake of Mulan is here! Cinematographer Mandy Walker ASC ACS gives us a behind the scenes look at making the film.

Mandy and Go Creative Show host, Ben Consoli, break down Mulan's epic battle scenes, gender roles in cinematography, the perfect camera and lens combination for the film, using custom specialty lenses to draw focus, and more!

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What you will learn in this episode

• Having this version be different from the animated classic (03:23)
• Visual inspiration from Chinese culture and films (08:56)
• Filming the great battle avalanche scene (14:46)
• Filming Mulan differently as a man vs woman (26:08)
• Filming the locked-down tracking shots (30:32)
• Prep to film battle scenes (34:27)
• Crafting and testing custom lenses (35:19)
• Lighting in a quick but effective way (42:07)
• Benefits of using a base LUT (50:05)
• Challenge of lighting for moonlight (53:19)
• Returning to work during the pandemic (56:07)
• And more!

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Show Links

• Disney+
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• Mulan trailer

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We have a great one today with cinematographer Mandy Walker ASC.  She just wrapped up shooting Mulan and is on to chat about the incredible process behind the film, the extensive testing, her approach to prep on a film this big and more. It was great chatting with Mandy and I look forward to checking out […]

The post The Wandering DP Podcast: Episode #215 – Mandy Walker ASC appeared first on Cinematography Podcast & Tutorials.

Mandy Walker, ASC, ACS spent some time talking with us for this week’s episode. Mandy is a seasoned cinematographer, shooting from behind the lens on many films like Australia, Tracks, and the recently Oscar Nominated film Hidden Figures. We focus on what it took to shoot Hidden Figures and what she faces as a cinematographer daily, on any project.