George Crowley's guest appearances

George Crowley

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Master of Fine Arts Yale School of Drama. Reiki master. Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction.  He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity.  George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN.

Master of Fine Arts Yale School of Drama. Reiki master.  Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction.  He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity.  George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN.

MASTER OF FINE ARTS YALE SCHOOL OF DRAMA - GEORGE CROWLEY

Master of Fine Arts Yale School of Drama. Reiki master.  Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction. He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity. George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN. 

Master of Fine Arts Yale School of Drama. Reiki master.  Award-winning actor who has frequently trod the boards at Florida Studio Theatre, most recently a few years ago as determined Irishmen in HEISENBERG and OUTSIDE MULLINGAR under Kate Alexander’s direction. He has also acted at Lincoln Center, the American Shakespeare Theatre, Colorado Shakespeare Festival, DC’s Studio Theatre and even at the Asolo. He counts not only FST’s Kate Alexander and Richard Hopkins as his most-respected mentors but likewise Frank Galati who taught him at Northwestern University to respect the miracle of language and linguistic specificity. George is also a director, filmmaker, teacher, and playwright. His recent plays have been in service of street theatre educating New Yorkers about what is true and not true about the risks of SarsCoV2 in the wake of the overweening restrictions of New York’s Governor Cuomo. Never a denialist about the real dangers of the health crisis (and, yes, he has lost loved ones), he nonetheless seeks to bring real science to bear to the mainstream media’s spinning of it with his short agit-prop play focusing on the pharmaceutical company’s exploitation of the novel coronavirus, A SARS IS BORN.

We talk to George Crowley about life and music, to hear more from George follow the links below;https://www.georgecrowleymusic.com/ https://music.whirlwindrecordings.com/album/can-of-worms https://www.concellarjazz.com/Support the show

We talk to George Crowley about life and music, to hear more from George follow the links below; <a href="https://www.georgecrowleymusic.com/" rel="nofollow" target="_blank">https://www.georgecrowleymusic.com/</a> <a href="https://music.whirlwindrecordings.com/album/can-of-worms" rel="nofollow" target="_blank">https://music.whirlwindrecordings.com/album/can-of-worms</a> <a href="https://www.concellarjazz.com/" rel="nofollow" target="_blank">https://www.concellarjazz.com/</a><a href="https://www.patreon.com/improvisedmusicagenda" rel="payment nofollow" target="_blank">Support the show</a>

Episode 12: George Crowley

George joins us for a talk about jazz, venues, recording, everything Rob can think to ask.Support the show

George joins us for a talk about jazz, venues, recording, everything Rob can think to ask.<a href="https://patreon.com/thejazzpodcast" rel="payment nofollow" target="_blank">Support the show</a>