Edmund Clark's guest appearances

Edmund Clark

A Small Voice: Conversations With Photographers

Front Row

A Photographic Life

SPIN

Foam Talks

Paul Lowe

Brian Griffin

Julia Fullerton-Batten

Seamus Murphy

Ian Weldon

Christopher Anderson

Ed Kashi

Tom Oldham

Mimi Plumb

Daniel Meadows

Stephen Dupont

Jillian Edelstein

Mark Steinmetz

Aletheia Casey

Mark Neville

OwlTail

In episode 210 UNP founder and curator Grant Scott is in his shed reflecting on the documentation of the everyday, the latest NFT news, not needing rules and listening to young photographers.Plus this week photographer Edmund Clark takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer’s the question ‘What Does Photography Mean to You?’Edmund Clark worked as a researcher in London and Brussels before gaining a postgraduate diploma in photojournalism at the London College of Communication. Clark's research-based work combines a range of references and forms including bookmaking, installations, photography, video, documents, text and found images and material; whatever is conceptually and formally relevant to investigating the subject and communicating with an audience. Recurring themes include developing strategies for reconfiguring how subjects are seen and engaging with state censorship to explore unseen experiences, spaces and processes of control and incarceration in the ‘Global War on Terror’ and elsewhere. Clark's work has been published in seven books My Shadow's Reflection (2018), In Place of Hate (2017), Negative Publicity: Artefacts of Extraordinary Rendition(2017), Control Order House (2016), The Mountains of Majeed (2014), Guantanamo: If the Light Goes Out (2010), and Still Life Killing Time (2007). His work has been exhibited widely including at the International Center of Photography Museum, New York, and the Imperial War Museum, London. His work has been acquired for national and international collections including the ICP Museum and the George Eastman House Museum in America and the National Portrait Gallery, and the National Media Museum in Great Britain. Awards include the Royal Photographic Society Hood Medal for outstanding photography for public service, the British Journal of Photography International Photography Award and, together with Crofton Black, an ICP Infinity Award and the inaugural Rencontres d’Arles Photo-Text Book Award. For four years he was the artist-in-residence in Europe's only wholly therapeutic prison, HMP Grendon. He is is represented by the Flowers Gallery, London and New York, the East Wing Gallery, Dubai and the Parotta Contemporary, Stuttgart and Berlin. Today Clark teaches postgraduate students at the London College of Communication, London. www.edmundclark.comDr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019).© Grant Scott 2022

In episode 210 UNP founder and curator Grant Scott is in his shed reflecting on the documentation of the everyday, the latest NFT news, not needing rules and listening to young photographers. Plus this week photographer Edmund Clark takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer’s the question ‘What Does Photography Mean to You?’ Edmund Clark worked as a researcher in London and Brussels before gaining a postgraduate diploma in photojournalism at the London College of Communication. Clark's research-based work combines a range of references and forms including bookmaking, installations, photography, video, documents, text and found images and material; whatever is conceptually and formally relevant to investigating the subject and communicating with an audience. Recurring themes include developing strategies for reconfiguring how subjects are seen and engaging with state censorship to explore unseen experiences, spaces and processes of control and incarceration in the ‘Global War on Terror’ and elsewhere. Clark's work has been published in seven books My Shadow's Reflection (2018), In Place of Hate (2017), Negative Publicity: Artefacts of Extraordinary Rendition(2017), Control Order House (2016), The Mountains of Majeed (2014), Guantanamo: If the Light Goes Out (2010), and Still Life Killing Time (2007). His work has been exhibited widely including at the International Center of Photography Museum, New York, and the Imperial War Museum, London. His work has been acquired for national and international collections including the ICP Museum and the George Eastman House Museum in America and the National Portrait Gallery, and the National Media Museum in Great Britain. Awards include the Royal Photographic Society Hood Medal for outstanding photography for public service, the British Journal of Photography International Photography Award and, together with Crofton Black, an ICP Infinity Award and the inaugural Rencontres d’Arles Photo-Text Book Award. For four years he was the artist-in-residence in Europe's only wholly therapeutic prison, HMP Grendon. He is is represented by the Flowers Gallery, London and New York, the East Wing Gallery, Dubai and the Parotta Contemporary, Stuttgart and Berlin. Today Clark teaches postgraduate students at the London College of Communication, London. <a href="http://www.edmundclark.com" rel="nofollow" target="_blank">www.edmundclark.com</a> Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). © Grant Scott 2022

A Photographic Life - 210: Plus Edmund Clark

The seventh episode of Foam Talks features Foam Talent Daniel Garcia Castro in conversation with Edmund Clark, who works as an artist and lecturer. The starting point of this episode is his project I Peri N’Tera which tracks the movements of 12 underage refugees, whom he met at a reception centre for male unaccompanied minors in rural Sicily, Italy. Daniel Castro Garcia subtracts the images from the purely photojournalistic realm and offers a point of entry to a spiritual space of inner struggle and the slow and often faltering process of emotional healing.Foam produced this episode as part of a mini-series called Stories of Migration. In this series, we welcome three artists whose work evolves around questions of migration, identity and belonging. From their individual perspectives and personal histories, the artists reflect on ethnicity, place, marginalisation, memory and constructions of the self. They all present different cultural and political perspectives that complement each other and create a poly vocal rendition of migration. The conversations are hosted by Elisa Medde, Editor-in-Chief of Foam Magazine.Concept: Elisa Medde and Amelie Schüle Production: Nordin Janssen Mastering, Mixing &amp; Music: Andersen Audio Productions

The seventh episode of Foam Talks features Foam Talent Daniel Garcia Castro in conversation with Edmund Clark, who works as an artist and lecturer. The starting point of this episode is his project I Peri N’Tera which tracks the movements of 12 underage refugees, whom he met at a reception centre for male unaccompanied minors in rural Sicily, Italy. Daniel Castro Garcia subtracts the images from the purely photojournalistic realm and offers a point of entry to a spiritual space of inner struggle and the slow and often faltering process of emotional healing. Foam produced this episode as part of a mini-series called Stories of Migration. In this series, we welcome three artists whose work evolves around questions of migration, identity and belonging. From their individual perspectives and personal histories, the artists reflect on ethnicity, place, marginalisation, memory and constructions of the self. They all present different cultural and political perspectives that complement each other and create a poly vocal rendition of migration. The conversations are hosted by Elisa Medde, Editor-in-Chief of Foam Magazine. Concept: Elisa Medde and Amelie Schüle  Production: Nordin Janssen  Mastering, Mixing &amp; Music: Andersen Audio Productions

Stories of Migration - Daniel Castro Garcia & Edmund Clark

This podcast was recorded in a workshop hosted by the Secrecy and Security Working Group, Global Insecurities Centre, at the University of Bristol in November 5th, 2018. In this episode, award winning photographer Edmund Clark talks about his work on terror and anti-terror and specifically on his work on CIA secret prison work. 

This podcast was recorded in a workshop hosted by the Secrecy and Security Working Group, Global Insecurities Centre, at the University of Bristol in November 5th, 2018. In this episode, award winning photographer Edmund Clark talks about his work on terror and anti-terror and specifically on his work on CIA secret prison work.

Talk: Edmund Clark on terror

Edmund Clark is an award-winning artist interested in linking history, politics and representation. His work traces ideas of shared humanity, otherness and unseen experience through landscape, architecture and the documents, possessions and environments of subjects of political tension. The series Guantanamo: If The Light Goes Out, Letters to Omar and Control Order House, all of which have been published as books, engage with state censorship to explore the hidden experiences and spaces of control and incarceration in the ‘Global War on Terror’, as does Edmunds latest book, co-authored by counterterrorism investigator Crofton Black, Negative Publicity: Artefacts of Extraordinary Rendition. His other book, The Mountains of Majeed, reflects on the end of Operation Enduring Freedom in Afghanistan, the longest war in American history. Edmund’s work has been acquired for national and international collections including, in Britain, The National Portrait Gallery, The National Media Museum and The Imperial War Museum, London where he is currently preparing for the opening of a major, year-long exhibition, which he talks briefly about in the interview. Awards include the Royal Photographic Society Hood Medal for outstanding photography for public service, being shortlisted for the prestigious Prix Pictet on the theme of Power and being twice nominated for the Deutsche Borse Prize. He teaches postgraduate students at the University of the Arts London, contributes regularly to international conferences and symposia, and is actively engaged with education through lectures, talks, workshops and portfolio reviews.

Edmund Clark is an award-winning artist interested in linking history, politics and representation. His work traces ideas of shared humanity, otherness and unseen experience through landscape, architecture and the documents, possessions and environments of subjects of political tension. The series Guantanamo: If The Light Goes Out, Letters to Omar and Control Order House, all of which have been published as books, engage with state censorship to explore the hidden experiences and spaces of control and incarceration in the ‘Global War on Terror’, as does Edmunds latest book, co-authored by counterterrorism investigator Crofton Black, Negative Publicity: Artefacts of Extraordinary Rendition. His other book, The Mountains of Majeed, reflects on the end of Operation Enduring Freedom in Afghanistan, the longest war in American history. Edmund’s work has been acquired for national and international collections including, in Britain, The National Portrait Gallery, The National Media Museum and The Imperial War Museum, London where he is currently preparing for the opening of a major, year-long exhibition, which he talks briefly about in the interview. Awards include the Royal Photographic Society Hood Medal for outstanding photography for public service, being shortlisted for the prestigious Prix Pictet on the theme of Power and being twice nominated for the Deutsche Borse Prize. He teaches postgraduate students at the University of the Arts London, contributes regularly to international conferences and symposia, and is actively engaged with education through lectures, talks, workshops and portfolio reviews.