45 of The Best Podcast Episodes for Peter Lang. A collection of podcasts episodes with or about Peter Lang, often where they are interviewed.
45 of The Best Podcast Episodes for Peter Lang. A collection of podcasts episodes with or about Peter Lang, often where they are interviewed.
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What is “unborn human life” and what kind of court cases, not only in the US but abroad, illuminate the matter from the standpoint of the many fields in which the term is employed: law, bioethics, and philosophy among others?
These questions are addressed by a distinguished group of scholars in the 2019 book, Unborn Human Life and Fundamental Rights: Leading Constitutional Cases Under Scrutiny (Peter Lang, 2019)
In this fascinating collection of case studies from countries such as Argentina, Canada, Chile, Costa Rica, Italy, Poland and Spain as well as the United States we learn that abortion is not always the catalyst for landmark constitutional cases in many lands. So are such concerns as the moral questions raised by in vitro fertilization and the morning-after pill.
Not only does the book provide a look into the workings and worldviews of various constitutional courts and legal systems in many countries, it also shows how activists on both sides of the issue of unborn human life (and there are those who take issue with the term itself) draw on or oppose rulings and/or proclamations over the past decades of such international legal bodies as the Inter-American Court of Human Rights, and the European Court on Human Rights to make their cases. Anyone interested in real-world, high-profile applications of international law generally and human rights laws specifically should read this book.
Those interested in the many legal and philosophical arguments about when life begins and who is deemed worthy of the dignity of life and endowed with rights should read this book. Anyone interested in reproductive health law globally should, too.
The book includes a powerful concluding essay by a giant of natural law thinking, John Finnis, that addresses the many moral and jurisprudential issues discussed by the contributors to this important book.
In this interview, one of the editors of the book, William L. Saunders, will discuss how this panoply of judges and legislators wrestled with thorny issues that ranged from embryology and the latest in reproductive technology and the ethical and practical issues surrounding it (such as what is to be done with the surplus embryos now in a cruel limbo in labs the world over) to what Finnis refers to as “fundamental civility and humanity.”
Give a listen.
Hope J. Leman is a grants researcher.
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Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.
In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.
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Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.
In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.
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Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.
In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.
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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere
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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere
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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere
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Welcome to A Well-Designed Business, it’s Power Talk Friday! Peter Lang joins LuAnn on today’s show to discuss accounting that is specific to design firms. Peter is a CPA that works exclusively with interior designers, and he will be covering the nuances of the industry. He is also a co-author of LuAnn’s latest book, A Well-Designed Business: The Power Talk Friday Experts.
If you’re a business owner and concerned about how this current COVID-19 pandemic will impact your taxes, you will not want to miss this episode!
Peter Lang is a Certified Public Accountant licensed in Rhode Island and Massachusetts. He is the founder of The Designer CPA, a CPA firm that works exclusively with business owners in the design industry. He has worked in public accounting since graduating from Providence College in 2002. After working for several larger size firms in Boston and Rhode Island, Peter realized his true passion was to start a firm that specifically focused on designers.
Peter currently resides in Rhode Island with his wife Carmen and their identical twin boys, William and Matthew. He enjoys running and golfing outside of work.
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Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.
A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.
A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.
Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.
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