Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.

In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.

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Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.

In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.

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Marco Puleri’s Ukrainian, Russophone, (Other) Russian: Hybrid Identities and Narratives in Post-Soviet Culture and Politics (Peter Lang, 2020) examines a complex process of identity formation in the context of exposure to a diversity of linguistic and cultural influences. Puleri zeroes in on contemporary Ukraine to explore the specificities of cultural overlapping and the power it exercises on the individual’s construction of self. As the title prompts, the emphasis is made on hybrid identities, which Puleri views from the perspective of epistemological multivalences. The discussion of the formation and function of hybrid identities is rooted not only in cultural and linguistic diversities, but also in complex historical and political processes.

In Ukrainian, Russophone, (Other) Russian, Puleri attempts to unravel entangled clusters that signal identity hybridity: the book offers an ample collection of instances that manifest the overlapping and collaboration of multiple narratives that construct various identities. The book discusses in detail the writers who write (or wrote) in Russian, but live in Ukraine. Puleri asks a legitimate question, to which it is hard to find an answer: how does one categorize such literature? Is it Russian? Even though it is not written in Russia and it is not written by writers who consider themselves Russians. Is it Ukrainian? It is not written in Ukrainian, but it is written by writers who identify themselves as Ukrainians. The question itself is further complicated by the ongoing conflict between Russia and Ukraine, which makes the question sensitive and at times uncomfortable. In Ukrainian, Russophone, (Other) Russian, Puleri considers a variety of aspects, attempting to delicately approach the question of hybrid identity, which in the present combination—Ukrainian and Russian components—may evoke further anxieties and complications.

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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere

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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere

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What is spam? In Media Distortions: Understanding the Power Behind Spam, Noise, and Other Deviant Media, Dr Elinor Carmi, a postdoctoral research associate in digital culture and society at the University of Liverpool, takes this simple category that seems ever present in our online lives to explain corporate power, regulation, and the social world. Drawing on the work of Foucault, as well as the approaches of ‘processed listening’ and ‘rhythmedia’, the book analyses a whole range of case study material, ranging from telephones in New York, via digital advertising, cookies, and the EU, to the way Facebook orders and shapes our modern world. The book is open access, so you can download and read it for free here, and it is essential reading across humanities, social sciences, as well as for anyone online today. You can also learn more about Dr Carmi’s current project Me and my big datahere

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Welcome to A Well-Designed Business, it’s Power Talk Friday! Peter Lang joins LuAnn on today’s show to discuss accounting that is specific to design firms. Peter is a CPA that works exclusively with interior designers, and he will be covering the nuances of the industry. He is also a co-author of LuAnn’s latest book, A Well-Designed Business: The Power Talk Friday Experts.

If you’re a business owner and concerned about how this current COVID-19 pandemic will impact your taxes, you will not want to miss this episode!

Peter Lang is a Certified Public Accountant licensed in Rhode Island and Massachusetts.  He is the founder of The Designer CPA, a CPA firm that works exclusively with business owners in the design industry.  He has worked in public accounting since graduating from Providence College in 2002.  After working for several larger size firms in Boston and Rhode Island, Peter realized his true passion was to start a firm that specifically focused on designers.  

Peter currently resides in Rhode Island with his wife Carmen and their identical twin boys, William and Matthew.  He enjoys running and golfing outside of work.

Show Highlights:

• The IRS expects you to file your 2019 income tax return by April 15th, or apply for an extension.
• If you have a Federal or state tax payment that is due, they expect that by the April 15th deadline.
• Technically you are responsible for Q1 2020 estimated payments by April 15th, as well.
• HOWEVER, due to the pandemic, the IRS has reset all of the April 15th deadlines to July 15th for the 2019 filing year.
• This gives everyone an additional 90 days to get all of your information to them.
• The IRS has NOT changed the Q2 2020 estimated payments deadline of June 15th, so this WILL still be due.
• Peter addresses which deadline might be better to consider, and why; HSA’s, and sales tax.
• Peter and LuAnn discuss the stimulus package, how much we might expect to receive, and when it will be sent.
• What you need to know if you’re receiving unemployment compensation and receive a stimulus payment.
• Your business may be eligible for relief in the form of a relaxed-rules small business loan. Listen for details!
• Payroll tax credits, deferments, and managing your cash flow.
• Things you can do now to be ready in the event another disaster strikes:
• Get your books in order.
• Make sure you understand your numbers.
• Set aside cash for quarterly tax payments.
• Don’t mingle sales tax collected from customers with your operating cash.
• Build a reserve of three months fixed operating expenses in a savings account.

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SPECIAL ANNOUNCEMENT:

• Event: 19hours
• Hosted by: Mydoma Studio
• Monday, April 6th - Thursday, April 9th
• This is a FREE VIRTUAL EVENT!
• Presentations Each Day at 11am, 1pm, and 3pm EST.
• It will be recorded for later viewing.
• This Is The Industry’s Answer to Covid-19 and Contains Much of the Content That Was Planned for HP Market.
• DON’T MISS the Solo Presentations by Some of the Industry’s Top Business Leaders and Panel Discussions with Some of the Industry’s Top Designers!
• To Sign Up, Go to 19hours

Connect with Peter!

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Book Mentioned:

A Well-Designed Business: The Power Talk Friday Experts by LuAnn Nigara & Friends

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Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.

A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.

Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.

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Erika Engstrom is Professor of Communication Studies at the University of Nevada, Las Vegas. Her latest book, Feminism, Gender, and Politics in NBC’s Parks and Recreation (Peter Lang, 2017), analyzes the various ways the series presented feminism as a positive force, such as the satirical portrayal of patriarchy; alternative depictions of masculinity; the feminist ideology and political career of main character Leslie Knope; the inclusion of actual political figures; and depictions of love and romance as related to feminist thinking.

A much-needed treatment that adds to the literature on feminism in media and popular culture, this book serves as an ideal resource for instructors and scholars of gender and mass media, women’s studies, and media criticism by investigating Parks and Recreation’s place in the continuum of other feminist-leaning television programs.

Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.

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Perhaps there’s something in the air in the Middle East, something that elevates spirituality. The Middle East, particularly Israel, is the legendary home of spiritual searching, of prophecy and religious expression.  And in this historical birthplace of monotheism – of Judaism and its daughter religions, Christianity and Islam – religious vitality is as vibrant today as ever.

Although traditional forms of religious practice dominate throughout the Middle East, not everyone finds their spiritual needs satisfied by these practices.  To some, traditional religious practices just don’t feel genuine. Yearning for authenticity and meaning in their religious lives, they are left frustrated.

We live in what has been called an “age of authenticity,” where the pervasive background belief maintains that individuals have their own particular way of being human - and of seeking transcendence - to which they can be true or untrue.

In Jews In The Age Of Authenticity: Jewish Spiritual Renewal In Israel (Peter Lang, 2016, Rachel Werczberger examined two Israeli communities of spiritual seekers in Israel.  Under the guidance of charismatic leadership, these communities tried to effect Jewish spiritual renewal by integrating Jewish tradition – especially Kabbalah and Hasidism – with New Age spirituality.   Seeking authenticity, the two communities tried to construct a new Jewish spiritual identity with re-invented rituals. This is their story.

Renee Garfinkel is a clinical psychologist, writer, and Middle East commentator for The Armstrong Williams Show. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom

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