Broncho Billy's guest appearances

Broncho Billy

George Eastman Museum

Precinct 13: The Movies and Music of John Carpenter

No Llores en mi Pastel

Daniel Johnston

John Ford

Annie Oakley

Hopalong Cassidy

Laura Mars

Tom Mix

Gene Autry

Josh Mosley

Brian Verderosa

Megan Mosley

Justin Dane

Alexandra Wiles

OwlTail

Cleves y Sanchez hablan de la importancia de G. M Anderson en la industria de Hollywood y cuando comienzan a hablar de la forma en la que se mostraban a los indígenas en las películas, terminan hablando sobre el lenguaje inclusivo.    Pueden apoyarnos visitando https://www.casabunzo.com/ y siguiéndonos en Instagram @casabunzo !  Quieres patrocinar un episodio de No Llores en mi Pastel? Envíanos tu propuesta a nolloresenmipastel@gmail.com

Cleves y Sanchez hablan de la importancia de G. M Anderson en la industria de Hollywood y cuando comienzan a hablar de la forma en la que se mostraban a los indígenas en las películas, terminan hablando sobre el lenguaje inclusivo.   Pueden apoyarnos visitando <a href="https://www.casabunzo.com/" rel="nofollow" target="_blank">https://www.casabunzo.com/</a> y siguiéndonos en Instagram @casabunzo !  Quieres patrocinar un episodio de No Llores en mi Pastel? Envíanos tu propuesta a nolloresenmipastel@gmail.com

Ep. 42: Broncho Billy y La Mirada del Indio

This week, we're firing up the Wayback Machine for a look at the very beginnings of John Carpenter's film career. As a student at USC in the late 60s/early 70s, Carpenter wrote and directed the bizarre comedy/horror short Captain Voyeur, and he followed it up by collaborating (as co-writer, editor, and composer) on the Academy Award-winning The Resurrection of Broncho Billy. After our marathon look at They Live, and before we tackle Carpenter's still-prolific 1990s, we thought we'd study some of his most notable student work to see if the seeds of his later successes can be found there. The answer? Kinda sorta, we guess? At any rate, we thought it would be fun to analyze his pre-Dark Star output, and with both films available for viewing on YouTube, you can check them out, too! Plus, we give Carpenter's unexpected (and awesome) new musical compositions, Skeleton and Unclean Spirit, a listen, and ponder what Carpenter's lockdown life has been like.

This week, we're firing up the Wayback Machine for a look at the very beginnings of John Carpenter's film career. As a student at USC in the late 60s/early 70s, Carpenter wrote and directed the bizarre comedy/horror short Captain Voyeur, and he followed it up by collaborating (as co-writer, editor, and composer) on the Academy Award-winning The Resurrection of Broncho Billy. After our marathon look at They Live, and before we tackle Carpenter's still-prolific 1990s, we thought we'd study some of his most notable student work to see if the seeds of his later successes can be found there. The answer? Kinda sorta, we guess? At any rate, we thought it would be fun to analyze his pre-Dark Star output, and with both films available for viewing on YouTube, you can check them out, too! Plus, we give Carpenter's unexpected (and awesome) new musical compositions, Skeleton and Unclean Spirit, a listen, and ponder what Carpenter's lockdown life has been like.

Carpenter Origins: Captain Voyeur (1969) & The Resurrection of Broncho Billy (1970) [plus: Skeleton / Unclean Spirit single)