Earl Hines's guest appearances

Earl Hines

Big Band Serenade

Desert Island Discs: Archive 1976-1980

Banzzaï

Was heute geschah

wtju

The Jazz Treasury Podcast

Sólo jazz

Jazz in un giorno d'estate

La odisea de la música afroamericana

Discovering Jazz

KUTX >> Liner Notes

This Day in History Class

Emissions Spéciales

Le jazz sur France Musique

HowStuffWorks via myPod

Benny Carter

Dizzy Gillespie

Roy Eldridge

Duke Ellington

Ella Fitzgerald

Fats Waller

Louis Jordan

Artie Shaw

Lionel Hampton

Stan Getz

Sarah Vaughan

Lester Young

Benny Goodman

Coleman Hawkins

Helen Humes

OwlTail

Marc Perrenoud

Norah Jones

durée : 00:58:15 - Banzzaï du lundi 31 août 2020 - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

Solitude chérie : Norah Jones, Initiative H, Marc Perrenoud, Earl Hines and more

Charlie Parker

E comme Earl Hines En 1928, Earl Hines intègre comme pianiste le second Hot Five de Louis Armstrong. En décembre 1942, il engage dans son orchestre-pépinière Charlie Parker, Dizzy Gillespie, mais aussi une certaine Sarah Vaughan ainsi que Billy Eckstine qui, par la suite, emmènera tout ce beau monde avec lui parce que l'orchestre ne sonnait pas suffisamment bop. Il n'empêche que Charlie Parker s'est bien plus épanoui chez Earl Hines que dans l'orchestre de Jay McShann où il avait fait ses premières armes à Kansas City. C'est d'ailleurs à cette même époque, en 1943, que lui et Dizzy Gillespie font le bœuf tous les lundis soir au Minton's, ce club new-yorkais qui est resté dans l'histoire comme le premier grand QG du be-bop.

E comme Earl Hines   En 1928, Earl Hines intègre comme pianiste le second Hot Five de Louis Armstrong. En décembre 1942, il engage dans son orchestre-pépinière Charlie Parker, Dizzy Gillespie, mais aussi une certaine Sarah Vaughan ainsi que Billy Eckstine qui, par la suite, emmènera tout ce beau monde avec lui parce que l'orchestre ne sonnait pas suffisamment bop. Il n'empêche que Charlie Parker s'est bien plus épanoui chez Earl Hines que dans l'orchestre de Jay McShann où il avait fait ses premières armes à Kansas City. C'est d'ailleurs à cette même époque, en 1943, que lui et Dizzy Gillespie font le bœuf tous les lundis soir au Minton's, ce club new-yorkais qui est resté dans l'histoire comme le premier grand QG du be-bop.

Les cent ans de Charlie Parker : E comme Earl Hines

Three sessions for the new Decca record label featuring the Earl Hines Orchestra that was playing at the Grand Terrace in Chicago.  Walter Fuller, George Dixon and Trummy Young in the brass section, Omer Simeon, Darnell Howard and Cecil Irwin in the reeds .. . Jimmy Mundy and Quinn Wilson doing arrangements and Wallace Bishop on drums . . great band, great jazz solos!--- Support this podcast: https://anchor.fm/john-clark49/support

Jazz Focus

Three sessions for the new Decca record label featuring the Earl Hines Orchestra that was playing at the Grand Terrace in Chicago.  Walter Fuller, George Dixon and Trummy Young in the brass section, Omer Simeon, Darnell Howard and Cecil Irwin in the reeds .. . Jimmy Mundy and Quinn Wilson doing arrangements and Wallace Bishop on drums . . great band, great jazz solos!--- Support this podcast: <a href="https://anchor.fm/john-clark49/support" rel="payment nofollow" target="_blank">https://anchor.fm/john-clark49/support</a>

The Earl Hines Orchestra - Decca, 1934/5

durée : 00:59:33 - La chaussée des géants - par : Nathalie Piolé - La playlist jazz de Nathalie Piolé. - réalisé par : Fabien Fleurat

La chaussée des géants : Sophie Alour, Ella Fitzgerald, Dal Sasso / Belmondo Big Band, Earl Hines and more

On this episode we check out Earl Hines' wild 1932 piano solos of "Love me Tonight" and "Down Among the Sheltering Palms", where he shows his forward-thinking improvisational skills applied to a couple of otherwise mediocre pop tunes, transforming them into great jazz piano workouts!  We'll hear the contemporaneous pop versions by Bing Crosby, Mildred Bailey and the Boswell Sisters and then hear several takes of Hines' versions, allowing us a glimpse into his music making process, and lots of amazing piano playing!  

The Superior Rag

On this episode we check out Earl Hines' wild 1932 piano solos of "Love me Tonight" and "Down Among the Sheltering Palms", where he shows his forward-thinking improvisational skills applied to a couple of otherwise mediocre pop tunes, transforming them into great jazz piano workouts!  We'll hear the contemporaneous pop versions by Bing Crosby, Mildred Bailey and the Boswell Sisters and then hear several takes of Hines' versions, allowing us a glimpse into his music making process, and lots of amazing piano playing!

Ep#1 - Earl Hines plays 2 pop tunes in 1932

This is Part 4 of my five part series on Time Life’s Giants of Jazz.  Today you’ll hear Teddy Wilson, Earl Hines, Benny Carter, plus six tracks from one set called “The Guitarists”.   The latter includes six of the earliest jazz guitarists who pioneered the use of this instrument in dances and records.   You’ll hear recordings by Charlie Christian, Lonnie Johnson, Django Reinhardt, Oscar Aleman, Eddie Durham, and Eddie Lang. As usual, I add a Canadian entry, imagining what it might look like if there were a similar series on early Canadian jazz.  The nominee this week is Mart Kenney and the Western Gentlemen.

This is Part 4 of my five part series on Time Life’s Giants of Jazz.  Today you’ll hear Teddy Wilson, Earl Hines, Benny Carter, plus six tracks from one set called “The Guitarists”.   The latter includes six of the earliest jazz guitarists who pioneered the use of this instrument in dances and records.   You’ll hear recordings by Charlie Christian, Lonnie Johnson, Django Reinhardt, Oscar Aleman, Eddie Durham, and Eddie Lang. As usual, I add a Canadian entry, imagining what it might look like if there were a similar series on early Canadian jazz.  The nominee this week is Mart Kenney and the Western Gentlemen.

Episode 86, Giants of Jazz w 6 guitarists,Benny Carter,Earl Hines, etc.

Learn a little about the man and the music of Earl 'Fatha' Hines.

Learn a little about the man and the music of Earl 'Fatha' Hines.

Earl Kenneth Hines, universally known as Earl "Fatha" Hines, (28 December 1903 Duquesne, Pennsylvania – 22 April 1983 in Oakland, California) was "one of a small number of pianists whose playing shaped the history of jazz".

Earl Hines

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