Gianna Pederzini's guest appearances

Gianna Pederzini

handelmania's Podcast

La Domenica di Ameria Radio

L'Aria che Tira - Pillole di Lirica

MAGDA OLIVERO

Luciano Pavarotti

Simon Boccanegra

Fedora Barbieri

Carlo Bergonzi

Galliano Masini

Carlo Tagliabue

Joan Sutherland

Giulietta Simionato

Antonietta Stella

Piero Cappuccilli

Adriana Lecouvreur

Tito Schipa

Boris Godunov

Licia Albanese

OwlTail

L'Aria che Tira - Pillole di Lirica - "Non conosci il bel suol (Mignon - Thomas) - Gianna Pederzini" 

L'Aria che Tira - Pillole di Lirica - "Non conosci il bel suol (Mignon - Thomas) - Gianna Pederzini"

L'Aria che Tira - Pillole di Lirica - "Non conosci il bel suol (Mignon - Thomas) - Gianna Pederzini" 

W. A. Mozart  - Le Nozze di Figaro “Voi che sapete”G. Verdi – La Forza del Destino “Al suon del Tamburo”G. Verdi – Il Trovatore “Condotta ell’era in ceppi”G. Bizet – Carmen “Habanera”, “quadri picche” e FinaleP. Mascagni – Cavalleria Rusticana “Voi lo sapete”A. Thomas – Mignon  “Non conosci il bel suol”

W. A. Mozart  - Le Nozze di Figaro “Voi che sapete”G. Verdi – La Forza del Destino “Al suon del Tamburo”G. Verdi – Il Trovatore “Condotta ell’era in ceppi”G. Bizet – Carmen “Habanera”, “quadri picche” e FinaleP. Mascagni – Cavalleria Rusticana “Voi lo sapete”A. Thomas – Mignon  “Non conosci il bel suol”

La Domenica di Ameria Radio del 29 maggio 2022 ore 18 - Gianna Pederzini

Gianna Pederzini (February 10, 1900 - March 12, 1988) was an Italian mezzo-soprano. Pederzini was born in Trento. She studied in Naples with Fernando de Lucia, and made her stage debut in Messina, as Preziosilla, in 1923. She sang widely in Italy, notably as Mignon and Carmen, and made her debut at the Teatro San Carlo in Naples, as Adalgisa, in 1928, and at the Teatro alla Scala in Milan, in 1930. Abroad, she appeared at the Royal Opera House in London in 1931, the Opéra de Paris in 1935, the Teatro Colón in 1938, and the Berlin State Opera in 1941. She defended a wide repertoire, she took part in the 1930s in revivals of rare operas by Rossini and Donizetti, while singing the standard mezzo roles; Azucena, Ulrica, Amneris, Laura, but also a few dramatic soprano roles such as Santuzza and Fedora, etc. In the 1950s, she began concentrating on "character roles" such as the Countess in The Queen of Spades, Mistress Quickly in Falstaff, Madame Flora in The Medium, and took part in the creation of Dialogues of the Carmelites at La Scala, in 1957. She died, aged 88, in Rome. Arias by this superb mezzo from: Trovatore, Carmen, Mignon, Forza, Favorita,F igaro, Italiana, Werther  (65 min.)

Gianna Pederzini (February 10, 1900 - March 12, 1988) was an Italian <a href="http://en.wikipedia.org/wiki/Mezzo-soprano" rel="nofollow" target="_blank">mezzo-soprano</a>. Pederzini was born in <a href="http://en.wikipedia.org/wiki/Trento" rel="nofollow" target="_blank">Trento</a>. She studied in Naples with <a href="http://en.wikipedia.org/wiki/Fernando_de_Lucia" rel="nofollow" target="_blank">Fernando de Lucia</a>, and made her stage debut in Messina, as <a href="http://en.wikipedia.org/wiki/La_forza_del_destino" rel="nofollow" target="_blank">Preziosilla</a>, in 1923. She sang widely in Italy, notably as <a href="http://en.wikipedia.org/wiki/Mignon" rel="nofollow" target="_blank">Mignon</a> and <a href="http://en.wikipedia.org/wiki/Carmen" rel="nofollow" target="_blank">Carmen</a>, and made her debut at the <a href="http://en.wikipedia.org/wiki/Teatro_San_Carlo" rel="nofollow" target="_blank">Teatro San Carlo</a> in Naples, as <a href="http://en.wikipedia.org/wiki/Norma_%28opera%29" rel="nofollow" target="_blank">Adalgisa</a>, in 1928, and at the <a href="http://en.wikipedia.org/wiki/Teatro_alla_Scala" rel="nofollow" target="_blank">Teatro alla Scala</a> in Milan, in 1930. Abroad, she appeared at the <a href="http://en.wikipedia.org/wiki/Royal_Opera_House" rel="nofollow" target="_blank">Royal Opera House</a> in London in 1931, the <a href="http://en.wikipedia.org/wiki/Op%C3%A9ra_de_Paris" rel="nofollow" target="_blank">Opéra de Paris</a> in 1935, the <a href="http://en.wikipedia.org/wiki/Teatro_Col%C3%B3n" rel="nofollow" target="_blank">Teatro Colón</a> in 1938, and the <a href="http://en.wikipedia.org/wiki/Berlin_State_Opera" rel="nofollow" target="_blank">Berlin State Opera</a> in 1941. She defended a wide repertoire, she took part in the 1930s in revivals of rare operas by <a href="http://en.wikipedia.org/wiki/Rossini" rel="nofollow" target="_blank">Rossini</a> and <a href="http://en.wikipedia.org/wiki/Donizetti" rel="nofollow" target="_blank">Donizetti</a>, while singing the standard mezzo roles; <a href="http://en.wikipedia.org/wiki/Il_trovatore" rel="nofollow" target="_blank">Azucena</a>, <a href="http://en.wikipedia.org/wiki/Un_ballo_in_maschera" rel="nofollow" target="_blank">Ulrica</a>, <a href="http://en.wikipedia.org/wiki/Aida" rel="nofollow" target="_blank">Amneris</a>, <a href="http://en.wikipedia.org/wiki/La_Gioconda_%28opera%29" rel="nofollow" target="_blank">Laura</a>, but also a few dramatic soprano roles such as <a href="http://en.wikipedia.org/wiki/Cavalleria_rusticana" rel="nofollow" target="_blank">Santuzza</a> and <a href="http://en.wikipedia.org/wiki/Fedora_%28opera%29" rel="nofollow" target="_blank">Fedora</a>, etc. In the 1950s, she began concentrating on "character roles" such as the Countess in <a href="http://en.wikipedia.org/wiki/The_Queen_of_Spades_%28opera%29" rel="nofollow" target="_blank">The Queen of Spades</a>, Mistress Quickly in <a href="http://en.wikipedia.org/wiki/Falstaff_%28opera%29" rel="nofollow" target="_blank">Falstaff</a>, Madame Flora in <a href="http://en.wikipedia.org/wiki/The_Medium" rel="nofollow" target="_blank">The Medium</a>, and took part in the creation of <a href="http://en.wikipedia.org/wiki/Dialogues_of_the_Carmelites" rel="nofollow" target="_blank">Dialogues of the Carmelites</a> at La Scala, in 1957. She died, aged 88, in <a href="http://en.wikipedia.org/wiki/Rome" rel="nofollow" target="_blank">Rome</a>. Arias by this superb mezzo from: Trovatore, Carmen, Mignon, Forza, Favorita,F igaro, Italiana, Werther  (65 min.)