John Maus's guest appearances

John Maus

The Sounds in My Head

The Portland Podcast

Teenage Dirtbags

Frieze

Independent Music Podcast

Stereoзвук

Transmission

Look At My Records!

Track17 - Der Musikpodcast

TSS w Jaybo

Uncanny Valley

You Wouldn't Download a Podcast

KJHK Ad Astra

Reverb 21

Songs You Never Hear On The Radio

Ariel Pink

Fatima Al Qadiri

Jessy Lanza

Geneva Jacuzzi

Holly Herndon

Sophia Loizou

Joanna Newsom

Henry Rollins

Pauline Anna Strom

Helena Hauff

Leslie Winer

Marie Davidson

Jessica McKenna

Richard Marx

Julianna Barwick

OwlTail

Soundtracks:Do Your Best - John MausReal Bad Job - John MausCop Killer - John MausQuantum Leap - John MausNorth Star - John MausLost - John MausTouchdown - John MausOuter space - John MausHey Moon - John Maus

不可言说

Soundtracks:Do Your Best - John MausReal Bad Job - John MausCop Killer - John MausQuantum Leap - John MausNorth Star - John MausLost - John MausTouchdown - John MausOuter space - John MausHey Moon - John Maus

mit Albert Koch &amp; Christopher HunoldStellt uns Fragen für die nächste Ausgabe unter info@track17podcast.de Warum wir bei limitierten Stückzahlen neuer Platten nicht gleich schimpfen sollten, weil es gerade kleinen Labels immer schwerer fällt zu kalkulieren, was wir mit John Maus machen, nachdem er sich als Katastrophen-Tourist am Kapitol gezeigt hat und was für uns ein gutes Live-Album ausmacht, auf welchen wir selbst zu hören sind und was die Liste im Musikexpress damit zu tun hat, klären wir in dieser etwas anderen Feature-Folge von Track17. Die Folge gibt's wie alle Songs des Podcasts auch auf der offiziellen Playlist auf Spotify. [Setlist]  [00:00:00] Intro [00:01:17] Zuletzt gehört: Der japanische Gitarrist Leo Takami und die Londoner Slow-Core-Band deathcrash [00:04:23] Thema 1: Wie stehen wir zu „künstlicher Verknappung“ von Platten? [00:17:39] Thema 2: Was machen wir John Maus und was macht er da mit uns? [00:26:59] Thema 3: Die besten Live-Alben und was sie auszeichnet  Track17 - Playlist zum Podcast Homepage Kristopher auf Instagram Kristopher auf Twitter Albert auf Instagram Albert auf Twitter

mit Albert Koch &amp; Christopher Hunold Stellt uns Fragen für die nächste Ausgabe unter <a href="mailto:info@track17podcast.de">info@track17podcast.de</a> Warum wir bei limitierten Stückzahlen neuer Platten nicht gleich schimpfen sollten, weil es gerade kleinen Labels immer schwerer fällt zu kalkulieren, was wir mit John Maus machen, nachdem er sich als Katastrophen-Tourist am Kapitol gezeigt hat und was für uns ein gutes Live-Album ausmacht, auf welchen wir selbst zu hören sind und was die Liste im Musikexpress damit zu tun hat, klären wir in dieser etwas anderen Feature-Folge von Track17. Die Folge gibt's wie alle Songs des Podcasts auch auf der offiziellen Playlist auf Spotify. [Setlist] <ul> <li>[00:00:00] Intro</li> <li>[00:01:17] Zuletzt gehört: Der japanische Gitarrist Leo Takami und die Londoner Slow-Core-Band deathcrash</li> <li>[00:04:23] Thema 1: Wie stehen wir zu „künstlicher Verknappung“ von Platten?</li> <li>[00:17:39] Thema 2: Was machen wir John Maus und was macht er da mit uns?</li> <li>[00:26:59] Thema 3: Die besten Live-Alben und was sie auszeichnet</li> </ul> <a href="https://open.spotify.com/playlist/7AtwymJUY4fJxsIlWedMGB?si=4HlnOnXvRACvWPZqR0jsfA" rel="nofollow" target="_blank">Track17 - Playlist zum Podcast</a> <a href="https://track17podcast.de/" rel="nofollow" target="_blank">Homepage</a> <a href="https://www.instagram.com/kristopher.gif/" rel="nofollow" target="_blank">Kristopher auf Instagram</a> <a href="https://twitter.com/kristopher_gif" rel="nofollow" target="_blank">Kristopher auf Twitter</a> <a href="https://www.instagram.com/thethealbert/" rel="nofollow" target="_blank">Albert auf Instagram</a> <a href="https://www.twitter.com/thethealbert/" rel="nofollow" target="_blank">Albert auf Twitter</a>

Feature 11 | Die besten Live-Alben, John Maus und künstliche Verknappung

The Indie Dads are back after their holidays, taking a delve into John Maus' 2011 synthwave album "We Must Become The Pitiless Censors of Ourselves"...via, of course, diversions into The Stone Roses, The Sisters of Mercy, The Doors, and, erm, 90s regional football host Elton Welsby.This is a two-part podcast so don't forget the partner episode!

The Indie Dads are back after their holidays, taking a delve into John Maus' 2011 synthwave album "We Must Become The Pitiless Censors of Ourselves"...via, of course, diversions into The Stone Roses, The Sisters of Mercy, The Doors, and, erm, 90s regional football host Elton Welsby. This is a two-part podcast so don't forget the partner episode!

Episode 9: We Must Become The Pitiless Censors of Ourselves by John Maus (part 1)

Episode 10: We Must Become the Pitiless Censors of Ourselves by John Maus (part 2)

It was my birthday. I saw John Maus. Minds were blown.

The Night i witnessed John Maus in LA

We're on social media now!! Follow on IG (@ywdap) and Twitter (@ywdapodcast) We discuss Nina Kravitz's seven-year-old bathwater being auctioned off for $650, and subsequently get some bad ideas for our Patreon. Jacob and Jeff give their Floridian takes on Fest. Aaron discusses Grimes's inspiring decision to end transphobia by buying a Monomachine to rip off SOPHIE.

We're on social media now!! Follow on IG (@ywdap) and Twitter (@ywdapodcast) We discuss Nina Kravitz's seven-year-old bathwater being auctioned off for $650, and subsequently get some bad ideas for our Patreon. Jacob and Jeff give their Floridian takes on Fest. Aaron discusses Grimes's inspiring decision to end transphobia by buying a Monomachine to rip off SOPHIE.

4 – Crop Killer by John Maus

Kankyo Ongaku

This week, we drift in and out of sleep to the clean and ambient soundscapes of New Age. Tracks are taken from Light in the Attic's archival collection 'Kankyo Ongaku' as well as hypnagogic-popper John Maus' latest record 'Addendum'.

This week, we drift in and out of sleep to the clean and ambient soundscapes of New Age. Tracks are taken from Light in the Attic's archival collection 'Kankyo Ongaku' as well as hypnagogic-popper John Maus' latest record 'Addendum'.

Episode 4 - New Age Music with Kankyo Ongaku and John Maus

<a href="http://johnma.us" rel="nofollow" target="_blank">johnma.us</a> / <a href="http://pdxpod.com" rel="nofollow" target="_blank">pdxpod.com</a><a href="https://www.paypal.me/pdxpod" rel="payment nofollow" target="_blank">Support the show</a>

John Maus on Addendum, Science & DB

Come for the aesthetic, stay to learn about the sport of football.  Ahem

Come for the aesthetic, stay to learn about the sport of football. <a href="https://www.youtube.com/watch?v=QfFCb1y0WfA" rel="nofollow" target="_blank">Ahem</a>

71: "Touchdown" by John Maus

Laura Cannell

A long awaited new release from John Maus gets us going this week with a cut from his new record ahead of a career-spanning reissue release on Ribbon Music. There are plenty of newbies on the show though, including Coil/Wire/Tomaga members collaborating as UUUU, 19-year old Rwandian freestylist Rosine Nyiranshimiyimana, London jazz collective Ill Considered, and Flamingods solo project Samsara. We also have the latest from Dead Albatross Award winners Annabel (lee) and immense disco edits from Yung Bae&lt;

A long awaited new release from John Maus gets us going this week with a cut from his new record ahead of a career-spanning reissue release on Ribbon Music. There are plenty of newbies on the show though, including Coil/Wire/Tomaga members collaborating as UUUU, 19-year old Rwandian freestylist Rosine Nyiranshimiyimana, London jazz collective Ill Considered, and Flamingods solo project Samsara. We also have the latest from Dead Albatross Award winners Annabel (lee) and immense disco edits from Yung Bae&lt;