Mark Buller's guest appearances

Mark Buller

Classical Classroom

The Happy Choir Podcast

With One Accord

Norman Fischer

Ashley White

Robert Simpson

George Gershwin

Paul English

Orson Welles

Jade Simmons

Keith Weber

Chris Johnson

Igor Stravinsky

Leonard Bernstein

Nico Muhly

Todd Reynolds

Itzhak Perlman

Joyce DiDonato

OwlTail

In this episode arts and culture expert St. John Flynn speaks to composer Mark Buller! Buller has collaborated with the Houston Chamber Choir on several occasions, including our most recent commission "The Passion of St. Cecilia".

In this episode arts and culture expert St. John Flynn speaks to composer Mark Buller! Buller has collaborated with the Houston Chamber Choir on several occasions, including our most recent commission "The Passion of St. Cecilia".

Behind the Music | Mark Buller

Leah Lax

Collaborating with other artists is such an enriching opportunity. Mark Buller and Leah Lax tell us everything about their collaboration in Overboard, a choral piece commissioned by Houston Grand Opera. Their advice, thoughts, and process to create this ten-minutes piece and more in this episode.www.thehappychoir.com/podcast.Support the show (https://www.patreon.com/composercordero)

Collaborating with other artists is such an enriching opportunity. Mark Buller and Leah Lax tell us everything about their collaboration in Overboard, a choral piece commissioned by Houston Grand Opera. Their advice, thoughts, and process to create this ten-minutes piece and more in this episode.<a href="http://www.thehappychoir.com/podcast" rel="nofollow" target="_blank">www.thehappychoir.com/podcast</a>.<a href="https://www.patreon.com/composercordero" rel="payment nofollow" target="_blank">Support the show</a> (<a href="https://www.patreon.com/composercordero" rel="nofollow" target="_blank">https://www.patreon.com/composercordero</a>)

HCP 20: Mark Buller and Leah Lax on writing Overboard and collaborating with artists of other disciplines

Take a tour through music history – from chant to present day – through the lens of the motet. What’s a “motet”, you ask? Is it real, you ask? We are not entirely sure. Composer Mark Buller, whose music has been performed worldwide, and who has been commissioned by organizations like Houston Grand Opera, will be your tour guide. Get on board the great Classroom coaster. We have cupholders and a great soundsystem. Audio production by Todd “Tween” Hulslander with insightful insight from Dacia Clay. Music in this episode:  Adam de la Halle: “Mout me fu grief li departir/Robins m’aime/Portare”, Tonus Peregrinus/Anthony Pitts Philippe de Vitry: “Garrit gallus flendo dolorose/In nova fert animus/Neuma” Sequentia Palestrina, “Osculetur me osculo oris sui” from Canticum Canticorum, The Hilliard Ensemble Thomas Tallis, “If ye love me”,  The Sixteen/Harry Christophers JS Bach: Lobet den Herrn, alle Heiden, Monteverdi Choir/John Eliot Gardiner W.A. Mozart, Ave verum corpus, The Sixteen/Harry Christophers Richard Strauss: Deutsche Motette, Choir of Gonville &amp; Caius College, Cambridge, Choir of King’s College/David Trendell Morten Lauridsen: O Magnum Mysterium, 1994, Vasari Singers/Jeremy Backhouse Mark Buller: “O nata lux” from Five Motets, Chamber Choir/John Hudson; Mark Buller, piano  For more about Mark Buller, go to www.markbuller.com.

Take a tour through music history – from chant to present day – through the lens of the motet. What’s a “motet”, you ask? Is it real, you ask? We are not entirely sure. Composer Mark Buller, whose music has been performed worldwide, and who has been commissioned by organizations like Houston Grand Opera, will be your tour guide. Get on board the great Classroom coaster. We have cupholders and a great soundsystem. Audio production by Todd “Tween” Hulslander with insightful insight from Dacia Clay. Music in this episode: <ul> <li>Adam de la Halle: “Mout me fu grief li departir/Robins m’aime/Portare”, Tonus Peregrinus/Anthony Pitts</li> <li>Philippe de Vitry: “Garrit gallus flendo dolorose/In nova fert animus/Neuma” Sequentia</li> <li>Palestrina, “Osculetur me osculo oris sui” from Canticum Canticorum, The Hilliard Ensemble</li> <li>Thomas Tallis, “If ye love me”,  The Sixteen/Harry Christophers</li> <li>JS Bach: Lobet den Herrn, alle Heiden, Monteverdi Choir/John Eliot Gardiner</li> <li>W.A. Mozart, Ave verum corpus, The Sixteen/Harry Christophers</li> <li>Richard Strauss: Deutsche Motette, Choir of Gonville &amp; Caius College, Cambridge, Choir of King’s College/David Trendell</li> <li>Morten Lauridsen: O Magnum Mysterium, 1994, Vasari Singers/Jeremy Backhouse</li> <li>Mark Buller: “O nata lux” from Five Motets, Chamber Choir/John Hudson; Mark Buller, piano</li> </ul> For more about Mark Buller, go to <a href="http://www.markbuller.com/" rel="noopener nofollow" target="_blank">www.markbuller.com</a>.

Classical Classroom, Episode 61: Motet – Not Lesstet – With Mark Buller