Ian Hultquist's guest appearances

Ian Hultquist

Beyond the Playlist with JHammondC

Startup Musician

The Portfolio Composer

Sock Monkey Sound | Music & Culture Podcast

The Pop Disciple Podcast

Crew Call with Anthony D'Alessandro

Right on Cue

Third Gear Scratch

Composer Talk

Themes and Variation

Chamber House

The Vehlinggo Podcast

The Big Score

Kris Bowers

Laura Karpman

Jacob Yoffee

Siddhartha Khosla

Carter Burwell

Daniel Pemberton

Jon Ekstrand

Rob Simonsen

Dominic Lewis

Marco Beltrami

Jeff Cardoni

Dominik Scherrer

Ariel Marx

Paul Leonard-Morgan

John Powell

OwlTail

Much like the zombies that infest its world, the Walking Dead franchise simply refuses to die. With Dead City, the shambling hordes make their way to the island of Manhattan, an urban hellscape now infested with the remnants of a dead civilization. And in the middle, two of the original Walking Dead's main characters, Maggie (Lauren Cohen) and Negan (Jeffrey Dean Morgan), on a rescue mission that'll test their fractious relationship with each other.   While Bear McCreary's more mournful, orchestral sound personified the original series, composer Ian Hultquist sought a newer, more electronic sound, one more reminiscent of John Carpenter's work on Escape from New York (another thriller about characters trying to survive in a walled-off Manhattan). In addition to those ominous synths, Hultquist also made use of a suite of organic sounds of unique provenance, including recruiting friends to travel to the Maine wilderness to collect all manner of sounds.   Together, we talk about that sense of sonic experimentation, how Hultquist wanted to move the franchise's sound forward, and the importance of building a sonic palette to work from when composing electronic scores.   You can find Ian Hultquist at his official website.   The Walking Dead: Dead City is currently airing on AMC and AMC+. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.

Much like the zombies that infest its world, the Walking Dead franchise simply refuses to die. With Dead City, the shambling hordes make their way to the island of Manhattan, an urban hellscape now infested with the remnants of a dead civilization. And in the middle, two of the original Walking Dead's main characters, Maggie (Lauren Cohen) and Negan (Jeffrey Dean Morgan), on a rescue mission that'll test their fractious relationship with each other.   While Bear McCreary's more mournful, orchestral sound personified the original series, composer Ian Hultquist sought a newer, more electronic sound, one more reminiscent of John Carpenter's work on Escape from New York (another thriller about characters trying to survive in a walled-off Manhattan). In addition to those ominous synths, Hultquist also made use of a suite of organic sounds of unique provenance, including recruiting friends to travel to the Maine wilderness to collect all manner of sounds.   Together, we talk about that sense of sonic experimentation, how Hultquist wanted to move the franchise's sound forward, and the importance of building a sonic palette to work from when composing electronic scores.   You can find Ian Hultquist at his <a href="http://ianhultquist.com/" rel="nofollow" target="_blank">official website</a>.   The Walking Dead: Dead City is currently airing on AMC and AMC+. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.

Ian Hultquist (The Walking Dead: Dead City)

In this episode, husband and wife composing team, Drum &amp; Lace (aka Sofia Hultquist) and Ian Hultquist pull back the curtain on how they created a score for Rosaline, a fresh and comedic twist on Shakespeare’s classic love story Romeo &amp; Juliet, that compositionally feels modern but uses a mix of instrumentation from the film's period including harpsichord, lute, wooden flutes, renaissance drums and more. Notes the pair,“One of the most interesting, challenging, and fun parts of working on the film was integrating traditional instruments of the time, into a score with a pop-sensibility. Learning how to write and arrange for these instruments and making them work alongside harps and synths, was exhilarating and was furthered when we had a chance to cover a few iconic pop songs with our Renaissance ensemble.”

In this episode, husband and wife composing team, Drum &amp; Lace (aka Sofia Hultquist) and Ian Hultquist pull back the curtain on how they created a score for Rosaline, a fresh and comedic twist on Shakespeare’s classic love story Romeo &amp; Juliet, that compositionally feels modern but uses a mix of instrumentation from the film's period including harpsichord, lute, wooden flutes, renaissance drums and more. Notes the pair,“One of the most interesting, challenging, and fun parts of working on the film was integrating traditional instruments of the time, into a score with a pop-sensibility. Learning how to write and arrange for these instruments and making them work alongside harps and synths, was exhilarating and was furthered when we had a chance to cover a few iconic pop songs with our Renaissance ensemble.”

Drum & Lace and Ian Hultquist on 'Rosaline'

Composing duo Drum &amp; Lace and Ian Hultquist (Good Girls, Night Teeth, Dickinson, They/Them, etc.) join Aaron to talk about their score for new film, Rosaline, and their slate of genre fare. Then, Your Sister Is A Werewolf shares a song off his new LP. Also, feat. music by Ruth Radelet, Ultraflex, and Destryur &amp; Cobra Wipeout.

Composing duo Drum &amp; Lace and Ian Hultquist (Good Girls, Night Teeth, Dickinson, They/Them, etc.) join Aaron to talk about their score for new film, Rosaline, and their slate of genre fare. Then, Your Sister Is A Werewolf shares a song off his new LP. Also, feat. music by Ruth Radelet, Ultraflex, and Destryur &amp; Cobra Wipeout.

The Vehlinggo Podcast, Ep. 6-1: Feat. Drum & Lace and Ian Hultquist

Our next guests are 2 of my favorite composers in LA! They teamed up to craft a synth-infused score for the vampire horror-thriller Night Teeth for Netflix, the action-packed movie is the biggest project the co-composers have tackled yet, with wall-to-wall music and a gritty soundtrack that is essentially a roadmap of Los Angeles. Directed by Adam Randall, the film stars Jorge Lendeborg Jr. as a working college student tasked with chauffeuring two mysterious young women (Debby Ryan and Lucy Fry) around Los Angeles for a night on the town. But all is not as it seems, and he’s soon dropped into a sprawling underground of vampiric tribes on the verge of a covert war. The film also stars Raúl Castillo, Alfie Allen, Alexander Ludwig, Sydney Sweeney, and Megan Fox. The composers also have noted that the music is geographically influenced, with each city within Los Angeles having its own signature sound and introducing a new character. Locations featured in the film include Boyle Heights, Hollywood, Downtown LA, and Venice among several others.  The composer are... Drum &amp; Lace and Ian Hultquist  ---   Support this podcast: https://podcasters.spotify.com/pod/show/composertalk/support

Our next guests are 2 of my favorite composers in LA! They teamed up to craft a synth-infused score for the vampire horror-thriller Night Teeth for Netflix, the action-packed movie is the biggest project the co-composers have tackled yet, with wall-to-wall music and a gritty soundtrack that is essentially a roadmap of Los Angeles. Directed by Adam Randall, the film stars Jorge Lendeborg Jr. as a working college student tasked with chauffeuring two mysterious young women (Debby Ryan and Lucy Fry) around Los Angeles for a night on the town. But all is not as it seems, and he’s soon dropped into a sprawling underground of vampiric tribes on the verge of a covert war. The film also stars Raúl Castillo, Alfie Allen, Alexander Ludwig, Sydney Sweeney, and Megan Fox. The composers also have noted that the music is geographically influenced, with each city within Los Angeles having its own signature sound and introducing a new character. Locations featured in the film include Boyle Heights, Hollywood, Downtown LA, and Venice among several others. The composer are... Drum &amp; Lace and Ian Hultquist --- Support this podcast: <a href="https://podcasters.spotify.com/pod/show/composertalk/support" rel="payment nofollow" target="_blank">https://podcasters.spotify.com/pod/show/composertalk/support</a>

Ep 66: Drum & Lace and Ian Hultquist, (Dickinson, Night Teeth)

Throw a rock at an LA-based thriller, and you can hit any number of stylistic signposts: neon lights, fancy cars, pumping dance clubs, androgynous threats in the night. But in Netflix's Night Teeth, the LA thriller gets some fresh blood - literally! - in the form of a sprightly, energetic vampire flick that still beats with the oddly warm heart of a John Hughes film.   Night Teeth follows a young college student (Jorge Lengeborg Jr.) suddenly saddled with the responsibility of chauffeuring around two young women (Lucy Fry and Debby Ryan) for a night of debauchery. But naturally, it turns out they're vampires, and he's caught in the middle of a coup amongst the city's blood-sucking factions.   To keep up with director Adam Randall's pulse-pounding style, Night Teeth makes great use of electronic, synth, and hip-hop music, anchored by an endearingly droning score from composer partners Drum &amp; Lace and Ian Hultquist. Together, the pair have scored works like Apple TV+'s Dickinson and NBC's Good Girls. Now, they bring their significant experience with textured, layered synths and hypnotic beats to Night Teeth's neon-soaked menagerie of mayhem.   Together, the composers sat down to talk to me about their long road to getting the gig at Night Teeth, the complicated process of working around temp tracks, and treating their score like a mixtape for the characters' wild, supernatural night in LA.    You can find Drum &amp; Lace and Ian Hultquist at their official websites.   Night Teeth is currently streaming on Netflix. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.

Throw a rock at an LA-based thriller, and you can hit any number of stylistic signposts: neon lights, fancy cars, pumping dance clubs, androgynous threats in the night. But in Netflix's Night Teeth, the LA thriller gets some fresh blood - literally! - in the form of a sprightly, energetic vampire flick that still beats with the oddly warm heart of a John Hughes film.   Night Teeth follows a young college student (Jorge Lengeborg Jr.) suddenly saddled with the responsibility of chauffeuring around two young women (Lucy Fry and Debby Ryan) for a night of debauchery. But naturally, it turns out they're vampires, and he's caught in the middle of a coup amongst the city's blood-sucking factions.   To keep up with director Adam Randall's pulse-pounding style, Night Teeth makes great use of electronic, synth, and hip-hop music, anchored by an endearingly droning score from composer partners Drum &amp; Lace and Ian Hultquist. Together, the pair have scored works like Apple TV+'s Dickinson and NBC's Good Girls. Now, they bring their significant experience with textured, layered synths and hypnotic beats to Night Teeth's neon-soaked menagerie of mayhem.   Together, the composers sat down to talk to me about their long road to getting the gig at Night Teeth, the complicated process of working around temp tracks, and treating their score like a mixtape for the characters' wild, supernatural night in LA.   You can find <a href="http://www.drumandlacemusic.com/" rel="nofollow" target="_blank">Drum &amp; Lace</a> and <a href="http://ianhultquist.com/" rel="nofollow" target="_blank">Ian Hultquist</a> at their official websites.   Night Teeth is currently streaming on Netflix. You can also listen to the score on your preferred music streaming service courtesy of Milan Records.

Drum & Lace and Ian Hultquist (Night Teeth)

Composer Ian Hultquist quit his band Passion Pit in 2014 when they were at the height of their success, from spots on SNL to headlining Madison Square Garden to pursue his original goal of scoring for film and TV, specifically leaning into documentaries like Ivory Towers, Go For The Gold and First Monday In May and features like My Blind Brother (Nick Kroll/Adam Scott) before his current TV series Dickenson for Apple TV +. We wander around through his time at Berklee in Boston right as Passion Pit was blowing up on MySpace (yep) and went straight to the top, to his current life as half of the composing team with his wife Sofia as they literally write at the piano together, while also even more literally holding their newborn daughter, born at the dawn of the pandemic.  IanHultquist.com allenepley.com thirdgearscratch.com

Composer Ian Hultquist quit his band Passion Pit in 2014 when they were at the height of their success, from spots on SNL to headlining Madison Square Garden to pursue his original goal of scoring for film and TV, specifically leaning into documentaries like Ivory Towers, Go For The Gold and First Monday In May and features like My Blind Brother (Nick Kroll/Adam Scott) before his current TV series Dickenson for Apple TV +. We wander around through his time at Berklee in Boston right as Passion Pit was blowing up on MySpace (yep) and went straight to the top, to his current life as half of the composing team with his wife Sofia as they literally write at the piano together, while also even more literally holding their newborn daughter, born at the dawn of the pandemic.  <a href="http://ianhultquist.com" rel="nofollow" target="_blank">IanHultquist.com</a> <a href="http://allenepley.com" rel="nofollow" target="_blank">allenepley.com</a> <a href="http://thirdgearscratch.com" rel="nofollow" target="_blank">thirdgearscratch.com</a>

Episode 91 - Ian Hultquist

Composer and producer, Ian Hultquist, seems to have lived multiple lives. He’s a founding member of the internationally renowned band Passion Pit; he’s produced remixes for bands like Imagine Dragons, Tegan &amp; Sara and OK GO; and he’s scored more films and TV shows in the last 7 years than some composers do in a lifetime.This episode we premier his new piece, “Take 2,” and discuss the importance of human interaction, how pop production can influence film scoring, and being a new parent.Take 2Written &amp; Performed by Ian (and Nina) Hultquist

Composer and producer, Ian Hultquist, seems to have lived multiple lives. He’s a founding member of the internationally renowned band Passion Pit; he’s produced remixes for bands like Imagine Dragons, Tegan &amp; Sara and OK GO; and he’s scored more films and TV shows in the last 7 years than some composers do in a lifetime.This episode we premier his new piece, “Take 2,” and discuss the importance of human interaction, how pop production can influence film scoring, and being a new parent.Take 2 Written &amp; Performed by Ian (and Nina) Hultquist

Episode 07: Ian Hultquist

Alena Smith

'Dickinson' creator Alena Smith and 'Dickinson' composers Drum &amp; Lace and Ian Hultquist join Anthony to discuss the first season of 'Dickinson' and the sound of the score for the show. Produced by David Janove. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Dickinson' creator Alena Smith and 'Dickinson' composers Drum &amp; Lace and Ian Hultquist join Anthony to discuss the first season of 'Dickinson' and the sound of the score for the show. Produced by David Janove. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>

Alena Smith, Drum & Lace and Ian Hultquist

Drum &amp; Lace is an Italian composer and performer that creates music for film, tv and media. Her live performances oscillate between electronica &amp; chamber music, often with spatial audio elements. Ian Hultquist is an American Film Composer who has made a name for himself scoring films, tv and documentaries for Netflix, HBO, CNN and NatGeo. Together they have co-scored projects such as HBO doc At The Heart of Gold, and most recently the AppleTV+ Original Series Dickinson.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit www.steinberg.net/tpc for a free 30-day trial version.      Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!   This episode is sponsored by nkoda, the home of digital sheet music. Try nkoda for free!   Composers Drum &amp; Lace and Ian Hultquist discuss the business of collaboration, the California AB5 bill, and building trust. Topics Discussed In This Episode:  Ian &amp; Sofia's portfolios Composing for the fashion industry Getting into movies Dickinson Collaborating Studio design Building trust in a collaboration The business of collaboration CA tax &amp; employment law Web presence Being gracious to people Knowing your composer community  Websites:  drumandlacemusic.com ianhultquist.com  Help composers find the podcast by giving The Portfolio Composer a review on iTunes!   This episode was edited by Studio184.

Drum &amp; Lace is an Italian composer and performer that creates music for film, tv and media. Her live performances oscillate between electronica &amp; chamber music, often with spatial audio elements. Ian Hultquist is an American Film Composer who has made a name for himself scoring films, tv and documentaries for Netflix, HBO, CNN and NatGeo. Together they have co-scored projects such as HBO doc At The Heart of Gold, and most recently the AppleTV+ Original Series Dickinson.   This episode is sponsored by Dorico by Steinberg, the future of scoring. Visit <a href="https://www.steinberg.net/tpc" rel="noopener noreferrer nofollow" target="_blank">www.steinberg.net/tpc</a> for a free 30-day trial version.   <a href="http://www.patreon.com/portfoliocomposer" rel="noopener noreferrer nofollow" target="_blank">Join The Portfolio Composer community and support the creation of the platform on Patreon. Just $1/month to enable the creation of more great content to help you build your career!</a> This episode is sponsored by <a href="https://www.nkoda.com/" rel="noopener noreferrer nofollow" target="_blank">nkoda</a>, the home of digital sheet music. Try nkoda for free! Composers Drum &amp; Lace and Ian Hultquist discuss the business of collaboration, the California AB5 bill, and building trust. Topics Discussed In This Episode: <ul> <li>Ian &amp; Sofia's portfolios</li> <li>Composing for the fashion industry</li> <li>Getting into movies</li> <li>Dickinson</li> <li>Collaborating</li> <li>Studio design</li> <li>Building trust in a collaboration</li> <li>The business of collaboration</li> <li>CA tax &amp; employment law</li> <li>Web presence</li> <li>Being gracious to people</li> <li>Knowing your composer community</li> </ul> Websites: <ul> <li><a href="http://www.drumandlacemusic.com/" rel="noopener noreferrer nofollow" target="_blank">drumandlacemusic.com</a></li> <li><a href="http://ianhultquist.com/" rel="noopener noreferrer nofollow" target="_blank">ianhultquist.com</a></li> </ul> <a href="https://itunes.apple.com/us/podcast/composer-on-fire/id966317397?mt=2" rel="noopener noreferrer nofollow" target="_blank">Help composers find the podcast by giving The Portfolio Composer a review on iTunes!</a> This episode was edited by <a href="http://www.studio184.us/" rel="noopener noreferrer nofollow" target="_blank">Studio184</a>.

Ep 229-Drum & Lace and Ian Hultquist on The Business of Collaboration

In our latest episode of The Pop Disciple Podcast, we are joined by Drum &amp; Lace and Ian Hultquist, the inspired composers behind Apple TV+'s black comedy period series, Dickinson. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit PopDisciple.com. Follow @PopDisciple on Instagram. Music Credits Podcast Theme &amp; Outro Music: Goldo Cues Throughout Episode: Drum &amp; Lace, Ian Hultquist

In our latest episode of The Pop Disciple Podcast, we are joined by Drum &amp; Lace and Ian Hultquist, the inspired composers behind Apple TV+'s black comedy period series, Dickinson. ABOUT POP DISCIPLE Pop Disciple is a storytelling platform, exploring the creative work of entertainment industry professionals. With a focus in music in media, we present in-depth interviews with world-class music supervisors, film and television composers, and influencers in the realms of film and music. Visit <a href="https://www.popdisciple.com" rel="nofollow" target="_blank">PopDisciple.com</a>. Follow <a href="http://www.instagram.com/popdisciple" rel="nofollow" target="_blank">@PopDisciple</a> on Instagram. Music Credits Podcast Theme &amp; Outro Music: Goldo Cues Throughout Episode: Drum &amp; Lace, Ian Hultquist