Raymond Thompson Jr's guest appearances

Raymond Thompson Jr

Photographers of Color Podcast

Studio Visits w/ Silver Eye

Raymond Thompson

Andrew Jackson

Rafael Soldi

Rory Doyle

Rachelle Mozman

Robert Cochran

Jamal Cyrus

Bethany Mollenkof

Zora J Murff

Lonnie Graham

J. Murff

Dannielle Bowman

Akea Brionne Brown

Jasmine Clarke

Geleve Grice

OwlTail

Studio Visits w/ Silver Eye is a series of conversations with artists from the Silver Eye community. In this episode I spoke with Raymond Thompson Jr. about how he transitioned from photojournalism to weaving abstract historical narratives about the places he and his family are from. Studio Visits w/ Silver Eye is hosted by Executive Director, David Oresick.

Studio Visits w/ Silver Eye is a series of conversations with artists from the Silver Eye community. In this episode I spoke with Raymond Thompson Jr. about how he transitioned from photojournalism to weaving abstract historical narratives about the places he and his family are from. Studio Visits w/ Silver Eye is hosted by Executive Director, David Oresick.

Raymond Thompson Jr.

Raymond Thompson Jr. is a photographer whose work focuses on race, identity and contested histories. He currently works as a Multimedia Producer at West Virginia University where is is also pursuing his MFA in photography. He received his MA in journalism from the University of Texas at Austin and a BA in American studies from the University of Mary Washington. His freelance clients include The New York Times, ProPublica, Google, Buzzfeed News, Merrell, NBC News, and the Associated Press. In the 1930s, migrant laborers came from all over the region to work on the construction of a 3-mile tunnel to divert the New River near Fayetteville, WV. During the process, workers were exposed to pure silica dust due to improper drilling techniques. Many developed a lung disease known as silicosis, which is estimated to have caused the death of nearly 800 workers. Up to two-thirds of those workers were African American. Besides a small plaque at the Hawks Nest State Park, which lists a significantly lower number than the actual number killed, there is very little to mark the site. There is also sparse visual documentation available about the event. There has been an effort to erase this tragic moment in history from the memory of West Virginia.In Appalachian Ghosts, I explore visual possibilities of what that time and place looked like, using primary-source materials to recreate the workers’ experiences in photographs. I have also recontextualized and re-presented archive photographs, originally made to document the construction of the Hawks Nest Tunnel dam and powerhouse. The few people caught in the photographic archive were often nameless and voiceless workers. Specifically, I’m looking at what has been left out of African-American visual history, which to date has mainly been documented with a colonial gaze. From this standpoint, I have sought to re/create work that has been informed by and made from historical documents and photographs.My research also focused on working with non-visual resources that inspired the creation of new works. I researched news clips, letters, poetry and other cultural resources looking for information that described the experience of working in the tunnel. I was particularly struck by a poem from Muriel Rukeyser’s book The Book of the Dead called “George Robinson: Blues:”As dark as I am. when I came out at morning after the tunnel at nightwith a white man, nobody could have told which man was white.The dust had covered us both, and the dust was white.-Muriel Rukeyser “The Book of the Dead”Rukeyser’s book, along with other primary-source documents, inspired a series of images that focuses on the silica dust that covered everything at the work site.http://www.raymondthompsonjr.com/https://www.rustbeltbiennial.com/#winnershttp://lenscratch.com/2020/07/raymond-thompson-jr-the-the-2020-lenscratch-student-prize-1st-place-winner/https://vimeo.com/376951187https://www.epistemmag.com/reclaiming-the-black-image-in-nature-and-in-photography/https://www.photographersofcolor.org/https://www.instagram.com/photogsofcolor/https://twitter.com/photogsofcolor

Raymond Thompson Jr. is a photographer whose work focuses on race, identity and contested histories. He currently works as a Multimedia Producer at West Virginia University where is is also pursuing his MFA in photography. He received his MA in journalism from the University of Texas at Austin and a BA in American studies from the University of Mary Washington. His freelance clients include The New York Times, ProPublica, Google, Buzzfeed News, Merrell, NBC News, and the Associated Press. In the 1930s, migrant laborers came from all over the region to work on the construction of a 3-mile tunnel to divert the New River near Fayetteville, WV. During the process, workers were exposed to pure silica dust due to improper drilling techniques. Many developed a lung disease known as silicosis, which is estimated to have caused the death of nearly 800 workers. Up to two-thirds of those workers were African American. Besides a small plaque at the Hawks Nest State Park, which lists a significantly lower number than the actual number killed, there is very little to mark the site. There is also sparse visual documentation available about the event. There has been an effort to erase this tragic moment in history from the memory of West Virginia. In Appalachian Ghosts, I explore visual possibilities of what that time and place looked like, using primary-source materials to recreate the workers’ experiences in photographs. I have also recontextualized and re-presented archive photographs, originally made to document the construction of the Hawks Nest Tunnel dam and powerhouse. The few people caught in the photographic archive were often nameless and voiceless workers. Specifically, I’m looking at what has been left out of African-American visual history, which to date has mainly been documented with a colonial gaze. From this standpoint, I have sought to re/create work that has been informed by and made from historical documents and photographs.My research also focused on working with non-visual resources that inspired the creation of new works. I researched news clips, letters, poetry and other cultural resources looking for information that described the experience of working in the tunnel. I was particularly struck by a poem from Muriel Rukeyser’s book The Book of the Dead called “George Robinson: Blues:”<blockquote>As dark as I am. when I came out at morning after the tunnel at nightwith a white man, nobody could have told which man was white.The dust had covered us both, and the dust was white.-Muriel Rukeyser “The Book of the Dead”</blockquote>Rukeyser’s book, along with other primary-source documents, inspired a series of images that focuses on the silica dust that covered everything at the work site.<a href="http://www.raymondthompsonjr.com/" rel="nofollow" target="_blank">http://www.raymondthompsonjr.com/</a><a href="https://www.rustbeltbiennial.com/#winners" rel="nofollow" target="_blank">https://www.rustbeltbiennial.com/#winners</a><a href="http://lenscratch.com/2020/07/raymond-thompson-jr-the-the-2020-lenscratch-student-prize-1st-place-winner/" rel="nofollow" target="_blank">http://lenscratch.com/2020/07/raymond-thompson-jr-the-the-2020-lenscratch-student-prize-1st-place-winner/</a><a href="https://vimeo.com/376951187" rel="nofollow" target="_blank">https://vimeo.com/376951187</a><a href="https://www.epistemmag.com/reclaiming-the-black-image-in-nature-and-in-photography/" rel="nofollow" target="_blank">https://www.epistemmag.com/reclaiming-the-black-image-in-nature-and-in-photography/</a><a href="https://www.photographersofcolor.org/" rel="nofollow" target="_blank">https://www.photographersofcolor.org/</a><a href="https://www.instagram.com/photogsofcolor/" rel="nofollow" target="_blank">https://www.instagram.com/photogsofcolor/</a><a href="https://twitter.com/photogsofcolor" rel="nofollow" target="_blank">https://twitter.com/photogsofcolor</a>

Raymond Thompson Jr. | Ep. 12