In this week’s episode, Sid Evans, Editor-in-Chief of Southern Living Magazine, speaks to Grammy award-winning artist, storyteller, and multi-instrumentalist Rhiannon Giddens. Today, Rhiannon talks about the first time she heard clawhammer style on the banjo, and what she learned from her mentor, Joe Thompson, a North Carolina fiddle player who introduced her to a whole catalog of lost songs. She tells the incredible story behind her latest opera, Omar, about a muslim scholar who was enslaved and brought to Charleston, South Carolina, and who later wrote down his story in a rare and powerful memoir. Plus, she explains how she became obsessed with making the perfect biscuit while spending lockdown in Ireland.For more info visit: southernliving.com/biscuitsandjamBiscuits & Jam is produced by:Sid Evans - Editor-in-Chief, Southern LivingKrissy Tiglias - GM, Southern LivingLottie Leymarie - Executive ProducerJenny Snyder - Audio Engineer/Producer Learn more about your ad choices. Visit megaphone.fm/adchoices
Rhiannon Giddens and Dirk Powell Explore Reconstruction-Era Music (Archives)
African-American string band tradition meets Cajun/Creole and Appalachian music in a collaboration between singer, multi-instrumentalist, songwriter, actor and MacArthur Fellow Rhiannon Giddens and Dirk Powell, a multi-instrumentalist, singer, arranger, songwriter, and actor himself. Together, with banjos and fiddles, they play each other's original songs, music that takes on the slave condition of pre-Civil War times, and chat about their recent project, songs tied to the Reconstruction era culture of the Wilmington, North Carolina Massacre of 1898. (From the Archives, 2018.) Set list: I’m Gonna Write Me A Letter Say Old Playmate At the Purchaser’s Option
Banjo Player Rhiannon Giddens Sings Slave Narratives
Giddens' album Freedom Highway is an exploration of Black experiences, accompanied by an instrument with its own uniquely African American story: the banjo. Originally broadcast May 11, 2017.Ken Tucker reviews three new country songs.
Celebrate Black Music Appreciation Month with singer, composer, and artistic director of Silkroad Rhiannon Giddens
Art Works Podcast
We’re celebrating Black Music Appreciation Month by revisiting my 2021 interview with MacArthur Fellow and artistic director of Silkroad Rhiannon Giddens. A classically-trained singer, banjo and fiddle-player, and composer, Rhiannon excavates the past to bring forgotten stories and music, particularly of African-Americans, into the present. Giddens is a co-founder of the Grammy Award winning Carolina Chocolate Drops, which insisted reclaiming for Black musicians a central and historically-accurate place in old-time music. She then went on to create solo albums of haunting beauty and power born of African-American struggles past and present. Giddens is, first and foremost, an artist determined to be of service which drives her commitment to unearth musical roots and put that knowledge of different musical traditions to good use. In this podcast, Rhiannon talks about uncovering the Black roots in old-time music, the importance of National Heritage Fellow fiddler Joe Thompson to her musical lineage, the path to creating her opera Omar, the centrality of history on the margins to her music, and her plans to have Silkroad explore the multiplicity of musical worlds within the US. Keywords: Rhiannon Giddens, Silkroad, Carolina Chocolate Drops, Joe Thompson, Omar
Grammy Award-winning banjo player Rhiannon Giddens joins Margaret Hoover to discuss her pursuit of the true history of her instrument and why she has set out to change perceptions of the banjo as an icon of white mountain culture. Giddens traces her path from a childhood in a mixed-race family in North Carolina to studying opera at Oberlin to learning the Black string band tradition at the feet of one of its last great practitioners. She has gone on to an acclaimed career, first as a member of the Carolina Chocolate Drops and later as a solo artist. She recounts how the banjo went from an invention of African Americans to a white cultural stereotype, reflects on the evolving sound of the instrument over time, and explains why her “American music” defies conventional genre classifications. Giddens performs three songs, including a piece from her upcoming opera, “Omar.” She also reflects on cultural appropriation, political division, and the challenges of teaching the true African American experience in classrooms. Support for “Firing Line for Margaret Hoover” is provided by Stephens Inc., Robert Granieri, Charles R. Schwab, The Margaret and Daniel Loeb Foundation, The David Tepper Charitable Foundation Inc., The Fairweather Foundation, The Asness Family Foundation, Pfizer Inc., Craig Newmark Philanthropies, The Rosalind P. Walter Foundation, Damon Button and Simmons Family Foundation.
Grammy and MacArthur award winner Rhiannon Giddens grew up in North Carolina near the city of Greensboro, which is where I interviewed her in 2015 while she was performing at the National Folk Festival. A founding member of the Carolina Chocolate Drops, she was trained as an opera singer before her passion for the banjo, fiddle, and folk songs took hold. She has done much to educate the public, as well as fellow musicians, about the contribution African-American musicians have made to the traditional folk music of United States.
In this episode of World Cafe, Rhiannon Giddens discusses the locations that influenced her latest album — They're Calling Me Home — from her hometown of Greensboro, N.C., to her adopted home of Ireland.
Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond
Rhiannon Giddens is a brilliant fiddle and banjo player who’s one of the few musicians alive today trained in the centuries-old black string band tradition. Giddens is a North Carolina native but now lives in Ireland, not far from her partner Francesco Turrisi. During lockdown, the duo recorded their latest album, They’re Calling Me Home. On today’s episode, Bruce Headlam talks to Giddens about her decision to write from a cultural point of view rather than her own. Giddens also talks about how she has been able to maintain a living connection to the near-extinct black square dance players. And we’ll hear her play a banjo style that originated in West Africa.Subscribe to Broken Record’s YouTube channel to hear all of our interviews: https://www.youtube.com/brokenrecordpodcast and follow us on Twitter @BrokenRecordYou can also check out past episodes here: https://brokenrecordpodcast.comCheck out a playlist of our favorite Rhiannon Giddens songs HERE. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
1119: April New Music - Fantastic Negrito, Royal Blood, Rhiannon Giddens, No-No Boy, Amigo the Devil
Rockin' the Suburbs
We wrap up the April new music series with two more listener calls. Scott Isom goes with tunes by No-No Boy, Rhiannon Giddens with Francesco Turrisi and Fantastic Negrito. And Adam Coop likes Red Fang, a White Stripes remix, Jeff Rosenstock and Royal Blood. Episode editor: Patrick Foster Become a Rockin' the Suburbs patron - support the show and get bonus content - at Patreon.com/suburbspod Subscribe to Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at email@example.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com (c) Artie S. Industries LLC
What makes a home? Is it where you create? Where you feel seen? And for a musician like Rhiannon Giddens, how does the idea of home shape the sound of her music? This week, Hanif sits down with North-Carolinian multi-instrumentalist Rhiannon Giddens from her new homebase in Dublin. They talk about how Ireland has seeped into her music, muse on the banjo as a weapon and a tool of archiving Black histories, and how Rhiannon is able to masterfully draw influences -- wherever she finds herself. For the playlist of songs curated for this episode, go to www.mixcloud.com/sonos./Show Notes/ Rhiannon Giddens’ recent release is They’re Calling Me Home. Hanif references his book, Little Devil In America: Notes in Praise of Black Performance and brings up the performer, Bert Williams. Rhiannon talks about learning to play the akonting in Gambia and her first solo album Tomorrow is My Turn. This interview was originally recorded at On Air Fest. /Music In This Week's Playlist/ Waterbound, Rhiannon Giddens and Francesco TurrisiCarry Me Ohio, Sun Kil MoonDishes, PulpBaby Can I Hold You, Tracy ChapmanA Piece of Ground, Miriam MakebaMidwest, Midsummer, Used KidsMy City Was Gone, PretendersDomestica, Björk/ Credits / Object of Sound is a Sonos show produced by work x work: Scott Newman, Jemma Rose Brown, and Babette Thomas. The show is additionally produced by Hanif Abdurraqib. Our engineers are Sam Bair and Josh Hahn of The Relic Room.