Channon Goodwin's guest appearances

Channon Goodwin

ACCA Podcast

Pro Prac

Katie West

James Nguyen

Eugenia Lim

Sam Petersen

Amrita Hepi

Charlie Sofo

Salote Tawale

Jason Phu

Archie Barry

Daniel Mudie Cunningham

Frances Barrett

JD Reforma

Peter Singer

James Rushford

Julie Ewington

OwlTail

Peter Cripps

This conversation between Peter Cripps and Channon Goodwin considers the contemporary relevance of ideas of 'recession art', and follows on from the the lecture by Cripps and response from Goodwin, addressing the 1985 exhibition 'Recession art and other strategies' 1985 at the IMA, curated by Cripps, and the 2019 publication 'Permanent Recession', edited by Goodwin. This conversation is part of ACCA's Lecture Series Defining Moments: Australian Exhibition Histories 1968–1999. Listen to the lecture by Peter Cripps, and response by Goodwin here: https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-on-recession-art-and-other-strategiesRead more about the lecture series here: https://acca.melbourne/series/defining-momentsABOUT THE SPEAKERS:Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including Peter Cripps: Endless Space at the IMA, Brisbane in 2012, and Peter Cripps: Towards an Elegant Solution, ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity.Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker.

This conversation between Peter Cripps and Channon Goodwin considers the contemporary relevance of ideas of 'recession art', and follows on from the the lecture by Cripps and response from Goodwin, addressing the 1985 exhibition 'Recession art and other strategies' 1985 at the IMA, curated by Cripps, and the 2019 publication 'Permanent Recession', edited by Goodwin. This conversation is part of ACCA's Lecture Series Defining Moments: Australian Exhibition Histories 1968–1999. Listen to the lecture by Peter Cripps, and response by Goodwin here: <a href="https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-on-recession-art-and-other-strategies" rel="nofollow" target="_blank">https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-on-recession-art-and-other-strategies</a> Read more about the lecture series here: https://acca.melbourne/series/defining-moments ABOUT THE SPEAKERS: Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including Peter Cripps: Endless Space at the IMA, Brisbane in 2012, and Peter Cripps: Towards an Elegant Solution, ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity. Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker.

Defining Moments: Peter Cripps & Channon Goodwin – Permanent Recession: Art Labour & Circumstance

A lecture by artist Peter Cripps on the exhibition 'Recession art and other strategies' 1985 at the IMA Brisbane, followed by a response from Channon Goodwin. Part of ACCA's Lecture Series 'Defining Moments: Australian Exhibition Histories 1968–1999'. Listen to the follow up conversation between Peter Cripps and Channon Goodwin (Director of Bus Projects, founding Convener of the All Conference network) on the ACCA Podcast here: https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-channon-goodwin-permanent-recession-art-labour-circumstanceFurther information: acca.melbourne/series/defining-moments-popism/ABOUT THE LECTURE:In response to the social, political and cultural contexts of the 1970s and 80s, Peter Cripps curated the exhibition Recession Art, at the Institute of Modern Art (IMA), Brisbane in 1987. According to Cripps, ‘Recession art refers to art which is made under the pressure of little money and an insignificant market. It tends to be small, easy to produce, store and dispose of. It included the development of new strategies for the sale of works; the possibility of replacing parts as they sell with replicas. It is an art based on the limited means of production, speed of production and small size of constituent units, which, since they can form larger works, do not restrict the artist in the scale of his work. It is an art based on intellect rather than on formal qualities.’In his lecture, Cripps reviews this exhibition, interrogating its legacy, as well as exploring perceived synergies between historical and contemporary independent art practice. Additionally, he assesses the role and impact of this type of artist thinking and practice on the contemporary context.ABOUT THE SPEAKERS:Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including 'Peter Cripps: Endless Space' at the IMA, Brisbane in 2012, and 'Peter Cripps: Towards an Elegant Solution' ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity. Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker. Thank you to our partners:Presenting Partner Abercrombie &amp; Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FMProduced by Gatherer Media.

A lecture by artist Peter Cripps on the exhibition 'Recession art and other strategies' 1985 at the IMA Brisbane, followed by a response from Channon Goodwin. Part of ACCA's Lecture Series 'Defining Moments: Australian Exhibition Histories 1968–1999'. Listen to the follow up conversation between Peter Cripps and Channon Goodwin (Director of Bus Projects, founding Convener of the All Conference network) on the ACCA Podcast here: <a href="https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-channon-goodwin-permanent-recession-art-labour-circumstance" rel="nofollow" target="_blank">https://soundcloud.com/acca_melbourne/defining-moments-peter-cripps-channon-goodwin-permanent-recession-art-labour-circumstance</a> Further information: acca.melbourne/series/defining-moments- popism/ ABOUT THE LECTURE: In response to the social, political and cultural contexts of the 1970s and 80s, Peter Cripps curated the exhibition Recession Art, at the Institute of Modern Art (IMA), Brisbane in 1987. According to Cripps, ‘Recession art refers to art which is made under the pressure of little money and an insignificant market. It tends to be small, easy to produce, store and dispose of. It included the development of new strategies for the sale of works; the possibility of replacing parts as they sell with replicas. It is an art based on the limited means of production, speed of production and small size of constituent units, which, since they can form larger works, do not restrict the artist in the scale of his work. It is an art based on intellect rather than on formal qualities.’ In his lecture, Cripps reviews this exhibition, interrogating its legacy, as well as exploring perceived synergies between historical and contemporary independent art practice. Additionally, he assesses the role and impact of this type of artist thinking and practice on the contemporary context. ABOUT THE SPEAKERS: Peter Cripps is an artist and a former Director of the Institute of Modern Art (IMA), Brisbane (1984–86). As an artist has exhibited widely in Australia and internationally since the 1970s, with recent major individual survey exhibitions including 'Peter Cripps: Endless Space' at the IMA, Brisbane in 2012, and 'Peter Cripps: Towards an Elegant Solution' ACCA, Melbourne in 2010. Between 1973 and 1988, Cripps worked as a curator and various other roles within a number of major Australian museums, galleries and alternative art spaces, as well as in a freelance capacity. Channon Goodwin is an artist and arts-worker based in Melbourne. Goodwin is the Director of Bus Projects, founding Convener of the All Conference network, and makes films and podcasts for Fellow Worker. Thank you to our partners: Presenting Partner Abercrombie &amp; Kent; Research Partner Centre for Visual Art (CoVA); Event Partners Melbourne Gin Company, Capi and City of Melbourne; Media Partners Art Guide Australia, The Saturday Paper, 3RRR FM Produced by Gatherer Media.

Defining Moments: Peter Cripps on Recession Art and Other Strategies; Respondent, Channon Goodwin

Artist and Arts worker Channon Goodwin talks to us about having time to reflect on "toxic aspects of normality”, Australia having a work ethic that is often unproductive, the sustainability of working in the arts and acknowledging support networks and privilege. Channon shares how Bus Projects has been affected by Covid-19 and lets us know about his project Composite: Moving Image Agency.How Are You Today? is generously supported by the City of Melbourne Arts Grants Program.

Artist and Arts worker Channon Goodwin talks to us about having time to reflect on "toxic aspects of normality”, Australia having a work ethic that is often unproductive, the sustainability of working in the arts and acknowledging support networks and privilege. Channon shares how Bus Projects has been affected by Covid-19 and lets us know about his project Composite: Moving Image Agency. How Are You Today? is generously supported by the City of Melbourne Arts Grants Program.

How Are You Today? Channon Goodwin