Carlos Amorales's guest appearances

Carlos Amorales

Philadelphia Museum of Art: Exhibition Minutes

VernissageTV Art TV

Frieze

USMARADIO

Aquí... con Javier Solórzano

Abraham Cruzvillegas

Lou Reed

Laurie Anderson

Baba Ali

James Meyer

Douglas Crimp

Jen Wang

Michael Bracewell

Marina Abramović

Thelma Golden

Charles Atlas

Martin Roth

Lawrence Abu Hamdan

Richard Wright

James Taylor

OwlTail

From April 2nd to July 8th, 2019, on the occasion of Miart 2019, Fondazione Adolfo Pini will present the exhibition THE ACCURSED HOUR, by Carlos Amorales, curated by Gabi Scardi.Carlos Amorales is interested in language, images and their transformation. More generally, he takes an interest in communication systems, their constant renewal, their potentialities and pitfalls; as well as the mechanisms that allow particular narratives to emerge at the expense of others; and, by extension, the issue of dominant representation, the manipulation of communication and thought. In his work visual art, music, animation and poetry converge, all interpreted, with great formal rigor, through a deep awareness of the present time and its tensions.For Fondazione Adolfo Pini, Amorales has conceived the exhibition THE ACCURSED HOUR, which focuses on his life-size installation Black Cloud and on various elements from the project Life in the folds. The exhibition will also include silhouettes and other works by the artist, in a continuous shift between images and signs.With Black Cloud, a swarm of thousands of black butterflies will invade the premises of the Foundation starting from the staircase at the very entrance. 15,000 butterflies will populate the new and the already existing spaces of the Foundation. With Life in the folds, the artist will scene the theme of human violence against other human beings. A kind of violence that lies deep within and that can explode in unjustified ways. The project also includes an animation video that tells a dramatic story while at the same time showing the hands of a puppeteer moving the characters' threads: a metaphor of the mystification to which history and our own actions are subjected, both whether we are aware of it or not.And origins of our ghosts, to recognize their scope, matrix, and ideological value.After presenting the five site-specific projects The Missing Link by Michele Gabriele, Materia prima by Lucia Leuci, Memory as Resistance by Nasan Tur, Labyrinth by Jimmie Durham and SUMMERISNOTOVER by Šejla Kamerić, with this new exhibition Fondazione Adolfo Pini continues its journey into contemporary art, under the guidance of Adrian Paci.Carlos AmoralesCarlos Amorales lives and works in Mexico City. He studied in Amsterdam at the Gerrit Rietveld Academie (1996–97) and Rijksakademie van beeldende kunsten (1992–95). He has participated in artistic residencies at the Atelier Calder in Saché (2012) and MAC/VAL, Vitry-sur-Seine in France (2011), and as part of the Smithsonian Artist Research Fellowship program in Washington, D.C. (2010). His works have been shown in numerous solo and group exhibitions. Carlos Amorales represented Mexico at the 57th Venice Biennial with the project Life in the Folds (2017).Gabi ScardiCurator and contemporary art critic. Her research focuses on the latest artistic trends and the relationship between the arts and other close branches of knowledge. She worked with numerous museums and institutions in Italy and abroad, including: the Province of Milan; Pac Museum in Milan; Museo del Novecento in Milan; Pirelli Hangar Bicocca in Milan; MAXXI Museum in Rome; Venice Biennale; Royal Academy of London; Louisiana Museum in Copenhagen. For Fondazione Adolfo Pini she curated the exhibitions Memory as Resistance by Nasan Tur (2017) and Labyrinth by Jimmie Durham (2018).

From April 2nd to July 8th, 2019, on the occasion of Miart 2019, Fondazione Adolfo Pini will present the exhibition THE ACCURSED HOUR, by Carlos Amorales, curated by Gabi Scardi. Carlos Amorales is interested in language, images and their transformation. More generally, he takes an interest in communication systems, their constant renewal, their potentialities and pitfalls; as well as the mechanisms that allow particular narratives to emerge at the expense of others; and, by extension, the issue of dominant representation, the manipulation of communication and thought. In his work visual art, music, animation and poetry converge, all interpreted, with great formal rigor, through a deep awareness of the present time and its tensions. For Fondazione Adolfo Pini, Amorales has conceived the exhibition THE ACCURSED HOUR, which focuses on his life-size installation Black Cloud and on various elements from the project Life in the folds. The exhibition will also include silhouettes and other works by the artist, in a continuous shift between images and signs. With Black Cloud, a swarm of thousands of black butterflies will invade the premises of the Foundation starting from the staircase at the very entrance. 15,000 butterflies will populate the new and the already existing spaces of the Foundation. With Life in the folds, the artist will scene the theme of human violence against other human beings. A kind of violence that lies deep within and that can explode in unjustified ways. The project also includes an animation video that tells a dramatic story while at the same time showing the hands of a puppeteer moving the characters' threads: a metaphor of the mystification to which history and our own actions are subjected, both whether we are aware of it or not. And origins of our ghosts, to recognize their scope, matrix, and ideological value. After presenting the five site-specific projects The Missing Link by Michele Gabriele, Materia prima by Lucia Leuci, Memory as Resistance by Nasan Tur, Labyrinth by Jimmie Durham and SUMMERISNOTOVER by Šejla Kamerić, with this new exhibition Fondazione Adolfo Pini continues its journey into contemporary art, under the guidance of Adrian Paci. Carlos Amorales Carlos Amorales lives and works in Mexico City. He studied in Amsterdam at the Gerrit Rietveld Academie (1996–97) and Rijksakademie van beeldende kunsten (1992–95). He has participated in artistic residencies at the Atelier Calder in Saché (2012) and MAC/VAL, Vitry-sur-Seine in France (2011), and as part of the Smithsonian Artist Research Fellowship program in Washington, D.C. (2010). His works have been shown in numerous solo and group exhibitions. Carlos Amorales represented Mexico at the 57th Venice Biennial with the project Life in the Folds (2017). Gabi Scardi Curator and contemporary art critic. Her research focuses on the latest artistic trends and the relationship between the arts and other close branches of knowledge. She worked with numerous museums and institutions in Italy and abroad, including: the Province of Milan; Pac Museum in Milan; Museo del Novecento in Milan; Pirelli Hangar Bicocca in Milan; MAXXI Museum in Rome; Venice Biennale; Royal Academy of London; Louisiana Museum in Copenhagen. For Fondazione Adolfo Pini she curated the exhibitions Memory as Resistance by Nasan Tur (2017) and Labyrinth by Jimmie Durham (2018).

Carlos Amorales and Gabi Scardi in conversation with Roberto Paci Dalò

Yuri Herrera

Author Yuri Herrera in conversation with artists Carlos Amorales and Abraham Cruzvillegas

Yuri Herrera with Carlos Amorales and Abraham Cruzvillegas

Aquí con Javier Solórzano Es un programa de entrevistas con enfoque de semblanza, Se invita a personalidades de diferentes ámbitos de la sociedad.