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Phedon Papamichael Podcasts

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9 of The Best Podcast Episodes for Phedon Papamichael. A collection of podcasts episodes with or about Phedon Papamichael, often where they are interviewed.

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9 of The Best Podcast Episodes for Phedon Papamichael. A collection of podcasts episodes with or about Phedon Papamichael, often where they are interviewed.

Updated daily with the latest episodes

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1: Phedon Papamichael Breaks Down His Cinematography Career

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Academy Award® Nominee, Phedon Papamichel (Walk The Line, Nebraska, Ford v Ferrari) is a Greek cinematographer, director, and painter. Phedon chats with Portbox about his career, from his early collaborations with Jon Turteltaub, followed by frequent collaborations with directors like Alexander Payne (Sideways) and James Mangold (Ford v Ferrari). Madhav asks Phedon about Phedon's approach to interpreting a screenplay, and Phedon tells the story of how collaborating with directors who have a similar taste as he shaped his career. The two talk about how influences can elevate one's storytelling; Phedon recalls how Johnny Cash's roadie informed his decisions while shooting Walk The Line.
Apr 17 2020 · 1hr 19mins
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Ep196 - Phedon Papamichael, Cinematographer ‘Ford v Ferrari,’ ‘Walk the Line,’ & ‘Nebraska’

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Phedon Papamichael Jr. grew up surrounded by creativity. His father was a Greek cinematographer best known for working with John Cassavetes. Through various influences, Papamichael got involved with photography and then filmmaking.

The cinematographer is now known for working on movies like ‘Sideways,’ ‘Walk the Line,’ ‘The Weather Man,’ ‘3:10 to Yuma,’ ‘W.,’ ‘The Descendants,’ ‘Nebraska,’ ‘Downsizing,’ and now, ‘Ford v Ferrari.’

In this interview, Papamichael talks film school through with stripper vampire films, why he shoots in a traditional sense, why he didn’t initially connect with the script for ‘Sideways,’ how luck plays into any career, and his involvement with the new Aaron Sorkin film.

For more details on ‘Ford v Ferrari,’ listen to Episode 195 with screenwriter Jason Keller and Episode 192 with stunt coordinator Darrin Prescott.

If you enjoyed this interview, join millions of viewers for the new YouTube video essay series, Creative Principles, which dissects new films, series, and more: bit.ly/2FARJz5
Dec 19 2019 · 28mins

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Phedon Papamichael, ASC talks Ford v. Ferrari, his love of racing and classic cars, working with director James Mangold

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Phedon Papamichael and director James Mangold created an exciting, visceral experience of auto racing for Ford v. Ferrari, rather than the basic panning wide shots used in sports broadcasting or car commercials. Phedon had to shoot extremely close to the speeding cars in order to capture the effect of high velocity.
Dec 17 2019 · 43mins
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Ford v Ferrari Cinematography (with Phedon Papamichael) GCS196

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Go behind the scenes of Ford v Ferrari with cinematographer Phedon Papamichael. Phedon and Go Creative Show host, Ben Consoli, discuss filming the race scenes practically, the benefits of filming on the fly vs using storyboards, the challenges of shooting in an functioning airport, and more!

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What you will learn in this episode
  • Filming race scenes practically (05:28)
  • Quickly filming on the fly vs using storyboards (12:16)
  • Using 4 cameras at once to film inside the race cars (22:39)
  • How they made the cars look like they’re driving fast (31:55)
  • Filming the rain scenes (38:33)
  • Lighting the film (41:30)
  • Filming at a functioning airport
  • Phedon’s relationship with camera operators (52:53)
  • How Grand Prix was a source of inspiration (56:46)
  • Will the Cinerama make a comeback? (58:07)
  • Where Phedon wants to see the film industry to go (01:01:00)
  • And more!

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Follow Ben Consoli BC Media Productions BenConsoli.com Twitter Instagram  Follow Matt Russell Gain Structure Sound Twitter
Nov 26 2019 · 1hr 6mins

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Ford Vs Ferrari Interview Phedon Papamichael

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Phedon Papamichael is a long-time cinematographer and has worked on films as varied as Nebraska, Cool Runnings, Phenomenon, Sideways and Walk the Line. Today he talks about his work on the James Mangold film Ford v Ferrari. Noel T. Manning II interviews filmmakers like this on Cinemascene & Meet me at the Movies courtesy of WGWG.org & C19 TV.
Nov 15 2019 · 20mins
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The Wandering DP Podcast: Episode #195 – Phedon Papamichael ASC, GSC

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We are mixing it up this week on the podcast.  Normally this would be a breakdown episode but we were lucky enough to get to chat to cinematographer Phedon Papmichael ASC GSC about his latest collaboration with James Mangold For vs. Ferrari. I am a big phan of Phedon's and the two trailers out now for […]

The post The Wandering DP Podcast: Episode #195 – Phedon Papamichael ASC, GSC appeared first on Cinematography Podcast & Tutorials.

Sep 30 2019 · 50mins
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Phedon Papamichael - Award Winning Cinematographer - Sideways, The Weather Man, 3:10 to Yuma, The Descendants, Nebraska, and The Monuments Men

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Born in Athens, Greece, and educated in Germany, Phedon moved to New York in 1983, working as a photojournalist, and eventually crossing over into cinematography.

Phedon now counts over 40 feature films to his credit as Director of Photography. Some of his earlier work includes Dance of the Damned, Cool Runnings, and Phenomenon.

His more recent credits include Walk the LineThe Weather Man, The Pursuit of Happyness, 3:10 to Yuma, and Oliver Stone's W.

Phedon has shot several films for Alexander Payne, including Sideways, The Descendants, and most recently Nebraska, about an aging father travelling from Montana to Nebraska with his estranged son in order to claim a million-dollar Sweepstakes Marketing prize.

Nebraska along with The Descendants and Sideways were nominated and won several Oscars and Phedon was nomimated for an Oscar for Nebraska for Best Cinematography.

Most recently, Phedon shot The Monuments Men, directed by and starring George Clooney, about a World War II platoon that rescues art stolen by the Nazis.

Jan 21 2014 · 29mins
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Nebraska / Phedon Papamichael, ASC, Episode #52

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Nebraska cinematographer Phedon Papamichael, ASC discusses working with Alexander Payne, the benefits of shooting black-and-white in the digital age and shooting a road movie in real locations with many local actors.

Dec 05 2013 · 38mins
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Knight and Day / Phedon Papamichael, ASC, Episode #21

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Phedon Papamichael, ASC discusses the complexities of shooting the big-budget, effects-filled Tom Cruise movie, Knight and Day, comparing this large and highly technical shoot with some his previous, smaller films.

Oct 04 2010 · 39mins