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Paul Gauguin

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Cette semaine dans My Little Playlist ; faites la connaissance d'une super équipe en provenance du collège Paul Gauguin , dans le 9e arrondissement !Hip hop, Musique latine, Musique afro , Pop .... une super sélection musicale rien que pour vous !

Radio du N9uf

Cette semaine dans My Little Playlist ; faites la connaissance d'une super équipe en provenance du collège Paul Gauguin , dans le 9e arrondissement ! Hip hop, Musique latine, Musique afro , Pop .... une super sélection musicale rien que pour vous !

My Little Playlist - Dans le MP3 de l'équipe du collège Paul Gauguin

I talk with Rolf Freedman, DIRECTOR OF SALES, WESTERN &amp; PACIFIC NW for Paul Gauguin cruises, Ponant  purchased Paul Gauguin Cruises, which will continue operating under its own brand.  The 332-guest Paul Gauguin was launched in 1997 by Chantiers de l'Atlantique and has sailed for Radisson Seven Seas and Regent Seven Seas.  Rolf Freedman DIRECTOR OF SALES, WESTERN &amp; PACIFIC NW www.pgcruises.com

Cindy Paulos Show

I talk with Rolf Freedman, DIRECTOR OF SALES, WESTERN &amp; PACIFIC NW for Paul Gauguin cruises, Ponant  purchased Paul Gauguin Cruises, which will continue operating under its own brand.  The 332-guest Paul Gauguin was launched in 1997 by Chantiers de l'Atlantique and has sailed for Radisson Seven Seas and Regent Seven Seas.  Rolf Freedman DIRECTOR OF SALES, WESTERN &amp; PACIFIC NW <a>www.pgcruises.com</a>

Rolf Freedman From Paul Gauguin Cruises

In Savage Tales: The Writings of Paul Gauguin (Yale University Press, 2019), Linda Goddard investigates the role that Paul Gauguin’s writings played in his artistic practice and in his negotiation of his colonial identity.As a French artist who lived in Polynesia, Gauguin occupies a crucial position in histories of European primitivism, but this is the first book to be devoted to his wide-ranging literary output, including his journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics.In the book, Dr. Goddard analyzes what are often richly illustrated manuscripts and she counters the tendency to interpret these writings merely as a source of information about his life. Instead, she reveals how the seemingly haphazard structure of Gauguin’s manuscripts were an important part of an artistic practice that ranged across media, one that enabled him to evoke the “primitive” culture that he so celebrated.This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.Linda Goddard is senior lecturer in art history at the University of St. Andrews.Allison Leigh is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm

In <a href="https://www.amazon.com/Savage-Tales-Writings-Paul-Gauguin/dp/0300240597/?tag=newbooinhis-20" rel="nofollow" target="_blank">Savage Tales: The Writings of Paul Gauguin</a> (Yale University Press, 2019), Linda Goddard investigates the role that Paul Gauguin’s writings played in his artistic practice and in his negotiation of his colonial identity.As a French artist who lived in Polynesia, Gauguin occupies a crucial position in histories of European primitivism, but this is the first book to be devoted to his wide-ranging literary output, including his journalism, travel writing, art criticism, and essays on aesthetics, religion, and politics.In the book, Dr. Goddard analyzes what are often richly illustrated manuscripts and she counters the tendency to interpret these writings merely as a source of information about his life. Instead, she reveals how the seemingly haphazard structure of Gauguin’s manuscripts were an important part of an artistic practice that ranged across media, one that enabled him to evoke the “primitive” culture that he so celebrated.This critical analysis of his writings significantly enriches our understanding of the complexities of artistic encounters in the French colonial context.<a href="https://www.st-andrews.ac.uk/art-history/people/ljg21" rel="nofollow" target="_blank">Linda Goddard</a> is senior lecturer in art history at the University of St. Andrews.<a href="http://www.allison-leigh.com/" rel="nofollow" target="_blank">Allison Leigh</a> is Assistant Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art &amp; Architecture at the University of Louisiana at Lafayette. Her research explores European and Russian art of the eighteenth through the early twentieth centuries. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm</a>

Linda Goddard, "Savage Tales: The Writings of Paul Gauguin" (Yale UP, 2019)

Best known for his post-impressionistic art, Paul Gauguin’s legacy has been too-long romanticized. He was, at best, an artist on a lifelong quest to find inspiration in the lives of people indigenous to Caribbean and Polynesian Islands. More realistically, though, he was a floundering artist who appropriated cultures and preyed on children.

Meet Your Heroes

Episode 26: Paul Gauguin

The gospel according to Gauguin is basically an existential hodgepodge that you and I were never supposed to understand.See the image:http://www.thelonelypalette.com/episodes/2017/1/25/episode-14-paul-gauguins-where-do-we-come-from-what-are-we-where-are-we-going-1897-98Music used:The Andrews Sisters, "Bei Mir Bist Du Schoen"The Blue Dot Sessions, "Flagger", "Pacing", "Open Flames", "One Quiet Conversation"Mathieu Lamontagne &amp; Emmanuel Toledo, "Point de vue"Joe Dassin, “Les Champs-Elysees”

The gospel according to Gauguin is basically an existential hodgepodge that you and I were never supposed to understand. See the image: <a href="http://www.thelonelypalette.com/episodes/2017/1/25/episode-14-paul-gauguins-where-do-we-come-from-what-are-we-where-are-we-going-1897-98" rel="nofollow" target="_blank">http://www.thelonelypalette.com/episodes/2017/1/25/episode-14-paul-gauguins-where-do-we-come-from-what-are-we-where-are-we-going-1897-98</a> Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Flagger", "Pacing", "Open Flames", "One Quiet Conversation" Mathieu Lamontagne &amp; Emmanuel Toledo, "Point de vue" Joe Dassin, “Les Champs-Elysees”

Ep. 14  - Paul Gauguin's "Where Do We Come From? What Are We? Where Are We Going?" (1897-98)

Paul Gauguin in Breton attire. Mette Gauguin and her five children. Gauguin’s iconoclastic “Vision After the Sermon.” Van Gogh’s jade self-portrait dedicated to “Mon Ami Paul”, sold by Gauguin to raise money for Tahiti, auctioned by the Nazi’s as “degenerate art”, today it hangs in Harvard’s Fogg Museum. Gauguin’s painting of Vincent painting sunflowers which caused their final row. The “Yellow House” in Arles, France. It was destroyed in 1940, rebuilt and repainted in cement to resemble the original building. Gauguin’s “Two Women” Gauguin’s “Where Are We Going?”

<a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/paul-gauguin-breton-costume.png" rel="attachment wp-att-214 nofollow" target="_blank"></a>Paul Gauguin in Breton attire. <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-mette-and-her-five-children.jpg" rel="attachment wp-att-217 nofollow" target="_blank"></a>Mette Gauguin and her five children. <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-vision-after-the-sermon.jpg" rel="attachment wp-att-218 nofollow" target="_blank"></a>Gauguin’s iconoclastic “Vision After the Sermon.” <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-van-gogh-self-portrait.jpg" rel="attachment wp-att-219 nofollow" target="_blank"></a>Van Gogh’s jade self-portrait dedicated to “Mon Ami Paul”, sold by Gauguin to raise money for Tahiti, auctioned by the Nazi’s as “degenerate art”, today it hangs in Harvard’s Fogg Museum. <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-van-gogh-painting-sunflowers.jpg" rel="attachment wp-att-220 nofollow" target="_blank"></a>Gauguin’s painting of Vincent painting sunflowers which caused their final row. <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-yellow-house-copy.jpg" rel="attachment wp-att-222 nofollow" target="_blank"></a>The “Yellow House” in Arles, France. It was destroyed in 1940, rebuilt and repainted in cement to resemble the original building. <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-two-woman.jpg" rel="attachment wp-att-223 nofollow" target="_blank"></a>Gauguin’s “Two Women” <a href="http://www.someveryfamouspeople.com/wp-content/uploads/2016/01/gauguin-where-are-we-going-copy.jpg" rel="attachment wp-att-225 nofollow" target="_blank"></a>Gauguin’s “Where Are We Going?”

Paul Gauguin (Volume 1, Podcast 10)

Join Helen Brahms from Cruise Planners - Have2Cruise and her guest Sharla Smith from Paul Gauguin Cruises. Who are Paul Gauguin Cruises and where do they sail? For more infomation about Paul Gauguin Cruises  to receive a copy of their eBrochure please click this HERE and fill out the form.

Join Helen Brahms from Cruise Planners - Have2Cruise and her guest Sharla Smith from Paul Gauguin Cruises. Who are Paul Gauguin Cruises and where do they sail?  For more infomation about Paul Gauguin Cruises  to receive a copy of their eBrochure please click this HERE and fill out the form.

Paul Gauguin Cruises

May 2011 - June Hargrove, professor of 19th-century European painting and sculpture, University of Maryland at College Park. Professor June Hargrove discusses artist Paul Gauguin's struggle in the final months of his life, after moving to the Marquesas Islands, to show the world his contributions to the creative process. Recorded on May 15, 2011, and held in conjunction with the exhibition Gauguin: Maker of Myth, this lecture examines the paintings from 1902 and attests that, for all his talk of savagery and cannibalism, Gauguin created some of his most serene masterpieces during this time.

Paul Gauguin

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