Abbas Kiarostami's guest appearances

Abbas Kiarostami

New Yorker: Out Loud

The John Batchelor Show

Filmspotting - Movie Reviews

IndieWire: Screen Talk

Film at Lincoln Center Podcast

Toute une vie

New Books in Art

New Books in Middle Eastern Studies

The Important Cinema Club 

Criterion Cast: Master Audio Feed

QTnetモーニングビジネススクール

The Cinephiliacs

Les Nuits de France Culture

New Books Network

CinemaNET

Kelly Reichardt

David Lynch

Ridley Scott

Todd Haynes

Michael Haneke

Paul Verhoeven

Paul Thomas Anderson

Wes Anderson

Sofia Coppola

David Fincher

David Cronenberg

Wim Wenders

Kent Jones

Orson Welles

Richard Linklater

OwlTail

Monika Raesch

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/middle-eastern-studies

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In <a href="https://www.upress.state.ms.us/Books/A/Abbas-Kiarostami" rel="nofollow" target="_blank">Abbas Kiarostami: Interviews</a> (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.<a href="https://arthistory.uic.edu/profiles/rafie-kaveh/" rel="nofollow" target="_blank">Kaveh Rafie</a> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/middle-eastern-studies" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/middle-eastern-studies</a>

Monika Raesch, "Abbas Kiarostami: Interviews" (UP of Mississippi, 2023)

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In <a href="https://www.upress.state.ms.us/Books/A/Abbas-Kiarostami" rel="nofollow" target="_blank">Abbas Kiarostami: Interviews</a> (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.<a href="https://arthistory.uic.edu/profiles/rafie-kaveh/" rel="nofollow" target="_blank">Kaveh Rafie</a> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/new-books-network" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/new-books-network</a>

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

New Books in Performing Arts

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In <a href="https://www.upress.state.ms.us/Books/A/Abbas-Kiarostami" rel="nofollow" target="_blank">Abbas Kiarostami: Interviews</a> (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.<a href="https://arthistory.uic.edu/profiles/rafie-kaveh/" rel="nofollow" target="_blank">Kaveh Rafie</a> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/performing-arts" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/performing-arts</a>

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

New Books in Film

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In <a href="https://www.upress.state.ms.us/Books/A/Abbas-Kiarostami" rel="nofollow" target="_blank">Abbas Kiarostami: Interviews</a> (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.<a href="https://arthistory.uic.edu/profiles/rafie-kaveh/" rel="nofollow" target="_blank">Kaveh Rafie</a> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/film" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/film</a>

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In Abbas Kiarostami: Interviews (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit megaphone.fm/adchoicesSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

The cinephile community knows Abbas Kiarostami (1940–2016) as one of the most important filmmakers of the previous decades. This volume illustrates why the Iranian filmmaker achieved critical acclaim around the globe and details his many contributions to the art of filmmaking. Kiarostami began his illustrious career in his native Iran in the 1970s, although European and American audiences did not begin to take notice until he released his 1987 feature Where’s the Friend’s House? His films defy established conventions, placing audiences as active viewers who must make decisions about actions and characters while watching the narratives unfold. He asks viewers to question the genre construct (Close-Up) and challenges them to determine how to watch and imagine a narrative (Ten and Shirin). In recognition for his approach to the craft, Kiarostami was awarded many honors during his lifetime, including the top prize at the Cannes Film Festival in 1997 for Taste of Cherry.In <a href="https://www.upress.state.ms.us/Books/A/Abbas-Kiarostami" rel="nofollow" target="_blank">Abbas Kiarostami: Interviews</a> (UP of Mississippi, 2023) ,editor Monika Raesch collects eighteen interviews (several translated into English for the first time), lectures, and other materials that span Kiarostami’s career in the film industry. In addition to exploring his expertise, the texts provide insight into his life philosophy. This volume offers a well-rounded picture of the filmmaker through his conversations with journalists, film scholars, critics, students, and audience members.Monika Raesch is associate professor of film studies and video production at Suffolk University. A native of Germany, she is editor of Margarethe von Trotta: Interviews, published by University Press of Mississippi, and author of The Kiarostami Brand: Creation of a Film Auteur. Her work has appeared in such publications as the Journal of Film and Video and Feminist Media Studies.<a href="https://arthistory.uic.edu/profiles/rafie-kaveh/" rel="nofollow" target="_blank">Kaveh Rafie</a> is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran. Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices" rel="nofollow" target="_blank">megaphone.fm/adchoices</a>Support our show by becoming a premium member! <a href="https://newbooksnetwork.supportingcast.fm/art" rel="nofollow" target="_blank">https://newbooksnetwork.supportingcast.fm/art</a>

durée : 01:27:12 - Les Nuits de France Culture - par : Albane Penaranda - Qu'est-ce qu'un grand cinéaste ? Sans doute celui qui sait filmer l'universel dans la singularité d'un peuple. En 1997, le cinéaste iranien Abbas Kiarostami obtient la Palme d'Or à Cannes pour "Le Goût de la Cerise". L'émission "Ciné-club" lui consacre un numéro la même année. - invités : Abbas Kiarostami Cinéaste

Abbas Kiarostami ou la vérité de la vie

על המועמדויות המפתיעות לאוסקר. ועל המחווה הנהדרת בסינמטקים לסרטיו של הבמאי האירני עבאס קיארוסטמי, ששש שנים אחרי מותו מתברר עד כמה הוא השפיע על היוצרים שבאו אחריו

Yair Raveh's Cinemascope on KZRadio

על המועמדויות המפתיעות לאוסקר. ועל המחווה הנהדרת בסינמטקים לסרטיו של הבמאי האירני עבאס קיארוסטמי, ששש שנים אחרי מותו מתברר עד כמה הוא השפיע על היוצרים שבאו אחריו

Cinemascope 326: The 2022 Oscar Nominations; Spencer; Abbas Kiarostami

mit Patrick Holzapfel &amp; Lucas BarwenczikAbbas Kiarostami gilt als einer der bedeutendsten Regisseure aller Zeiten. Trotzdem trauen sich manche nicht ganz an sein Werk ran. Aber ist es wirklich so schwer zugänglich? Darüber diskutieren Patrick Holzapfel (Jugend ohne Film), Lucas &amp; Christian.  Diese Folge wird präsentiert vom Streaming-Service LaCinetek, der alle Kiarostami-Filme, die wir besprechen, sowie sechs weitere in neuer Restauration im Programm hat! Schaut mal nach auf https://www.lacinetek.com/de. Zeitmarken: 00:00:00 - Abbas Kiarostami00:22:10 - Wo ist das Haus meines Freundes? (1987)00:55:28 - Der Geschmack der Kirsche (1997)01:27:40 - Ten (2002)01:50:48 - Fazit Unterstützung Wir freuen uns auch über Spenden per Paypal, dankeschön! Ihr findet CUTS natürlich auch auf Twitter, Facebook und Instagram und mich auf Letterboxd. Vielen Dank an alle Produzent*innen, die uns mit 5€ im Monat unterstützen! Jens Bahr, Buckaroo Banzai, Moritz Barthel, Timo Baudzus, Björn Becher, Marcel Behrmann, Hubert Biniak, Peter Bötsch, Tobias Breitwieser, Theodor Brodmann, Nikolas Ditz, Heiko Dörr, Jon Eden, Sarah Elipot, Stefan Elipot, Samuel Engel, Arne-Leonardo, Lisabeth Fulda, Timo Gerdau, Jörg Giese, Max Gilbert, Jonas Helmerichs, Volker Henze, Leon Herrmann, Jonathan Hilgenfeld, Dominic Hochholzer, Andre Hollstein, Jakob Jockers, Daniel Jürgens, Jonathan K, Michael Kandzia, Christian Kaufmann, Ralf Kienzler, Boris Klemkow, Sebastian Kump, Sven Kundler, Thomas Kustermann, Martin Leistner, Joseph Mayr, Sebo McPowers, Disappointed Miyazaki, Mareike Mössner, Mirko Muhshoff, Matthias Nauhaus, Marco Naujoks, Hans Olo, Pascal Päth, Nicolai Piuk, Klaus Plenz, Simon Popp, Philipp R., Alexander Sadlo, Michael Schill, Gerrit Schlaf, Martin Schober, Dominik Schröder, Katharina Maria Schubert, Nils Schuckenberg, Leon Schumacher, Timm Seestädt, Lukas Sieber, Andreas Siegmann, Louis Sir-Excel-Lot, Malte Springer, Eyk Stankiewicz, Thomas Stehle, Marius Stein, Valentin Tischer, Michael Urbanowicz, Tobias Walter, Philipp Watermann, Regula Weber, David Wieching, Florian Wittenbecher, Stefan Ziede, Christoph Zollner &amp; meine Oma :) (Wenn ihr nicht genannt werden wollt, schreibt mir!)

CUTS - Der kritische Film-Podcast

mit Patrick Holzapfel &amp; Lucas Barwenczik Abbas Kiarostami gilt als einer der bedeutendsten Regisseure aller Zeiten. Trotzdem trauen sich manche nicht ganz an sein Werk ran. Aber ist es wirklich so schwer zugänglich? Darüber diskutieren <a href="https://twitter.com/JugendohneFilm" rel="nofollow" target="_blank">Patrick Holzapfel</a> (Jugend ohne Film), <a href="http://twitter.com/kinomensch" rel="nofollow" target="_blank">Lucas</a> &amp; Christian. Diese Folge wird präsentiert vom Streaming-Service <a href="https://www.lacinetek.com/de" rel="nofollow" target="_blank">LaCinetek</a>, der alle Kiarostami-Filme, die wir besprechen, sowie sechs weitere in neuer Restauration im Programm hat! Schaut mal nach auf <a href="https://www.lacinetek.com/de" rel="nofollow" target="_blank">https://www.lacinetek.com/de</a>. Zeitmarken: 00:00:00 - Abbas Kiarostami 00:22:10 - Wo ist das Haus meines Freundes? (1987) 00:55:28 - Der Geschmack der Kirsche (1997) 01:27:40 - Ten (2002) 01:50:48 - Fazit Unterstützung Wir freuen uns auch über Spenden per <a href="https://www.paypal.me/pengcast" rel="nofollow" target="_blank">Paypal</a>, dankeschön! Ihr findet CUTS natürlich auch auf <a href="https://twitter.com/cuts_podcast" rel="nofollow" target="_blank">Twitter</a>, <a href="http://facebook.com/cutspodcast/" rel="nofollow" target="_blank">Facebook</a> und <a href="http://instagram.com/cutspodcast/" rel="nofollow" target="_blank">Instagram</a> und mich auf <a href="https://letterboxd.com/chr_eichler/" rel="nofollow" target="_blank">Letterboxd</a>. Vielen Dank an alle Produzent*innen, die uns mit 5€ im Monat unterstützen! Jens Bahr, Buckaroo Banzai, Moritz Barthel, Timo Baudzus, Björn Becher, Marcel Behrmann, Hubert Biniak, Peter Bötsch, Tobias Breitwieser, Theodor Brodmann, Nikolas Ditz, Heiko Dörr, Jon Eden, Sarah Elipot, Stefan Elipot, Samuel Engel, Arne-Leonardo, Lisabeth Fulda, Timo Gerdau, Jörg Giese, Max Gilbert, Jonas Helmerichs, Volker Henze, Leon Herrmann, Jonathan Hilgenfeld, Dominic Hochholzer, Andre Hollstein, Jakob Jockers, Daniel Jürgens, Jonathan K, Michael Kandzia, Christian Kaufmann, Ralf Kienzler, Boris Klemkow, Sebastian Kump, Sven Kundler, Thomas Kustermann, Martin Leistner, Joseph Mayr, Sebo McPowers, Disappointed Miyazaki, Mareike Mössner, Mirko Muhshoff, Matthias Nauhaus, Marco Naujoks, Hans Olo, Pascal Päth, Nicolai Piuk, Klaus Plenz, Simon Popp, Philipp R., Alexander Sadlo, Michael Schill, Gerrit Schlaf, Martin Schober, Dominik Schröder, Katharina Maria Schubert, Nils Schuckenberg, Leon Schumacher, Timm Seestädt, Lukas Sieber, Andreas Siegmann, Louis Sir-Excel-Lot, Malte Springer, Eyk Stankiewicz, Thomas Stehle, Marius Stein, Valentin Tischer, Michael Urbanowicz, Tobias Walter, Philipp Watermann, Regula Weber, David Wieching, Florian Wittenbecher, Stefan Ziede, Christoph Zollner &amp; meine Oma :) (Wenn ihr nicht genannt werden wollt, schreibt mir!)

#81 Special: Abbas Kiarostami

Um dos maiores nomes do cinema contemporâneo mundial, o diretor iraniano é conhecido pela poesia e pelo humanismo e por borrar as fronteiras entre realidade e ficção. Quatro filmes chegam à plataforma: Onde Fica a Casa do Meu Amigo? (1987), E a Vida Continua (1992), ABC África (2001) e Cinco (2003). Quem discute sua obra com Filippo Pitanga e Mariane Morisawa é o crítico, escritor, curador e professor Pablo Villaça, do site Cinema em Cena (cinemaemcena.com.br).   Facebook: Filippo Pitanga Mariane Morisawa Pablo Villaça @cinemaemcena  Instagram @filippopitangacritico @marianemorisawa @pablovillaca  Twitter @FilippoPitanga @mmorisawa @pablovillaca

Reserva Imovision

Um dos maiores nomes do cinema contemporâneo mundial, o diretor iraniano é conhecido pela poesia e pelo humanismo e por borrar as fronteiras entre realidade e ficção. Quatro filmes chegam à plataforma: Onde Fica a Casa do Meu Amigo? (1987), E a Vida Continua (1992), ABC África (2001) e Cinco (2003). Quem discute sua obra com Filippo Pitanga e Mariane Morisawa é o crítico, escritor, curador e professor Pablo Villaça, do site Cinema em Cena (<a href="http://cinemaemcena.com.br" rel="nofollow" target="_blank">cinemaemcena.com.br</a>).  Facebook: Filippo Pitanga Mariane Morisawa Pablo Villaça @cinemaemcena Instagram @filippopitangacritico @marianemorisawa @pablovillaca Twitter @FilippoPitanga @mmorisawa @pablovillaca

Ep. 23 – Coleção Abbas Kiarostami

Leweke, Ankewww.deutschlandfunkkultur.de, VollbildHören bis: 19. Januar 2038, 04:14Direkter Link zur Audiodatei

Vollbild

Leweke, Anke <a href="http://www.deutschlandfunkkultur.de" rel="nofollow" target="_blank">www.deutschlandfunkkultur.de</a>, Vollbild Hören bis: 19. Januar 2038, 04:14 <a href="https://podcast-mp3.dradio.de/podcast/2021/09/25/und_das_leben_geht_weiter_eine_retrospektive_fuer_abbas_drk_20210925_1541_923c2ee1.mp3" rel="nofollow" target="_blank">Direkter Link zur Audiodatei</a>