Paul Weller

For the first decade of the 2000s, I did a music series called Under the Influence.  That title then was "borrowed" by MTV for a similar series of their own. Cool. Now I see that the substitute title I choose in 2020  for the podcast version of that series, is being used as a series in an Irish newspaper! So, I am reasserting my ownership of the title and letting people hear again some of my favourite shows.  

HAUNTED – Alex the Astronaut OOH DO U FINK U R – Suggs & Paul Weller THE DRUMMER – Red Hot Chili Peppers JESUS FREAK LIGHTER – Blood Orange SECOND TIME – The GOA Express WHAT DID YOU DRAG ME INTO – Flamy Grant TOO MUCH FOR ONE (NOT ENOUGH FOR TWO) – Paul Heaton, Jaqui Abbott IT’S ABOUT BEING FREE REALLY – Brian Jonestown Massacre GOLD – The Lone Bellow I’M JUST HIGH – Pixey ARROW – Surf Curse VINES TO MAKE IT ALL WORTH IT – Runner FORTY MILES TO SATURDAY NIGHT – Paul Kelly PRESSURE COOKER – Dazy ANYWHERE – Madison Cunningham MOTHER LODE – Standstills w/Eagles of Deathmetal SWEET GUY – Vika Bull, Paul Kelly HANDS TO MYSELF – Myron Elkins YOU SAID IT ALL – Revivalists HIPPIES ON ACID – 7Horse FAMILY TIES – Mykki Bianco w/Michael Stipe KISMET- Michael head and Red Elastic Band 

HAUNTED – Alex the Astronaut OOH DO U FINK U R – Suggs & Paul Weller THE DRUMMER – Red Hot Chili Peppers JESUS FREAK LIGHTER – Blood Orange SECOND TIME – The GOA Express WHAT DID YOU DRAG ME INTO – Flamy Grant TOO MUCH FOR ONE (NOT ENOUGH FOR TWO) – Paul Heaton, Jaqui Abbott IT’S ABOUT BEING FREE REALLY – Brian Jonestown Massacre GOLD – The Lone Bellow I’M JUST HIGH – Pixey ARROW – Surf Curse VINES TO MAKE IT ALL WORTH IT – Runner FORTY MILES TO SATURDAY NIGHT – Paul Kelly PRESSURE COOKER – Dazy ANYWHERE – Madison Cunningham MOTHER LODE – Standstills w/Eagles of Deathmetal SWEET GUY – Vika Bull, Paul Kelly HANDS TO MYSELF – Myron Elkins YOU SAID IT ALL – Revivalists HIPPIES ON ACID – 7Horse FAMILY TIES – Mykki Bianco w/Michael Stipe KISMET- Michael head and Red Elastic Band 

Sup up your beer and collect your, um, elk bagels (???) and meet us down at The Eatin' Rifles, as we gab about one of the greatest artists of the O3L era, Paul Weller with the marvelous Terry Banks from Dot Dash! Terry followed The Jam's career in real time and counts them among his biggest influences. Brett is a Weller uber-fan, and Uncle Gregg is a casual fan who is diving deep into the Weller-hole.Whether it be with The Jam, The Style Council, or his long, prolific solo career, Paul Weller is an icon who has maintained a restlessly creative and unfathomably successful career for 45 years, racking up a staggering 65 Top 40 singles in the UK, including 21 Top 10’s, and 38 Top 10 albums, including his two most recent studio albums landing at #1. His career serves almost as a microcosm of pop culture - from Class of ‘77 punk rock to being the driving figure behind the ‘79 mod revival to the evolution and sophistication of British pop in the ‘80s by incorporating elements of soul, jazz, synth pop, rap and acid house to a solo career that found him sharing the charts with the Britpop artists he influenced, eventually settling into his current role as a rock n’ roll survivor who staunchly refuses to become a legacy act.In a recording career spanning more than 30 years, Terry Banks has played as/with St. Christopher, Tree Fort Angst, Glo-Worm, The Saturday People, Julie Ocean, and has released six albums to date with Dot Dash. We play a few cuts from Terry's past, plus a glimpse into the future, with a rough mix of a brand new track called "Space Junk, Satellites." Dot Dash's releases can be found on previous O3L guest Wally Salem's wonderful label The Beautiful Music...and thanks to Wally for making the introduction!#musicpodcast #musicpodcasts #podnation #thejam #paulweller #weller #stylecouncil #punkrock #sophistipop #heavysoul #70smusic #80smusic #90smusic #newwave #1stwave #classicalternative

Sam Fender sits down with Kyle Meredith to talk about Seventeen Going Under, his award winning and chart-topping sophomore album. The British heartland rocker tells us about the record looking at his own coming-of-age, how therapy influenced his writing, Paul Weller being a mentor, and the Oasis and Stone Roses fans that don’t like his music. Fender then discusses the moments in his life that made him a more socially conscious person, comparing his record with The Killers’ Pressure Machine, and the B-sides and deluxe edition songs that add more context to Seventeen Going Under. Make sure you like and subscribe to Kyle Meredith With… wherever you get your podcasts. Also follow the Consequence Podcast Network for updates on all our shows. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Percussion Discussion - Episode 67 - Max Beesley Joining me today is super talented Actor & Musician Max Beesley. You may have seen Max acting in many programmes such as Suits, Bodies, Mad Dogs, Homeland ,The History of Tom Jones and many many more.....However, we are here to talk about Max' remarkable talent as a Percussionist, Drummer, Pianist, Song Writer, Producer etc....Max has played for the likes of Incognito, TheBrand NewHeavies, Take That, Paul Weller, Omar, Robbie Williams and many more! Join Max and myself as we talk about Max's incredible career so far, from his early days attending the prestigious Cheethams School of music as a Chorister, onto getting the gig with Paul Weller on Keyboards & Percussion after a chance meeting with Paul's drummer Steve White.  We also chat about Max's latest solo album featuring a heavyweight rhythm section featuring 2 former Percussion Discussion guests Dr. Steve Gadd and Luis Conte on Drums and Percussion respectively. As well as Max on Vibraphone.  We had a fantastic conversation that is full of little gems, including a very late, and very last minute jam session with Omar and Stevie Wonder no less!  I hope you enjoy this chat as much as i enjoyed doing it! Max, i cant thank you enough for giving up your valuable time so generously!

Ed and Charlotte take a whirlwind tour through British culture with the man who’s been there, done that and seen it all – Dylan Jones. The irrepressible and legendary Dylan, who was at the helm of GQ for over two decades, is busier than ever with a new book and TV series on the '90s, another on Paul Weller, an exhibition of Dave Benett’s photographs, ‘Great Shot, Kid’, at J.D. Malat Gallery, and the jukebox musical he’s writing based on the music and lyrics of American songwriter Jimmy Webb. Listen in to hear his stories about David Bowie and his opinions on everything from the future of media to music. ‘Great Shot, Kid’ runs at JD Malat Gallery from 17th February till 8th March Produced by Audio Coast

From mod revivalist to Britpop overlord, the Modfather has been British rock royalty since the late 1970s.

To satisfy your desire for new sounds, we're checking in with Jack White’s Third Man Records for a round-up of the most exciting new singles and albums the label is releasing each month.

Rich would claim he hasn't picked a live album just to annoy Henry, but it's a handy by-product. Anyway, this is one of his first ever album purchases, and one close to his heart.  To listen to the music we discuss, go check out the playlist in Spotify: https://open.spotify.com/playlist/1gKX0gM7ObSPlI07hU8Z6g Drop us a line at: @imightbewronguk on Twitter and Facebook. Thanks to T-Toe for the intro music! Find his work at https://t-toe.bandcamp.com/