14 of The Best Podcast Episodes for J. S. Bach. A collection of podcasts episodes with or about J. S. Bach, often where they are interviewed.
14 of The Best Podcast Episodes for J. S. Bach. A collection of podcasts episodes with or about J. S. Bach, often where they are interviewed.
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My friend, and fellow violinist, Lindsey and I discuss music by the one and only Johann Sebastian Bach. Who knew music from the 1700s could sound so metal?
Paired with the Bijou because I wanted to talk about Chartreuse when Bach finally made an appearance on the podcast. 1.5 oz gin, .75 oz sweet vermouth, .75 oz green Chartreuse, two dashes orange bitters. Stir, pour into a chilled martini glass, garnish with an orange peel.
With special guest Lindsey Bordner
On Sunday, December 8, 2019 the Unity Temple Choir, soloists and the Bach Baroque Chamber Orchestra presented the Bach Magnificat in D major. This, one of J.S Bach's most performed works, features five soloists and a five part chorus, beginning and ending with exciting and challenging choral movements.
Bach, a master in setting Biblical texts, has crafted a work that shows wonderful attention to the meaning of Mary's Song of Praise (Luke I: 46-55), amplified by the various moods, textures and orchestral colors that engage the listener as Mary exults in being blessed to be the Mother of the Messiah.
In order to maintain the format of the worship service, three musical movements are not included in this performance.
The theme for December is what it means to be a people of awe. To read about our theme-based ministry, please visit http://www.unitytemple.org/faith.
If playlists had been available in the 18th century, Magna Sequentia IIwould undoubtedly have enjoyed an enthusiastic reception, with its varied track list embodying a theme of music by association. In her second of three Magna Sequentias, pianist Sonia Rubinsky leads with J. S. Bach’s Overture in the French Style and follows by building around it a grand suite of Bach’s dances for keyboard. The programme of 17 movements illustrates the different styles and expressive moods of Bach’s dance writing. Taken together, the collection is an international potpourri that blends the ornate and sophisticated French style, the more straightforward and virtuosic Italian style, and the stricter contrapuntal writing of the German style, with a touch of England thrown in for good measure. Raymond Bisha presents the introduction to this release.
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